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NOW ON IPAD!! Top rankings: #1 in Lebanon, #4 in France, #5 in Venezuela, #11 in Germany, #14 in...
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GLADNI STE? BIRAJTE NAJRAZLIČITIJU HRANU NA TELEFONU! Kliknite, izaberite svoju omiljenu hranu i...
Purple Phoenix Games (2266 KP) rated Tales of Evil in Tabletop Games
Oct 1, 2020
It is no surprise that following the enormous success of Netflix’s “Stranger Things” that creators would begin developing ideas borrowed from the show’s setting or characters. Of course we have seen games in this “80s kids Goonie-esque adventure game” genre before, and I have to say that I love the setting. When I saw the Kickstarter campaign for Tales of Evil I was immediately drawn to it. Did my investment pay off or is this one a gnarly bust?
Tales of Evil is a cooperative, horror, storytelling, adventure game that uses a unique new “Fusion System” throughout the game. Players will be taking on personas of kids from the 1980s who belong to a club named “Pizza & Investigation.” I do not wish to reveal too much in this review, so I will be covering this as a Solo Chronicles using one character going through the introductory tutorial mission.
DISCLAIMER: We are using the Kickstarter Deluxe version of the game. We do have the expansions from the KS campaign, but will not be using those for this review. Also, we do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. -T
To setup, well, just follow the setup instructions in the rulebook. There’s too much for me to explain here. For one character playing the tutorial scenario, the game setup should look similar to what is pictured below. Maybe. The rulebook does not specifically state WHERE each item should be placed, so players will have ultimate freedom to setup items where they see fit to be most efficient for themselves.
Players in Tales of Evil will have no real “turn structure” as most games do, because all players will be adventuring together as a group. So characters will be moving as a group and never splitting the party (RPGers breathe a sigh of relief… maybe). However, as with many adventure games of this style, once players explore into new areas certain markers will placed on the board (Clue, Darkness, Mystery, Search, etc). These markers signify different actions that can be taken, or entrances to areas that are blocked or found, or something that could be traced from one area to another. The leader of the group for the time being is in possession of the Walkie-Talkie and will make all final decisions for the group after any discussion (for solo players, it is just a nice prop). Usually searching for items will result in a card draw and upon the card will be a test to pass using the stats on the player character mat to roll dice for successes. Of course, the other side of that are horrible losses as well.
Players will be traipsing through the area and reading passages from two actual books: the Story Book and the Event Book. Most of the action happens in the Story Book and it will guide players through the story and once choices are made or tests succeeded/failed, the book will instruct players what to do next and to which section to turn to further the story (a la Tales of the Arabian Nights). The game continues in this fashion until the story ends with victory or defeat.
Components. Why yes, that is a real spoon in the photo above. No, it does not come with the game. I will explain in a bit. The components in this game are great. Each character has their own mat for organization, action cards, equipment cards, and status cards that dictate the difficulty of the game and how the character degrades over time in the horror-filled mission. Some components are even glow-in-the-dark! A nice touch, but certainly unnecessary. I find everything to be wonderful quality, even the cards that are kind of polarizing on the KS comments are nice (people are complaining that they are not linen-finished, but I believe the publisher made the right call to make them matte finished if the linen obscured the look and art on them). Thumbs up for components from me.
I wanted to wait until my final thoughts to explain the whole “Fusion System” that is in play here. Tales of Evil uses the catchphrase, “You will get into the game and the game will get into you!” Now, I’m not sure exactly how this game is getting into me, but I’m certainly digging the game and this Fusion System. You see, some cards (in the tutorial, remember, so I’m not really giving much away here) will give players 60 seconds to grab a kitchen spoon for some benefit and a debilitation if they are unable to find one – hence the spoon in my photos. Another card relies on the character (and also then the player) removing their shoes. Still yet another deals with fire or people smoking in the vicinity. If there is fire nearby in real life, it affects the effects of the card drawn. It’s ingenious and I love every little bit of it! I can’t wait to see how the Fusion System will work in this game more and how it can be applied to other games in the future.
