Search
Search results
Beckie Shelton (40 KP) rated Dubious (The Loan Shark Duet, #1) in Books
Feb 8, 2018
<a href="http://s1376.photobucket.com/user/rosella1974/media/download_zpsalznydhx.jpg.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/download_zpsalznydhx.jpg~original"; border="0" alt=" photo download_zpsalznydhx.jpg"/></a>
🌟🌟🌟🌟STARS.
Dubious (The Loan Shark Duet, #1) was a delight to read and once I started there was no stopping me, I was on a mission to finish this.
So the low-down on Dubious was that Valentina Haynes a young veterinary student manages to get on the wrong side of the Louw family courtesy of her car thief neighbour, who while watching her disabled brother Charlie lets him run up gambling debt's at a local club.
Sent in on a kill order Gabriel Louw wanting Valentina for himself offers her an out, come work for him for nine years to pay off her brother's debt and he will let her brother go.
Now this book was fantastic and was such an easy read.
Despite the subject matter involved here, this was not in any way for me dark.
Gabriel rather than force Valentina (who is now working as a maid in his home).
Gradually seduces her senses with his brand of charisma and skills.
Alongside Gabriel, Valentina has to endure his mother Magda. who from day one is unhappy with her son's decision to allow the Hayne's to continue to exist and is just looking for an excuse to end Valentina.
I also loved the fact that Gabriel wasn't your typical looker and was covered in scars, this to me was an actual plus rather than a minus because I do adore me a less than perfect anti-hero.
Gabriel also came packed with a spoilt teenage daughter and I get the impression from her behaviour that she was less than aware of her father's profession.
I also thought it was a stroke of genies to set this in South Africa, Johannesburg to be precise.
This made it stand out for me from the norm, I can honestly say I don't think I've read this genre of story set in this background before.
This made this really original.
The tale told here was not very angsty but that didn't matter.
As this story progressed, two things became very clear to me, Gabriel's self-confidence in his own appeal was low, more than likely due to his scarring.
He felt that his money and power was all he had to offer besides the obvious things as well of course.
The second being Valentina has vastly underestimated how much Gabriel wants to protect and keep her, the former going to such extremes that it was bound to come crashing down around his ears just through miscommunication.
There were some very interesting side characters here Quinn and Rhett, Gabriel's bodyguards being two that grew on me and I believe they both generally liked Valentina.
Also, her friend Kris was a diamond watching her brother Charlie, maybe for the next nine years, this was definitely above and beyond.
Bet we would all love a friend like that.
So the only reason I pulled this down a star was that I feel that Gabriel himself would with this sort of reputation and power be less than inclined to allow his mother to pull his strings.
Yes, I know in the beginning she was described as having all the power.
I just fail to see, how with Gabriel's sort of nature he has allowed this status quo to go unchallenged all these years, I just can't see it.
After all, he is the muscle and scary face of the Louw's family loan shark franchise.
I actually just really wanted him to tell his mother to go screw herself.
So Would I recommend this? Hell yeah!!!
Dubious was well written with great developed characters and an interesting storyline.
It also really helped that the hero and heroine were both extremely likeable people.
Even considering the hero's occupation.
And the way this was left. well just Phew, so need that next instalment.
Dubious ended on such a fantastic cliffhanger.
I would like to say thank you to NetGalley, the publisher and the author for providing me with a free ARC.
This is my own free and honest opinion of Dubious.
<a href="http://s1376.photobucket.com/user/rosella1974/media/images_zpshdbbnmle.jpg.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/images_zpshdbbnmle.jpg~original"; border="0" alt=" photo images_zpshdbbnmle.jpg"/></a>
Reviewed By Bookworm
www.beckiebookworm.com
🌟🌟🌟🌟STARS.
Dubious (The Loan Shark Duet, #1) was a delight to read and once I started there was no stopping me, I was on a mission to finish this.
So the low-down on Dubious was that Valentina Haynes a young veterinary student manages to get on the wrong side of the Louw family courtesy of her car thief neighbour, who while watching her disabled brother Charlie lets him run up gambling debt's at a local club.
Sent in on a kill order Gabriel Louw wanting Valentina for himself offers her an out, come work for him for nine years to pay off her brother's debt and he will let her brother go.
Now this book was fantastic and was such an easy read.
Despite the subject matter involved here, this was not in any way for me dark.
Gabriel rather than force Valentina (who is now working as a maid in his home).
Gradually seduces her senses with his brand of charisma and skills.
Alongside Gabriel, Valentina has to endure his mother Magda. who from day one is unhappy with her son's decision to allow the Hayne's to continue to exist and is just looking for an excuse to end Valentina.
I also loved the fact that Gabriel wasn't your typical looker and was covered in scars, this to me was an actual plus rather than a minus because I do adore me a less than perfect anti-hero.
Gabriel also came packed with a spoilt teenage daughter and I get the impression from her behaviour that she was less than aware of her father's profession.
I also thought it was a stroke of genies to set this in South Africa, Johannesburg to be precise.
This made it stand out for me from the norm, I can honestly say I don't think I've read this genre of story set in this background before.
This made this really original.
