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The Taking of Pelham One Two Three (1974)
The Taking of Pelham One Two Three (1974)
1974 | Action, Drama, Mystery

"It’s just a nearly perfect film. It has everything. It has humor and suspense. It has danger and emotion. An incredible ensemble cast of the people you’ve heard of and know their name — like Walter Matthau and Jerry Stiller — to the amazing actors who played the characters on the subway train. I think it captures my New York — what I love about New York, what I think New York is — so beautifully. It’s this place of cranky individuals with big personalities who make our city run. And you’d think it wouldn’t work, but actually, it does, and New York comes through. And all the ways the transit cops, and cops, and mayor, and the citizens, and the people in charge of making the trains go — all of these people amazingly work together. And you know, when the lights go off and the old man who keeps saying, “There’s going to be red lights and it’s going to stop the train,” he’s right. Actually the system works. It lumbers along but actually it works."

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Gruff Rhys recommended Barafundle by Gorky's Zygotic Mynci in Music (curated)

 
Barafundle by Gorky's Zygotic Mynci
Barafundle by Gorky's Zygotic Mynci
1997 | Psychedelic, Pop
(0 Ratings)
Album Favorite

"Gorky's were one of the greats. Whoever the greats of the rock canon are – and it's no use me bothering to name various people – Gorky's are as important as any of these people. Euros Childs is a phenomenal songwriter, has a pitch perfect voice and this record is their classic line-up with John Lawrence still in the band. This is also produced by Gorwel Owen and he was perfecting his vision in a way as he was getting more and more into simplicity; the song Heywood Lane was recorded with just one microphone and they bypassed the mixing desk and went straight to tape! It's a really great sounding record. It was really bizarre that the singles all charted in the low-40s without ever breaking the Top 40. You could release two versions of a single at the time to get it into the charts but they never did that even though they probably sold as much as chart-claiming people! But the records are there. It's aged incredibly well and still sounds really fresh and complete."

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    Rooms Live

    Rooms Live

    Social Networking and Photo & Video

    5.0 (1 Ratings) Rate It

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    Now you can have a private live video chat with up to five of your family and friends - directly...

    Skype for iPad

    Skype for iPad

    Communication, Productivity and Social Networking

    6.8 (31 Ratings) Rate It

    App

    Stay in touch with free video calls, voice calls and messaging on Skype. - Talk face to face with...

    Psych2Go

    Psych2Go

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    YouTube Channel

    Your weekly dose of fun and interesting psychology, creepy psychology, psychopaths, serial killers,...

The Children Act (2018)
The Children Act (2018)
2018 | Drama
9
8.0 (3 Ratings)
Movie Rating
Emma Thompson and Stanley Tucci in a movie together... yeeeees. Get me a ticket immediately. Based on a book by Ian McEwan, and no of course I haven't read it. I was exoecting something run of the mill, good, but nothing with a wow factor. I certainly wasn't expecting to be having to stiffle sobs and tears.

The heart breaking story really does get you caught up. Watching Fiona's hard and logical exterior break is really something to behold. How I wasn't blind from the tears when she started performing their song at the recital I will never know. Although, full disclosure, at that point I was leaning on my hands with my cardigan sleeves firmly wedged under the rims of my glasses.

Having never really had any faith, or certainly never any that I would have been so conflicted over, I can't say how accurate a portrayal it was, but it felt traumatisingly real.

As a smaller release this was allocated one of the dinky screens that has about 120 seats. A third of the seats were taken, and I'm going to make wild assumptions now, I would guess that they were all in book groups.

To go off-piste a bit... I mentioned in a previous post that I feel like it's the adults that cause the most disturbance at the cinema. This showing would prove my point. At the beginning I couldn't hear the ads over the noise of the 30 odd people at the time (and they were very odd) talking so loud. I have been to quieter bars.

That was followed up by two people moving seats after the film started, and when the couple next to them started rustling a sweet bag the guy told them to stop as it was annoying him... Don't have the cheek to lecture people when you shouldn't even be sitting there. Random annoying people is something you have to suck up. I bitch about it on Twitter, not to the actual people. When you buy a ticket you're basically checking the box that says "if I end up next to a monster, so be it." I'm super passive aggressive when it comes to people like that, I can almost guarantee that in the same situation I would have missed the rest of the film because I'd be sitting there staring at him as I rustled the bag deliberately for the next two hours.

The moral of this story is don't be a dick to people about something that is expected in the cinema... because you might be sitting next to me.