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Ivana A. | Diary of Difference (1171 KP) rated A Beautiful Mind (2001) in Movies
Jul 4, 2020
Russell Crowe's performance (1 more)
The legendary scene with the cup of tea and the pens
What a masterpiece!
Recently, a photo was circling Facebook, with a room full of movie items, where you had to guess all movies. Me and my boyfriend played it, and found almost all of the movies. On this picture, there was a table with a cup of tea and multiple pens, and we had no idea what movie this was about. I knew it had to mean something, so we searched for "cup of tea and pens movie scene" and came across the legendary scene on YouTube.
Knowing the name of the movie now, we had to watch it. And it was legendary!
The story is about a young mathematician John Nash, who studies at Princeton University. While all his colleagues attend classes and write papers, he is trying to solve an original problem and won't stop until he proves a theory wrong.
During this journey, he is approached by a man and is recruited to work for the government, to break secret codes Russians might leave hanging about for their next steps. He also meets a woman and falls in love.
At one point, it becomes difficult for John to keep up with everything happening in his life, and the pressure is too much to handle. A couple of people start chasing him, and put him into a mental health facility.
And this is where I will stop, as I don't want to reveal any spoilers.
But this is the moment where John will have to face the truth, and finally try and battle what is real in his life and what has been an illusion all along. And we follow him on this revelation and on his journey. I have never felt this was about any movie when I have had a revelation.
The acting is impeccable. When I think of Russell Crowe, I think of Gladiator. But John Nash is the opposite - the socially awkward intelligent guy. And Russell Crowe made me believe this performance and I never doubted it.
Also, Ed Harris is a phenomenal actor as well!
The movie kept you in the dark with what was real and what not for a very long time, and this was the favorite part for me.
Recently, a photo was circling Facebook, with a room full of movie items, where you had to guess all movies. Me and my boyfriend played it, and found almost all of the movies. On this picture, there was a table with a cup of tea and multiple pens, and we had no idea what movie this was about. I knew it had to mean something, so we searched for "cup of tea and pens movie scene" and came across the legendary scene on YouTube.
Knowing the name of the movie now, we had to watch it. And it was legendary!
The story is about a young mathematician John Nash, who studies at Princeton University. While all his colleagues attend classes and write papers, he is trying to solve an original problem and won't stop until he proves a theory wrong.
During this journey, he is approached by a man and is recruited to work for the government, to break secret codes Russians might leave hanging about for their next steps. He also meets a woman and falls in love.
At one point, it becomes difficult for John to keep up with everything happening in his life, and the pressure is too much to handle. A couple of people start chasing him, and put him into a mental health facility.
And this is where I will stop, as I don't want to reveal any spoilers.
But this is the moment where John will have to face the truth, and finally try and battle what is real in his life and what has been an illusion all along. And we follow him on this revelation and on his journey. I have never felt this was about any movie when I have had a revelation.
The acting is impeccable. When I think of Russell Crowe, I think of Gladiator. But John Nash is the opposite - the socially awkward intelligent guy. And Russell Crowe made me believe this performance and I never doubted it.
Also, Ed Harris is a phenomenal actor as well!
The movie kept you in the dark with what was real and what not for a very long time, and this was the favorite part for me.
Acanthea Grimscythe (300 KP) rated Kind Nepenthe in Books
May 16, 2018
Kind Nepenthe is one of those books I looked at on NetGalley for a while but couldn't bring myself to request for the longest time. It just didn't seem like something I'd over enjoy, honestly. If you frequent NetGalley though, you'll notice the horror section of their available titles has been dwindling over the past few months. As a result, I finally ended up with Matthew V. Brockmeyer's title and I can admit I am pleasantly surprised.
Aside from a single graphically sexual scene, Kind Nepenthe plays the horror genre safely. Brockmeyer keeps things significantly more tame than many of the authors I read, which means he's got to make up for it in other places. In this case, the story itself is rather well developed - even if it does have a few holes. (Seriously, how'd the boy die, dude? You got ghosts you ain't tellin' us the deets on.) A few of the characters, or rather most of them, are almost offensively stereotypical. Diesel, one of the main characters, has a son who quite literally dresses like the photo you've seen of a kid wanting to look gangsta.
Now, I'm aware this sounds mostly negative, but in a way it allowed me to better formulate the type of behaviors associated with Brockmeyer's cast. It's not very complex, so for me to have read this book in two days means that Brockmeyer must have succeeded elsewhere in his work - and he did! The flow of Kind Nepenthe can be likened to the river that runs through Homicide Hill. It's a constant, rolling movement from one even to another. Not hurried, but steady.
There are two separate stories that take place here and four different endings. Despite its lack of originality in characters, Kind Nepenthe manages to wiggle its way into the reader's sympathies. I felt for Katie, the young, pregnant girlfriend of Diesel's son. My heart ached for Rebecca, whose loneliness begins to eat at her as the story progresses. Even Diesel managed to find an endearing resonance with me, much to my surprise.