The tale told here was not very angsty but that didn't matter.
As this story progressed, two things became very clear to me, Gabriel's self-confidence in his own appeal was low, more than likely due to his scarring.
He felt that his money and power was all he had to offer besides the obvious things as well of course.
The second being Valentina has vastly underestimated how much Gabriel wants to protect and keep her, the former going to such extremes that it was bound to come crashing down around his ears just through miscommunication.
There were some very interesting side characters here Quinn and Rhett, Gabriel's bodyguards being two that grew on me and I believe they both generally liked Valentina.
Also, her friend Kris was a diamond watching her brother Charlie, maybe for the next nine years, this was definitely above and beyond.
Bet we would all love a friend like that.
So the only reason I pulled this down a star was that I feel that Gabriel himself would with this sort of reputation and power be less than inclined to allow his mother to pull his strings.
Yes, I know in the beginning she was described as having all the power.
I just fail to see, how with Gabriel's sort of nature he has allowed this status quo to go unchallenged all these years, I just can't see it.
After all, he is the muscle and scary face of the Louw's family loan shark franchise.
I actually just really wanted him to tell his mother to go screw herself.
So Would I recommend this? Hell yeah!!!
Dubious was well written with great developed characters and an interesting storyline.
It also really helped that the hero and heroine were both extremely likeable people.
Even considering the hero's occupation.
And the way this was left. well just Phew, so need that next instalment.
Dubious ended on such a fantastic cliffhanger.
I would like to say thank you to NetGalley, the publisher and the author for providing me with a free ARC.
This is my own free and honest opinion of Dubious.
<a href="http://s1376.photobucket.com/user/rosella1974/media/images_zpshdbbnmle.jpg.html"; target="_blank"><img src="http://i1376.photobucket.com/albums/ah5/rosella1974/images_zpshdbbnmle.jpg~original"; border="0" alt=" photo images_zpshdbbnmle.jpg"/></a>
Reviewed By Bookworm
www.beckiebookworm.com
Gareth von Kallenbach (971 KP) rated The Lion King (2019) in Movies
Jul 11, 2019
It seems recently that the Disney vault has exploded with the release of several of their classic animated films being remade. Unfortunately, the classics that have inspired these remakes have been redone with mixed results. The original The Lion King was released back in 1994 and it’s hard to believe that I was a junior in college when I saw it. Since that time, we’ve seen various iterations of the classic story, a few direct to VCR sequels and the awe-inspiring Broadway stage production (which if you are a serious fan of the movie I encourage you to see). It seems odd to discuss the plot of a movie that I’m certain everyone reading this has seen at least once (or a dozen times over). To the uninformed however, The Lion King is about a young cub named Simba (JD McCrary as the young voice and Donald Glover as the adult) who suffers the tragic loss of his father Mufasa (James Earl Jones) at the paws of his evil uncle Scar (Chiwetel Ejiofor). Scar convinces Simba that he is responsible for his father’s death and that he must leave the pride and never return. With the help of his faithful friends Timon (Billy Eichner), the lovable warthog Pumbaa (Seth Rogen), the ever wise Zazu (John Oliver) and his budding queen Nala (Beyoncé’) he learns that true courage comes from within and realizes he must face Scar if he is ever to bring peace back to the Pride Lands.
Given the recent track record, I wasn’t sure if this was going to be a retelling of the story as I remembered it, or a re-imagining of the story as a whole (and yes there is a difference). Thankfully, I can say that The Lion King draws practically all of its inspiration directly from the animated classic. Director Jon Favreau (who had already wowed audiences when he directed The Jungle Book) brings the same heart-warming, tear jerk moments that we all know and love. While he certainly didn’t take any risks with The Lion King, that’s exactly what made it such a pleasure to behold. He understood that there was no need to change the story into something new or try to make it something it shouldn’t be. True, for those who have seen the animated film it will feel incredibly familiar, but I think that’s exactly what fans are looking for. Changes and risks don’t always make a movie better, and The Lion King is a prime example of not breaking something that works.
The real star of the show however isn’t the actors, nor it’s incredible director, but the technology that went behind bringing our favorite felines to life. Disney refers to this as a “photo real movie”. The technology behind it merges both new and old together to bring the animals to life, indistinguishable from their real-life counterparts. Utilizing VR, animation and mixed with live action film-making it is practically impossible to distinguish what is live and what is animated. The character models have come a far way from the original Jumanji, which was heralded back in 1995 for it’s use of computer animated animals that supposedly looked and felt like the real thing. While Disney has always made great strides to make their computer-generated animals look and feel real (much like the absolutely stunning Jungle Book) The Lion King takes this to an entirely different level altogether.
