"Lots of metal bands had all got a little bit in a rut by the time this came out. People were quite bothered about how they looked. And NIrvana smashed it to pieces. They said music should be raw and powerful – great guitar riffs, good lyrics, great melodies. Nirvana were the ones. And Kurt Cobain was charismatic. A lot of musicians resented grunge, but I quite liked it – we needed it. Saxon never went grunge – we went more metal again in the 90s. We had really needed a rest, but we couldn’t have one, and we weren’t firing on all cylinders. It wasn’t ‘til the 90s that we got our shit together again. Nirvana resonates for me because of that. It took people by surprise, because it went so big so quickly. There’s a lot of menace and darkness in and it was heavier than what other people were doing at the time."

"I used to love the Sugarcubes, and then her debut album came out and I thought it was alright, I was going for different things and locked into Suede so wasn't really receptive to it. Then she gradually filtered through to me. Homogenic won out over Vespertine because of a few songs, like 'Jóga'. It's so beautiful, so atmospheric. There are few people that I actually listen to and am not a little disappointed by, or think I could do that. With her, it's, 'Woah.' She's one of those people who make music that I actually marvel at, I really do. She's incredibly talented. For me she's one of the few modern artists who are actually up there with the all-time greats. The music industry has to say that all these people are comparable to so and so, but she really is. Something like Biophilia suits her and suits her music. The music is intelligent for a start, but that really suits her sense of vision."

"It’s so good—so subtle, truthful, and simple. This movie allows you to just look at human beings as human beings for a second. Wong Kar-wai is a master, and I have an admiration for his ability to direct your attention to certain things but not in an obvious way. I got to see Asian people as real people who could be flawed and make choices that are selfish and don’t take into account social graces all the time. Being raised in a very Christian, traditional Korean household, you’re kind of just seeing the surface and what you’re supposed to be at all times. I remember growing up thinking all Korean people were church deacons, and then you see a Korean man driving a taxi and all of a sudden you’re like, what’s going on? This doesn’t make sense to me! Wong’s films are like traveling to Hong Kong without going to Hong Kong."

"People forget how revolutionary they were at the time. I remember seeing them in town when they were a 'goth' band. They weren’t really but they had that goth on guitar [Andy Couzens]. People think of them now about the way they look and everything but they were the last people in Manchester to start dressing like that. Everybody else in Manchester already looked like that. But really, when this album came out after all the trouble they had it was just perfect. When you got to hear the full version of 'I Am The Resurrection', it was just perfect. Ian had the image and he was a great frontman, Reni and Mani were like the tightest rhythm section ever. And John was a great guitarist yeah, but he was also in charge of this amazing sleeve art and this look that was really important to them and was different to anything else that was going on as well."