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Peter G. (247 KP) rated Near Dark (1987) in Movies
Oct 30, 2019
Quite ingeniously keeping a large chunk of the actors carried over from the movie 'Aliens' this was one of the better modern day vampire movies.
One thing that you will notice straight off the bat and that's the budget which is incredibly low and it shows mainly through its lack of locations and lots of reasonably well written dialogue, what I dont get is this films rise to classic status.... it's ok at best considering its cast and i remember having watched it not being able work out if i liked it as much as others who raved about it.
I am and was a big fan of Bill Paxton however I felt he overcooked his role a little and went from hugely intimidating to a parody of most of the characters he has played over the years.
Adrian Pasdar who I believe is a versatile actor was the best thing in the movie.
I understand this movie has somewhat of a following, it's not one I find myself revisiting however, and Bigelow has gone on to create some very good films.
One thing that you will notice straight off the bat and that's the budget which is incredibly low and it shows mainly through its lack of locations and lots of reasonably well written dialogue, what I dont get is this films rise to classic status.... it's ok at best considering its cast and i remember having watched it not being able work out if i liked it as much as others who raved about it.
I am and was a big fan of Bill Paxton however I felt he overcooked his role a little and went from hugely intimidating to a parody of most of the characters he has played over the years.
Adrian Pasdar who I believe is a versatile actor was the best thing in the movie.
I understand this movie has somewhat of a following, it's not one I find myself revisiting however, and Bigelow has gone on to create some very good films.
Religion and Spanish Film: Luis Bunuel, the Franco Era, and Contemporary Directors
Book
Treatments of religion found in Spanish cinema range from the pious to the anticlerical and...
Mrs. Weber's Omnibus
Book
In May 1977 Posy Simmonds, an unknown young illustrator, started drawing a weekly comic strip for...
The Chosen Ones
Steve Sem-Sandberg and Anna Paterson
Book
The Am Spiegelgrund clinic, in glittering Vienna, masqueraded as a well-intentioned reform school...
How to Live with a Huge Penis
Book
For generations, conventional wisdom stated that you could never sell a book with 'penis' in the...
CC
Cold Comfort Farm: A BBC Radio 4 Full-Cast Dramatisation
Full Cast, Miriam Margolyes, Stella Gibbons and Elizabeth Proud
Book
Patricia Gallimore and Miriam Margolyes star in this BBC Radio 4 full-cast dramatisation of the...
Sarah (7800 KP) rated Robin Hood: Men in Tights (1993) in Movies
Jul 29, 2020
Probably the best Robin Hood film?
Let's be honest, Robin Hood has been done on screen more times than we can count & potentially aside from the animated Disney film, it's probably safe to say Men in Tights is by far the best Robin Hood film out there.
They don't make films like this anymore. It looks terrible, and well that's the point. You really can't beat a good spoof/parody. Cary Elwes makes a wonderful Robin Hood (with a English accent as the film so rightly points out) and the rest of the cast too camp it up to the max. Admittedly this film hasn't aged particularly well and some of the humour isn't quite as funny as I remember, but you can't go wrong with a Mel Brooks film. Man is a genius and the fact that he also appears as Rabbi Tuckman is a brilliant move. Also the Men in Tights song is absolutely hilarious.
It really is a shame they dont make films like this anymore as they'd make the world of cinema a brighter and happier place. Need more writers like Mel Brooks that's for sure!
They don't make films like this anymore. It looks terrible, and well that's the point. You really can't beat a good spoof/parody. Cary Elwes makes a wonderful Robin Hood (with a English accent as the film so rightly points out) and the rest of the cast too camp it up to the max. Admittedly this film hasn't aged particularly well and some of the humour isn't quite as funny as I remember, but you can't go wrong with a Mel Brooks film. Man is a genius and the fact that he also appears as Rabbi Tuckman is a brilliant move. Also the Men in Tights song is absolutely hilarious.
It really is a shame they dont make films like this anymore as they'd make the world of cinema a brighter and happier place. Need more writers like Mel Brooks that's for sure!
David McK (3773 KP) rated The Truth (Discworld, #25; Industrial Revolution, #2) in Books
Sep 11, 2022
The Truth shall set you Fret!
<2022 update>
Still as good as ever!
<original review below>
So, over the weekend I watched a BBC documentary about the late, great, Sir Terry Pratchett (Terry Pratchett: Back in Black) as part of which they brought up the fact that his earliest job had been as a reporter for his local paper (and saw his first corpse a few hours later, work experience meaning something in those days ...) .
Experience that shows in this novel.
The second of the so-called Industrial Revolutions (after Moving Pictures) sub-series of the Discworld novels, this is - IMO - the first to really get into the meat of said revolution, and concerns itself with Ankh-Morporks first newspaper, alongside a plot to depose the Patrician - a character, I feel, who (whilst mostly in the background in the earlier novels) comes more to the fore in this, as do the likes of Foul Ol' Ron, Coffin Henry, The Duck Man and Gaspode
Of course, it wouldn't be a Pratchett novel without a generous portion of puns running alongside the satire, parody and memorable characters (such as, say, Otto von Chriek: the vampire with a thing for flash photography ...)