Disney has done what has seemed practically impossible lately, bringing a classic back to the screen without changing what made the original such a classic. Unlike some of their more recent attempts, The Lion King holds true to the source material which has delighted fans for over 25 years. While the story doesn’t bring anything particularly new to the table, the photo realistic lions and their supporting cast feel as fresh as they ever have. If you aren’t a fan of the classic animated movie, The Lion King won’t necessarily change that, however the imagery alone may be reason enough to see it. I hope Disney takes note of this movie in particular, that fans don’t need a re-imagining of the stories that captivated our youths to bring the magic back. The Lion King is a testament to how the Disney classic still holds up today, and how to make something old feel new again.
http://sknr.net/2019/07/11/the-lion-king/
Given the recent track record, I wasn’t sure if this was going to be a retelling of the story as I remembered it, or a re-imagining of the story as a whole (and yes there is a difference). Thankfully, I can say that The Lion King draws practically all of its inspiration directly from the animated classic. Director Jon Favreau (who had already wowed audiences when he directed The Jungle Book) brings the same heart-warming, tear jerk moments that we all know and love. While he certainly didn’t take any risks with The Lion King, that’s exactly what made it such a pleasure to behold. He understood that there was no need to change the story into something new or try to make it something it shouldn’t be. True, for those who have seen the animated film it will feel incredibly familiar, but I think that’s exactly what fans are looking for. Changes and risks don’t always make a movie better, and The Lion King is a prime example of not breaking something that works.
The real star of the show however isn’t the actors, nor it’s incredible director, but the technology that went behind bringing our favorite felines to life. Disney refers to this as a “photo real movie”. The technology behind it merges both new and old together to bring the animals to life, indistinguishable from their real-life counterparts. Utilizing VR, animation and mixed with live action film-making it is practically impossible to distinguish what is live and what is animated. The character models have come a far way from the original Jumanji, which was heralded back in 1995 for it’s use of computer animated animals that supposedly looked and felt like the real thing. While Disney has always made great strides to make their computer-generated animals look and feel real (much like the absolutely stunning Jungle Book) The Lion King takes this to an entirely different level altogether.
Disney has done what has seemed practically impossible lately, bringing a classic back to the screen without changing what made the original such a classic. Unlike some of their more recent attempts, The Lion King holds true to the source material which has delighted fans for over 25 years. While the story doesn’t bring anything particularly new to the table, the photo realistic lions and their supporting cast feel as fresh as they ever have. If you aren’t a fan of the classic animated movie, The Lion King won’t necessarily change that, however the imagery alone may be reason enough to see it. I hope Disney takes note of this movie in particular, that fans don’t need a re-imagining of the stories that captivated our youths to bring the magic back. The Lion King is a testament to how the Disney classic still holds up today, and how to make something old feel new again.
http://sknr.net/2019/07/11/the-lion-king/
Haley Mathiot (9 KP) rated Get Your Bake On: Sweet and Savory Recipes from My Home to Yours in Books
Apr 27, 2018
I flipped through GYBO and wanted to jump up and down I was so excited about all the amazing recipes. Cheese and Chive soufflés? Blueberry Almond scones? Banana Tea bead, Tomato tart… So many cool things.
I feel like this book was made for me because one of the things Emmett said about his baking was he liked sweet items, but he also liked to take traditionally sweet things and make them savory: for example, the Savory Bacon Cheddar Chive scones sound awesome and are totally on my “to-bake” list (what, you don’t have a to-bake list? what’s wrong with you?) and Salted Peanut Cookies? Why didn’t I think of that?
The instructions are very reader friends and clear, and you don’t have to be an experienced baker to follow the directions (though you have to have serious patience and lots of time to make the traditional Croissants. Like seriously? Who ever thought that process up?).
The only reason this book isn’t 5 stars is because there are only a few pictures. in the middle of the book is a photo section where some of Emmett’s recipes are beautifully and colorfully photographed. And I totally understand how expensive and time consuming it would be to photograph ever. single. recipe. But I’m a visual person. I flip through photos and decide what to make on the photos, not the titles of the recipes.
However, even without every recipe being shown, they all sound great, and was really excited about using this book.
The recipe I tried was the Blueberry Almond scones. I didn’t have lemon juice for the glaze, so I made a vanilla-almond glaze with butter and cream, and I used gluten free flour (because I was making breakfast for a GF friend). I also miss-read the amount of almonds I was supposed to use, and ended up using double the amount. But they turned out phenomenal. Ugly, since I don’t have a rolling pin and I didn’t have any flour to dust the cutting board. Also I only have one cookie sheet so I used some muffin tins– they sort of turned into “drop scones”—but they were delish.
This book is totally on my favorite cookbook list and I will absolutely use more of these recipes.
I feel like this book was made for me because one of the things Emmett said about his baking was he liked sweet items, but he also liked to take traditionally sweet things and make them savory: for example, the Savory Bacon Cheddar Chive scones sound awesome and are totally on my “to-bake” list (what, you don’t have a to-bake list? what’s wrong with you?) and Salted Peanut Cookies? Why didn’t I think of that?
The instructions are very reader friends and clear, and you don’t have to be an experienced baker to follow the directions (though you have to have serious patience and lots of time to make the traditional Croissants. Like seriously? Who ever thought that process up?).
The only reason this book isn’t 5 stars is because there are only a few pictures. in the middle of the book is a photo section where some of Emmett’s recipes are beautifully and colorfully photographed. And I totally understand how expensive and time consuming it would be to photograph ever. single. recipe. But I’m a visual person. I flip through photos and decide what to make on the photos, not the titles of the recipes.
