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Debbiereadsbook (1487 KP) created a post
Dec 5, 2017
Debbiereadsbook (1487 KP) rated Cold Fire: A Pre-Apocalyptic Dragon Romance (Ice Drake Series #1) in Books
Dec 5, 2017
really great, fun read, 4 stars
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book, direct from the author, that I write a review was not required.
I have a *thing* for dragons, as you well know, so when asked if I would like to read this, because, you know, I saw DRAGONS in the title! (This has however let me down before!) and who am I to dent dragons!
But I really REALLY enjoyed this book!
Faro and his brothers are on Earth to, basically, loot the planet of what they need to save THEIR planet, and since Earth is on the direct path of a comet, it's a bit of a free for all. Amy runs the hotel the brothers stay in, while doing their looting. She is struggling though, since the death of her father and Faro is drawn to her grief. Then he realises that maybe it's not her grief that draws his emphatic powers, but AMY herself, that she might just be the stuff of legends. She might just be his mate.
Like I said, really really enjoyed! Loved that the dragon doesn't show himself til very VERY late on in the book, but Faro tells Amy of his existence, and of where Faro and his brothers came from.
It's not overly complicated, or explicit or violent. Some of the words that Faro uses for various body parts are amusing, dated, like something out of an historical romance, BUT Faro does say, while his race is technically advanced, they do prefer the old ways, so maybe he meant old words too. Thats the way I read it. Liked that little clarification!
Told from both Amy and Faro's point of view, in the third person, it hit the right spot for me. It's a little on the long side for a hangover cure, but it was such an easy read, I cannot file it anywhere else. This is, by the way, a GOOD thing, being an easy read!
The passion between Faro and Amy simmers along nicely, but it is some time before they actually give in to it, and OH!!! what a surprise! I'm not gonna say what that is, but hey, lucky Amy! :-p
I'm expecting all the brothers, and the android to have their own story, and I saw at least one laying out here. And the issue of looting on Earth and the fate of Earth is going to run through those books. Because two years is not a long time, and before long Earth scientist will find out what's in their future.
Thank you to Ms Layne for my copy!
so, for an easy, dragon read
4 solid stars
**same worded review will appear elsewhere**
I have a *thing* for dragons, as you well know, so when asked if I would like to read this, because, you know, I saw DRAGONS in the title! (This has however let me down before!) and who am I to dent dragons!
But I really REALLY enjoyed this book!
Faro and his brothers are on Earth to, basically, loot the planet of what they need to save THEIR planet, and since Earth is on the direct path of a comet, it's a bit of a free for all. Amy runs the hotel the brothers stay in, while doing their looting. She is struggling though, since the death of her father and Faro is drawn to her grief. Then he realises that maybe it's not her grief that draws his emphatic powers, but AMY herself, that she might just be the stuff of legends. She might just be his mate.
Like I said, really really enjoyed! Loved that the dragon doesn't show himself til very VERY late on in the book, but Faro tells Amy of his existence, and of where Faro and his brothers came from.
It's not overly complicated, or explicit or violent. Some of the words that Faro uses for various body parts are amusing, dated, like something out of an historical romance, BUT Faro does say, while his race is technically advanced, they do prefer the old ways, so maybe he meant old words too. Thats the way I read it. Liked that little clarification!
Told from both Amy and Faro's point of view, in the third person, it hit the right spot for me. It's a little on the long side for a hangover cure, but it was such an easy read, I cannot file it anywhere else. This is, by the way, a GOOD thing, being an easy read!
The passion between Faro and Amy simmers along nicely, but it is some time before they actually give in to it, and OH!!! what a surprise! I'm not gonna say what that is, but hey, lucky Amy! :-p
I'm expecting all the brothers, and the android to have their own story, and I saw at least one laying out here. And the issue of looting on Earth and the fate of Earth is going to run through those books. Because two years is not a long time, and before long Earth scientist will find out what's in their future.
Thank you to Ms Layne for my copy!
so, for an easy, dragon read
4 solid stars
**same worded review will appear elsewhere**
Phillip McSween (751 KP) rated Mad Max (1979) in Movies
Jan 5, 2018
Decent
Guilty confession: Typically when I watch a "classic" or a film I've really been looking forward to, I go into it expecting to like it. In other words, the film is already ahead of the curve when it comes to my grading scale. It has to do a lot to let me down. I hate to say it, but Mad Max? It let me down. Not in the sense that it was bad, but rather in the sense that I was hoping for more.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Rachel King (13 KP) rated On Writing in Books
Feb 11, 2019
I have not now nor ever been a fan of Stephen King's fiction, nor do I intend to change that pattern. His personal brand of fiction is simply not for me. But since this book is non-fiction, curiosity got the better of me. I am glad that I read this book very much, for both the memoir of his writing life, as well as the writing skills he attempts to impart.
