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No Sleep 'Til Hammersmith by Motorhead
No Sleep 'Til Hammersmith by Motorhead
1981 | Rock
(0 Ratings)
Album Favorite

"When I first this record I thought, ""What's wrong with the singer's voice?"" The second time I heard it I thought, ""Fuck, that guy looks like he's a savage killer!"" By the third time I'd heard it and seen the video, I thought, ""I like these guys…"" You need the right amount of exposure to these kinds of possibilities. People have certain prejudices against certain bands based on how they look but unless you're open-minded, you never know what you're missing out on. On top of the actual music, Motörhead embodied a lifestyle too. If you looked at Phil 'Philthy Animal' Taylor, may his soul rest in peace, he looked like a punk. He was the embodiment of cool. The only other guy who ever had that for me was when Chris Cornell had long hair! You just thought, ""That guy has got it going on."" Looking at Lemmy, who looked like a badass biker, and then Fast Eddie's darkness, Motörhead was all so cool. People ask me so often to comment on Lemmy's death and I always try to switch it to a comment on his life. How about we celebrate his existence? I saw a picture of him the other day and I found myself just staring and missing him a lot. Lemmy never hurt anyone or anything as far as I know. He never had to back up that dangerous attitude with anything else, like some of the things you're seeing on the internet just now with people shouting offensive things from the stage. That's an interesting breed of frontman and Lemmy was never like that. He knew who he was. It's hard when you can't understand when someone you know is gone. They're here, then they're gone and it's final. One of the most important lessons in that is to love people that are important to you and just be nice to people. You never know how long they'll be around."

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Classic Kathleen Battle by Kathleen Battle
Classic Kathleen Battle by Kathleen Battle
2002 | Classical
(0 Ratings)
Album Favorite

"Now to get as far away from punk as you can get… Wynton Marsalis is a trumpet player, and Kathleen Battle is a soprano. “There’s a really good video of them performing this song and it kind of tells you everything you need to know about them as people. The combined ego of these two people is insane, you can see it on their faces. Again, it goes back to the idea that you don’t need to feel like you like the people singing to like the song, you can get positive emotions from egotistical people. “This song was played to me by Rachel from Cat’s Eyes. I got into classical music through her and it took me ages to a find soprano that I actually liked. I find listening to sopranos difficult sometimes, sometimes it feels so intrusive with that theatrical, over the top warble. But when the tone is pure I love it and Kathleen Battle is one of those sopranos. “The song is a baroque piece, but I find it quite hard to categorise. It’s so visual and so evocative; it’s almost psychedelic, because their music affects your perception of things. And it puts so many opulent and indulgent pictures in my head while I’m listening to it. Of all the soprano pieces and classical pieces that Rachel played me, this one is my favourite. I listen to it all the time, it’s probably one of my most listened to songs. “These two performers are so completely dedicated to their craft. They’ve been doing this their whole life and they’ve reached a level of control that most people will never get near. That’s why I love watching the video of it so much, despite their monumental egos you can’t help but admire and be inspired by the performance. The level of dedication and the level of musicality is unreal"

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The Devil You Know: Stories of Human Cruelty and Compassion
The Devil You Know: Stories of Human Cruelty and Compassion
Eileen Horne, Gwen Adshead | 2021 | Crime, Philosophy, Psychology & Social Sciences
9
9.5 (2 Ratings)
Book Rating
The Devil You Know is a series of case studies of some of the patients that Dr Gwen Adshead has worked with in her role as a forensic psychiatrist. I don’t know quite what I expected from this: perhaps a dry, academic-type book. It was nothing at all like that. It’s a book full of compassion for the terrible mistakes, acts and choices that these people have made. And this is what’s made clear in this book: we (or rather, I) have always been led to believe that people who murder, stalk or destroy others lives are sub-human, have no empathy, no guilt or reasons for their actions. But there are those who have made terrible, unforgivable, life-changing decisions and must now live with those choices. Some are wracked with guilt, others aren’t.

It’s really interesting to read about this diverse group of people - they were in Broadmoor, secure prisons or units, and some had been released back into society and were experiencing the world again after serving their sentences.

If you’ve always wondered what motivates people to commit violent crimes, then this is, in part, the book for you. I found it quite reassuring to know that there are people like Dr Adshead out there who listen to perpetrators of crime, who want to learn what it is that causes them to make that fatal decision. I found the part about early childhood neglect and abuse and its impact on brain development particularly interesting (I work in Early Years), and the fact that it is potentially within society’s power to prevent crime before it has even been thought about was sobering.

I could go on, but I won’t. Just to say that I found this whole book fascinating - it’s such a well-written, accessible and interesting read.
Many thanks to The Pigeonhole for serialising this, and to Gwen Adshead and Eileen Horne for reading along with the Pigeons!
  
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Eleanor Luhar (47 KP) rated Tyranny in Books

Jun 24, 2019  
Tyranny
Tyranny
8
8.0 (1 Ratings)
Book Rating
So as you've probably realised by now, I have anorexia. And because of that, I am always drawn to books about eating disorders, including this graphic novel I found in the library. It's always good to see realistic and relatable presentations of ED's, and I'm also always quick to point out when something is being portrayed wrong.

This book was a pretty accurate representation of my own personal battle with anorexia. It addressed the starving and the bingeing that many anorexics go through, as well as the body dysmorphia and unhealthy habits and routines. It included friends of Anna (the protagonist of this book) who are also suffering - one of which eventually suffered a heart attack and died. It's not uncommon for people with anorexia to have friends who pass away as a result of the unhealthy habits brought on by the disorder.

Anna does eventually decide she wants life, and goes into treatment. She learns to tell Tyranny (the voice/persons of her ED) that she doesn't care about being thin anymore, and eventually she gets her to leave entirely. (I can't say that's happened to me; it's more of an ongoing, up-and-down struggle in my experience.)

One thing I wasn't sure was so good about this book was the inclusion of weights - her weight loss process, the weight of another patient. This can be incredibly triggering for people suffering with an eating disorder, and can make people feel invalidated - feeling as if their ED isn't as "bad" or "real" because their weight wasn't quite as low. For this reason, I would be hesitant about recommending this book to people who are trying to recover from their disorder.

Overall, I felt it was a good portrayal of anorexia. It was brutally honest and included both the starving and the bingeing, which lots of people don't often discuss. 4.5 stars.