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Paul Morrissey recommended The Leopard (1963) in Movies (curated)

 
The Leopard (1963)
The Leopard (1963)
1963 | International, Classics, Drama
(0 Ratings)
Movie Favorite

"A magnificent example of European filmmaking, totally undramatic and hypnotically watchable thanks to the extraordinary visual beauty of the photography by Giuseppe Rotunno, the set design by Mario Garbuglia, and the costumes by Piero Tosi, all under the superb control of a great director, Luchino Visconti. An extended time-travel visit to another world, the film is comprised of two major events are a family’s trip from the city to a summer residence and a forty-minute attendance at a ball. It’s probably the finest physical production ever filmed anywhere in Europe or America, a relic of a time when taste, intelligence, and artistry were still in operation, but perhaps even then only in Italy, and only with Visconti. The undisputed master of the costume film (he made only six), this is his masterpiece, dominated by the extraordinarily majestic performance of Burt Lancaster. The tall, athletic, handsome Irish American from 116th Street in Manhattan brought a dignity, strength, and reserve to the part of a Sicilian prince that no one else could have played better. Without him, it would be hard to imagine the film as good."

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LoganCrews (2861 KP) rated Mulholland Drive (2001) in Movies

Oct 16, 2020 (Updated Nov 26, 2020)  
Mulholland Drive (2001)
Mulholland Drive (2001)
2001 | Documentary, Drama, Mystery
7
8.3 (15 Ratings)
Movie Rating Watch
Much prefer the manic, more grimy and hieroglyphic musings on the indiscriminate dark side(s) of Hollywood in 𝘐𝘯𝘭𝘢𝘯𝘥 𝘌𝘮𝘱𝘪𝘳𝘦 as opposed to this one's version which is much more coherent, more calculated - but nonetheless brilliant and audacious. It's funny how at once you never know what to expect with Lynch, but you also know exactly what to expect: the unnerving alien-esque performances, reliably stunning Badalamenti score, haunting photography, dialogue that makes you feel like you're having an out-of-body-experience, etc. The way in which elements of the neo-noir at first feel totally disjointed and out-of-place with one another then eventually slide right into place is mesmerizing especially when even after the big reveal you never know where it's going to go. Even the smaller moments are parsed over with a fine-toothed comb, such as the nametag significance in the diner. Naomi Watts is galvanizing, totally aces rangy work which commands the screen every scene she's in. Second-place goes to - you guessed it - Billy Ray Cyrus! Remember when highly intelligent, daring projects like this used to get recognized by the Academy without pressure from the public?