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ClareR (5955 KP) rated The Island of Missing Trees in Books
Sep 28, 2021
How come this is only the first book I’ve read by Elif Shafak?! This is a book full of heart, feeling and imagination - it’s just beautiful. The Island of Missing Trees has taught me far more about what happened in Cyprus and the war/ dispute between Cypriots and the Turkish invasion.
There’s a feel of Romeo and Juliet about this: a Greek-Cypriot boy (Kostas), and a Turkish-Cypriot girl (Defne) fall in love - something forbidden in the climate they’re living in. They meet in secret in a tavern that has a fig tree growing through the centre of it. This is a significant tree - it’s one of the main narrators of this story. And what a story it has to tell. It talks about the natural world in which it lives, the humans that it comes into contact with, the conflict it lives through, the sorrow, the loss.
This book describes the fracturing of a country, people forced to leave the country they love. Kostas is one of these people. He moves to London to live with his uncle, but he never seems to feel as though he fits in in there. He does follow his passion though, and becomes an expert in Natural History: the trees and plants around him, around the world, and in his native Cyprus. Which is what brings him and Defne back together, and reunites them with the fig tree.
The three of them return to London together, all cast adrift from their homeland.
Later, Kostas and Defne’s daughter carries this feeling of not quite belonging as well, but her father doesn’t seem to be able to give her what she needs. She knows nothing of her roots: she has no contact with her Cypriot family - until the day her aunt arrives.
The way that Shafak writes about loss and the pain of loss is visceral, but there’s a great deal of hope and the promise of healing. This book just has it all. I was completely enveloped in this story, and I’ve been left with a pressing need to read everything else that Elif Shafak has written!
Many thanks to Jellybooks and Penguin for providing me with a copy of this book to read.
There’s a feel of Romeo and Juliet about this: a Greek-Cypriot boy (Kostas), and a Turkish-Cypriot girl (Defne) fall in love - something forbidden in the climate they’re living in. They meet in secret in a tavern that has a fig tree growing through the centre of it. This is a significant tree - it’s one of the main narrators of this story. And what a story it has to tell. It talks about the natural world in which it lives, the humans that it comes into contact with, the conflict it lives through, the sorrow, the loss.
This book describes the fracturing of a country, people forced to leave the country they love. Kostas is one of these people. He moves to London to live with his uncle, but he never seems to feel as though he fits in in there. He does follow his passion though, and becomes an expert in Natural History: the trees and plants around him, around the world, and in his native Cyprus. Which is what brings him and Defne back together, and reunites them with the fig tree.
The three of them return to London together, all cast adrift from their homeland.
Later, Kostas and Defne’s daughter carries this feeling of not quite belonging as well, but her father doesn’t seem to be able to give her what she needs. She knows nothing of her roots: she has no contact with her Cypriot family - until the day her aunt arrives.
The way that Shafak writes about loss and the pain of loss is visceral, but there’s a great deal of hope and the promise of healing. This book just has it all. I was completely enveloped in this story, and I’ve been left with a pressing need to read everything else that Elif Shafak has written!
Many thanks to Jellybooks and Penguin for providing me with a copy of this book to read.
Merissa (13197 KP) rated Fire & Ice (Faerie Song Trilogy #1) in Books
Apr 12, 2023
When we first meet Lorelei she is quiet and unassuming, trying hard to remain that way as she works in her (deceased) Gran's cafe. However, things quickly start moving along as she invokes the wrath of a cheerleader who is dating her best friend, a boy appears out of nowhere and insinuates himself into her life (and she's completely okay with that) and we won't even get to the fact that when she was younger she thinks she did a deal with some sort of angel, except he had black raven's feathers on his wings, and he now controls her singing voice.
There is such a lot going on in this book and that is just the beginning. It all changes when she falls into Adrius' world and discovers that nothing is what it seems. I have to say that for someone who gives the impression of being unassuming in the 'normal' world, she certainly has a lot to say in a world she knows nothing about. I liked Lorelei but I did find her annoying at times with her 'quick wit' and complete disregard for anyone's opinion other than her own. And don't even get me started on how she can't do as she's told! Like I said, quiet and unassuming?!