While I was hoping for a little bit more boo! than I received, I look forward to more of Brockmeyer's work in the future. This book was a nice, relaxing read and I simply was not able to put it down. I'd like to thank the publisher and NetGalley for providing me with an advance copy of this book for the purpose of review.
Aside from a single graphically sexual scene, Kind Nepenthe plays the horror genre safely. Brockmeyer keeps things significantly more tame than many of the authors I read, which means he's got to make up for it in other places. In this case, the story itself is rather well developed - even if it does have a few holes. (Seriously, how'd the boy die, dude? You got ghosts you ain't tellin' us the deets on.) A few of the characters, or rather most of them, are almost offensively stereotypical. Diesel, one of the main characters, has a son who quite literally dresses like the photo you've seen of a kid wanting to look gangsta.
Now, I'm aware this sounds mostly negative, but in a way it allowed me to better formulate the type of behaviors associated with Brockmeyer's cast. It's not very complex, so for me to have read this book in two days means that Brockmeyer must have succeeded elsewhere in his work - and he did! The flow of Kind Nepenthe can be likened to the river that runs through Homicide Hill. It's a constant, rolling movement from one even to another. Not hurried, but steady.
There are two separate stories that take place here and four different endings. Despite its lack of originality in characters, Kind Nepenthe manages to wiggle its way into the reader's sympathies. I felt for Katie, the young, pregnant girlfriend of Diesel's son. My heart ached for Rebecca, whose loneliness begins to eat at her as the story progresses. Even Diesel managed to find an endearing resonance with me, much to my surprise.
While I was hoping for a little bit more boo! than I received, I look forward to more of Brockmeyer's work in the future. This book was a nice, relaxing read and I simply was not able to put it down. I'd like to thank the publisher and NetGalley for providing me with an advance copy of this book for the purpose of review.
Debbie (52 KP) rated A Snapshot Of Murder in Books
Feb 27, 2019
A Snapshot of Murder
By: Frances Brody
Crooked Lane Books
Mystery and Thrillers
Publish Date 19 April 2019
Pages 448
#ASnapshotOfMurder #NetGalley
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This book is set in the year 1928 in London. The time is in April.
Characters are Harriet the niece of Kate Shackleton. She has been living there for about 7 months.
Kate Shackleton is a private investigator of sorts. Her husband Gerald is no longer around since the war.
Carine Murchison is a photographer friend.
Tobias Murchison is Carine Husband. He isn't well liked.
Edward Chester Carine's old flame
Carine's father
Derek another Photographer
Rita a friend of Carine's
This story is mostly about Carine and her family. When she was five her mother was going away but promised to come back and get her. Her mom never came back. She has had dreams off and on about a spot in the cellar in the studio that belongs in the family. Carine takes pictures just like her mother and Grandmother. Carine stopped going to school at the age of 13 because her Dad needed her to take pictures to make a living. Carine never did know her Grandma but is named after her. The Studio is name Carine Photo Studio. Her father is a drunk. Carine falls in love with a Poet named Edward Chester. Her father doesn't like and does everything in his power to stop this relationship which he does. Edward goes off to war and is killed. After the war she meets Tobias who happened to a friend of Edwards and tells her of his death. Carine's father likes Tobias and helps him to marry Carine.
As the story goes on Edward returns from the died but is disfigured from the war. The books tells why Carine thought was dead.
As the time has now changed to summer they go to an old farmhouse to see the parish hand over and old church for a museum for the Bronte Sisters. During this trip Tobias ends up dead. Who killed him or did he kill himself. Why him and someone else.
There were a lot of characters and each of them had a reason but who did it and why. I did enjoy this book and recommend that you read it. There are some interesting turns. Since this is a thriller/ mystery it is hard to go into details because I don't want to spoil it for you.
By: Frances Brody
Crooked Lane Books
Mystery and Thrillers
Publish Date 19 April 2019
Pages 448
#ASnapshotOfMurder #NetGalley
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This book is set in the year 1928 in London. The time is in April.
Characters are Harriet the niece of Kate Shackleton. She has been living there for about 7 months.
Kate Shackleton is a private investigator of sorts. Her husband Gerald is no longer around since the war.
Carine Murchison is a photographer friend.
Tobias Murchison is Carine Husband. He isn't well liked.
Edward Chester Carine's old flame
Carine's father
Derek another Photographer
Rita a friend of Carine's
This story is mostly about Carine and her family. When she was five her mother was going away but promised to come back and get her. Her mom never came back. She has had dreams off and on about a spot in the cellar in the studio that belongs in the family. Carine takes pictures just like her mother and Grandmother. Carine stopped going to school at the age of 13 because her Dad needed her to take pictures to make a living. Carine never did know her Grandma but is named after her. The Studio is name Carine Photo Studio. Her father is a drunk. Carine falls in love with a Poet named Edward Chester. Her father doesn't like and does everything in his power to stop this relationship which he does. Edward goes off to war and is killed. After the war she meets Tobias who happened to a friend of Edwards and tells her of his death. Carine's father likes Tobias and helps him to marry Carine.
As the story goes on Edward returns from the died but is disfigured from the war. The books tells why Carine thought was dead.