All in all I love everything about Tales of Evil. The setting is great, the Pizza & Investigation kids are awesome, and the game itself is incredibly engaging and makes you really think about the choices you make within. Perhaps the haunting feeling of doubting some choices is how the game gets into you, because I did find myself wondering what would have happened had I chosen a different course for some instances. I am very drawn to this game and I want to tackle all of the scenarios. Even solo! And another great thing about Tales of Evil is the fact that a player (or players) can join a game already in progress! So if I am exploring solo and my wife decides she wants to hop in, she just grabs a character mat, sets up the character, and dives right in with me. I LOVE games like that. So versatile.
While I should probably stop gushing at this point I just can’t. This game is so much fun and worth every penny spent on it. I implore you, if you are a fan of exploration adventure games in this vein you definitely need to snatch up a copy whenever you see one. And if you love it as much as I do let me know. We can swap adventure stories.
Oh did I mention the designer is even created a way for us normies to create our own scenarios and upload them to other Tales of Evil players? Yeah, I’m fascinated by that as well…
Tales of Evil is a cooperative, horror, storytelling, adventure game that uses a unique new “Fusion System” throughout the game. Players will be taking on personas of kids from the 1980s who belong to a club named “Pizza & Investigation.” I do not wish to reveal too much in this review, so I will be covering this as a Solo Chronicles using one character going through the introductory tutorial mission.
DISCLAIMER: We are using the Kickstarter Deluxe version of the game. We do have the expansions from the KS campaign, but will not be using those for this review. Also, we do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. -T
To setup, well, just follow the setup instructions in the rulebook. There’s too much for me to explain here. For one character playing the tutorial scenario, the game setup should look similar to what is pictured below. Maybe. The rulebook does not specifically state WHERE each item should be placed, so players will have ultimate freedom to setup items where they see fit to be most efficient for themselves.
Players in Tales of Evil will have no real “turn structure” as most games do, because all players will be adventuring together as a group. So characters will be moving as a group and never splitting the party (RPGers breathe a sigh of relief… maybe). However, as with many adventure games of this style, once players explore into new areas certain markers will placed on the board (Clue, Darkness, Mystery, Search, etc). These markers signify different actions that can be taken, or entrances to areas that are blocked or found, or something that could be traced from one area to another. The leader of the group for the time being is in possession of the Walkie-Talkie and will make all final decisions for the group after any discussion (for solo players, it is just a nice prop). Usually searching for items will result in a card draw and upon the card will be a test to pass using the stats on the player character mat to roll dice for successes. Of course, the other side of that are horrible losses as well.
Players will be traipsing through the area and reading passages from two actual books: the Story Book and the Event Book. Most of the action happens in the Story Book and it will guide players through the story and once choices are made or tests succeeded/failed, the book will instruct players what to do next and to which section to turn to further the story (a la Tales of the Arabian Nights). The game continues in this fashion until the story ends with victory or defeat.
Components. Why yes, that is a real spoon in the photo above. No, it does not come with the game. I will explain in a bit. The components in this game are great. Each character has their own mat for organization, action cards, equipment cards, and status cards that dictate the difficulty of the game and how the character degrades over time in the horror-filled mission. Some components are even glow-in-the-dark! A nice touch, but certainly unnecessary. I find everything to be wonderful quality, even the cards that are kind of polarizing on the KS comments are nice (people are complaining that they are not linen-finished, but I believe the publisher made the right call to make them matte finished if the linen obscured the look and art on them). Thumbs up for components from me.