However, even without every recipe being shown, they all sound great, and was really excited about using this book.
The recipe I tried was the Blueberry Almond scones. I didn’t have lemon juice for the glaze, so I made a vanilla-almond glaze with butter and cream, and I used gluten free flour (because I was making breakfast for a GF friend). I also miss-read the amount of almonds I was supposed to use, and ended up using double the amount. But they turned out phenomenal. Ugly, since I don’t have a rolling pin and I didn’t have any flour to dust the cutting board. Also I only have one cookie sheet so I used some muffin tins– they sort of turned into “drop scones”—but they were delish.
This book is totally on my favorite cookbook list and I will absolutely use more of these recipes.
Haley Mathiot (9 KP) rated Lone Star Legend in Books
Apr 27, 2018
Lone Star Legend by Gwendolyn Zepeda
Genre: YA Fiction
Rating: 2.5, DNF
Sandy S. has a second identity online—she blogs at a personal blog as Miss TragiComic Texas, and works for a website called Nacho Papi. Sandy is good at living her dual-identities and keeping them separate. But when people start connecting the the personal blog and the new website, and then recognizing her on the streets from the videos…
(From back of the book:) No matter how many passwords and aliases we use, there really is no such thing as privacy when you live your life online. Celebrities expect this, but what about the average person? Gwendolyn Zepeda’s novel plays with this idea of public vs. private and what happens when those lines get crossed.
I found Lone Star Legend to be very slow. It was hard to get into, and even halfway through the book I wasn’t sure what the actual plot line was.
There is a lot of drama. She breaks up with her boyfriend. Her boyfriend’s students find her personal blog and her rants about him and it embarrasses him. People recognize her in the coffee shop from TV. The man she interviews on a whim becomes the new biggest internet phenomenon, but he doesn’t want his photo on the t-shirts that she has already started to sell. These are just a few things that happen in the story, and none of it really leads anywhere.
And if a story doesn’t lead anywhere, and I have no desire to finish it, I’m not going to. Because I could be reading other things.
With that in mind, my positive comments include these: Zepeda is a pretty good writer. The writing and the dialogue is witty and fresh and alive and pretty funny at times. There were some great lines, great scenarios, and great laugh-out-loud sections… there just weren’t enough to keep me reading. The characters are well developed and defined and likeable, and it’s a pretty enjoyable read… little bits at a time.
But Lone Star Legend just wasn’t my thing, I guess. It kind of stinks, too, because I love the idea. As a blogger, people I know personally always tell me about stuff they read on my blog… but however much I wanted to enjoy it, I just couldn’t get into it.
Genre: YA Fiction
Rating: 2.5, DNF
Sandy S. has a second identity online—she blogs at a personal blog as Miss TragiComic Texas, and works for a website called Nacho Papi. Sandy is good at living her dual-identities and keeping them separate. But when people start connecting the the personal blog and the new website, and then recognizing her on the streets from the videos…
(From back of the book:) No matter how many passwords and aliases we use, there really is no such thing as privacy when you live your life online. Celebrities expect this, but what about the average person? Gwendolyn Zepeda’s novel plays with this idea of public vs. private and what happens when those lines get crossed.
I found Lone Star Legend to be very slow. It was hard to get into, and even halfway through the book I wasn’t sure what the actual plot line was.
There is a lot of drama. She breaks up with her boyfriend. Her boyfriend’s students find her personal blog and her rants about him and it embarrasses him. People recognize her in the coffee shop from TV. The man she interviews on a whim becomes the new biggest internet phenomenon, but he doesn’t want his photo on the t-shirts that she has already started to sell. These are just a few things that happen in the story, and none of it really leads anywhere.
And if a story doesn’t lead anywhere, and I have no desire to finish it, I’m not going to. Because I could be reading other things.
With that in mind, my positive comments include these: Zepeda is a pretty good writer. The writing and the dialogue is witty and fresh and alive and pretty funny at times. There were some great lines, great scenarios, and great laugh-out-loud sections… there just weren’t enough to keep me reading. The characters are well developed and defined and likeable, and it’s a pretty enjoyable read… little bits at a time.
But Lone Star Legend just wasn’t my thing, I guess. It kind of stinks, too, because I love the idea. As a blogger, people I know personally always tell me about stuff they read on my blog… but however much I wanted to enjoy it, I just couldn’t get into it.
Heather Cranmer (2721 KP) rated god-chaser in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.)
This is my first time reviewing a poetry book, so hopefully my review will do this book justice as it's a wonderful and well written book of poetry.
god-chaser by Sari Krosinsky is a short book of mainly poetry and some prose. The main subject of this book are gods although there are a few prose and poetry from the author's memories.
I think the title of this book suits it. Most of the prose and poetry contained in this book deal with all sorts of gods, so the title "god-chaser" works perfectly. It's even mentioned in one of the poems.
I like the simplistic design of the cover. I assume the photo of the woman on the cover is the author. I love the tree in the background as well. The cover, to me, symbolises the whole "what you see is what you get with this book." Yes, the cover could've been more decorated with pictures of gods and goddesses but this cover works for this book.