As the time has now changed to summer they go to an old farmhouse to see the parish hand over and old church for a museum for the Bronte Sisters. During this trip Tobias ends up dead. Who killed him or did he kill himself. Why him and someone else.
There were a lot of characters and each of them had a reason but who did it and why. I did enjoy this book and recommend that you read it. There are some interesting turns. Since this is a thriller/ mystery it is hard to go into details because I don't want to spoil it for you.
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Year Old Girl</a>).
I remember reading the child friendly version of this book to my son last year. However, I wasn't made aware of the adult version of this book until the film came out and when my cousin told me I should read the book because it was really good. I really wanted to see the movie, so I thought I'd read the book first. All I can say about this book is WOW! It was very touching and such a great read!
I like the title. It has such a child like innocence about it which is fitting since it's about a little boy visiting Heaven.
I love the cover with the photo of little Colton. He was such an adorable little boy! I would've liked to see a drawing of Heaven or something behind him, but the cover, on its own, does work quite well.
I thought the way that Todd Burpo (Colton's father) sets up the scenes was done quite well. It was easy to picture everything happening in my mind. I could even picture Heaven in my mind with Colton's descriptions although I know Heaven will be much better then what I can actually imagine.
The pacing throughout this book is fantastic. In fact, I would've read the book in one setting, but I had a husband and a 10 year old to look after, so I had to stop. However, the next day, when everyone was at school and work, I finished it then. I couldn't wait to see what little Colton had to say next about Heaven. It was just astounding!
This book just blew my mind. It was so amazing to be getting a glimpse into Heaven thanks to Colton. The things he described whilst in Heaven were just breath taking. I believe that Colton did see what he described. Saying that, there were times I was thinking that maybe Colton could've been exaggerating especially when he would say things two years later. Perhaps he was telling the whole truth though. We'll never know until we reach Heaven. But I do believe that most of what Colton saw whilst in Heaven was and is true.
There's no violence in this book, no sex and no swearing especially as this is a Christian non-fiction book. There is a near death experience though.
I'd recommend this book to everyone, young and old. You will be amazed with what Colton has seen and heard. I know I was.
I remember reading the child friendly version of this book to my son last year. However, I wasn't made aware of the adult version of this book until the film came out and when my cousin told me I should read the book because it was really good. I really wanted to see the movie, so I thought I'd read the book first. All I can say about this book is WOW! It was very touching and such a great read!
I like the title. It has such a child like innocence about it which is fitting since it's about a little boy visiting Heaven.
I love the cover with the photo of little Colton. He was such an adorable little boy! I would've liked to see a drawing of Heaven or something behind him, but the cover, on its own, does work quite well.
I thought the way that Todd Burpo (Colton's father) sets up the scenes was done quite well. It was easy to picture everything happening in my mind. I could even picture Heaven in my mind with Colton's descriptions although I know Heaven will be much better then what I can actually imagine.
The pacing throughout this book is fantastic. In fact, I would've read the book in one setting, but I had a husband and a 10 year old to look after, so I had to stop. However, the next day, when everyone was at school and work, I finished it then. I couldn't wait to see what little Colton had to say next about Heaven. It was just astounding!
This book just blew my mind. It was so amazing to be getting a glimpse into Heaven thanks to Colton. The things he described whilst in Heaven were just breath taking. I believe that Colton did see what he described. Saying that, there were times I was thinking that maybe Colton could've been exaggerating especially when he would say things two years later. Perhaps he was telling the whole truth though. We'll never know until we reach Heaven. But I do believe that most of what Colton saw whilst in Heaven was and is true.
There's no violence in this book, no sex and no swearing especially as this is a Christian non-fiction book. There is a near death experience though.
I'd recommend this book to everyone, young and old. You will be amazed with what Colton has seen and heard. I know I was.
Moses Boyd recommended Grounantion by Count Ossie & The Mystic Revelation of Rastafari in Music (curated)
ClareR (5603 KP) rated The Tin Can Crucible in Books
Dec 29, 2020
It’s thanks to The Pigeonhole that I read this book - it’s not something that I would have normally considered. I’ll be honest, it was the cover that attracted me. The photo of the mountain with the tops of the trees peeking through the cloud: it’s a beautiful picture. And the tag line across the front of the front: ‘A firsthand account of modern day sorcery violence’. Well. I had to know what this was about. It had immediately intrigued me. I had had the impression that the Peace Corps was a religious organisation, and this book put that little piece of misinformation to rights (it’s not).
Even with all the detailed descriptions, I still felt it was difficult to imagine what life must have been like, living in one of these villages. It’s so far beyond my own experiences, that even with Christophers detailed explanations of village life, I couldn’t comprehend how these people lived. Huts with dirt on the floor, men and women aged before their time, no running water or, I assume, sewage systems. I’m a bit of a details person, and I’ve come to believe over the last 40 years or so, that toilets and running water are up there in my list of top priorities.
