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James Dean Bradfield recommended 154 by Wire in Music (curated)
AA
Arbitration and Mediation in Seventeenth-Century England
Book
Despite plague, fire, political upheaval and religious strife, in the 17th century English people of...
The Book of M
8.6
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Book
Set in a dangerous near future world, The Book of M tells the captivating story of a group of...
Shadows forgetting love journey
Murder on West Lake (South Shore Mystery #3)
Book
A scream shattered the tranquil air, echoing off the ice-covered lake, and Daniel's heart froze. He...
Historical Mystery Cozy Mystery Romantic
Bob Mann (459 KP) rated Inferno (2016) in Movies
Sep 29, 2021
Infernal
Dan Brown has had a bad rap over the years from snobbish reviewers who dismiss his work as “trash”. I’m sure to a large degree the multi-millionaire Dan Brown couldn’t give a toss! I personally enjoyed both the books and Ron Howard’s films of “The Da Vinci Code” and “Angels and Demons” as glossy escapism. Occasionally though books will generate a “WHHAAAT??” moment and Brown’s 2013 novel “Inferno” generated just such a response in its dramatic conclusion… and (for me at least) not in a good way. As someone always looking at script potential in books, the words “unfilmable” came to mind. So veteran screenwriter David Koepp (“Jurassic Park”, “Mission Impossible”, “Spiderman”) is to be congratulated in ‘adapting’ the story to provide a coherent screenplay.
But unfortunately it’s still arrant nonsense.
The film starts in promising style with famed symbologist Robert Langdon (Tom Hanks) waking in hospital to horrific visions of hell on earth with only the attractive young nurse Dr Sienna Brooks (Felicity Jones) to soothe his nerves. A serious head wound prevents him from remembering the last 48 hours which makes it a bit tricky when a “Terminator”-style female cop (the striking Romanian actress Ana Ularu) arrives to try to kill him. Fleeing the scene, Langdon follows a typically convoluted trail of puzzles in a race to find the location of the source of a plague that if released will devastate the world’s population. In the process he has to dodge police, World Health Organisation (WHO) staff and members of a shadowy “private security organisation” trying to catch him.
The problem with the story is that it has a plague-sized hole in its plot. The actions of the main protagonist of the film, Bertrand Zobrist (Ben Foster, “The Program”), make absolutely zero sense. If he wanted to achieve his aims he would have just done it! (“No, Mr Bond – I won’t shoot you now”). Laying a devious cryptic trail for others to follow makes even less sense, particularly as he is even seen (in flashback) to be not very good at that! Quite bonkers!
Unfortunately, the more you ponder the story, the worse it gets, and it is this that fatally drags the film down despite all the good work that Hanks, Jones and director Ron Howard try to counter-balance it with.
For there are elements on the positive side of the scales. The Italian and Turkish scenes (in Florence, Venice and Istanbul) are gloriously filmed with lush colours and exotic and evocative locations. Tom Hanks is as solidly reliable as ever in the Langdon role, and its great to see Felicity “The Theory of Everything” Jones in a leading role before she disappears into obscurity again (humour: “Rogue One” is released in December).
Tom Hanks
The film has fun with romantic expectations of the Langdon and Brooks characters. Here though is Hanks with the more age-appropriate Knudsen.
The supporting cast is also of great quality. Sidse Babett Knudsen (“Borgen”) is Dr Sinsky, leader of the W.H.O. (not credited – as memorably done with Peter Capaldi in “World War Z” as “Doctor, W.H.O.”!). Irrfan (“Jurassic World”) Khan is striking as the mysterious and authoritarian “Provost”. And Omar Sy (who made such an impact in the brilliant “The Intouchables”) plays the lead W.H.O. officer in pursuit of Langdon.
Hans Zimmer again provides the soundtrack, with his beautiful series theme cleverly working its way into the music as Langdon’s memory returns. However, at various points the music become overtly noticeable, intrusive and not to my liking. A bombastic choral reworking of the theme over the end titles is stirring though.
In summary, a glossy and nonsensical disappointment.
But unfortunately it’s still arrant nonsense.
The film starts in promising style with famed symbologist Robert Langdon (Tom Hanks) waking in hospital to horrific visions of hell on earth with only the attractive young nurse Dr Sienna Brooks (Felicity Jones) to soothe his nerves. A serious head wound prevents him from remembering the last 48 hours which makes it a bit tricky when a “Terminator”-style female cop (the striking Romanian actress Ana Ularu) arrives to try to kill him. Fleeing the scene, Langdon follows a typically convoluted trail of puzzles in a race to find the location of the source of a plague that if released will devastate the world’s population. In the process he has to dodge police, World Health Organisation (WHO) staff and members of a shadowy “private security organisation” trying to catch him.