Still as good as ever!
<original review below>
So, over the weekend I watched a BBC documentary about the late, great, Sir Terry Pratchett (Terry Pratchett: Back in Black) as part of which they brought up the fact that his earliest job had been as a reporter for his local paper (and saw his first corpse a few hours later, work experience meaning something in those days ...) .
Experience that shows in this novel.
The second of the so-called Industrial Revolutions (after Moving Pictures) sub-series of the Discworld novels, this is - IMO - the first to really get into the meat of said revolution, and concerns itself with Ankh-Morporks first newspaper, alongside a plot to depose the Patrician - a character, I feel, who (whilst mostly in the background in the earlier novels) comes more to the fore in this, as do the likes of Foul Ol' Ron, Coffin Henry, The Duck Man and Gaspode
Of course, it wouldn't be a Pratchett novel without a generous portion of puns running alongside the satire, parody and memorable characters (such as, say, Otto von Chriek: the vampire with a thing for flash photography ...)
Bob Mann (459 KP) rated The Happytime Murders (2017) in Movies
Sep 28, 2021
Why did some muppet green light this?
Man, this is grim.
The Happytime Murders is set in LA where puppets and humans live together but without much harmony, in a somewhat clumsy parody of racism. In this setting Phil Philips (voiced by Muppets regular Bill Barretta) is a disgraced ex-cop puppet – the first of his kind -drummed out of the force for an indiscretion and now making ends meet as a PI.
But someone is progressively bumping off members of “Happy Time” – an old muppet-style show on the Puppet Television Network featuring Phil’s old flame Jenny (Elizabeth Banks). When a murder hits home close to Pete, he teams with his old police partner Connie (Melissa McCartney) to catch the murderer.
One problem with this film is that the concept – rude puppets – is not new: “Avenue Q” have done this way better on stage and “Team America: World Police” on film. So from the outset the content doesn’t really shock. But the worst problem is that for adults, the screenplay by Todd Berger is just NOT FUNNY ENOUGH. It’s a bad sign when you can count the moments you moved from a smile to a light chuckle on one hand: just three times in fact (with the silly string scene, with the wringing-out scene (“look away”) and with a parody of a famous interrogation scene).
So, based on the ‘laffs-per-minute’ count, this is 90 minutes of my life I’d like back please. Actually, if you cut out the regular swearing and came up with a suitable story about silly string, then – cartoon puppet violence and all – the kids might enjoy it much more!
The only other mildly entertaining aspect for me – which grudgingly earns it an extra half Fad – were the closing titles that showed how some of it was filmed.
McCarthy delivers much of the same shtick we’ve seen from her in all of her recent movie outings, which doesn’t really wash well with me anymore. Banks is good as the love interest Jenny, but has little to do.
It’s directed by Brian Henson, son of the late and great Jim Henson. I’m all for “experiments”, and I notice that this was released under the “Henson Alternative” brand, which is perhaps appropriate, but some experiments work and some just don’t. I personally think this is one that doesn’t extend the Henson brand and needs to be quietly forgotten with a line drawn under it.
Definitely NOT recommended. If someone asks you to go to the cinema with them to see this, tell them to get stuffed!
The Happytime Murders is set in LA where puppets and humans live together but without much harmony, in a somewhat clumsy parody of racism. In this setting Phil Philips (voiced by Muppets regular Bill Barretta) is a disgraced ex-cop puppet – the first of his kind -drummed out of the force for an indiscretion and now making ends meet as a PI.
But someone is progressively bumping off members of “Happy Time” – an old muppet-style show on the Puppet Television Network featuring Phil’s old flame Jenny (Elizabeth Banks). When a murder hits home close to Pete, he teams with his old police partner Connie (Melissa McCartney) to catch the murderer.
One problem with this film is that the concept – rude puppets – is not new: “Avenue Q” have done this way better on stage and “Team America: World Police” on film. So from the outset the content doesn’t really shock. But the worst problem is that for adults, the screenplay by Todd Berger is just NOT FUNNY ENOUGH. It’s a bad sign when you can count the moments you moved from a smile to a light chuckle on one hand: just three times in fact (with the silly string scene, with the wringing-out scene (“look away”) and with a parody of a famous interrogation scene).
So, based on the ‘laffs-per-minute’ count, this is 90 minutes of my life I’d like back please. Actually, if you cut out the regular swearing and came up with a suitable story about silly string, then – cartoon puppet violence and all – the kids might enjoy it much more!
The only other mildly entertaining aspect for me – which grudgingly earns it an extra half Fad – were the closing titles that showed how some of it was filmed.
McCarthy delivers much of the same shtick we’ve seen from her in all of her recent movie outings, which doesn’t really wash well with me anymore. Banks is good as the love interest Jenny, but has little to do.
It’s directed by Brian Henson, son of the late and great Jim Henson. I’m all for “experiments”, and I notice that this was released under the “Henson Alternative” brand, which is perhaps appropriate, but some experiments work and some just don’t. I personally think this is one that doesn’t extend the Henson brand and needs to be quietly forgotten with a line drawn under it.
Definitely NOT recommended. If someone asks you to go to the cinema with them to see this, tell them to get stuffed!