The real crux of this novel though, is the death of the elder - a man that Christopher gets along with very well, and had spoken to frequently. Then he dies. Whilst Christopher is sleeping, two women are imprisoned and accused of killing the elder using witchcraft. They are shut away together until one or the other turns the other woman in. If they don’t, then they both die. This was clearly a situation where someone was going to lose out. And by ‘lose out’, I mean ‘die’. Christopher is understandably upset by this - who can blame him? But at the same time, there’s nothing he can do. He’s in another country where this kind of behaviour, whilst not frequent, is accepted. You can feel his disappointment in his foster family radiating off the page, and also his helplessness. I couldn’t understand how he could stay with them though.
I think the real lesson for both the author and the reader, was that these were not people who could be changed. They were firmly entrenched in their own culture and beliefs.
Many thanks to The Pigeonhole and Christopher Davenport for serialising this informative and emotional memoir. This is what reading is about: learning something new, completely out of your own sphere of knowledge. This book certainly delivers on that.
Even with all the detailed descriptions, I still felt it was difficult to imagine what life must have been like, living in one of these villages. It’s so far beyond my own experiences, that even with Christophers detailed explanations of village life, I couldn’t comprehend how these people lived. Huts with dirt on the floor, men and women aged before their time, no running water or, I assume, sewage systems. I’m a bit of a details person, and I’ve come to believe over the last 40 years or so, that toilets and running water are up there in my list of top priorities.
The real crux of this novel though, is the death of the elder - a man that Christopher gets along with very well, and had spoken to frequently. Then he dies. Whilst Christopher is sleeping, two women are imprisoned and accused of killing the elder using witchcraft. They are shut away together until one or the other turns the other woman in. If they don’t, then they both die. This was clearly a situation where someone was going to lose out. And by ‘lose out’, I mean ‘die’. Christopher is understandably upset by this - who can blame him? But at the same time, there’s nothing he can do. He’s in another country where this kind of behaviour, whilst not frequent, is accepted. You can feel his disappointment in his foster family radiating off the page, and also his helplessness. I couldn’t understand how he could stay with them though.
I think the real lesson for both the author and the reader, was that these were not people who could be changed. They were firmly entrenched in their own culture and beliefs.
Many thanks to The Pigeonhole and Christopher Davenport for serialising this informative and emotional memoir. This is what reading is about: learning something new, completely out of your own sphere of knowledge. This book certainly delivers on that.
FilmIntuition (33 KP) rated The Other Woman in Books
Aug 21, 2018
A thrillingly fast-paced read from Sandie Jones, The Other Woman finds her novel's hardworking, unlucky-in-love British heroine Emily unwittingly (and very quickly) caught up in an escalating game of psychological chicken with her boyfriend's mother Pammie that unfortunately, her boyfriend and the rest of the world is unable to see.
Sure to be a popular late summer beach read, while it suffers from a few gaps in logic and common sense as our lead character never thinks to use technology to snap a photo, record a threat as evidence, or merely research one of two sketchy backstories involving both her boyfriend as well as Pammie, as a journalist, Jones knows how to assemble a compelling story.
Although it raises a valid concern regarding how much we change and/ore are willing to take when we're in a committed relationship, because more than a few people in Pammie's orbit suffer from serious likability issues, I kept wanting to yell at the fictional Emily as though she were on the other end of the phone, “honey, just leave already!”
Nonetheless still able to reel me back in and (mostly) suspend my disbelief, as I grew closer to the final Emily vs. Pammie standoff, I found myself walking around with the book in hand, waiting to see what Jones had in store for the finale.
Needing to reveal, explain, and wrap-up everything in a very rushed showdown that perhaps involves way too much spoken exposition, while that device has been used so often in books and film that it's easy to overlook, one of Woman's biggest hurdles isn't in the book at all but on the cover.
A vital reminder for publishers to be careful as to which blurbs you include on the book itself, because my Advanced Reader Copy arrived complete with a quotation advertising “a twist you will not see coming,” readers (like yours truly) are sure to find their brains working overtime to the point that I was able to correctly deduce where Jones might be going roughly halfway through.
Of course it's still an incredibly fun read and I didn't have all of the nuts and bolts of said twist squared away to the point that it ruined everything. All the same and regardless of the fact that all of these genre titles have twists, I would've loved it even more if I'd never been tipped off that there was something that far out of left field for which to look.
Even so an impressive debut that I thank Minotaur Books for sending me, The Other Woman might make you uneasy to meet your new love's parents but it'll definitely excite you to imagine what new novels and twists Jones might have up her sleeve.
Sure to be a popular late summer beach read, while it suffers from a few gaps in logic and common sense as our lead character never thinks to use technology to snap a photo, record a threat as evidence, or merely research one of two sketchy backstories involving both her boyfriend as well as Pammie, as a journalist, Jones knows how to assemble a compelling story.
Although it raises a valid concern regarding how much we change and/ore are willing to take when we're in a committed relationship, because more than a few people in Pammie's orbit suffer from serious likability issues, I kept wanting to yell at the fictional Emily as though she were on the other end of the phone, “honey, just leave already!”
