"I had to choose this one because it means so much to me in my life. When I met my wife we were listening to it a lot, so it's a really personal record for me, and a really romantic record. It's got a folk element but it's never silly, and on songs like 'Young Bride' it's really fascinating and beautiful. I went to see them at the Royal Festival Hall a couple of years ago and was absolutely blown away. I didn't know what to expect, but the singer had a real presence, a real energy, he was living it. It's the soundtrack to a very recent part of my life, and a very important moment to me personally. It has a huge emotional resonance for me."

"Both of these ruined me. They are what nightmares are made of: slippery women and unsavory dynamics. Things go sour when people get close fast. Which, according to both of these films, is like having your spirit sucked out of you without you knowing. 3 Women I watched my first year in LA; I’ve been here for ten. At the time I was living with two women, and the movie made me so nervous I couldn’t look them in the eye for days. Mulholland Dr. I watched last year. I should say I tried to watch it before, but the thing behind the garbage can left me so shook I stopped. Having finally made it all the way through feels like a personal victory. And what a glorious bummer it was."

"Both of these ruined me. They are what nightmares are made of: slippery women and unsavory dynamics. Things go sour when people get close fast. Which, according to both of these films, is like having your spirit sucked out of you without you knowing. 3 Women I watched my first year in LA; I’ve been here for ten. At the time I was living with two women, and the movie made me so nervous I couldn’t look them in the eye for days. Mulholland Dr. I watched last year. I should say I tried to watch it before, but the thing behind the garbage can left me so shook I stopped. Having finally made it all the way through feels like a personal victory. And what a glorious bummer it was."

"The Mirror was the closest cinema came to poetry. Tarkovsky abandoned narrative and mixed up different perspectives, stitching together the personal and the historical in a totally unique way. He made some other powerful films, but for me The Mirror is the one I keep going back to for air and inspiration. Its collage, fractured-mirror approach and refusal of anything literal and linear make sure the film will always keep its power and mystery, not unlike Eliot’s Waste Land. I have a problem these days getting through Tarkovsky’s more linear films, with these long, slow tracking shots that have spawned so many imitators (mainly male directors who love to exercise their power over a captive audience for hours). The other Tarkovsky film I can watch repeatedly and keep discovering anew is Ivan’s Childhood."

"This is generally known as Bergman’s most personal film, a complete masterpiece and triumphant study of childhood and the human condition, but I came to it by accident. This is a bit embarrassing, but I was about fifteen and I thought it was the movie adaptation of Salinger’s Franny and Zooey. To a highly untrained teenager’s eye, there are just enough similarities—like messed-up bourgeois family dynamics as seen through the prism of siblings—that I must have thought, “Well, I guess the whole thing just takes place over Christmas now. And they changed the names. And everyone’s Swedish.” Best cinematic mix-up of my life. Even better than that time in college when I drunkenly watched the second disc of Magnolia first and thought it made total sense."