The relationship between Lorelei and Adrius is complicated, to say the least, and certainly lives up to the title of the book. There is intensity and passion, along with a frisson of the forbidden. There is also, however, a strong hint of a love triangle which I'm really hoping doesn't come to anything. There is enough going on, and they have enough against them, without the need for a triangle. This would just add something completely unnecessary in my opinion but then I'm not a big fan of them anyway.
On the whole, this is a fast-paced, action-packed fantasy novel that starts off a new series with oomph. Definitely recommended to all YA Fantasy fans out there.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 27, 2016
There is such a lot going on in this book and that is just the beginning. It all changes when she falls into Adrius' world and discovers that nothing is what it seems. I have to say that for someone who gives the impression of being unassuming in the 'normal' world, she certainly has a lot to say in a world she knows nothing about. I liked Lorelei but I did find her annoying at times with her 'quick wit' and complete disregard for anyone's opinion other than her own. And don't even get me started on how she can't do as she's told! Like I said, quiet and unassuming?!
The relationship between Lorelei and Adrius is complicated, to say the least, and certainly lives up to the title of the book. There is intensity and passion, along with a frisson of the forbidden. There is also, however, a strong hint of a love triangle which I'm really hoping doesn't come to anything. There is enough going on, and they have enough against them, without the need for a triangle. This would just add something completely unnecessary in my opinion but then I'm not a big fan of them anyway.
On the whole, this is a fast-paced, action-packed fantasy novel that starts off a new series with oomph. Definitely recommended to all YA Fantasy fans out there.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 27, 2016
Lyndsey Gollogly (2893 KP) rated Hellbound Warrior (Dark Warrior Alliance #8) in Books
Nov 13, 2021
188 of 250
Kindle
Hellbound Warrior ( Dark Warrior Alliance book 8 )
By Brenda Trim and Tami Julka
Once read a review will be written via Smashbomb and link posted in comments
Rhys O'Morda finds himself at the mouth of Hell after swearing he would never go back. When the archdemon, Kadir, steals the Goddess' powerful Triskele Amulet, Rhys is left with the fate of the world resting on his shoulders. Cursing his birthright, he sets out to tackle the nine circles of the Underworld. Facing rivers of fire, freezing rains, soul-sucking creatures and his inner weaknesses is nothing compared to coming face to face with his Fated Mate. His biggest challenge isn't passing the tests of each circle in Hell, but trying to win his mate's heart. In a cruel twist of fate, his other half isn't bound by the same force and has to consciously choose him. Problem is she loathes demons. Will he be able to win his angel over or be forced to let her go and live for eternity without her? Illianna has every reason to despise everything related to demons and the Underworld. Once an angel of happiness, she has been a prisoner in Hell for a hundred years, forced to perform vile acts that leave a dark stain on her soul. Her prayers fall on deaf ears day after day and she is on the cusp of giving up when the sexy, impossible and arrogant cambion, Rhys, rescues her from his father's clutches. She will do anything to get back to heaven and her wings, even partner with Rhys and his fellow warriors. Yet, her attraction to the exquisite Dark Warrior challenges every barrier she has set. Having the passion she craves comes with a high price tag, including complete and unconditional surrender.
I really enjoyed the boys trip to Hell and I think Illianna is my favourite mate yet! I love her and can just picture those beautiful wings!
This series is great if you like Dark Hunters crossed with the Black Dagger brothers.
We are on book 8 and can’t wait to see what book 9 brings.