Nonetheless still able to reel me back in and (mostly) suspend my disbelief, as I grew closer to the final Emily vs. Pammie standoff, I found myself walking around with the book in hand, waiting to see what Jones had in store for the finale.
Needing to reveal, explain, and wrap-up everything in a very rushed showdown that perhaps involves way too much spoken exposition, while that device has been used so often in books and film that it's easy to overlook, one of Woman's biggest hurdles isn't in the book at all but on the cover.
A vital reminder for publishers to be careful as to which blurbs you include on the book itself, because my Advanced Reader Copy arrived complete with a quotation advertising “a twist you will not see coming,” readers (like yours truly) are sure to find their brains working overtime to the point that I was able to correctly deduce where Jones might be going roughly halfway through.
Of course it's still an incredibly fun read and I didn't have all of the nuts and bolts of said twist squared away to the point that it ruined everything. All the same and regardless of the fact that all of these genre titles have twists, I would've loved it even more if I'd never been tipped off that there was something that far out of left field for which to look.
Even so an impressive debut that I thank Minotaur Books for sending me, The Other Woman might make you uneasy to meet your new love's parents but it'll definitely excite you to imagine what new novels and twists Jones might have up her sleeve.
Beckie Shelton (40 KP) rated The Roanoke Girls in Books
Feb 8, 2018
Reviewed By Beckie Bookworm
https://www.beckiebookworm.com
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This review may be a bit spoilery concerning the theme of this novel, this couldn't be helped but I've tried to be as vague as possible.
<p>"Roanoke girls never last long around here. In the end, we either run or we die."</p>
These were the words that originally captivated me, pulling me in and compelling me to pick up The Roanoke Girls by Amy Engel.
This was quite a read, an unusual one, reminiscent of bygone authors, setting a stage of intrigue, mystery and dysfunctional family dynamics.
The secrets surrounding Roanoke are subtlely revealed early on leaving the reader highly aware of what flows beneath the seemingly normal surface.
This is a definite page-turner despite the exploration of <spoiler>incestuous family relations.</spoiler>
This tale is told in two parts "Now and Then" and the storyline seamlessly hops between these two timelines.
We also get to jump briefly into the heads of each Roanoke girl that came before, which I found very enlightening, I really loved this touch and it greatly added to the storyline giving the reader an insight into what each girl was feeling deep inside her own skin.
Jane, Sophia, Penelope, Eleanor, Camilla, Allegra, Lane there is also little Emmaline but she died of a crib death as a baby.
All Roanoke girls, all carrying the same secrets down through the years, messed up heads and lives affected tragically.
The echoes of this rebounding out through each new generation.
This story is told through Lane Roanoke's point of view after her mother commits suicide and Lane comes to live with her Rich grandparents and cousin Allegra on the family estate.
This is the "THEN" portrayed in the narrative.
The "NOW" is Eleven years later when Lane returns to the family home after a frantic call from her granddad informing her that her cousin Allegra is missing.
After vowing never to return, Lane reluctantly returns home confronting secrets shes buried deep down inside.
I loved Lane as a character, she was a bit of a messed up headcase, but who can blame her.
It's obvious Lane Loved Allegra so deeply and this was the only thing, I think, her disappearing, that could have dragged her back to the bowels of Roanoke.
It was also very thought-provoking to observe Lane's former teenage toxic relationship with cooper rekindled as adults and I really did like him he had his own past baggage but really seemed to have evolved from this, unlike Lane.
I was so rooting for these two and I thought they made a great match, neither party having had it easy in life, they both deserved a bit of stability in the now.
Now Lanes connection with her grandad this was a strange one, confusing even I think to lane herself she really seemed to feel equal measures hate and love towards him.
Struggling with her mixed up emotions, greatly wanting to loathe him but feeling a strange pull, maybe because Lane feels he was the first person to actually seem to want and love her after enduring a lifetime of apathy from her mother.
As for the gran, well, What a cold selfish bitch she was.
I felt she herself held a huge role in what had been allowed to transpire, isn't it a mothers job to protect her daughters.
In this Lillian Roanoke has failed epically actually blaming her daughters instead of shielding them, she was such a cold fish only seeming to feel any affection towards her twisted husband.
Turning a blind eye and looking the other way is her game.
Surprisingly she was my least favourite character even over Myles Roanoke himself.
I think it was the whole lack of maternal anything that contributed to my dislike of her immensely.
The Roanoke Girls has so many diverse flawed individuals that all do their part in making this an enthralling page-turner.
This is a portrayal of a family that is so not right and has not been for a very long time.
It is Love expressed so wrongly and out of context that it has become a sickness consuming from the inside out devouring till nothing remains standing.
A Dysfunctional family with dark concealed secrets at his core.
So I felt the author Amy Engel did an amazing job of dealing with such an explosive subject matter. she has handled it beautifully with finesse and a great understanding of such a delicate topic. Not everyone could have done this so sensitively and without sensationalising it so Really well done.
