"I first came across Donna about four months ago through this live session I found online. It’s just her, a guitar player and a drummer and it just fucking went off in my mind when I saw it. It’s been a while since I’d heard a voice that made me think ""Fuck me..."" and there's something about the way she performs that you can't help but be enamoured by. “She’s absolutely wild. I went hunting through her live sessions because I couldn't believe how good it was, but she's note perfect every time. Her album This Time came out last year and all the songs are incredible. There's another song of hers called ‘Jupiter’ that's almost got a Drive soundtrack vibe to it. “You can't take your eyes off her when she performs because she's overflowing with passion. She's got a voice that’s like being punched in the face in the best possible way, it's so powerful and it knocks you back. The whole album is incredible but ‘Keep Lying’ just does something to me. She’s one of the best voices around at the moment, 100 per cent. There's something to be said about a song that hits so hard every time you listen to it."

"I also loved Madeline L’Engle’s “A Wrinkle in Time.” My introduction to it was by my fifth grade teacher, Mr. Jeness, who read it aloud to us in class, a chapter at a time. Each day I could hardly wait for him to begin reading. I very closely identified with the heroine, Meg Murry, a girl who felt extremely disenfranchised in her world. She was physically awkward – skinny, with glasses and braces and crazy hair – felt socially inept, and was close only to her very brilliant, but very strange baby brother, Charles Wallace. Their father, a scientist, has been missing for some time – and one night the crazy ladies next door (witches, presumably – science fiction witches) prevail upon the children, and their friend, Calvin to “tesseract” through time and space to rescue Meg’s father. When they reach the planet where their father is held captive, they discover that it is a place where there is no free will, and beings are governed by a tyrannical “IT” a pulsing, logical brain that insists on conformity. Meg triumphs at the end, by using her illogical self – her passion for language, her emotional heart, and her tremendous love for her family. She saves them using only her awkward, non-conforming self as a weapon."