The first half of the book is largely a memoir of King's life, with a focus on his writing career. The reader learns things such as what inspired him, what he liked in fiction, his initial forays into getting published, as well as his many rejections and criticisms. I found it both interesting and ironic that his first big book, Carrie, was accomplished largely thanks to his wife's encouragement, as he never really cared for the main character. He could take the simplest ideas, put two random thoughts together, and make them into these successful stories. All of this is woven into the more mundane aspects of his life, from schooling, to various jobs, to meeting his future wife.
The second part of the book is all about what King considers good writing practices, as well some of the advice that King has received over the years, such as when writing a second draft, subtract 10% from the original. He even goes into the details of good grammar and repeatedly refers to Strunk and White's The Elements of Style. He finishes off this section by showing a section of a first draft he wrote, and then the edited second draft of it to give the reader an idea of how to approach the editing process.
A final section in the book goes into the details of when King was hit and nearly killed by a "blue van" and the effect that it had on his life and his writing. The accident actually occurs before he begins the second part of this book, giving the manuscript the possibility of never being completed. This was probably the most intriguing part of the book for me, as he was able to remember in vivid detail what happened to him, and yet he seemed to be oddly emotionally-detached from its long-term consequences for his life. There is only one short paragraph in which I actually pick up on some emotion, when he discusses how quickly the driver of the blue van will likely be returning to the road. At one point he also made the observation that the driver could have stepped from the pages of one of his novels. What I do love is that his passion for writing helped him to overcome his injuries and regenerate that need to keep putting words to the page.
The first half of the book is largely a memoir of King's life, with a focus on his writing career. The reader learns things such as what inspired him, what he liked in fiction, his initial forays into getting published, as well as his many rejections and criticisms. I found it both interesting and ironic that his first big book, Carrie, was accomplished largely thanks to his wife's encouragement, as he never really cared for the main character. He could take the simplest ideas, put two random thoughts together, and make them into these successful stories. All of this is woven into the more mundane aspects of his life, from schooling, to various jobs, to meeting his future wife.
The second part of the book is all about what King considers good writing practices, as well some of the advice that King has received over the years, such as when writing a second draft, subtract 10% from the original. He even goes into the details of good grammar and repeatedly refers to Strunk and White's The Elements of Style. He finishes off this section by showing a section of a first draft he wrote, and then the edited second draft of it to give the reader an idea of how to approach the editing process.
A final section in the book goes into the details of when King was hit and nearly killed by a "blue van" and the effect that it had on his life and his writing. The accident actually occurs before he begins the second part of this book, giving the manuscript the possibility of never being completed. This was probably the most intriguing part of the book for me, as he was able to remember in vivid detail what happened to him, and yet he seemed to be oddly emotionally-detached from its long-term consequences for his life. There is only one short paragraph in which I actually pick up on some emotion, when he discusses how quickly the driver of the blue van will likely be returning to the road. At one point he also made the observation that the driver could have stepped from the pages of one of his novels. What I do love is that his passion for writing helped him to overcome his injuries and regenerate that need to keep putting words to the page.
Midge (525 KP) rated Restaurant Weeks are Murder in Books
Mar 28, 2019
Murder & Mayhem In The Kitchen
“Restaurant Weeks Are Murder” is Libby Klein’s very enjoyable third novel, chock full of madness and mayhem in the ‘Poppy McAllister Mystery’ series. The first book is ‘Class Reunions Are Murder,’ followed by book two which is ‘Midnight Snacks Are Murder.’
I haven’t read these other books in this series yet, however, I don’t think that this spoilt my enjoyment of this novel. That said, there is nothing more exciting than picking up a book which is the first in a new series.
Poppy McAllister is opening a new Bed & Breakfast in Cape May, New Jersey, but working in a professional kitchen has always been her passion. Now she’s realising her dream, at least briefly, as she is teaming up with her former fiancée Tim and his partner, Gigi, during a high-profile Restaurant Week challenge. Poppy’s speciality is pastries and if anyone can make glorious gluten-free goodies, it’s Poppy.