I wanted to wait until my final thoughts to explain the whole “Fusion System” that is in play here. Tales of Evil uses the catchphrase, “You will get into the game and the game will get into you!” Now, I’m not sure exactly how this game is getting into me, but I’m certainly digging the game and this Fusion System. You see, some cards (in the tutorial, remember, so I’m not really giving much away here) will give players 60 seconds to grab a kitchen spoon for some benefit and a debilitation if they are unable to find one – hence the spoon in my photos. Another card relies on the character (and also then the player) removing their shoes. Still yet another deals with fire or people smoking in the vicinity. If there is fire nearby in real life, it affects the effects of the card drawn. It’s ingenious and I love every little bit of it! I can’t wait to see how the Fusion System will work in this game more and how it can be applied to other games in the future.
All in all I love everything about Tales of Evil. The setting is great, the Pizza & Investigation kids are awesome, and the game itself is incredibly engaging and makes you really think about the choices you make within. Perhaps the haunting feeling of doubting some choices is how the game gets into you, because I did find myself wondering what would have happened had I chosen a different course for some instances. I am very drawn to this game and I want to tackle all of the scenarios. Even solo! And another great thing about Tales of Evil is the fact that a player (or players) can join a game already in progress! So if I am exploring solo and my wife decides she wants to hop in, she just grabs a character mat, sets up the character, and dives right in with me. I LOVE games like that. So versatile.
While I should probably stop gushing at this point I just can’t. This game is so much fun and worth every penny spent on it. I implore you, if you are a fan of exploration adventure games in this vein you definitely need to snatch up a copy whenever you see one. And if you love it as much as I do let me know. We can swap adventure stories.
Oh did I mention the designer is even created a way for us normies to create our own scenarios and upload them to other Tales of Evil players? Yeah, I’m fascinated by that as well…
ClareR (5726 KP) rated Eleanor Oliphant Is Completely Fine in Books
Mar 28, 2018
Not what you'll expect it to be...
Eleanor lives by her routines. Every weekday morning she gets up at the same time, starts work at the same time, buys a newspaper at the same place which she always reads all of and completes the crossword in. She leaves work at 5.30 every day, travels home the same way and listens to The Archers as she makes pasta and pesto with salad (which requires one pan and one plate). She goes to bed at the same time, 10pm, every evening. Wednesday, ‘Mummy’ always phones and talks to her for 10 minutes.
On Friday nights after work, she buys pizza and two bottles of vodka, that she will drink over the course of the weekend, on her own. She spends all week on her own. Eleanor has no friends, she believes that she doesn’t need any either.
Then Eleanor sees him: the man who she becomes obsessed with, the man who Mummy never believes she will be able to attract, and Eleanor decides to reinvent herself so that he will become interested in her.
Some of these reinvention ‘adventures’ are hilarious, and include things that all women do: self-grooming, in particular. The waxing incident had me in stitches!
At work, things change when she meets Ray from IT when he comes to mend her computer. He’s affable, gentle and intrigues by Eleanor. She however is not at all interested, and her sights are set elsewhere. After work one day, Ray and Eleanor are walking home when they come upon an elderly man, Sammy, who has collapsed in the street. They help him, call an ambulance, and so a friendship is begun. Eleanor’s life is opened up, whether she wants it to or not.
Eleanor tells her own story, and we go along for the ride as she shares her story and learns how to actually live. Secrets she has even kept from herself for years, are revealed.
There are many funny parts to this story, and they are painfully funny. Eleanor’s lack of social skills is evident. I didn’t feel that fun was being poked at Eleanor, but we are encouraged to laugh at the situation and therefore learn about how difficult Eleanor’s life is. There are parts of the story where laughter is very far from the mind. I found parts to be very emotional and so, so sad.
I honestly didn’t want to leave Eleanor Oliphant’s world. The story really doesn’t end at the end of the book, and we are left with the impression that Eleanor’s story will continue in her ‘book universe’. Ultimately, this book is an interesting commentary of modern life and our biggest problem - loneliness. We are the generation of social media, internet and gadgets, and we have left behind our human kindness. We are a social animal that no longer seems to be social. All so wrapped up in our own little worlds, that we don’t realise we’re missing that connection with real human beings, and don’t see when there are others around us who are lonely and need the contact of others.