So that's it from me folk's, I could waffle on all day about this fascinating story, but I'm going to leave it here, but before I go a trigger warning The Roanoke Girls deals with themes of incest, but bar the one small kiss it is only referred to in words not actions and it is really not graphic in its content at all, but if this is a trigger for you please do avoid.
So all that's left is for me to say Thank you to NetGalley, the publisher and the author Amy Engel herself for providing me with an arc of The Roanoke Girls this is my own honest unbiased opinion.
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Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.beckiebookworm.com
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This review may be a bit spoilery concerning the theme of this novel, this couldn't be helped but I've tried to be as vague as possible.
<p>"Roanoke girls never last long around here. In the end, we either run or we die."</p>
These were the words that originally captivated me, pulling me in and compelling me to pick up The Roanoke Girls by Amy Engel.
This was quite a read, an unusual one, reminiscent of bygone authors, setting a stage of intrigue, mystery and dysfunctional family dynamics.
The secrets surrounding Roanoke are subtlely revealed early on leaving the reader highly aware of what flows beneath the seemingly normal surface.
This is a definite page-turner despite the exploration of <spoiler>incestuous family relations.</spoiler>
This tale is told in two parts "Now and Then" and the storyline seamlessly hops between these two timelines.
We also get to jump briefly into the heads of each Roanoke girl that came before, which I found very enlightening, I really loved this touch and it greatly added to the storyline giving the reader an insight into what each girl was feeling deep inside her own skin.
Jane, Sophia, Penelope, Eleanor, Camilla, Allegra, Lane there is also little Emmaline but she died of a crib death as a baby.
All Roanoke girls, all carrying the same secrets down through the years, messed up heads and lives affected tragically.
The echoes of this rebounding out through each new generation.
This story is told through Lane Roanoke's point of view after her mother commits suicide and Lane comes to live with her Rich grandparents and cousin Allegra on the family estate.
This is the "THEN" portrayed in the narrative.
The "NOW" is Eleven years later when Lane returns to the family home after a frantic call from her granddad informing her that her cousin Allegra is missing.
After vowing never to return, Lane reluctantly returns home confronting secrets shes buried deep down inside.
I loved Lane as a character, she was a bit of a messed up headcase, but who can blame her.
It's obvious Lane Loved Allegra so deeply and this was the only thing, I think, her disappearing, that could have dragged her back to the bowels of Roanoke.
It was also very thought-provoking to observe Lane's former teenage toxic relationship with cooper rekindled as adults and I really did like him he had his own past baggage but really seemed to have evolved from this, unlike Lane.
I was so rooting for these two and I thought they made a great match, neither party having had it easy in life, they both deserved a bit of stability in the now.
Now Lanes connection with her grandad this was a strange one, confusing even I think to lane herself she really seemed to feel equal measures hate and love towards him.
Struggling with her mixed up emotions, greatly wanting to loathe him but feeling a strange pull, maybe because Lane feels he was the first person to actually seem to want and love her after enduring a lifetime of apathy from her mother.
As for the gran, well, What a cold selfish bitch she was.
I felt she herself held a huge role in what had been allowed to transpire, isn't it a mothers job to protect her daughters.
In this Lillian Roanoke has failed epically actually blaming her daughters instead of shielding them, she was such a cold fish only seeming to feel any affection towards her twisted husband.
Turning a blind eye and looking the other way is her game.
Surprisingly she was my least favourite character even over Myles Roanoke himself.
I think it was the whole lack of maternal anything that contributed to my dislike of her immensely.
The Roanoke Girls has so many diverse flawed individuals that all do their part in making this an enthralling page-turner.
This is a portrayal of a family that is so not right and has not been for a very long time.
It is Love expressed so wrongly and out of context that it has become a sickness consuming from the inside out devouring till nothing remains standing.
A Dysfunctional family with dark concealed secrets at his core.
So I felt the author Amy Engel did an amazing job of dealing with such an explosive subject matter. she has handled it beautifully with finesse and a great understanding of such a delicate topic. Not everyone could have done this so sensitively and without sensationalising it so Really well done.
So that's it from me folk's, I could waffle on all day about this fascinating story, but I'm going to leave it here, but before I go a trigger warning The Roanoke Girls deals with themes of incest, but bar the one small kiss it is only referred to in words not actions and it is really not graphic in its content at all, but if this is a trigger for you please do avoid.
So all that's left is for me to say Thank you to NetGalley, the publisher and the author Amy Engel herself for providing me with an arc of The Roanoke Girls this is my own honest unbiased opinion.
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Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
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Purple Phoenix Games (2266 KP) rated Orbital Conflict in Tabletop Games
Sep 10, 2019
Building your space station. Space combat. Space investors. If these ideas interest you and you are intrigued to know how they work in a board game setting, read on. If you don’t care about head-to-head space stations obliterating each other and jockeying for position as the best bet in the cosmos, discontinue reading.