As it might be expected, things start to go badly wrong very quickly, especially when some ingredients get switched and Tim is accused of sabotage. Relatively harmless pranks soon escalate into real hazards, including an exploding deep fat fryer. Then one of the judges dies after taking a bite of Poppy’s limoncello cannoli, making her one of the prime suspects . . .
Forty-odd-year-old, pastry chef, Poppy, the protagonist, lives with her elderly Aunt Ginny and Figaro, her mischievous cat. I found Poppy and many of the other characters very funny and likeable, so much so that I felt as though I would like to spend some time in their company myself! As someone who has read several cozies, Poppy’s Aunt Ginny has become one of my favourite cozy characters. She provided plenty of humour in this book from her choice of outlandish outfits to her zaniness and zest for life. I couldn’t help but adore her and look forward to her mischievous antics.
I liked that the opening chapters drew me into the story and captured my attention immediately. Although I had to wait a while before an actual murder took place, there was never a dull moment with such a lot going on. The mystery itself was well thought out with plenty of twists and turns as I puzzled over the clues to discover the perpetrator.
The book had a natural, steady pace, and even though the murder occurred towards the end of the first half of the book I was kept guessing until the surprising reveal. Delightful and entertaining “Restaurant Weeks Are Murder” is a highly recommended, quick, light read for all cozy mystery fans.
{Thank you to #NetGalley and Kensington Books for the free copy of this novel and for giving me the opportunity to provide an honest review.}
I haven’t read these other books in this series yet, however, I don’t think that this spoilt my enjoyment of this novel. That said, there is nothing more exciting than picking up a book which is the first in a new series.
Poppy McAllister is opening a new Bed & Breakfast in Cape May, New Jersey, but working in a professional kitchen has always been her passion. Now she’s realising her dream, at least briefly, as she is teaming up with her former fiancée Tim and his partner, Gigi, during a high-profile Restaurant Week challenge. Poppy’s speciality is pastries and if anyone can make glorious gluten-free goodies, it’s Poppy.
As it might be expected, things start to go badly wrong very quickly, especially when some ingredients get switched and Tim is accused of sabotage. Relatively harmless pranks soon escalate into real hazards, including an exploding deep fat fryer. Then one of the judges dies after taking a bite of Poppy’s limoncello cannoli, making her one of the prime suspects . . .
Forty-odd-year-old, pastry chef, Poppy, the protagonist, lives with her elderly Aunt Ginny and Figaro, her mischievous cat. I found Poppy and many of the other characters very funny and likeable, so much so that I felt as though I would like to spend some time in their company myself! As someone who has read several cozies, Poppy’s Aunt Ginny has become one of my favourite cozy characters. She provided plenty of humour in this book from her choice of outlandish outfits to her zaniness and zest for life. I couldn’t help but adore her and look forward to her mischievous antics.
I liked that the opening chapters drew me into the story and captured my attention immediately. Although I had to wait a while before an actual murder took place, there was never a dull moment with such a lot going on. The mystery itself was well thought out with plenty of twists and turns as I puzzled over the clues to discover the perpetrator.
The book had a natural, steady pace, and even though the murder occurred towards the end of the first half of the book I was kept guessing until the surprising reveal. Delightful and entertaining “Restaurant Weeks Are Murder” is a highly recommended, quick, light read for all cozy mystery fans.
{Thank you to #NetGalley and Kensington Books for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Dianne Robbins (1738 KP) rated Mamma Mia: Here We Go Again! (2018) in Movies
Apr 24, 2019
Seeing Donna's backstories with her lovers. (1 more)
Nice to see most of the cast together again.
Literally everything else (8 more)
The same dramatic hairstyles on two principal female characters for over twenty years, really? Talk about suspension of belief.
Lifeless.
No real heart to it.
Meryl Streep is in it for mere seconds.
Relationships between the characters. Disjointed and disconnected.
Not the best ABBA songs.
The Kissed the Teacher sequence. I mean, wth was that about?
Not much singing or a reason to sing.
Joyless
Contains spoilers, click to show
I loved the first one and have been known to watch the DVD or listen to the CD on a continuous loop for upwards of 12 hours. I'm not kidding. I adore Meryl Streep and everything she touches is gold. Except for this movie. Omg, it is so bad. It lost all the joy the first film had. Why?! Why did they have to destroy this movie so badly?
