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Juliette Jackson recommended track No Aloha (with Breeders) by The Breeders in Last Splash by The Breeders in Music (curated)

A Demon Summoning: Neldorailin Series
Book
For ages, the peoples of Neldorailin had been drawn to the Druid's Stone. Some, for the druids...

Mr Men Trip to the Moon
Roger Hargreaves and Adam Hargreaves
Book
The Mr Men are going on a trip to the moon! Well, the Mr Men who can fit in a space suit and helmet!...

Woody Woodmansey recommended track Always Crashing in the Same Car by David Bowie in Low by David Bowie in Music (curated)

Leanne Crabtree (480 KP) rated Playing with Fire (Magical Romantic Comedies #1) in Books
Jan 11, 2021
This review and more can be found at my blog
https://aromancereadersreviews.blogspot.com
A Romance Reader's Reviews
This one starts with Bailey working at the coffee shop where she makes drinks for its regular but unusual breed of customers from humans to pixies to werewolves, adding a pinch of dust to each drink to give them a high. Her nemesis, Chief Quinn, comes in and she makes him a drink before he heads out, taking her boss with him, leaving Bailey to work an 18 hour shift alone. Jealously flares within Bailey as she's had a thing for Quinn since he asked her to find proof of his wife's cheating. When Bailey is asked by Quinn's former brother-in-law to help her find someone, she's reluctant but agrees, and is handed a phone. Only the phone isn't all that it seems setting in motion a series of events that throws her into Quinn's life more than either bargained for.
I enjoyed the first 40% of this more than the latter 60%. The beginning was fun and quirky. I loved the sort of love/hate thing she had going on with Quinn. I enjoyed the banter between her and some of the other cops and it was just up my street. It just seemed their will they/won't they get together thing was concluded too early in the book and I was wondering what the rest of the book would be about. It lost some of its appeal for me after the weird Gorgon vomit scene. And then I just struggled to connect with it again. I soldiered on, determined to finish it.
I also found Quinn's family very complicated. He has almost every type of creature in his family tree from angels to incubus to gorgon but he is very much human and I couldn't keep track of who was who half of the time.
I liked it enough that I'd buy more of this series.
https://aromancereadersreviews.blogspot.com
A Romance Reader's Reviews
This one starts with Bailey working at the coffee shop where she makes drinks for its regular but unusual breed of customers from humans to pixies to werewolves, adding a pinch of dust to each drink to give them a high. Her nemesis, Chief Quinn, comes in and she makes him a drink before he heads out, taking her boss with him, leaving Bailey to work an 18 hour shift alone. Jealously flares within Bailey as she's had a thing for Quinn since he asked her to find proof of his wife's cheating. When Bailey is asked by Quinn's former brother-in-law to help her find someone, she's reluctant but agrees, and is handed a phone. Only the phone isn't all that it seems setting in motion a series of events that throws her into Quinn's life more than either bargained for.
I enjoyed the first 40% of this more than the latter 60%. The beginning was fun and quirky. I loved the sort of love/hate thing she had going on with Quinn. I enjoyed the banter between her and some of the other cops and it was just up my street. It just seemed their will they/won't they get together thing was concluded too early in the book and I was wondering what the rest of the book would be about. It lost some of its appeal for me after the weird Gorgon vomit scene. And then I just struggled to connect with it again. I soldiered on, determined to finish it.
I also found Quinn's family very complicated. He has almost every type of creature in his family tree from angels to incubus to gorgon but he is very much human and I couldn't keep track of who was who half of the time.
I liked it enough that I'd buy more of this series.