This is such an enjoyable, funny, heartwarming and heart wrenching and above all, hopeful book. I would heartily recommend it, particularly to those who enjoyed “A Man Called Ove’, ‘The Rosie Project’ and more recently ‘The Cactus’. It’s never overly sentimental, but it IS full of heart.
On Friday nights after work, she buys pizza and two bottles of vodka, that she will drink over the course of the weekend, on her own. She spends all week on her own. Eleanor has no friends, she believes that she doesn’t need any either.
Then Eleanor sees him: the man who she becomes obsessed with, the man who Mummy never believes she will be able to attract, and Eleanor decides to reinvent herself so that he will become interested in her.
Some of these reinvention ‘adventures’ are hilarious, and include things that all women do: self-grooming, in particular. The waxing incident had me in stitches!
At work, things change when she meets Ray from IT when he comes to mend her computer. He’s affable, gentle and intrigues by Eleanor. She however is not at all interested, and her sights are set elsewhere. After work one day, Ray and Eleanor are walking home when they come upon an elderly man, Sammy, who has collapsed in the street. They help him, call an ambulance, and so a friendship is begun. Eleanor’s life is opened up, whether she wants it to or not.
Eleanor tells her own story, and we go along for the ride as she shares her story and learns how to actually live. Secrets she has even kept from herself for years, are revealed.
There are many funny parts to this story, and they are painfully funny. Eleanor’s lack of social skills is evident. I didn’t feel that fun was being poked at Eleanor, but we are encouraged to laugh at the situation and therefore learn about how difficult Eleanor’s life is. There are parts of the story where laughter is very far from the mind. I found parts to be very emotional and so, so sad.
I honestly didn’t want to leave Eleanor Oliphant’s world. The story really doesn’t end at the end of the book, and we are left with the impression that Eleanor’s story will continue in her ‘book universe’. Ultimately, this book is an interesting commentary of modern life and our biggest problem - loneliness. We are the generation of social media, internet and gadgets, and we have left behind our human kindness. We are a social animal that no longer seems to be social. All so wrapped up in our own little worlds, that we don’t realise we’re missing that connection with real human beings, and don’t see when there are others around us who are lonely and need the contact of others.
This is such an enjoyable, funny, heartwarming and heart wrenching and above all, hopeful book. I would heartily recommend it, particularly to those who enjoyed “A Man Called Ove’, ‘The Rosie Project’ and more recently ‘The Cactus’. It’s never overly sentimental, but it IS full of heart.
Emma @ The Movies (1786 KP) rated Booksmart (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Due to terrible scheduling I managed to miss the Booksmart Unlimited Screening. (Who puts them on a bank holiday?!) Thankfully it appeared again in the listings and I pootled off out to see it!
Amy and Molly are about to graduate and do amazing things with their lives. They've worked hard, studying was their lives, but what soon becomes evident is that even those students that partied are going on to ivy league schools and getting their dream jobs. Have they wasted their high school lives thinking they couldn't have it all? More importantly, can they turn it around and see out their school career with the ultimate 180?
It's safe to say that the internet is obsessed with Booksmart. Olivia Wilde is making her film directorial debut, the cast is chock-full of talented actors and the subject matter is a continually popular one, so really that fact the internet has gone wild is a bit of a no brainer.
Beanie Feldstein and Kaitlyn Dever play our leads, Molly and Amy. Both of them are particularly good and their chemistry is incredible. There was no point where I didn't believe they were best friends trying to deal with their situations. Even though Amy is the "back seat" friend in her relationship with Molly she thankfully gets a lot of screen time. Dever is probably my favourite bit of this film, she's very funny and creates a surprisingly laid back Amy despite all the drama.