Spoiler alert: Donna, Meryl Streep's joyous character is dead at the start of this film. Her story is told through flashbacks with Lily James of Downton Abbey starring as recent college-grad, Donna, and her adventures in the Greek Isles as she meets each of the three men who may be her daughter, Sophie's father. Donna flits around as the bohemian she is but the character is too flighty to be believed and she certainly doesn't flesh out Meryl Streep's version of Donna. It seems pointless for her to even have tried.
The cast is very dated and stagnant, in reverse, as they are shown as their younger selves exactly as they are 20 or 30 years later, even down to the same clothing and hairstyles. It's ridiculous to think these fashionable women would never update their looks over the years or that their personalities and mannerisms had not changed either. Are they living in a vacuum? They're all just so one-note. Maybe the creators did it because they thought the movie would be easier to understand or figure out which character was whom, but it's just not realistic. I'll admit, dramas are my favorite genre and this is meant as much lighter fare but I wish they would have expected the audience to have half a brain and be able to figure out the younger cast and the elder versions of them. It felt dumbed down.
The modern plotline is morose, joyless, and lifeless, and missed all the heart, humor, and passion of the first.
And Cher's character, why bother? She didn't bring anything to the role other than her real-life celebrity.
I regret buying this DVD and even more so, wasting 2 hours of my life watching this dull, spoon-fed money grab.
Spoiler alert: Donna, Meryl Streep's joyous character is dead at the start of this film. Her story is told through flashbacks with Lily James of Downton Abbey starring as recent college-grad, Donna, and her adventures in the Greek Isles as she meets each of the three men who may be her daughter, Sophie's father. Donna flits around as the bohemian she is but the character is too flighty to be believed and she certainly doesn't flesh out Meryl Streep's version of Donna. It seems pointless for her to even have tried.
The cast is very dated and stagnant, in reverse, as they are shown as their younger selves exactly as they are 20 or 30 years later, even down to the same clothing and hairstyles. It's ridiculous to think these fashionable women would never update their looks over the years or that their personalities and mannerisms had not changed either. Are they living in a vacuum? They're all just so one-note. Maybe the creators did it because they thought the movie would be easier to understand or figure out which character was whom, but it's just not realistic. I'll admit, dramas are my favorite genre and this is meant as much lighter fare but I wish they would have expected the audience to have half a brain and be able to figure out the younger cast and the elder versions of them. It felt dumbed down.
The modern plotline is morose, joyless, and lifeless, and missed all the heart, humor, and passion of the first.
And Cher's character, why bother? She didn't bring anything to the role other than her real-life celebrity.
I regret buying this DVD and even more so, wasting 2 hours of my life watching this dull, spoon-fed money grab.
Bong Mines Entertainment (15 KP) rated Becky and the Birds by Becky and the Birds in Music
Jun 7, 2019
Becky and the Birds (Thea Gustafsson) is a talented R&B/Soul singer-producer out of Örebro, Sweden. Not too long ago, she released her wonderful self-titled debut EP.
But creating the 7-track project had obstacles. The 21-year-old vocalist experienced dark emotions and even battled depression.
Ultimately, she overcame her frustrations and obstacles and stitched together her EP. She perfumed it with her unique genre-spanning blend of lush sounds.
Becky’s desire to have everything in an arrangement can be attributed to her time spent at the prestigious Musikmakarna Songwriters Academy of Sweden, the place that kickstarted the careers of LÉON and Skott.
Even though the Becky didn’t fit into the school’s pop agenda, she learned a lot there. Later, she interned at an EDM/House label but didn’t fit in there either.
Not knowing where to turn, she went through a dark period. But there was light at the end of the tunnel, and she walked towards it. Once in the sunlight, she created her self-titled album.
BECKY
The EP begins with a voice recording of a person named Becky, a 26-year-old Capricorn. The individual has a muffled, male-sounding voice, lives alone in an apartment, and has two friends, one a bird.
MALAYSIA
Becky, the singer, sings a beautiful song over a dreamy electronic composition perfumed with soul and passion.
The singer yearns to go to Malaysia. To see the birds in the sky and feed the ones on the ground. Also, she visions herself sitting, watching them fly.
The song highlights the meaning behind Gustafsson’s stage name. Apparently, she has a deep connection with birds.
DIE WHILE YOU LOVE ME INTRO
The intro begins with a poem by Georgia Douglas Johnson, entitled, “I Want to Die While You Love Me”, recited by Maya Angelou.