Kindle
Hellbound Warrior ( Dark Warrior Alliance book 8 )
By Brenda Trim and Tami Julka
Once read a review will be written via Smashbomb and link posted in comments
Rhys O'Morda finds himself at the mouth of Hell after swearing he would never go back. When the archdemon, Kadir, steals the Goddess' powerful Triskele Amulet, Rhys is left with the fate of the world resting on his shoulders. Cursing his birthright, he sets out to tackle the nine circles of the Underworld. Facing rivers of fire, freezing rains, soul-sucking creatures and his inner weaknesses is nothing compared to coming face to face with his Fated Mate. His biggest challenge isn't passing the tests of each circle in Hell, but trying to win his mate's heart. In a cruel twist of fate, his other half isn't bound by the same force and has to consciously choose him. Problem is she loathes demons. Will he be able to win his angel over or be forced to let her go and live for eternity without her? Illianna has every reason to despise everything related to demons and the Underworld. Once an angel of happiness, she has been a prisoner in Hell for a hundred years, forced to perform vile acts that leave a dark stain on her soul. Her prayers fall on deaf ears day after day and she is on the cusp of giving up when the sexy, impossible and arrogant cambion, Rhys, rescues her from his father's clutches. She will do anything to get back to heaven and her wings, even partner with Rhys and his fellow warriors. Yet, her attraction to the exquisite Dark Warrior challenges every barrier she has set. Having the passion she craves comes with a high price tag, including complete and unconditional surrender.
I really enjoyed the boys trip to Hell and I think Illianna is my favourite mate yet! I love her and can just picture those beautiful wings!
This series is great if you like Dark Hunters crossed with the Black Dagger brothers.
We are on book 8 and can’t wait to see what book 9 brings.
Merissa (13197 KP) rated The Touch (The Cotiere Chronicles, #2) in Books
Dec 17, 2018 (Updated May 17, 2023)
I adored book one in this series, and book 2 is continuing that trend. I love the world that Michelle Bolanger has given us, filled with rich traditions, love, passion, romance, and honour; but also cruelty, abuse, and those that take advantage of situations and let bitterness rule them.
Alexander and Jessi are meant to be together, it's just Jessi has serious 'reservations,' so much so that for that reason (and others) she runs away and tries to disappear. She does a very good job too, and Alexander spends thousands of dollars trying to locate her. When they finally meet, fireworks explode. The story then takes a humorous, sad, and at times heartbreaking, turn as Alexander tries to find out just why Jessi is so scared.
Full of tender moments, this book sweeps you along to the conclusion, leaving you wanting to know the ending, but also dreading it at the same time as you don't want it to end. I will just add here that when the story behind Jessi's mum and dad came out, I actually started to feel sorry for him, thinking that he was the injured party. However, when she meets him and he opens his mouth, I quickly returned to my original feelings towards him. Read it for yourself, you'll see why.
This story came to the perfect ending for Alexander and Jessi, and I can't wait to see where their story takes them. I loved the cameo performance from Leisl and Koen, although I wish it could have been under better circumstances. I know that they will be okay though!!! The final thing I will add is that Michelle Bolanger's characters are so lifelike that even during a couple of pages of an epilogue, you will connect with a character and feel sorrow for them. I can't wait for the next book and the rollercoaster journey I know I will be taken on. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 19, 2016
Alexander and Jessi are meant to be together, it's just Jessi has serious 'reservations,' so much so that for that reason (and others) she runs away and tries to disappear. She does a very good job too, and Alexander spends thousands of dollars trying to locate her. When they finally meet, fireworks explode. The story then takes a humorous, sad, and at times heartbreaking, turn as Alexander tries to find out just why Jessi is so scared.
Full of tender moments, this book sweeps you along to the conclusion, leaving you wanting to know the ending, but also dreading it at the same time as you don't want it to end. I will just add here that when the story behind Jessi's mum and dad came out, I actually started to feel sorry for him, thinking that he was the injured party. However, when she meets him and he opens his mouth, I quickly returned to my original feelings towards him. Read it for yourself, you'll see why.
This story came to the perfect ending for Alexander and Jessi, and I can't wait to see where their story takes them. I loved the cameo performance from Leisl and Koen, although I wish it could have been under better circumstances. I know that they will be okay though!!! The final thing I will add is that Michelle Bolanger's characters are so lifelike that even during a couple of pages of an epilogue, you will connect with a character and feel sorrow for them. I can't wait for the next book and the rollercoaster journey I know I will be taken on. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 19, 2016
The Demon Bodyguard
10.0
Rate It
Book
A fateful assignment leads to one fated mate! Zeke My brother, Mal, might have been happy to...