Hazel (1853 KP) rated Elora of Stone (Legend of Rhyme, #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Elora of Stone</i> is the first in an exciting fantasy series, <i>Legend of Rhyme</i>, for young readers. Set in a magical kingdom, an evil magician steals one child of every pair of twins born. In order to protect their children, Asher and Ariana’s parents move to live near Elora – a good witch turned to stone by the sorcerer. Despite the protection, four-year-old Asher goes missing. The night of her thirteenth birthday Ariana learns of Asher’s whereabouts but only has until midnight to save him.
Full of magical creatures such as witches, fairies, pixies and goblins, <i>Elora of Stone</i> is the start of a sensational story for eight to twelve year olds. Heart stopping moments will urge the young readers to see the book through to the end to discover whether the twins succeed in being reunited and learn the truth about who is good and who is evil.
Although Asher and Ariana are the main characters of the series, they are not born until exactly half way through the book. As <i>Elora of Stone</i> is only one hundred pages, there are a bit too many chapters focused on setting the scene, resulting in the main story line and climax becoming rather rushed and crammed together.
Now that the preliminary introductions to characters and settings have been made, the following books in the series will hopefully flow better. <i>Legend of Rhyme</i> promises to be a unique fairytale to enthrall pre-teens of all reading levels. The narrative is clear and easy to follow with a limit on tricky words. To break up the text there is the occasional beautiful illustration depicting the author’s visual impressions of a handful of characters.
Ending on a slight cliffhanger, <i>Elora of Stone</i> will leave readers wanting more, thus making the <i>Legend of Rhyme</i> series a great set of books to collect; a wonderful start to your own personal library.
Elora of Stone</i> is the first in an exciting fantasy series, <i>Legend of Rhyme</i>, for young readers. Set in a magical kingdom, an evil magician steals one child of every pair of twins born. In order to protect their children, Asher and Ariana’s parents move to live near Elora – a good witch turned to stone by the sorcerer. Despite the protection, four-year-old Asher goes missing. The night of her thirteenth birthday Ariana learns of Asher’s whereabouts but only has until midnight to save him.
Full of magical creatures such as witches, fairies, pixies and goblins, <i>Elora of Stone</i> is the start of a sensational story for eight to twelve year olds. Heart stopping moments will urge the young readers to see the book through to the end to discover whether the twins succeed in being reunited and learn the truth about who is good and who is evil.
Although Asher and Ariana are the main characters of the series, they are not born until exactly half way through the book. As <i>Elora of Stone</i> is only one hundred pages, there are a bit too many chapters focused on setting the scene, resulting in the main story line and climax becoming rather rushed and crammed together.
Now that the preliminary introductions to characters and settings have been made, the following books in the series will hopefully flow better. <i>Legend of Rhyme</i> promises to be a unique fairytale to enthrall pre-teens of all reading levels. The narrative is clear and easy to follow with a limit on tricky words. To break up the text there is the occasional beautiful illustration depicting the author’s visual impressions of a handful of characters.
Ending on a slight cliffhanger, <i>Elora of Stone</i> will leave readers wanting more, thus making the <i>Legend of Rhyme</i> series a great set of books to collect; a wonderful start to your own personal library.

Juliette Jackson recommended track Jimmy the Exploder by The White Stripes in White Stripes by The White Stripes in Music (curated)

Nancy Whang recommended Twin Peaks Soundtrack by Angelo Badalamenti in Music (curated)