DIE WHILE YOU LOVE ME
Becky, inspired by the legendary poem, takes the tempo up a couple of notches. Also, she packages the song with dreamy vocals and crisp production.
CONCEPT STORE
The song incorporates jazzy pianos with bass and elements of hip-hop. Also, Becky’s lush vocals soar through the track alongside samples she plucked straight out of nature.
HOLDING ON
The song is one of Becky’s acclaimed singles. It features lush electronics, a splash of trip-hop, and elements of ‘90s R&B music.
MY MAN
Becky ends the 7-track EP on a smooth note. She wants us to know that her man is holding her strong, mentality and physically.
CONCLUSION
Becky and the Birds’ self-titled EP is short and sweet. Also, it leaves a lasting impression, prompting listeners to want to hear more.
https://www.bongminesentertainment.com/becky-and-the-birds-ep/
But creating the 7-track project had obstacles. The 21-year-old vocalist experienced dark emotions and even battled depression.
Ultimately, she overcame her frustrations and obstacles and stitched together her EP. She perfumed it with her unique genre-spanning blend of lush sounds.
Becky’s desire to have everything in an arrangement can be attributed to her time spent at the prestigious Musikmakarna Songwriters Academy of Sweden, the place that kickstarted the careers of LÉON and Skott.
Even though the Becky didn’t fit into the school’s pop agenda, she learned a lot there. Later, she interned at an EDM/House label but didn’t fit in there either.
Not knowing where to turn, she went through a dark period. But there was light at the end of the tunnel, and she walked towards it. Once in the sunlight, she created her self-titled album.
BECKY
The EP begins with a voice recording of a person named Becky, a 26-year-old Capricorn. The individual has a muffled, male-sounding voice, lives alone in an apartment, and has two friends, one a bird.
MALAYSIA
Becky, the singer, sings a beautiful song over a dreamy electronic composition perfumed with soul and passion.
The singer yearns to go to Malaysia. To see the birds in the sky and feed the ones on the ground. Also, she visions herself sitting, watching them fly.
The song highlights the meaning behind Gustafsson’s stage name. Apparently, she has a deep connection with birds.
DIE WHILE YOU LOVE ME INTRO
The intro begins with a poem by Georgia Douglas Johnson, entitled, “I Want to Die While You Love Me”, recited by Maya Angelou.
DIE WHILE YOU LOVE ME
Becky, inspired by the legendary poem, takes the tempo up a couple of notches. Also, she packages the song with dreamy vocals and crisp production.
CONCEPT STORE
The song incorporates jazzy pianos with bass and elements of hip-hop. Also, Becky’s lush vocals soar through the track alongside samples she plucked straight out of nature.
HOLDING ON
The song is one of Becky’s acclaimed singles. It features lush electronics, a splash of trip-hop, and elements of ‘90s R&B music.
MY MAN
Becky ends the 7-track EP on a smooth note. She wants us to know that her man is holding her strong, mentality and physically.
CONCLUSION
Becky and the Birds’ self-titled EP is short and sweet. Also, it leaves a lasting impression, prompting listeners to want to hear more.
https://www.bongminesentertainment.com/becky-and-the-birds-ep/
Phillip McSween (751 KP) rated Braveheart (1995) in Movies
Jul 28, 2018
Epic
The Story of Scottish Patriot William Wallace (Mel Gibson) and his quest to unite the clans and rise up against their English oppressors.
Acting: 10
Beginning: 10
The film gets off to a hot start by immediately drawing you into the story. Once the camera pans into the hut with all of the hanging bodies, they had my attention right away. The sheer intrigue was enough to make me want to see more.
Characters: 10
The Scots are a crazy bunch and I LOVE them. Whether old or young, they're all tough guys in their own right. One crazy person is enough to make a film interesting, but you put a bunch of them together and now you're really cooking with fire. William Wallace, of course, takes the cake of all the crazies. His character is easily one of my all-time favorite protagonists from his demeanor to the strong message he carries.
Cinematography/Visuals: 10
You kind of cheat when you shoot a film in Scotland, let's be honest. Beautiful landscapes abound, filled with mountains and lush valleys. I got lost watching William Wallace ride through the countryside on horseback. Made me think, "Damn, am I taking enough vacations?"
It's not the landscapes, however, as the battles are epic and sprawling. You get a taste of a bit of blood or something gory right before it cuts to a new fight. Seeing a fight that probably took hours abbreviated into a couple minutes is jarring and effective. These are some of the best battles captured on film.