The pacing of each poem and story is perfect. I found myself devouring each story and poem as I read them. Not once did I grow bored with this little book of prose and poetry.
When it comes to dialogue, most of it is easy to understand. There are a few words that I didn't know what they meant, but over all, the prose and poetry is easy to understand. I must mention here that the poems and stories spoke to my soul!! There are a few swear words in it, but not many.
My favourite piece in this book is a prose piece entitled "Election Day Memorial, 1984." I can't pinpoint why it's my favourite but I just love the way it's written. I also like the dry humour used in it.
This is definitely a great book for fans of prose and poetry as well as those that are into mythology. When I heard this book dealt with mythological gods and goddesses, I had to read it! The author does a fantastic job with the wording. It is beautifully written.
I'd recommend this book mostly to fans of prose and poetry aged 16+, but I think mostly everyone could benefit from reading it as it's a lovely read!
This is my first time reviewing a poetry book, so hopefully my review will do this book justice as it's a wonderful and well written book of poetry.
god-chaser by Sari Krosinsky is a short book of mainly poetry and some prose. The main subject of this book are gods although there are a few prose and poetry from the author's memories.
I think the title of this book suits it. Most of the prose and poetry contained in this book deal with all sorts of gods, so the title "god-chaser" works perfectly. It's even mentioned in one of the poems.
I like the simplistic design of the cover. I assume the photo of the woman on the cover is the author. I love the tree in the background as well. The cover, to me, symbolises the whole "what you see is what you get with this book." Yes, the cover could've been more decorated with pictures of gods and goddesses but this cover works for this book.
The pacing of each poem and story is perfect. I found myself devouring each story and poem as I read them. Not once did I grow bored with this little book of prose and poetry.
When it comes to dialogue, most of it is easy to understand. There are a few words that I didn't know what they meant, but over all, the prose and poetry is easy to understand. I must mention here that the poems and stories spoke to my soul!! There are a few swear words in it, but not many.
My favourite piece in this book is a prose piece entitled "Election Day Memorial, 1984." I can't pinpoint why it's my favourite but I just love the way it's written. I also like the dry humour used in it.
This is definitely a great book for fans of prose and poetry as well as those that are into mythology. When I heard this book dealt with mythological gods and goddesses, I had to read it! The author does a fantastic job with the wording. It is beautifully written.
I'd recommend this book mostly to fans of prose and poetry aged 16+, but I think mostly everyone could benefit from reading it as it's a lovely read!
LeftSideCut (3778 KP) rated The Lion King (2019) in Movies
Jul 24, 2019 (Updated Dec 15, 2019)
An amazing looking film that unfortunately lacks soul.
I, like many people, consider The Lion King to be one of finest Disney animations of all time. For me, it ranks alongside Mulan as a favourite, and I immediately fell in love with the characters when it was released in 1994. (I was 5 at the time!)
All these years later, and it still stands as a bonafide classic.
And here we are now, in 2019, and this adaption of The Lion King is the latest in an ever growing line of Disney animations to get the realistic remake treatment.
It aims straight for the nostalgic jugular (and is painfully see through), even if the CGI is pretty damn impressive.
However, impressive CGI means nothing if everything surrounding is empty. It's quite simply missing the heart and soul of the original animation.
In a similar fashion to the recent Jungle Book remake, it's no easy task to convey emotion on these characters when they are photo realistic animals, and the film really suffers as a result.
I feel like that casting was a big contributor as well. A lot of the voice cast are quite simply doing voice over work, and it's painfully obvious is some scenes that the actors were not next to each other whilst performing. The dialogue flows unnaturally on several occasions.
The songs are...ok I guess. Again, they lack a lot of of the heart that made them so enjoyable the first time around.
In particular, "Can You Feel the Love Tonight" is just awful, listening to Beyonce try to out-Beyonce herself, warbling and riffing unessecarily on a pretty straightforward ballad.
Her involvement had me eye rolling actually. As soon as Hakuna Matata is over and Simba is older, it sort of turned into the Beyonce show - I have absolutely nothing against her, I just thought her involvement with The Lion King was a bit overdone and on the nose.
I'm not sure what I really expected but I feel suitably silly for thinking that this was going to be anything more than a blatant cash grab.
The Lion King offers up nothing new, and the argument of "it's bringing the story to a whole new generation" is rendered mute by just watching the easily accessible and miles better original.
All these years later, and it still stands as a bonafide classic.
And here we are now, in 2019, and this adaption of The Lion King is the latest in an ever growing line of Disney animations to get the realistic remake treatment.
It aims straight for the nostalgic jugular (and is painfully see through), even if the CGI is pretty damn impressive.
However, impressive CGI means nothing if everything surrounding is empty. It's quite simply missing the heart and soul of the original animation.
In a similar fashion to the recent Jungle Book remake, it's no easy task to convey emotion on these characters when they are photo realistic animals, and the film really suffers as a result.
I feel like that casting was a big contributor as well. A lot of the voice cast are quite simply doing voice over work, and it's painfully obvious is some scenes that the actors were not next to each other whilst performing. The dialogue flows unnaturally on several occasions.