DaveySmithy (107 KP) rated Fight Club (1999) in Movies
Dec 3, 2024
An Explosive and Provocative Journey
Few films have managed to spark as much debate and cultural impact as David Fincher’s Fight Club. Released in 1999, this dark and audacious psychological thriller quickly evolved from a divisive box office release to a bona fide cult classic. Based on Chuck Palahniuk’s novel of the same name, Fight Club is more than just a movie—it’s an exploration of identity, consumerism, and the hidden chaos lurking within us all. Fincher’s meticulous direction, coupled with outstanding performances by Edward Norton and Brad Pitt, makes Fight Club a visceral and thought-provoking cinematic ride that lingers long after the credits roll.
The story is told through the eyes of the unnamed narrator (Norton), a white-collar worker trapped in a monotonous life. Crippled by insomnia and a desperate longing for purpose, his mundane existence takes a dramatic turn when he crosses paths with Tyler Durden (Pitt), a magnetic, anarchic soap maker. Together, they form the titular fight club—a raw, underground outlet for men to vent their frustrations by literally beating them out of each other. What begins as an unconventional form of therapy soon spirals into a chaotic and dangerous movement, leading the narrator down a path of self-destruction and shocking revelations.
Edward Norton delivers a career-best performance as the narrator, capturing the character’s descent into madness with unnerving precision. His dry wit and self-deprecating humor make him relatable, even as his actions become increasingly unhinged. But it’s Brad Pitt who truly steals the show as Tyler Durden. Charismatic, unpredictable, and dripping with swagger, Pitt embodies the fantasy of rebellion and freedom that so many viewers secretly crave. Together, the two actors create a mesmerizing dynamic, with Tyler representing everything the narrator wants to be—and fears he might become.
Helena Bonham Carter rounds out the core cast as Marla Singer, a nihilistic wildcard who both disrupts and grounds the narrator’s chaotic journey. Her chemistry with Norton is as compelling as it is unconventional, adding a layer of emotional complexity to an otherwise hyper-masculine narrative.
What sets Fight Club apart is its fearless critique of modern society. It skewers consumerism, masculinity, and the emptiness of the so-called “American Dream,” forcing viewers to confront uncomfortable truths about their own lives. Fincher’s direction is sharp and unrelenting, with the film’s gritty visual style perfectly complementing its nihilistic tone. The innovative use of CGI, fourth-wall-breaking moments, and hauntingly effective cinematography by Jeff Cronenweth keep the audience on edge, unsure of what to expect next.
Yet, Fight Club is not without flaws. Its provocative themes can feel overly blunt at times, and some viewers might find its violent and anarchistic undertones alienating. Additionally, while the infamous plot twist is masterfully executed, it risks overshadowing the film’s deeper messages upon rewatch.
The soundtrack, anchored by The Dust Brothers’ industrial score and the unforgettable use of The Pixies’ “Where Is My Mind?” in the climax, elevates the film to iconic status. These elements, combined with razor-sharp dialogue and endlessly quotable lines, solidify Fight Club as a masterpiece of late-90s cinema.
While it may not be for everyone, Fight Club is a bold, daring, and unforgettable experience that challenges societal norms and forces introspection. It’s an audacious 9/10 film—flawed but brilliant, much like the chaos it portrays.
The story is told through the eyes of the unnamed narrator (Norton), a white-collar worker trapped in a monotonous life. Crippled by insomnia and a desperate longing for purpose, his mundane existence takes a dramatic turn when he crosses paths with Tyler Durden (Pitt), a magnetic, anarchic soap maker. Together, they form the titular fight club—a raw, underground outlet for men to vent their frustrations by literally beating them out of each other. What begins as an unconventional form of therapy soon spirals into a chaotic and dangerous movement, leading the narrator down a path of self-destruction and shocking revelations.
Edward Norton delivers a career-best performance as the narrator, capturing the character’s descent into madness with unnerving precision. His dry wit and self-deprecating humor make him relatable, even as his actions become increasingly unhinged. But it’s Brad Pitt who truly steals the show as Tyler Durden. Charismatic, unpredictable, and dripping with swagger, Pitt embodies the fantasy of rebellion and freedom that so many viewers secretly crave. Together, the two actors create a mesmerizing dynamic, with Tyler representing everything the narrator wants to be—and fears he might become.
Helena Bonham Carter rounds out the core cast as Marla Singer, a nihilistic wildcard who both disrupts and grounds the narrator’s chaotic journey. Her chemistry with Norton is as compelling as it is unconventional, adding a layer of emotional complexity to an otherwise hyper-masculine narrative.
What sets Fight Club apart is its fearless critique of modern society. It skewers consumerism, masculinity, and the emptiness of the so-called “American Dream,” forcing viewers to confront uncomfortable truths about their own lives. Fincher’s direction is sharp and unrelenting, with the film’s gritty visual style perfectly complementing its nihilistic tone. The innovative use of CGI, fourth-wall-breaking moments, and hauntingly effective cinematography by Jeff Cronenweth keep the audience on edge, unsure of what to expect next.
Yet, Fight Club is not without flaws. Its provocative themes can feel overly blunt at times, and some viewers might find its violent and anarchistic undertones alienating. Additionally, while the infamous plot twist is masterfully executed, it risks overshadowing the film’s deeper messages upon rewatch.
The soundtrack, anchored by The Dust Brothers’ industrial score and the unforgettable use of The Pixies’ “Where Is My Mind?” in the climax, elevates the film to iconic status. These elements, combined with razor-sharp dialogue and endlessly quotable lines, solidify Fight Club as a masterpiece of late-90s cinema.
While it may not be for everyone, Fight Club is a bold, daring, and unforgettable experience that challenges societal norms and forces introspection. It’s an audacious 9/10 film—flawed but brilliant, much like the chaos it portrays.

Fairy Sisters 2 - Magical Forest Adventures & Animal Care
Games and Education
App
Welcome to the magical forest! Meet the adorable Fairy Sisters to play ant learn in their enchanted...