RəX Regent (349 KP) rated The Passion of Joan of Arc (1928) in Movies
Feb 19, 2019
Silent cinema is not my strongest subject but one which I have been making a concerted effort to learn about over the past decade, but admittedly at a slow pace. The idea of sitting through a silent film can seem to be chore to a modern audience and to be honest, it can be inconceivable to the vast majority, but these attitudes only serve to deprive us of 30 years of cinema, both in primitive evolution and cinematic excellence.
The notion is that silent movies where almost amateurish is style, a three decade long film school to keep up occupied until the Talkies turned up and “film” as we know it, was born. This is wrong. Film is visual medium, Movies, moving pictures, all of which were accompanied by music by the way, so the term “silent” only really refers to the lack of synchronized sound and dialogue.
ydvjeYet, the core of film is visual. Modern cinema is a about perfecting the mesh of media forms, music, photography, narrative and sound. But without dialogue, silent movies had a challenge on their hands and one which The Passion Of Joan Of Arc, one of the last silent movies of the era, rose to perfectly.
Visually, this could have been made yesterday. A truly timeless blend of artistic and innovative cinematography, fast paced editing and outstanding performances. The Danish director, Carl Theodore Dreyer mastered the close up, naturalistic acting and manages to tell the procedural story of the trial of Joan Of Arc in such a gripping manner that you will forget that there is no spoken dialogue, yet you are literally putting the intertitles in to the mouths of the cast.
Not a single cast member is wasted, with every one pouring their hearts and souls in to the camera in such nuanced ways that it can be left to debate and interpretation as to exactly who is thinking or feeling what as Joan, Maria Falconetti in her third and final film role, steals the screen with her tortured soul and face shown almost entirely in close up.
the-passion-of-joan-of-arc-large-pictureOver acting has given way to strong acting, each shot designed to allow us access to her soul as she, in a plot not to dissimilar from the last hours of Jesus Christ, is torn between torture and certain death of abandoning her faith and spending the rest of her life imprisoned with only bread and water to look forward too.
The script is based on the actually accounts of the future saint’s trial in 1431 but the real events took place over 18 months whilst this either compresses this into one day or takes place on the last one, but the feeling is that this is the one and only trial of Joan so in that sense, theatrical licence has been taken but it hardly matters. The facts are present and the story is harrowing, made more so by an almost perfect production, led by a controversial, almost Kubrickian director, forcing his cast to suffer for their art, yet this version of events is also contested.
joan-of-arc-soundtrackFor everyone out there who believes that Silent movies are just cut to the chase comedies, or overly flamboyant and patronising filler until “real films” are made, this may just serve as wake up call, that films have evolved, but Sound would actually set the industry back in the 1930’s, as the new audio based art form evolved just as movies had up until this point., but Joan Of Arc should help all see that film has always been able to convey anything, from humour to horror; Real of make-believe.
Many believe that this movie is one of the best ever made and I do believe that to be true. An outstanding and forgotten film to all but critics and film buffs, one which everyone should see.
VERSION
The version which I watched was The Criterion Edition of the 1985 restoration of Dreyer’s “Lost” original cut. The music to this film was never deemed to be that important so there are several compositions which have been attached to the film over the years.
The “Lo Duca” cut, which was the a 61 minute version (1951) doing the rounds for years after the original cut was lost in a fire soon after the film’s release, was cut together by Joseph-Marie Lo Duca after discovering a negative in a vault. This version, as well as the “Director’s Cut” are both available on the Blu-ray, whilst it appeared that the 1985 restoration (Director’s Cut) is more widely available on DVD.
The notion is that silent movies where almost amateurish is style, a three decade long film school to keep up occupied until the Talkies turned up and “film” as we know it, was born. This is wrong. Film is visual medium, Movies, moving pictures, all of which were accompanied by music by the way, so the term “silent” only really refers to the lack of synchronized sound and dialogue.
ydvjeYet, the core of film is visual. Modern cinema is a about perfecting the mesh of media forms, music, photography, narrative and sound. But without dialogue, silent movies had a challenge on their hands and one which The Passion Of Joan Of Arc, one of the last silent movies of the era, rose to perfectly.