The songs are...ok I guess. Again, they lack a lot of of the heart that made them so enjoyable the first time around.
In particular, "Can You Feel the Love Tonight" is just awful, listening to Beyonce try to out-Beyonce herself, warbling and riffing unessecarily on a pretty straightforward ballad.
Her involvement had me eye rolling actually. As soon as Hakuna Matata is over and Simba is older, it sort of turned into the Beyonce show - I have absolutely nothing against her, I just thought her involvement with The Lion King was a bit overdone and on the nose.
I'm not sure what I really expected but I feel suitably silly for thinking that this was going to be anything more than a blatant cash grab.
The Lion King offers up nothing new, and the argument of "it's bringing the story to a whole new generation" is rendered mute by just watching the easily accessible and miles better original.
Bong Mines Entertainment (15 KP) rated T.I.M.E by Kelvyn Boy in Music
Aug 8, 2019
Kelvyn Boy is a fast-rising artist from Accra, Ghana. Not too long ago, he released a music video for his “Mea” single featuring Joey B.
Kelvyn Boy – “Mea” featuring Joey B
“‘Mea’ is a big tune for me and one of the EP’s highlights I’d say. It has a Highlife flair which I love. It came together really quickly in the studio. When I heard my producer playing something he’d been working on, I was like, ‘I love that beat, let’s put some guitar on this and start working on it’. So we put some guitar lines down and I just started to freestyle over the beat. My producer said, ‘Yo we need to record this now!’ So we put down the vocal there and then. I just needed someone who can rap and sing at the same to finish it off, so I had Joey B in mind. We sent him the song and he linked us and the next day we finished it in the studio.” – Kelvyn Boy
‘Mea’ contains a relatable storyline, harmonious vocals, and melodic instrumentation flavored with tropical, afrobeat, and afro-dance elements.
The likable tune tells an interesting tale of a young guy who adores a special woman in his life. Apparently, she’s a boss in the bedroom and she possesses a Coca-Cola shaped body.
‘Mea’ is featured on Kelvyn Boy’s debut EP, entitled, “T.I.M.E”.
Kelvyn – “T.I.M.E” EP
“‘T.I.M.E’, my debut EP, is an abbreviation for The Inspirational Moment Ever. From the production to lyrics, it’s strictly Afro-beats. I wanted to represent this sound and Ghana’s sound to a global market.” – Kelvyn Boy
The 8-track project features Medikal, Joey B, and Stonebwoy. Also, it incorporates other musical genres such as reggae, dancehall, and highlife.
Kelvyn Boy
Kelvyn Boy award photo
In the Summer of 2018, Kelvyn Boy accompanied his mentor Stonebwoy on a 9-city European Tour. They graced stages at Reggae Geel (Belgium), Summer Jam (Germany), Enter The Dancehall (Switzerland) and many more.
Later that year, Kelvyn won the Unsung Artiste of the Year and was later nominated as Best New Artiste of the Year at the Vodafone Ghana Music Awards (2019).
This summer, he will embark on a European tour which includes Bomboclat Festival in Belgium (other dates tbc).
Kelvyn Boy – “Mea” featuring Joey B
“‘Mea’ is a big tune for me and one of the EP’s highlights I’d say. It has a Highlife flair which I love. It came together really quickly in the studio. When I heard my producer playing something he’d been working on, I was like, ‘I love that beat, let’s put some guitar on this and start working on it’. So we put some guitar lines down and I just started to freestyle over the beat. My producer said, ‘Yo we need to record this now!’ So we put down the vocal there and then. I just needed someone who can rap and sing at the same to finish it off, so I had Joey B in mind. We sent him the song and he linked us and the next day we finished it in the studio.” – Kelvyn Boy
‘Mea’ contains a relatable storyline, harmonious vocals, and melodic instrumentation flavored with tropical, afrobeat, and afro-dance elements.
The likable tune tells an interesting tale of a young guy who adores a special woman in his life. Apparently, she’s a boss in the bedroom and she possesses a Coca-Cola shaped body.
‘Mea’ is featured on Kelvyn Boy’s debut EP, entitled, “T.I.M.E”.
Kelvyn – “T.I.M.E” EP
“‘T.I.M.E’, my debut EP, is an abbreviation for The Inspirational Moment Ever. From the production to lyrics, it’s strictly Afro-beats. I wanted to represent this sound and Ghana’s sound to a global market.” – Kelvyn Boy
The 8-track project features Medikal, Joey B, and Stonebwoy. Also, it incorporates other musical genres such as reggae, dancehall, and highlife.
Kelvyn Boy
Kelvyn Boy award photo
In the Summer of 2018, Kelvyn Boy accompanied his mentor Stonebwoy on a 9-city European Tour. They graced stages at Reggae Geel (Belgium), Summer Jam (Germany), Enter The Dancehall (Switzerland) and many more.
Later that year, Kelvyn won the Unsung Artiste of the Year and was later nominated as Best New Artiste of the Year at the Vodafone Ghana Music Awards (2019).
This summer, he will embark on a European tour which includes Bomboclat Festival in Belgium (other dates tbc).
