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Ain't That Good News by Sam Cooke
Ain't That Good News by Sam Cooke
1964 | Rock
(0 Ratings)
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"Sam Cooke’s voice on this song is just absolutely... It guts you, it's so emotional. It was written around the time of the civil rights movement, really addressing the struggle and trying to maintain hope throughout that struggle and to push through and to persevere. “""A Change Is Gonna Come"" is something that I sang years ago in this thing called The Zodiac Show in L.A. It was the first time that I was stepping out of the world of musical theatre, singing how I wanted to sing and dressing how I wanted to dress and expressing myself. “The song took on a slightly new meaning for me because I’d been struggling within the theatre world, believe it or not, for sort of being perceived as 'too gay' for a lot of these roles and the things that I was auditioning for. It became a bit frustrating and I thought “Well, fuck, I thought I was in theatre, all the weirdos are in theatre and we're supposed to support each other.” I didn't feel that sense of community as much as I wanted to. “I also ended up signing it on American Idol and it kind of came back around as a full circle thing. Funnily enough, I sang it in the finale and didn't win. Many would say “Oh, maybe that's because of how they perceived you to be.” It was this repeated concept for me, both times. “My interpretation of the song was my personal change, that things were going to get better and things were going to become different hopefully, and that I was going to not give up, and strive towards that. This song has that personal meaning to me."

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The Merchant's House (Wesley Peterson #1)
The Merchant's House (Wesley Peterson #1)
Katie Ellis | 2010 | Crime, History & Politics, Thriller
4
4.0 (1 Ratings)
Book Rating
111 of 250
Book
The Merchants House ( Wesley Peterson book 1)
By Kate Ellis

Once read a review will be written via Smashbomb and link posted in comments

Detective Sergeant (and amateur archaeologist) Wesley Peterson hoped that a transfer from the lively but frantic pace of London to the bucolic river port of Tradmouth would have a positive effect on both his personal and professional lives. But Wes's first day on the job has hardly begun before he finds himself heading up an investigation into the murder of an unidentified young woman whose face has been brutally disfigured. And it's not long before Wes discovers that the Tradmouth force is as hopelessly overstretched as London's Met; in addition to the unidentified murder victim, the local police have been embroiled in a frantic search for a missing child. As Wes and his fellow detectives try to determine the identity of the young woman in hopes of catching her murderer, a strange parallel emerges between this case and a nearby archeological dig being conducted by Wes's college friend. Two skeletons have been unearthed in the ruins of a seventeenth-century merchant's house, one of them the apparent victim of a four-hundred-year-old murder. At first Wes is interested on a purely personal level, but strange connections between the murdered girl, the missing child, and the murder that occurred four hundred years ago soon begin to surface. Wes must act quickly to prove his suspicions, before another body joins those already residing in the dust of the merchant's house.


I struggled and struggled it had so many issues and the book was quite boring!
I will never encourage anyone to not read a book I think it’s important that people try as many books as possible. This is just my opinion.
  
Fascinating
I don’t often choose to read non-fiction books, I’m not entirely sure why except for the fact that I prefer escaping the real world. However there are some real life topics that really grab me, and forensic pathology is definitely one of those areas.

This book is truly a fascinating read. It’s an interesting mixture detailing Richard Shepherd’s personal life and the many cases he’s had involvement in over the years. It balances these two aspects very well, and I found I was as interested in his personal life as I was in the cases. It is the cases though that take precedence in this book and Shepherd really has left no stone unturned. There is an immense amount of detail in this about the deaths, bodies, medical terms and outcomes of the cases, and by the end of the book you feel completely satisfied that nothing has been missed.

Shepherd has had a truly impressive career, spanning a number of decades and quite a lot of high profile cases and inquests; Stephen Lawrence, Princess Diana, 9/11, 7/7, Derrick Bird, Harold Shipman. His involvement in all of these cases is impressive and with some, I’ve learnt a fair amount that I’d never known previously (i.e. Diana’s cause of death and the pathology side of 9/11). Shepherd is obviously a very knowledgeable and respected pathologist and it shows from his experience and his writing.

I may be biased as forensics, crime and pathology have always been an interest of mine (I did my dissertation at university on alternatives to traditional post-mortems), but this book is engaging, intriguing and beyond fascinating. I’d liken it to This is Going to Hurt by Adam McKay, obviously this is a lot more serious without the funny anecdotes but if you enjoyed the medical side then you’d probably enjoy this too.
  
Show all 3 comments.
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Sarah (7800 KP) Oct 18, 2020

Ooh thank you, I've never even heard of it so I'll give it a go 🙂

40x40

AJaneClark (3975 KP) Oct 18, 2020

I have been reading a lot of this style of book, and stumbled across Corrupt Bodies in the Works. Definitely an eye opener

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