"I was excited that I had the chance to sing something in [happythankyoumoreplease]. I did a lot when I was younger and I haven’t in such a long time, but I grew up doing musicals and musical theater. That was my real passion and I soon as I started doing films, when I was 14, I did less. I would love to do movie musicals or Broadway. [A music biopic] would be a dream of mine… that leads into my favorite movies. Coal Miner’s Daughter is my all-time favorite movie. A lot of that has to do with that’s just a dream sort of ideal role for me. I love country music. I love the idea of playing a country singer and the whole thing, I love it. And I love Sissy Spacek. So yeah, that’s one of my favorites."

"I learned over the years – by meeting legitimate jazz musicians who knew Mezzrow and the people he wrote about in the book – that this memoir was filled with apocryphal stories. But it had a great impact on me because I was learning to be a jazz clarinet player, like Mezzrow, and learning to play the idiom of music that he and Bernard Wolfe wrote about. The story, while probably just a lot of junk, was compelling for me because it was about many musicians whose work I knew and admired and the ins and outs of jazz joints that I knew about and the legendary songs that were played in the legendary nightclubs. So I had a great time reading it when my own jazz passion was forming. But I know it's not a very good or even a very honest book."

"Crazy Love—A Double Bill Not for the Faint of Heart: On the face, Senso’s operatic melodrama and the pornographic explicitness of In the Realm of the Senses make for an odd coupling, but both serve up powerfully extreme and provocative portrayals of love run amok. Exquisitely photographed and scored, both are tales of unbridled passion and lust told against backdrops of political and social turmoil. Both end with women gone mad, consumed by obsessive love that destroys their men, who both die at their lovers’ hands. Luchino Visconti and Nagisa Oshima are filmmakers of deeply different sensibilities and concerns, of course, and the meaning and import of their stories are utterly divergent. Senso is an opulent, chilling tragedy of individuals bound in their lives and times. In the Realm of the Senses is transcendental; in death, love is forever."

"Crazy Love—A Double Bill Not for the Faint of Heart: On the face, Senso’s operatic melodrama and the pornographic explicitness of In the Realm of the Senses make for an odd coupling, but both serve up powerfully extreme and provocative portrayals of love run amok. Exquisitely photographed and scored, both are tales of unbridled passion and lust told against backdrops of political and social turmoil. Both end with women gone mad, consumed by obsessive love that destroys their men, who both die at their lovers’ hands. Luchino Visconti and Nagisa Oshima are filmmakers of deeply different sensibilities and concerns, of course, and the meaning and import of their stories are utterly divergent. Senso is an opulent, chilling tragedy of individuals bound in their lives and times. In the Realm of the Senses is transcendental; in death, love is forever."