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Joe Goodhart (27 KP) rated Doctor Who: The Death of Art in Books
Nov 30, 2020
Time for some troof! I tried reading this back when it first came out. I found it $2.95 at a used book store in the U.S. (Philadelphia, to be exact). The premise seemed neat and I saw a mention of Ace in the first few pages, so I felt I was on board. Yeah, no.
Jump ahead to now, I have been re-visiting key 7th Doctor NAs (sorry, but anyone who thinks NuWHO is groundbreaking or mentally stimulating, needs to read some of these and re-evaluate that statement. Just steer clear of this one!). This one was next on my list, as I wanted to give it a second chance, as my mind is so much more freer these days.
Unfortunately, my original opinion still stands for me: this book is rubbish! The beginning is interesting, but then goes so far out of the loop with that Chapter about alien race the Quoth. When Simon Bucher-Jones is on his game, he is A-MAZ-ING, not unlike Brian Michael Bendis when he writes his own creations, but when he sucks like this? <b>PEEEEE-YOOOO!</b>
By all means, do not waste any time, energy, etc. trying to endure this! Your mind will hate for years to come!
Jump ahead to now, I have been re-visiting key 7th Doctor NAs (sorry, but anyone who thinks NuWHO is groundbreaking or mentally stimulating, needs to read some of these and re-evaluate that statement. Just steer clear of this one!). This one was next on my list, as I wanted to give it a second chance, as my mind is so much more freer these days.
Unfortunately, my original opinion still stands for me: this book is rubbish! The beginning is interesting, but then goes so far out of the loop with that Chapter about alien race the Quoth. When Simon Bucher-Jones is on his game, he is A-MAZ-ING, not unlike Brian Michael Bendis when he writes his own creations, but when he sucks like this? <b>PEEEEE-YOOOO!</b>
By all means, do not waste any time, energy, etc. trying to endure this! Your mind will hate for years to come!
Waiting 'Til The Midnight Hour: A Narrative of Black Power in America
Book
"Once in a while a book comes along that projects the spirit of an era; this is one of them . . ....
Not Just Trains (NJT): NJ-Transit
Travel and Navigation
App
An app focusing primarily on the mass transit system in New Jersey. This app includes the following...
Mark @ Carstairs Considers (2200 KP) rated The Counterfeit Wife in Books
Nov 20, 2022 (Updated Nov 20, 2022)
Nothing About My Enjoyment of This Book was Counterfeit
Becca Parcell and Daniel Alloway have been sent by General Washington to Philadelphia. Someone is flooding the colonies with counterfeit money, and they believe this is where it is originating. It is critical to shut down the supply in order to keep the economy from crashing, thereby destroying the war effort. Just as the two of them get a suspect, a murder takes place, and someone surprisingly close to Becca becomes the prime suspect. Can they figure out what is going on?
I was thrilled with this second trip back to 1780. Once again, I felt like I was in that era while I was reading, including what life was like during that time. The mystery was strong with several twists that kept me reading. There is a strong romance between Becca and Daniel, and it strays a little beyond the cozies I typically read, but not too far. Both of them are strong lead characters, and the story is told from both of their points of view. Meanwhile, the rest of the cast, both real and fictional people, are just as strong. The ending of the book is extremely satisfying, but I’m ready to jump into the next in the series.
I was thrilled with this second trip back to 1780. Once again, I felt like I was in that era while I was reading, including what life was like during that time. The mystery was strong with several twists that kept me reading. There is a strong romance between Becca and Daniel, and it strays a little beyond the cozies I typically read, but not too far. Both of them are strong lead characters, and the story is told from both of their points of view. Meanwhile, the rest of the cast, both real and fictional people, are just as strong. The ending of the book is extremely satisfying, but I’m ready to jump into the next in the series.
BankofMarquis (1832 KP) rated The Philadelphia Story (1940) in Movies
Sep 14, 2019
It's as good (maybe better) than you've heard
We all know of movies that you hear are considered a "classic", but you've never seen, and the few clips of the film you've seen does not, exactly, motivate you to check out the entire film. THE PHILADELPHIA STORY was one such film for me. This 1940 George Cukor production is lauded for it's dialogue, direction and the stellar performances of the cast - particularly the 3 leads, Katherine Hepburn, Cary Grant and Jimmy Stewart.
