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Phil Leader (619 KP) rated IA: The Origin Novels (Books 1-3) in Books
Nov 15, 2019
The IA novels are one of the strongest 'young adult' science fiction series I've read, and this edition combines the trilogy so far plus a novella. Since the reader will want to keep reading from the first page though all 3.5 books this seems like an opportunity that's hard to pass up.
The origin story involves Naz, a teenage boy who lives with his sister and aunt in the Exclave, a ghetto suburb of a large city. Naz is unusual in two ways - he can't remember anything before two years ago and he sometimes hears voices in his head. He doesn't like to draw attention though so keeps his head down and looks after his sister.
After an incident on the way to school, things start to change. He grows as a person and also begins to discover his past, and his potential for the future. Just perhaps one person can make a difference. As he continues on his journey it becomes clear that he may not be entirely on his own.
The stories are set in a near future, with the Exclave being a rather grim backdrop for a tale that concentrates on character. There are light touches of what could be termed science fiction throughout, both with Naz's backstory and in the world around him. The hero shows very real weaknesses and flaws as well as strengths as he battles through bullying, fitting in to new environments, love and loss.
Winston is an extremely talented author and these stories demonstrate why novels termed 'young adult' are frequently worthy of being read by an older audience. The character development shows a strong arc for all the main players - and even the bit parts are memorable.
If you are looking for a strong series of books that will keep you thinking and entertained long after you have finished the last page, this fits the bill to a tee.
The origin story involves Naz, a teenage boy who lives with his sister and aunt in the Exclave, a ghetto suburb of a large city. Naz is unusual in two ways - he can't remember anything before two years ago and he sometimes hears voices in his head. He doesn't like to draw attention though so keeps his head down and looks after his sister.
After an incident on the way to school, things start to change. He grows as a person and also begins to discover his past, and his potential for the future. Just perhaps one person can make a difference. As he continues on his journey it becomes clear that he may not be entirely on his own.
The stories are set in a near future, with the Exclave being a rather grim backdrop for a tale that concentrates on character. There are light touches of what could be termed science fiction throughout, both with Naz's backstory and in the world around him. The hero shows very real weaknesses and flaws as well as strengths as he battles through bullying, fitting in to new environments, love and loss.
Winston is an extremely talented author and these stories demonstrate why novels termed 'young adult' are frequently worthy of being read by an older audience. The character development shows a strong arc for all the main players - and even the bit parts are memorable.
If you are looking for a strong series of books that will keep you thinking and entertained long after you have finished the last page, this fits the bill to a tee.
JT (287 KP) rated Into The Abyss (2011) in Movies
Mar 10, 2020
Every now and again I like to leave the fictional world of film and take a trip into reality. I did so with Into the Abyss. A film by Werner Herzog (Rescue Dawn) it looks at the always controversial capital punishment, and focuses on one particular triple murder in the state of Texas.
Using actual footage of the crime scenes which is disturbing enough, Herzog also draws on the real life interviews of those involved and how it has affected their lives. It also explains to us what causes a person to commit murder, and if taking a life for a life really is worth it in the long run.
What is the most shocking with this film is the complete lack of remorse both inmates have. Michael Perry the condemned, man is courteous and polite in his responses as he sits looking through the perspex glass that separates him from Herzog.
As Herzog states at their first meeting he doesn’t particularly like him but he has respect for him, more than likely due in part to the honestly of his answers and how he’s dealing with certain death. The other is Jason Burkett, sentenced to life for his part in the crime, he won’t get out until much past sixty-five, a terrifying prospect when you’re only in your twenties.
Burkett still tries to command a normal life, married to someone on the outside who he rarely gets to touch physically they have a child on the way, although the conception is kept a closely guarded secret, despite advances to find out by Herzog. Both men have always blamed the other and both claimed their innocence.
The film is broken down into chapters, opening with a somber account of life and death from The Reverend Richard Lopez, the man that holds the hand of those sent to death, for their final walk into the unknown. It then quickly moves to an in-depth look at the murders, the how, the why and the where? This all makes for an impactul watch.
Using actual footage of the crime scenes which is disturbing enough, Herzog also draws on the real life interviews of those involved and how it has affected their lives. It also explains to us what causes a person to commit murder, and if taking a life for a life really is worth it in the long run.
What is the most shocking with this film is the complete lack of remorse both inmates have. Michael Perry the condemned, man is courteous and polite in his responses as he sits looking through the perspex glass that separates him from Herzog.
As Herzog states at their first meeting he doesn’t particularly like him but he has respect for him, more than likely due in part to the honestly of his answers and how he’s dealing with certain death. The other is Jason Burkett, sentenced to life for his part in the crime, he won’t get out until much past sixty-five, a terrifying prospect when you’re only in your twenties.
Burkett still tries to command a normal life, married to someone on the outside who he rarely gets to touch physically they have a child on the way, although the conception is kept a closely guarded secret, despite advances to find out by Herzog. Both men have always blamed the other and both claimed their innocence.
The film is broken down into chapters, opening with a somber account of life and death from The Reverend Richard Lopez, the man that holds the hand of those sent to death, for their final walk into the unknown. It then quickly moves to an in-depth look at the murders, the how, the why and the where? This all makes for an impactul watch.
Gareth von Kallenbach (980 KP) rated Barbershop: The Next Cut (2016) in Movies
Aug 6, 2019
I had reservations about the new Barbershop when I discovered that it was in production and set for release. My concern was that much like the Friday franchise, it would leave a bad taste in my mouth due to stale jokes, recycled plots, and characters I couldn’t get too invested in. I was wrong in my outlook for the film. Barbershop: The Next Cut surpasses the previous films of the series in its humor, fresh jokes, new characters and social relevance.
There are some aspects of the film that mirror past plotlines, but that is not a problem or concern this go-around. Life and history are cyclical and it is demonstrated through the way that Barbershop takes on urban violence and the communities that suffer through it. The film itself will have audiences laughing and gasping for air due to the imaginative and creative comedy, however, it will also cause its audiences to think deeply about the issues being presented. When we see the violence of the Southside of Chicago via the news or social media, it seems so distant. This film sucks us in to thinking about the circumstances the people of this community face daily. It doesn’t pull punches or present the information from one singular source and perspective. They are concerned with creating a dialogue about what is taking place in communities much like the one represented in their neighborhood. You see heart. You see connections between people. You see individuals that want to make a change by improving the lives of their neighbors and friends. You see humanity with all of its flaws and potential. This film is a poignant love letter to communities in need of healing.
It is also an examination of how to heal and mend gaping wounds. Barbershop: The Next Cut establishes a connection with its audience to start a dialogue and potentially move forward with action.
There are some aspects of the film that mirror past plotlines, but that is not a problem or concern this go-around. Life and history are cyclical and it is demonstrated through the way that Barbershop takes on urban violence and the communities that suffer through it. The film itself will have audiences laughing and gasping for air due to the imaginative and creative comedy, however, it will also cause its audiences to think deeply about the issues being presented. When we see the violence of the Southside of Chicago via the news or social media, it seems so distant. This film sucks us in to thinking about the circumstances the people of this community face daily. It doesn’t pull punches or present the information from one singular source and perspective. They are concerned with creating a dialogue about what is taking place in communities much like the one represented in their neighborhood. You see heart. You see connections between people. You see individuals that want to make a change by improving the lives of their neighbors and friends. You see humanity with all of its flaws and potential. This film is a poignant love letter to communities in need of healing.
It is also an examination of how to heal and mend gaping wounds. Barbershop: The Next Cut establishes a connection with its audience to start a dialogue and potentially move forward with action.
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7.8
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