The support cast is strong and I only had a couple of quibbles which was more to do with the characters than the acting. Jessica Williams as Miss Fie was a stand out for me, and I love the idea that she's that close with her students. Her part in the ending of the film was particularly amusing.
Going into Booksmart I was expecting funny, but I really wasn't prepared for the emotion. The party is a climax for a lot of the story points and we see Molly and Amy going for their own high school wins. As you'd expect, this leads to a bit of conflict. The way this is handled is thoughtful and stops the final scene from this sequence being over the top with the script.
Booksmart captures the larger than life high school experience and the only thing that might be a little too much is the fact that the character traits are all knocked up a couple of notches, they go get a little close to the line.
While I liked a lot of things about Booksmart I was surprised at how the beginning took so long to really get going. It wasn't until their scheme was underway that I started to enjoy it a bit more. It's an entertaining comedy with some surprise emotion thrown in but something didn't quick click and I'm not sure if it's the slow start or the sudden dose of reality at the end that's done that.
I kept thinking of other things to mention but I could have gone on for ages so I'll just add a couple of out of context comments: Barbies, pizza guy and "motherf***ing homework".
What you should do
Definitely one to watch, it's amusing and slightly awkward so perhaps choose your cinema buddy wisely.
Movie thing you wish you could take home
I would like Gigi's clearly superhero powers.
Amy and Molly are about to graduate and do amazing things with their lives. They've worked hard, studying was their lives, but what soon becomes evident is that even those students that partied are going on to ivy league schools and getting their dream jobs. Have they wasted their high school lives thinking they couldn't have it all? More importantly, can they turn it around and see out their school career with the ultimate 180?
It's safe to say that the internet is obsessed with Booksmart. Olivia Wilde is making her film directorial debut, the cast is chock-full of talented actors and the subject matter is a continually popular one, so really that fact the internet has gone wild is a bit of a no brainer.
Beanie Feldstein and Kaitlyn Dever play our leads, Molly and Amy. Both of them are particularly good and their chemistry is incredible. There was no point where I didn't believe they were best friends trying to deal with their situations. Even though Amy is the "back seat" friend in her relationship with Molly she thankfully gets a lot of screen time. Dever is probably my favourite bit of this film, she's very funny and creates a surprisingly laid back Amy despite all the drama.
The support cast is strong and I only had a couple of quibbles which was more to do with the characters than the acting. Jessica Williams as Miss Fie was a stand out for me, and I love the idea that she's that close with her students. Her part in the ending of the film was particularly amusing.
Going into Booksmart I was expecting funny, but I really wasn't prepared for the emotion. The party is a climax for a lot of the story points and we see Molly and Amy going for their own high school wins. As you'd expect, this leads to a bit of conflict. The way this is handled is thoughtful and stops the final scene from this sequence being over the top with the script.
Booksmart captures the larger than life high school experience and the only thing that might be a little too much is the fact that the character traits are all knocked up a couple of notches, they go get a little close to the line.
While I liked a lot of things about Booksmart I was surprised at how the beginning took so long to really get going. It wasn't until their scheme was underway that I started to enjoy it a bit more. It's an entertaining comedy with some surprise emotion thrown in but something didn't quick click and I'm not sure if it's the slow start or the sudden dose of reality at the end that's done that.
I kept thinking of other things to mention but I could have gone on for ages so I'll just add a couple of out of context comments: Barbies, pizza guy and "motherf***ing homework".
What you should do
Definitely one to watch, it's amusing and slightly awkward so perhaps choose your cinema buddy wisely.
Movie thing you wish you could take home
I would like Gigi's clearly superhero powers.
Bob Mann (459 KP) rated Parasite (2019) in Movies
Feb 9, 2020
It’s so metaphorical.
Everyone said “Go see Parasite”. Everyone said “The one rule about Parasite is that you don’t talk about Parasite”. So I went to see Parasite. So this is a review about Parasite without talking about Parasite.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
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