Recently, I attended our monthly "Secret Movie Night" where we pack the Willow Creek Movie Theater on the 2nd Thursday of every month and get treated to a "Classic" Film (made before 1970) or a "New Classic" (made after 1970), but we don't know what the film is until it starts playing on the screen.
So...imagine how much my eyes rolled back into my head when I saw that this month's film was the aforementioned THE PHILADELPHIA STORY. I sighed to myself and said "all right, time to endure this one all the way through."
And...I couldn't have been more wrong. Almost from the start the script, pacing and witty dialogue of this Broadway-Play-Turned-Movie swept me away. Most certainly aided by the fact that 3 of the best movie stars of all time - at the peak of their abilities - were letting this wonderful dialogue roll off their tongues. This film is a "classic" in every sense of the word.
The plot is...inconsequential. Basically...Philadelphia socialite Tracy Lord (Hepburn) is getting remarried. Her ex-husband (Cary Grant) enlists the aid of a Journalist (Jimmy Stewart) to create havoc at the wedding.
But...this is a film where the journey, not the destination, is the fun of the flick. The 3 leads banter back and forth with each other, arming and disarming (and charming) one another with their quick wit and biting criticism. The Broadway Stage play was written, specifically, for Hepburn and she exceeds in this role. Here is a newsflash - KATHERINE HEPBURN IS A VERY GOOD ACTRESS - and I think this is the very best performance of the very best actress of all time (with apologies to Meryl Streep). She was nominated (but did not win) the Oscar for Best Actress for her performance (losing to a very deserving Ginger Rogers in KITTY FOYLE, I would have voted for Hepburn, but gotta give Rogers her due, she is very good as the titular KITTY FOYLE).
Stepping up to the plate - and matching Hepburn blow for blow - is, surprisingly, Stewart. I didn't really know the story of this film, so I was surprised where Stewart's character-arc went, especially in relation to his relationship with Hepburn. Stewart lost the Oscar in 1939 for his bravura performance in MR. SMITH GOES TO WASHINGTON (inexplicably losing to Robert Donat in GOODBYE MR. CHIPS), so the Academy made up for it's mistake by awarding Stewart the Oscar for Best Actor of 1940. This most certainly was a worthy Oscar-winning performance, but (if I"m going to be honest), pales in comparison to his work in MR. SMITH...
Looming over these two (and Tracy's impeding marriage to another person) is Cary Grant as Tracy's ex-husband, C.K. Dexter Haven. While Grant's role is the least showy of the 3, he commands the screen just with his presence whenever he shows up and strengthens this triangle with his strength of character.
The supporting cast is just as strong - Ruth Hussy (Oscar nominated for Best Supporting Actress) as a photographer, Roland Young (as the lecherous Uncle Willy) and, especially, 13 year old Virginia Weidler who is spunky, fun and smart as Tracy's kid sister. The only performer relegated to the back of the scenery is the bland John Howard as George Kittredge (the man Tracy is slated to marry). With Grant and Stewart on the scene, you know that Kittredge has no shot at getting Tracy Lord to the altar (or does he?).
All of these fine actors and the wonderful dialogue were put into the hands of the great Director George Cukor - who had 1 of his 5 Best Director Oscar Nominations for this film (he will win for MY FAIR LADY in 1964). He handles this film with skilled hands letting the actors (and the dialogue) "do their thing" without letting any of them overstay their welcome. It is a masterful job of directing and with strong actors (and off-screen personalities) like Hepburn, Grant and Stewart, he had his hands full.
Sure...it's a 1940's movie, so some of the "social situations" (mostly male/female dynamics) do not age particularly well, but Hepburn was a strong personality - certainly well ahead of the game in terms of equality of strength of the sexes, so these dynamics do not jump at us as strongly as it might have been in a lesser actress's hands.