Conflict: 10
Genre: 7
Memorability: 8
Braveheart is a film that easily stands the test of time. The brotherhood of the clans alone is memorable in and of itself. These are guys that lay down their lives for each other to advance their nation. The battles that ensue as a result of the stand that these men take are sheer inspiration. "They can take our lives, but they'll never take our freedom!"
Pace: 10
While the film slows down just slightly after the opening scenes, once the fighting starts, things move forward at a breakneck pace. It drives you from one scene to the next with intensity and passion. Just when you think you've had enough action, you're graced with more! Very solid pace.
Plot: 10
Resolution: 5
The ending was a bit deflating, at least for my taste. I respected the realism, but it felt counterintuitive to what the rest of the film was accomplishing. Not horrible, but perhaps a different approach would warrant a better score.
Overall: 90
I never had any interest whatsoever to watch this film and, after finally seeing it, I can't believe I waited this long. Such an inspirational, all-time classic. Loved it.
Acting: 10
Beginning: 10
The film gets off to a hot start by immediately drawing you into the story. Once the camera pans into the hut with all of the hanging bodies, they had my attention right away. The sheer intrigue was enough to make me want to see more.
Characters: 10
The Scots are a crazy bunch and I LOVE them. Whether old or young, they're all tough guys in their own right. One crazy person is enough to make a film interesting, but you put a bunch of them together and now you're really cooking with fire. William Wallace, of course, takes the cake of all the crazies. His character is easily one of my all-time favorite protagonists from his demeanor to the strong message he carries.
Cinematography/Visuals: 10
You kind of cheat when you shoot a film in Scotland, let's be honest. Beautiful landscapes abound, filled with mountains and lush valleys. I got lost watching William Wallace ride through the countryside on horseback. Made me think, "Damn, am I taking enough vacations?"
It's not the landscapes, however, as the battles are epic and sprawling. You get a taste of a bit of blood or something gory right before it cuts to a new fight. Seeing a fight that probably took hours abbreviated into a couple minutes is jarring and effective. These are some of the best battles captured on film.
Conflict: 10
Genre: 7
Memorability: 8
Braveheart is a film that easily stands the test of time. The brotherhood of the clans alone is memorable in and of itself. These are guys that lay down their lives for each other to advance their nation. The battles that ensue as a result of the stand that these men take are sheer inspiration. "They can take our lives, but they'll never take our freedom!"
Pace: 10
While the film slows down just slightly after the opening scenes, once the fighting starts, things move forward at a breakneck pace. It drives you from one scene to the next with intensity and passion. Just when you think you've had enough action, you're graced with more! Very solid pace.
Plot: 10
Resolution: 5
The ending was a bit deflating, at least for my taste. I respected the realism, but it felt counterintuitive to what the rest of the film was accomplishing. Not horrible, but perhaps a different approach would warrant a better score.
Overall: 90
I never had any interest whatsoever to watch this film and, after finally seeing it, I can't believe I waited this long. Such an inspirational, all-time classic. Loved it.
LilyLovesIndie (123 KP) rated Twelve (The MORE Trilogy, #3) in Books
Nov 5, 2018
Well honestly, IÕm running out of positive things to say about these books without repeating myself multiple times. This is, without a doubt, one of the best series I have ever had the privilege of reading.
As with the other books, the transition is seamless from one book too the next. The skill of Ms Franklin in telling her tale is absolutely sublime and makes reading an absolute pleasure.
This, the third installment of the series, has phenomenal pace and passion throughout. It just oozes from the page in giant wonderfulness. The twists and turns from the very start of this story leave you with incredible whiplash as you try to figure out whoÕs who, whoÕs good and whoÕs playing a double role. IÕve rarely encountered a book which has you experiencing so many different emotions all at once, and itÕs just excellent.
Be warned if you do read this, the last 20% is literally impossible to put down. Even though I was falling asleep and utterly exhausted, I honestly could not stop reading. I actually slapped myself to stay awake and pinched my cheeks to make myself wake up. IÕm one of these grumpy guts if I donÕt get sleep, so itÕs very rare anything keeps me awake, but by jove this book did it (last one that managed that was Harry Potter and the Deathly Hallows).