Visually, this could have been made yesterday. A truly timeless blend of artistic and innovative cinematography, fast paced editing and outstanding performances. The Danish director, Carl Theodore Dreyer mastered the close up, naturalistic acting and manages to tell the procedural story of the trial of Joan Of Arc in such a gripping manner that you will forget that there is no spoken dialogue, yet you are literally putting the intertitles in to the mouths of the cast.
Not a single cast member is wasted, with every one pouring their hearts and souls in to the camera in such nuanced ways that it can be left to debate and interpretation as to exactly who is thinking or feeling what as Joan, Maria Falconetti in her third and final film role, steals the screen with her tortured soul and face shown almost entirely in close up.
the-passion-of-joan-of-arc-large-pictureOver acting has given way to strong acting, each shot designed to allow us access to her soul as she, in a plot not to dissimilar from the last hours of Jesus Christ, is torn between torture and certain death of abandoning her faith and spending the rest of her life imprisoned with only bread and water to look forward too.
The script is based on the actually accounts of the future saint’s trial in 1431 but the real events took place over 18 months whilst this either compresses this into one day or takes place on the last one, but the feeling is that this is the one and only trial of Joan so in that sense, theatrical licence has been taken but it hardly matters. The facts are present and the story is harrowing, made more so by an almost perfect production, led by a controversial, almost Kubrickian director, forcing his cast to suffer for their art, yet this version of events is also contested.
joan-of-arc-soundtrackFor everyone out there who believes that Silent movies are just cut to the chase comedies, or overly flamboyant and patronising filler until “real films” are made, this may just serve as wake up call, that films have evolved, but Sound would actually set the industry back in the 1930’s, as the new audio based art form evolved just as movies had up until this point., but Joan Of Arc should help all see that film has always been able to convey anything, from humour to horror; Real of make-believe.
Many believe that this movie is one of the best ever made and I do believe that to be true. An outstanding and forgotten film to all but critics and film buffs, one which everyone should see.
VERSION
The version which I watched was The Criterion Edition of the 1985 restoration of Dreyer’s “Lost” original cut. The music to this film was never deemed to be that important so there are several compositions which have been attached to the film over the years.
The “Lo Duca” cut, which was the a 61 minute version (1951) doing the rounds for years after the original cut was lost in a fire soon after the film’s release, was cut together by Joseph-Marie Lo Duca after discovering a negative in a vault. This version, as well as the “Director’s Cut” are both available on the Blu-ray, whilst it appeared that the 1985 restoration (Director’s Cut) is more widely available on DVD.
Suswatibasu (1703 KP) rated Her Body and Other Parties: Stories in Books
Nov 22, 2017 (Updated Nov 22, 2017)
Good writing but fairly disappointing
Her Body and Other Parties is like most short story collections I have read in that some of the stories worked for me far more than others.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Haley Mathiot (9 KP) rated The Murder of King Tut in Books
Apr 27, 2018
THE MURDER OF KING TUT—THE PLOT TO KILL THE CHILD KING (Audio Book) by James Patterson and Martin Dugard, read by Joe Barrett
Genre: non-fiction thriller
Rating: 4.5/5
Summary: James Patterson tells a story in three parts—one part, the mysterious death of King Tut, the second part the discovery of his tomb by Carter, and the third part his writing, own exploration, research, and discovery of the elusive history of the boy king.
Thoughts: This is one of the best James Patterson books I’ve ever read (listened too). JP has taken an age old mystery and solved it. Yes, it appears as though the mystery of Tut is mystery no more. This book is very alive, even though the plot revolves around a murder. I felt like I was standing right there, watching it all take place. At times, I felt like the characters themselves. This was an amazing escape from reality.
Characters (5/5): Characters should be relatable for a book to be enjoyable, and the characters in Tut’s world were wonderful. They were highly developed right away, and were the kind that either you routed for or hated with a passion.
Writing (4/5/5): James is an awesome writer. I always love reading his work because it’s so lyric. His words flow smoothly and he doesn’t overuse too many phrases (though several “waves” of various things did “wash over” many people).