The problem with the story is that it has a plague-sized hole in its plot. The actions of the main protagonist of the film, Bertrand Zobrist (Ben Foster, “The Program”), make absolutely zero sense. If he wanted to achieve his aims he would have just done it! (“No, Mr Bond – I won’t shoot you now”). Laying a devious cryptic trail for others to follow makes even less sense, particularly as he is even seen (in flashback) to be not very good at that! Quite bonkers!
Unfortunately, the more you ponder the story, the worse it gets, and it is this that fatally drags the film down despite all the good work that Hanks, Jones and director Ron Howard try to counter-balance it with.
For there are elements on the positive side of the scales. The Italian and Turkish scenes (in Florence, Venice and Istanbul) are gloriously filmed with lush colours and exotic and evocative locations. Tom Hanks is as solidly reliable as ever in the Langdon role, and its great to see Felicity “The Theory of Everything” Jones in a leading role before she disappears into obscurity again (humour: “Rogue One” is released in December).
Tom Hanks
The film has fun with romantic expectations of the Langdon and Brooks characters. Here though is Hanks with the more age-appropriate Knudsen.
The supporting cast is also of great quality. Sidse Babett Knudsen (“Borgen”) is Dr Sinsky, leader of the W.H.O. (not credited – as memorably done with Peter Capaldi in “World War Z” as “Doctor, W.H.O.”!). Irrfan (“Jurassic World”) Khan is striking as the mysterious and authoritarian “Provost”. And Omar Sy (who made such an impact in the brilliant “The Intouchables”) plays the lead W.H.O. officer in pursuit of Langdon.
Hans Zimmer again provides the soundtrack, with his beautiful series theme cleverly working its way into the music as Langdon’s memory returns. However, at various points the music become overtly noticeable, intrusive and not to my liking. A bombastic choral reworking of the theme over the end titles is stirring though.
In summary, a glossy and nonsensical disappointment.
Rachel King (13 KP) rated Glass Houses (The Morganville Vampires, #1) in Books
Feb 11, 2019
I found this book to be a nice change from the typical high school setting that so many Young Adult books take place in - with good reason, of course. So what if she's still only 16, she's in college! Unfortunately, she still has not outgrown the evil female clique syndrome that plague so many stories. Some elements of the story remind me of my own days in university, but the book takes them all to the extreme. On a side note, it's a good thing she's so dang smart, because from my experience, skipping classes like she does throughout the text should, in reality, result in failing grades. I guess that's the beauty of fantasy literature - you can skip all the drudgery and go straight for the exciting bits of life.
The part I did not really understand - and I am still waiting for an explanation after finishing the book - is how the psychotic Monica seems to get away with more than the resident vampires do. I mean, if the vamps both built and run the town of Morganville, it makes more sense that they would want to appear more nefarious than the lowly humans.
I also found it strangely refreshing that the vampires were wholely and completely the bad guys - no human-vampire romantic happenings, and no, Miranda the vision-plagued goth and her undead boyfriend Charles do not count. But I did find the head vampire Amelie very intriguing, since she seems less interested in bloody deaths and widespread property damage and more interested in maintaining power and protecting her assets, a trait that no other vampire in the novel seemed to exhibit.
I can not wait to get my hands on the next novel in the series, The Dead Girls' Dance, since Michael's state of ghost / not-ghost / Glass House incarnate has not been resolved enough for me at all!
The part I did not really understand - and I am still waiting for an explanation after finishing the book - is how the psychotic Monica seems to get away with more than the resident vampires do. I mean, if the vamps both built and run the town of Morganville, it makes more sense that they would want to appear more nefarious than the lowly humans.
I also found it strangely refreshing that the vampires were wholely and completely the bad guys - no human-vampire romantic happenings, and no, Miranda the vision-plagued goth and her undead boyfriend Charles do not count. But I did find the head vampire Amelie very intriguing, since she seems less interested in bloody deaths and widespread property damage and more interested in maintaining power and protecting her assets, a trait that no other vampire in the novel seemed to exhibit.
I can not wait to get my hands on the next novel in the series, The Dead Girls' Dance, since Michael's state of ghost / not-ghost / Glass House incarnate has not been resolved enough for me at all!