Orbital Conflict is a player versus player (PvP) card game in which the winner is the player showing the most VPs on their cards at game end. It is a game where placement of cards and orientation of cards is paramount in creating a space station that can dole out damage, take a ton of damage, or hybridizes offense and defense using resources granted from off-station investors.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. These are final components, and the game is available from the publisher and other online retail stores. Also, I do not intend to explicitly cover every rule for the game, but to give an idea of game flow and play. -T
To setup the game (in this case a 1v1 head-to-head bout) shuffle all the cards with the white back together and deal each player a hand of five. Shuffle the smaller investor cards to form a draw pile. Give the starting player the Initiative card and you are ready to start!
The game follows a simple game flow following three phases per round: Draw, Main, Combat. During the Draw phase, the player with the Initiative card (I’ll call them the active player) will draw two cards from the white-backed deck (which I will just call cards). Then the other player will draw two cards as well. The active player then draws two investor cards for themselves and places them in front of their play area as possible investors to claim. The other player does the same. If there are any cards containing discard abilities that a player would like to play during the Draw phase, and the discard text reads they may do so during the Draw phase or any phase, they may play them and follow the discard instructions now.
Once done, the game moves on to the Main phase. During this phase the active player will play any cards they wish that are appropriate for this phase, and then the other player will do the same. During this phase players will be playing cards from hand (and as many as they would like) to add on to their space station, activate modules that were previously deactivated, claim investor cards, and prepare for the next game phase. Space stations can be added to via modules. Modules can be single cards, or multiple splayed cards. As you can see in the photo above cards have icons to the left of the white barrier and some will also have icons to the right. Depending on how a card is added to a module certain icons may be covered and therefore inactive. When adding a card to a module (called an extension) the player decides if they want to add the card to the right of the splay, thus covering up icons to the right of the barrier of the covered card, or under the stack to the left of the splay. Additionally, players may flip any card over to have the back showing, which will provide icons usable in a station module. There are restrictions for playing cards, but I will let you discover those on your own.
The game follows a simple game flow following three phases per round: Draw, Main, Combat. During the Draw phase, the player with the Initiative card (I’ll call them the active player) will draw two cards from the white-backed deck (which I will just call cards). Then the other player will draw two cards as well. The active player then draws two investor cards for themselves and places them in front of their play area as possible investors to claim. The other player does the same. If there are any cards containing discard abilities that a player would like to play during the Draw phase, and the discard text reads they may do so during the Draw phase or any phase, they may play them and follow the discard instructions now.
Once done, the game moves on to the Main phase. During this phase the active player will play any cards they wish that are appropriate for this phase, and then the other player will do the same. During this phase players will be playing cards from hand (and as many as they would like) to add on to their space station, activate modules that were previously deactivated, claim investor cards, and prepare for the next game phase. Space stations can be added to via modules. Modules can be single cards, or multiple splayed cards. As you can see in the photo above cards have icons to the left of the white barrier and some will also have icons to the right. Depending on how a card is added to a module certain icons may be covered and therefore inactive. When adding a card to a module (called an extension) the player decides if they want to add the card to the right of the splay, thus covering up icons to the right of the barrier of the covered card, or under the stack to the left of the splay. Additionally, players may flip any card over to have the back showing, which will provide icons usable in a station module. There are restrictions for playing cards, but I will let you discover those on your own.
Orbital Conflict is a player versus player (PvP) card game in which the winner is the player showing the most VPs on their cards at game end. It is a game where placement of cards and orientation of cards is paramount in creating a space station that can dole out damage, take a ton of damage, or hybridizes offense and defense using resources granted from off-station investors.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. These are final components, and the game is available from the publisher and other online retail stores. Also, I do not intend to explicitly cover every rule for the game, but to give an idea of game flow and play. -T
To setup the game (in this case a 1v1 head-to-head bout) shuffle all the cards with the white back together and deal each player a hand of five. Shuffle the smaller investor cards to form a draw pile. Give the starting player the Initiative card and you are ready to start!
The game follows a simple game flow following three phases per round: Draw, Main, Combat. During the Draw phase, the player with the Initiative card (I’ll call them the active player) will draw two cards from the white-backed deck (which I will just call cards). Then the other player will draw two cards as well. The active player then draws two investor cards for themselves and places them in front of their play area as possible investors to claim. The other player does the same. If there are any cards containing discard abilities that a player would like to play during the Draw phase, and the discard text reads they may do so during the Draw phase or any phase, they may play them and follow the discard instructions now.
Once done, the game moves on to the Main phase. During this phase the active player will play any cards they wish that are appropriate for this phase, and then the other player will do the same. During this phase players will be playing cards from hand (and as many as they would like) to add on to their space station, activate modules that were previously deactivated, claim investor cards, and prepare for the next game phase. Space stations can be added to via modules. Modules can be single cards, or multiple splayed cards. As you can see in the photo above cards have icons to the left of the white barrier and some will also have icons to the right. Depending on how a card is added to a module certain icons may be covered and therefore inactive. When adding a card to a module (called an extension) the player decides if they want to add the card to the right of the splay, thus covering up icons to the right of the barrier of the covered card, or under the stack to the left of the splay. Additionally, players may flip any card over to have the back showing, which will provide icons usable in a station module. There are restrictions for playing cards, but I will let you discover those on your own.