Content (4/5): There was barely any language in this book, which was a nice change of JP’s work. It wasn’t necessary, either. It just goes to show that the point can be made—and made well—without filthy language. There was a little bit of sex but it wasn’t too graphic, nor was it frequent.
Reader (4/5): I really liked the voice of the reader for this book. I’ve heard some pretty awful ones before, I’ll say that much right now! But Joe’s voice was perfect for this book. The only thing I didn’t like were the voices he put with the characters—the accents were pretty lousy, and when he put on a “fake” voice for the child characters, it just sounded a little silly. I was glad when Tut got old enough that he didn’t have to do that anymore!
Recommendation: Ages 16+ to lovers of fiction, history, nonfiction, thrillers, mystery, or to any James-Patterson-addict.
Genre: non-fiction thriller
Rating: 4.5/5
Summary: James Patterson tells a story in three parts—one part, the mysterious death of King Tut, the second part the discovery of his tomb by Carter, and the third part his writing, own exploration, research, and discovery of the elusive history of the boy king.
Thoughts: This is one of the best James Patterson books I’ve ever read (listened too). JP has taken an age old mystery and solved it. Yes, it appears as though the mystery of Tut is mystery no more. This book is very alive, even though the plot revolves around a murder. I felt like I was standing right there, watching it all take place. At times, I felt like the characters themselves. This was an amazing escape from reality.
Characters (5/5): Characters should be relatable for a book to be enjoyable, and the characters in Tut’s world were wonderful. They were highly developed right away, and were the kind that either you routed for or hated with a passion.
Writing (4/5/5): James is an awesome writer. I always love reading his work because it’s so lyric. His words flow smoothly and he doesn’t overuse too many phrases (though several “waves” of various things did “wash over” many people).
Content (4/5): There was barely any language in this book, which was a nice change of JP’s work. It wasn’t necessary, either. It just goes to show that the point can be made—and made well—without filthy language. There was a little bit of sex but it wasn’t too graphic, nor was it frequent.
Reader (4/5): I really liked the voice of the reader for this book. I’ve heard some pretty awful ones before, I’ll say that much right now! But Joe’s voice was perfect for this book. The only thing I didn’t like were the voices he put with the characters—the accents were pretty lousy, and when he put on a “fake” voice for the child characters, it just sounded a little silly. I was glad when Tut got old enough that he didn’t have to do that anymore!
Recommendation: Ages 16+ to lovers of fiction, history, nonfiction, thrillers, mystery, or to any James-Patterson-addict.
Several patterns for each month of the year (3 more)
Patterns range from retro, to modern, to classic
Beginners can learn how to embroider with detailed instructions and those who are experienced can pick up a few new tricks
Shows a variety of placement ideas, keeps you inspired to add designs to other places than framed art
Gorgeous patterns-For anyone who knows how to embroider and beginners like me!
I have been cross stitching for 30 years and learned how to punch needle 3 years ago. I have always wanted to learn the technique of embroidery. I love taking a piece of cloth and turning it into a piece of art but was always too intimidated to try my hand at embroidery. This week, I was able to put my fears aside when I received an ARC of A Year of Embroidery by Yumiko Higuchi from Netgalley.
A Year of Embroidery: A Month-To-Month Collection of Motifs for Seasonal Stitching, is a book which helped me get over the fear of embroidery and instilled a passion for learning!
My review is through the eyes of a beginner, but the book is for all levels of embroidery technique. I like that the book is not only chock full of patterns but helpful instruction and placement ideas, as well. The designs range from beautiful to whimsical and feature flowers, cacti, seashells, birds, people, reptiles, insects and animals. Each pattern also gives the DMC number for each floss the author used in her designs. Yumiko Higuchi made sure to include several designs for each month of the year, some with a retro feel and others with a more modern take on embroidery.
The ARC I received of this book is in a protected format and I am not able to make any of the patterns provided. With the wealth of information, A Year of Embroidery holds and the number of patterns I adore, this will be on my bookshelf as soon as it becomes available. I cannot wait to try my hand at this new needlecraft and hope that many others will enjoy it as much as I have.
I would like to thank the author, Yumiko Higuchi and Netgalley for providing me with this ARC for free in exchange for my honest review.