Dakotah Salazar (12 KP) rated the PlayStation 4 version of Crash Team Racing: Nitro Fueled in Video Games
Jul 1, 2019
Lively graphics (2 more)
Smooth controls
Fun game modes
Too easy (2 more)
Microtransactions galore
No new courses
Strong remaster. Easy for experts.
The original CTR holds a special place in my heart. As a child, I spent countless hours on my Playstation with many characters, tracks, and secrets to unlock. It truly is an incredible gaming experience.
Which is why I had to pick this up right away. And overall, it's a decent racer, but now were in the age of photo realistic racing games such as Forza, or living in the shadow of Mario Kart still in its multiplayer experience. Crash Team Racing has potential for expansion, but I was disappointed in that it's the same experience as before.
During the races, they are fast and lively. It brings the nostalgia in the controls and smooth gameplay. The power ups and attacks are the same, but are easy to operate. It also introduces the hyper slide, which may be difficult to master at first. The tracks don't give too much leverage in utilizing this. It could also be a disadvantage because it could ruin the flow of the race. It all depends really.
As for the modes, they have plenty to choose from. Adventure Mode, Online, Time Trial, etc. I would recommend this as a party game...because I think I could give the player a strong challenge. Adventure Mode, if you are an expert at this game, is WAY TOO EASY. I placed first in almost every race not trying to brag, but it doesn't challenge the player in anyway, even in the boss battles. Unless you are in a Single Race mode, then it offers an option of difficulty.
Characters to choose from is plentiful. Even adding options to modify the character and karts are wonderful designs. It's satisfying to earn them but if you are not an online player, then HALF of those modifications are not available to you. They depend on the usage of coins, which I'm assuming you can earn or purchase if your looking to earn the mods right away.
The game is a lot of fun. But I had to critically think about what the creators had for further potential. The remasters of the three original games were wonderful, but this is a copy and paste version of the original. It amplifies the nostalgia as a high, but once you come down, it really is a hollow experience.
Which is why I had to pick this up right away. And overall, it's a decent racer, but now were in the age of photo realistic racing games such as Forza, or living in the shadow of Mario Kart still in its multiplayer experience. Crash Team Racing has potential for expansion, but I was disappointed in that it's the same experience as before.
During the races, they are fast and lively. It brings the nostalgia in the controls and smooth gameplay. The power ups and attacks are the same, but are easy to operate. It also introduces the hyper slide, which may be difficult to master at first. The tracks don't give too much leverage in utilizing this. It could also be a disadvantage because it could ruin the flow of the race. It all depends really.
As for the modes, they have plenty to choose from. Adventure Mode, Online, Time Trial, etc. I would recommend this as a party game...because I think I could give the player a strong challenge. Adventure Mode, if you are an expert at this game, is WAY TOO EASY. I placed first in almost every race not trying to brag, but it doesn't challenge the player in anyway, even in the boss battles. Unless you are in a Single Race mode, then it offers an option of difficulty.
Characters to choose from is plentiful. Even adding options to modify the character and karts are wonderful designs. It's satisfying to earn them but if you are not an online player, then HALF of those modifications are not available to you. They depend on the usage of coins, which I'm assuming you can earn or purchase if your looking to earn the mods right away.
The game is a lot of fun. But I had to critically think about what the creators had for further potential. The remasters of the three original games were wonderful, but this is a copy and paste version of the original. It amplifies the nostalgia as a high, but once you come down, it really is a hollow experience.
LeftSideCut (3778 KP) rated Love, Death & Robots - Season 1 in TV
Apr 9, 2020
The beauty of Love, Death and Robots is it's format. An eclectic collection of animated short films, some genuinely brilliant, with a handful of duds, truly gives something for everyone.
There are 18 films on show here, all with something different to offer.
Firstly there were 3 that failed to really resonate with me - Sucker of Souls, When the Yoghurt Took Over, and Alternate Histories. I found these three either slightly boring, or silly for the sake of being silly. There were 2 that sort of floated in the middle - The Dump, and Blind Spot, not bad by any means (none of the shorts are truly bad) but just were sort of there.
Leaving a grand total of 13 shorts that I thought were really really great.
A handful of these realistic CGI entries - namely, Sonnie's Edge, Three Robots, Beyond the Aquila Rift, Shape Shifters (one of the highlights for me), Helping Hand (reminded me of Gravity, in a great way), Lucky 13, and The Secret War.
These lot are lengthier offerings, and boast some good looking CGI animation, bordering on photo realism at times. The run time gives an opportunity for some decent fleshed out stories.
The Secret War in particular is nothing short of breath taking, and may well be my top pick of the whole season.
Elsewhere, we have more cartoony offerings - Suits, a loud animation that features farmers in mech suits fighting aliens. Zima Blue, a beautifully touching story of how a simple robot transcends existence itself - another highlight of the season. Fish Night, a short desert based drama bursting with colour. The animation of this one reminded me of A Scanner Darkly. Good Hunting, a collision of Ancient Chinese stories and a Bioshock style steampunk future. Hard to watch at times, but stunning also - easily would have been my top pick if The Secret War wasn't included.