The game follows a simple game flow following three phases per round: Draw, Main, Combat. During the Draw phase, the player with the Initiative card (I’ll call them the active player) will draw two cards from the white-backed deck (which I will just call cards). Then the other player will draw two cards as well. The active player then draws two investor cards for themselves and places them in front of their play area as possible investors to claim. The other player does the same. If there are any cards containing discard abilities that a player would like to play during the Draw phase, and the discard text reads they may do so during the Draw phase or any phase, they may play them and follow the discard instructions now.
Once done, the game moves on to the Main phase. During this phase the active player will play any cards they wish that are appropriate for this phase, and then the other player will do the same. During this phase players will be playing cards from hand (and as many as they would like) to add on to their space station, activate modules that were previously deactivated, claim investor cards, and prepare for the next game phase. Space stations can be added to via modules. Modules can be single cards, or multiple splayed cards. As you can see in the photo above cards have icons to the left of the white barrier and some will also have icons to the right. Depending on how a card is added to a module certain icons may be covered and therefore inactive. When adding a card to a module (called an extension) the player decides if they want to add the card to the right of the splay, thus covering up icons to the right of the barrier of the covered card, or under the stack to the left of the splay. Additionally, players may flip any card over to have the back showing, which will provide icons usable in a station module. There are restrictions for playing cards, but I will let you discover those on your own.
Lee (2222 KP) rated Knock Knock (2015) in Movies
Nov 2, 2017
The acting is just terrible (1 more)
The whole premise is just ridiculous
What the hell was Keanu thinking?
I came across this on Netflix last night and remembered seeing the trailer for it in the cinema at some point in the past. I vaguely remembered wanting to see it if I ever got the chance. What I definitely didn't remember is that the reason I probably never saw it was down to the sheer number of awful reviews it managed to receive. So, here's another one to add to them.
Keanu Reeves is an architect, living in an amazing house with a beautiful wife and two perfect kids. The movie opens by slowly panning through the house, showing us that on literally every single piece of available wall space there's a photo of the happy family. They just look so perfect and content together. Keanu wakes up in bed with his wife and the kids burst in to bring Keanu a father's day chocolate cake. They have some fun and he chases them away, pretending to be monster. Wow, they really are determined to drum home the fact that Keanu has this perfect family life, something he'd be pretty stupid to mess up! Already though, the acting is just awful - the whole setup feels forced, none of it feels natural at all. A crucial plot point that we do discover here though - Keanus character has not had much action in the sack recently...
His wife and kids head off to the beach for the weekend leaving Keanu to try and get on top of his workload, designing some buildings, listening to loud music and 3D printing his work. That is, until he's interrupted late at night by a couple of young girls knocking at his front door. It's raining hard and they claim that their taxi dropped them off for a party, but they think that they're in completely the wrong area. Keanu lets them in to check the party location on his iPad (their phones are soaking wet) while he calls them an Uber. They begin flirting with him, but he resists. He ends up putting their clothes in the tumble dryer, the flirting continues, he continues to resist. Until eventually.... well, lets just say that he more than makes up for the action in the sack he's been missing out on recently.
All I'll say is that things get more intense and more ridiculous after that as the girls stick around and make his life a living hell, despite his attempts to try and get rid of them. It's all really over the top and just plain stupid, but I just had to watch it right to the end to see what happens. One thing it definitely proved though - Keanu Reeves really should stick to just being John Wick. Or Ted "Theodore" Logan.
Keanu Reeves is an architect, living in an amazing house with a beautiful wife and two perfect kids. The movie opens by slowly panning through the house, showing us that on literally every single piece of available wall space there's a photo of the happy family. They just look so perfect and content together. Keanu wakes up in bed with his wife and the kids burst in to bring Keanu a father's day chocolate cake. They have some fun and he chases them away, pretending to be monster. Wow, they really are determined to drum home the fact that Keanu has this perfect family life, something he'd be pretty stupid to mess up! Already though, the acting is just awful - the whole setup feels forced, none of it feels natural at all. A crucial plot point that we do discover here though - Keanus character has not had much action in the sack recently...
His wife and kids head off to the beach for the weekend leaving Keanu to try and get on top of his workload, designing some buildings, listening to loud music and 3D printing his work. That is, until he's interrupted late at night by a couple of young girls knocking at his front door. It's raining hard and they claim that their taxi dropped them off for a party, but they think that they're in completely the wrong area. Keanu lets them in to check the party location on his iPad (their phones are soaking wet) while he calls them an Uber. They begin flirting with him, but he resists. He ends up putting their clothes in the tumble dryer, the flirting continues, he continues to resist. Until eventually.... well, lets just say that he more than makes up for the action in the sack he's been missing out on recently.
All I'll say is that things get more intense and more ridiculous after that as the girls stick around and make his life a living hell, despite his attempts to try and get rid of them. It's all really over the top and just plain stupid, but I just had to watch it right to the end to see what happens. One thing it definitely proved though - Keanu Reeves really should stick to just being John Wick. Or Ted "Theodore" Logan.