The revelations in this story came thick and fast, especially the final one (no spoilers here, but be prepared to pick your jaw up off the floor!) and I honestly did not want the story to end. In another first for a long while, I had an immense feeling of emptiness when I finished the book, and even now, several weeks after having finished it find myself missing Caleb and Ava. I need a spin offÉ.. please? ;)
Simply put, this was absolutely stupendous writing from the very start of the series and Franklin definitely does her plot and characters justice with this final installment. I honestly cannot recommend this book highly enough, and the series as a whole are firmly wedged on my favourites list, even ousting other popular ones such as Potter and True Blood to the top spot. And yes, itÕs 5 stars, but in all honesty, IÕd gladly give as many as I could because quite frankly, this book deserves every star in the sky! Well done Ms Franklin, this is phenomenal writing and I doff my cap to your amazing skills!
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
As with the other books, the transition is seamless from one book too the next. The skill of Ms Franklin in telling her tale is absolutely sublime and makes reading an absolute pleasure.
This, the third installment of the series, has phenomenal pace and passion throughout. It just oozes from the page in giant wonderfulness. The twists and turns from the very start of this story leave you with incredible whiplash as you try to figure out whoÕs who, whoÕs good and whoÕs playing a double role. IÕve rarely encountered a book which has you experiencing so many different emotions all at once, and itÕs just excellent.
Be warned if you do read this, the last 20% is literally impossible to put down. Even though I was falling asleep and utterly exhausted, I honestly could not stop reading. I actually slapped myself to stay awake and pinched my cheeks to make myself wake up. IÕm one of these grumpy guts if I donÕt get sleep, so itÕs very rare anything keeps me awake, but by jove this book did it (last one that managed that was Harry Potter and the Deathly Hallows).
The revelations in this story came thick and fast, especially the final one (no spoilers here, but be prepared to pick your jaw up off the floor!) and I honestly did not want the story to end. In another first for a long while, I had an immense feeling of emptiness when I finished the book, and even now, several weeks after having finished it find myself missing Caleb and Ava. I need a spin offÉ.. please? ;)
Simply put, this was absolutely stupendous writing from the very start of the series and Franklin definitely does her plot and characters justice with this final installment. I honestly cannot recommend this book highly enough, and the series as a whole are firmly wedged on my favourites list, even ousting other popular ones such as Potter and True Blood to the top spot. And yes, itÕs 5 stars, but in all honesty, IÕd gladly give as many as I could because quite frankly, this book deserves every star in the sky! Well done Ms Franklin, this is phenomenal writing and I doff my cap to your amazing skills!
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Roxanne (13 KP) rated Midwife on Call: Tales of Tiny Miracles in Books
Nov 14, 2018
This is the memoir of Agnes Light, a woman with a very strong passion for her working life. It's a story of her journey through life as a community midwife. This isn't the usual sort of book that I would pick up as I've never really thought about childbirth or the jobs of doctors and midwives. Since I am expecting my first baby I thought I would try and get some information, I've been trying self help books but have found them a bit too clinical and impersonal so I thought I would give this memoir a go. I was pleasantly surprised when I finished this...I really enjoyed it. I found the attitudes towards patients and staff within the NHS in the 60s to be fascinating compared to what it is like now. I knew it was different but just not how different. Agnes' journey was a brilliant read as it was like being in the room with these women as they gave birth, I felt really involved, emotionally and mentally. Some of her stories were heartwarming and filled with joy yet others were devastating and full of heartbreak. The reader is taken to both sides of the spectrum of midwifery, no stone left unturned. I like Agnes' attitude and outspokenness, she wasn't afraid to speak up for the rights of her patients. The only thing that grated on me a little bit was that she kept mentioning how open minded she is, how supportive and non-judgemental she is yet at one point she spoke about a certain scenario and explained how she wouldn't do it that way and she didn't understand why these women did the opposite to her...I wouldn't say that's very open minded as she wasn't aware of all the facts. I believe if she knew fully the circumstances of some of these women then she would of understood their reasoning for doing what they did. This is why I chose to give the book 4 stars instead of 5...I had a bit of a grumble. Overall, the book is fascinating and very descriptive, it doesn't sugarcoat things and it doesn't spoon feed you excess amounts of medical jargon so a pretty easy read. I found it very emotional in some places due to the trauma some of these women had to go through, it was always fully expressed and explained in great detail and so I wouldn't recommend this book to really sensitive readers, it could be quite overbearing at times, however, I found this was necessary in order to get the reader emotionally involved. I borrowed this from the library and am very glad that I did, I will be looking for other similar stories to read.