Rounding it off we have The Witness, and animation that looks like a moving oil painting and reminded me of Mirror's Edge, and Ice Age, a fun short that's the only live action inclusion with CGI flourishes about a civilisation growing in a couple freezer.
It's an ambitious collection of shorts for sure, but like I said, there's something here for everyone. Even the ones that I liked the least are a 6/10 at worst. If you like sci-fi or animation in any shape or form, then check this series out.
There are 18 films on show here, all with something different to offer.
Firstly there were 3 that failed to really resonate with me - Sucker of Souls, When the Yoghurt Took Over, and Alternate Histories. I found these three either slightly boring, or silly for the sake of being silly. There were 2 that sort of floated in the middle - The Dump, and Blind Spot, not bad by any means (none of the shorts are truly bad) but just were sort of there.
Leaving a grand total of 13 shorts that I thought were really really great.
A handful of these realistic CGI entries - namely, Sonnie's Edge, Three Robots, Beyond the Aquila Rift, Shape Shifters (one of the highlights for me), Helping Hand (reminded me of Gravity, in a great way), Lucky 13, and The Secret War.
These lot are lengthier offerings, and boast some good looking CGI animation, bordering on photo realism at times. The run time gives an opportunity for some decent fleshed out stories.
The Secret War in particular is nothing short of breath taking, and may well be my top pick of the whole season.
Elsewhere, we have more cartoony offerings - Suits, a loud animation that features farmers in mech suits fighting aliens. Zima Blue, a beautifully touching story of how a simple robot transcends existence itself - another highlight of the season. Fish Night, a short desert based drama bursting with colour. The animation of this one reminded me of A Scanner Darkly. Good Hunting, a collision of Ancient Chinese stories and a Bioshock style steampunk future. Hard to watch at times, but stunning also - easily would have been my top pick if The Secret War wasn't included.
Rounding it off we have The Witness, and animation that looks like a moving oil painting and reminded me of Mirror's Edge, and Ice Age, a fun short that's the only live action inclusion with CGI flourishes about a civilisation growing in a couple freezer.
It's an ambitious collection of shorts for sure, but like I said, there's something here for everyone. Even the ones that I liked the least are a 6/10 at worst. If you like sci-fi or animation in any shape or form, then check this series out.
Gareth von Kallenbach (971 KP) rated Elvis & Nixon (2016) in Movies
Aug 6, 2019
Elvis Presley has always been a mystery to me. I never understood the fascination around him and the length at which his fans adore him. Growing up in the south, his image and legend permeated throughout the culture and made it impossible to criticize him or his music. He was infallible. Nixon, on the other hand, is universally loathed for having a Presidential administration built on division and corruption. Through one bold idea, on the part of Presley, they cross paths. Elvis and Nixon, sounds as though it would be perfect for an 80s sitcom, however, the reality of this interaction is put on display through this film. In total, the film is fun in that it gives a bit of insight as to what their interaction may have been like, given their personalities and styles, however, there is a lack of depth with anyone in the film. Michael Shannon’s (Midnight Special, Man of Steel) portrayal of Elvis comes off as wooden and lacking any personality.
I felt as though I was watching an impersonator on screen rather an actor portraying a character. Kevin Spacey (House of Cards) plays a strong Nixon in which you feel a little bit of sympathy for the President considering the circumstances that he finds himself in toward the end of his first term. Unfortunately, due to his character Frank Underwood on House of Cards, audiences will feel as though it is President Underwood playing Nixon. There isn’t much space between the two characters that he plays. There also isn’t much space between Elvis and Nixon with their approach to social ills and the American landscape.
There is very little this film offers other than an imagining of what possibly took place due to now recordings of their meeting other than a photo. In that sense, it is an interesting “what if” piece. The imagination of the filmmakers allows us to question who these two men and the circumstances that faced America during 1971. Although provocative in its approach, it doesn’t allow for much growth or ability to connect with any of the characters. It has its fun and funny moments, which will keep audiences interested, but nothing that will have them talking about the film well after they have seen it. Through the portrayals by Shannon and Spacey, I find myself liking Nixon a little more and hating Elvis a little less.
I felt as though I was watching an impersonator on screen rather an actor portraying a character. Kevin Spacey (House of Cards) plays a strong Nixon in which you feel a little bit of sympathy for the President considering the circumstances that he finds himself in toward the end of his first term. Unfortunately, due to his character Frank Underwood on House of Cards, audiences will feel as though it is President Underwood playing Nixon. There isn’t much space between the two characters that he plays. There also isn’t much space between Elvis and Nixon with their approach to social ills and the American landscape.
There is very little this film offers other than an imagining of what possibly took place due to now recordings of their meeting other than a photo. In that sense, it is an interesting “what if” piece. The imagination of the filmmakers allows us to question who these two men and the circumstances that faced America during 1971. Although provocative in its approach, it doesn’t allow for much growth or ability to connect with any of the characters. It has its fun and funny moments, which will keep audiences interested, but nothing that will have them talking about the film well after they have seen it. Through the portrayals by Shannon and Spacey, I find myself liking Nixon a little more and hating Elvis a little less.