"Through a Window – the sequel to In the Shadow of Man – was written in Bournemouth, in my little attic room at the top of the house. One thing I remember vividly – I was using a laptop by this time. I had just finished the chapter on mothers and infants – all those so loved chimpanzees such as Flo, Olly, Melissa, Passion and so on. I was preparing to go and join my family who were sitting on the lawn on a beautiful summer evening. And I pressed the delete button by mistake! And I could not retrieve it. I felt like bursting into tears, or shouting and screaming. But I had spent the last few hours in a very good place. The ideas and words had come together. So I took a deep breath and started the chapter again. I spent two more hours writing really fast. Completed the whole chapter – and I think it was even better than before!"

"When I first heard Ariel Pink, I was very homesick for LA and was kind of depressed and miserable in the Midwest, which I love, I should add. It had nothing to with the Midwest: it was just the circumstances. This record was one of many things that reminded me that I needed to come back home to LA. There was something about the sound, the love for moving around, both physically and within the music, the sense that you could go wherever you wanted to go in terms of melodies and harmonies. I totally related to the freedom, the crazy characters that are in the songs. I had started recording and I found myself really interested in his passion for building characters in songs. I love his music to this day because he does that so well. Again, it was important for me at a particular time and it continues to be."