If you haven't seen this film in sometime (or if you haven't seen it at all) - check out THE PHILADELPHIA STORY - you'll be glad you did.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank(ofMarquis)
Recently, I attended our monthly "Secret Movie Night" where we pack the Willow Creek Movie Theater on the 2nd Thursday of every month and get treated to a "Classic" Film (made before 1970) or a "New Classic" (made after 1970), but we don't know what the film is until it starts playing on the screen.
So...imagine how much my eyes rolled back into my head when I saw that this month's film was the aforementioned THE PHILADELPHIA STORY. I sighed to myself and said "all right, time to endure this one all the way through."
And...I couldn't have been more wrong. Almost from the start the script, pacing and witty dialogue of this Broadway-Play-Turned-Movie swept me away. Most certainly aided by the fact that 3 of the best movie stars of all time - at the peak of their abilities - were letting this wonderful dialogue roll off their tongues. This film is a "classic" in every sense of the word.
The plot is...inconsequential. Basically...Philadelphia socialite Tracy Lord (Hepburn) is getting remarried. Her ex-husband (Cary Grant) enlists the aid of a Journalist (Jimmy Stewart) to create havoc at the wedding.
But...this is a film where the journey, not the destination, is the fun of the flick. The 3 leads banter back and forth with each other, arming and disarming (and charming) one another with their quick wit and biting criticism. The Broadway Stage play was written, specifically, for Hepburn and she exceeds in this role. Here is a newsflash - KATHERINE HEPBURN IS A VERY GOOD ACTRESS - and I think this is the very best performance of the very best actress of all time (with apologies to Meryl Streep). She was nominated (but did not win) the Oscar for Best Actress for her performance (losing to a very deserving Ginger Rogers in KITTY FOYLE, I would have voted for Hepburn, but gotta give Rogers her due, she is very good as the titular KITTY FOYLE).
Stepping up to the plate - and matching Hepburn blow for blow - is, surprisingly, Stewart. I didn't really know the story of this film, so I was surprised where Stewart's character-arc went, especially in relation to his relationship with Hepburn. Stewart lost the Oscar in 1939 for his bravura performance in MR. SMITH GOES TO WASHINGTON (inexplicably losing to Robert Donat in GOODBYE MR. CHIPS), so the Academy made up for it's mistake by awarding Stewart the Oscar for Best Actor of 1940. This most certainly was a worthy Oscar-winning performance, but (if I"m going to be honest), pales in comparison to his work in MR. SMITH...
Looming over these two (and Tracy's impeding marriage to another person) is Cary Grant as Tracy's ex-husband, C.K. Dexter Haven. While Grant's role is the least showy of the 3, he commands the screen just with his presence whenever he shows up and strengthens this triangle with his strength of character.
The supporting cast is just as strong - Ruth Hussy (Oscar nominated for Best Supporting Actress) as a photographer, Roland Young (as the lecherous Uncle Willy) and, especially, 13 year old Virginia Weidler who is spunky, fun and smart as Tracy's kid sister. The only performer relegated to the back of the scenery is the bland John Howard as George Kittredge (the man Tracy is slated to marry). With Grant and Stewart on the scene, you know that Kittredge has no shot at getting Tracy Lord to the altar (or does he?).
All of these fine actors and the wonderful dialogue were put into the hands of the great Director George Cukor - who had 1 of his 5 Best Director Oscar Nominations for this film (he will win for MY FAIR LADY in 1964). He handles this film with skilled hands letting the actors (and the dialogue) "do their thing" without letting any of them overstay their welcome. It is a masterful job of directing and with strong actors (and off-screen personalities) like Hepburn, Grant and Stewart, he had his hands full.
Sure...it's a 1940's movie, so some of the "social situations" (mostly male/female dynamics) do not age particularly well, but Hepburn was a strong personality - certainly well ahead of the game in terms of equality of strength of the sexes, so these dynamics do not jump at us as strongly as it might have been in a lesser actress's hands.
If you haven't seen this film in sometime (or if you haven't seen it at all) - check out THE PHILADELPHIA STORY - you'll be glad you did.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank(ofMarquis)
SIMON - Malls, Mills & Premium Outlets Shopping
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Whisper Not: The Autobiography of Benny Golson
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