A Year of Embroidery: A Month-To-Month Collection of Motifs for Seasonal Stitching, is a book which helped me get over the fear of embroidery and instilled a passion for learning!
My review is through the eyes of a beginner, but the book is for all levels of embroidery technique. I like that the book is not only chock full of patterns but helpful instruction and placement ideas, as well. The designs range from beautiful to whimsical and feature flowers, cacti, seashells, birds, people, reptiles, insects and animals. Each pattern also gives the DMC number for each floss the author used in her designs. Yumiko Higuchi made sure to include several designs for each month of the year, some with a retro feel and others with a more modern take on embroidery.
The ARC I received of this book is in a protected format and I am not able to make any of the patterns provided. With the wealth of information, A Year of Embroidery holds and the number of patterns I adore, this will be on my bookshelf as soon as it becomes available. I cannot wait to try my hand at this new needlecraft and hope that many others will enjoy it as much as I have.
I would like to thank the author, Yumiko Higuchi and Netgalley for providing me with this ARC for free in exchange for my honest review.
graveyardgremlin (7194 KP) rated Night Play (Dark-Hunter #5, Were-Hunter #1) in Books
Feb 15, 2019
<i>Night Play</i> is one of my favorites in this series so far - it's right up there with <i>Fantasy Lover</i> and <i>Dance with the Devil</i>, although I think DwtD might come out ahead. I love, love, loved it! It was one of those books that just got better. The plot was slightly different than the previous books in the series and focused more on the love story. Bride was a wonderful, size eighteen human heroine, who knows (or knew anyway) nothing about what goes bump in the night, while Vane is a to-die-for hunky hero. Need I say more? Everyone would love a guy like him - I know I would! This was one of those books that a few times at the end I had that big, goofy, dumb smile on my face, and don't pretend I'm the only one! ;P
Valerius makes another appearance as a slightly more likable character and he looks to be a very interesting and intriguing hero in his installment. Actually, a lot of the characters who make appearances sound like they'd be great heroes/heroines. Too bad Sherrilyn can't turn them out faster and most likely won't have time for all of them! :P
This was a nice review:
From Booklist
Bride McTierney has just been dumped via FedEx. There's not much that could ease such a broken heart until Vane Kattalakis wanders into her shop and her life. Their whirlwind affair feels too good to be true. After all, her ex-beau proved men are dogs, which turns out to be a more appropriate figure of speech than Bride could ever imagine. More character driven than her previous Dark-Hunter novels, Kenyon's latest is a nice change of pace yet still chock-full of the quirky humor, complex fantasy, and searing passion that her readers love. This book's success, however, appropriately lies with Bride and Vane. It's been said of Kenyon that she knows men, but she really knows women and all our secret fears and hidden desires. She has distilled those into Bride, who is both our sister and ourselves. Then she made a man who understands and loves her, insecurities and all. Every woman should have a Vane Kattalakis in her life. Thanks to Kenyon, every woman can.
Valerius makes another appearance as a slightly more likable character and he looks to be a very interesting and intriguing hero in his installment. Actually, a lot of the characters who make appearances sound like they'd be great heroes/heroines. Too bad Sherrilyn can't turn them out faster and most likely won't have time for all of them! :P
This was a nice review:
From Booklist
Bride McTierney has just been dumped via FedEx. There's not much that could ease such a broken heart until Vane Kattalakis wanders into her shop and her life. Their whirlwind affair feels too good to be true. After all, her ex-beau proved men are dogs, which turns out to be a more appropriate figure of speech than Bride could ever imagine. More character driven than her previous Dark-Hunter novels, Kenyon's latest is a nice change of pace yet still chock-full of the quirky humor, complex fantasy, and searing passion that her readers love. This book's success, however, appropriately lies with Bride and Vane. It's been said of Kenyon that she knows men, but she really knows women and all our secret fears and hidden desires. She has distilled those into Bride, who is both our sister and ourselves. Then she made a man who understands and loves her, insecurities and all. Every woman should have a Vane Kattalakis in her life. Thanks to Kenyon, every woman can.