Louise (64 KP) rated The Sleeper and the Spindle: Winner of the Cilip Kate Greenaway Medal 2016 in Books
Jul 2, 2018
My thoughts:
What a beautiful book! How have I not come across Chris Riddell before? I do not know! What an amazing illustrator!
The sleeper in the spindle is a combination of sleeping beauty and snow-white retelling with Gaiman’s dark twist added to it.There are two lands which are separated by huge mountains which no-one can get across, not even the birds fly over, the only one’s are three dwarves and they tunnel under. The dwarves are off to find the queen some silks for her pending wedding. Dorimar is the other kingdom where they make the best silks, once the dwarves get there they come across an Inn, which they usually drop by as they made friends with the local innkeeper. Only this time the Inn was packed with Villagers, There Is a plague travelling across the kingdom which puts everyone into a slumber which was casted by an enchantress. With this news the dwarves return to the Queen to let her know what is going on the other side of the mountains and could possibly come across to Kanselaire. With her pending wedding and the thoughts of being a dutiful wife and mother, one last adventure is what she needs, she is off to save Dorimar.
I have actually read the sleeper in the spindle before but from Gaiman’s short story collection Trigger Warning.
The story is very short only 72 pages so can be easily done in one sitting. However there is not a lot of character development and the Villain is the same old power/youth hungry menace.The ending will not be to everyone’s taste,but it was well written and an easy read
The illustrations are absolutely stunning, they are black and white with gold leaf added on every page, The detail is so intricate and amazing and definitely complements the story really well.
I definitely recommend this book to anyone as it is classed as a children’s book.
I gave this book 4 out of 5 stars.
What a beautiful book! How have I not come across Chris Riddell before? I do not know! What an amazing illustrator!
The sleeper in the spindle is a combination of sleeping beauty and snow-white retelling with Gaiman’s dark twist added to it.There are two lands which are separated by huge mountains which no-one can get across, not even the birds fly over, the only one’s are three dwarves and they tunnel under. The dwarves are off to find the queen some silks for her pending wedding. Dorimar is the other kingdom where they make the best silks, once the dwarves get there they come across an Inn, which they usually drop by as they made friends with the local innkeeper. Only this time the Inn was packed with Villagers, There Is a plague travelling across the kingdom which puts everyone into a slumber which was casted by an enchantress. With this news the dwarves return to the Queen to let her know what is going on the other side of the mountains and could possibly come across to Kanselaire. With her pending wedding and the thoughts of being a dutiful wife and mother, one last adventure is what she needs, she is off to save Dorimar.
I have actually read the sleeper in the spindle before but from Gaiman’s short story collection Trigger Warning.
The story is very short only 72 pages so can be easily done in one sitting. However there is not a lot of character development and the Villain is the same old power/youth hungry menace.The ending will not be to everyone’s taste,but it was well written and an easy read
The illustrations are absolutely stunning, they are black and white with gold leaf added on every page, The detail is so intricate and amazing and definitely complements the story really well.
I definitely recommend this book to anyone as it is classed as a children’s book.
I gave this book 4 out of 5 stars.
Marylegs (44 KP) rated Dark Aemilia (UK Edition) in Books
Aug 14, 2019
So I received Dark Aemilia from a Goodreads give away. All I can say is how lucky I was to receive such a good book, that otherwise I likely would not have taken a second glance at. This is a beautifully written piece of historical fiction. Which at its core, is a love story, between Aemilia Bassano and William Shakespeare. How their love blossomed and through many external factors was pulled apart. The book is laid out in acts and scenes like a play and tells the story from Aemilia point of view. I enjoyed being submerged in the Tudor London at the end of Elizabeth I reign. This book completely grabbed me from the start and had I had more free time I am sure I would have read this book in a day or two.
Unfortunately as I havent ever read historical fiction before I dont really have any point of reference for comparison. But what I will say is that I thoroughly enjoyed how realistic this book felt, but still was able to bring in completely fictitious elements of magic and witchcraft. Sam OReilly has managed to bring in these elements, which appealed to my love of fantasy, without being over the top. I particularly enjoyed the time when London was under the grips of the plague and thought it was just so well written and explained. At no point did I feel lost in descriptions, I was there, with Aemilia and that poor woman just couldnt catch a break.
There is mature content it is an adult story of love, so yes there is sex. I personally have no issue with this and believe it to be an integral addition to this story. It is done well and doesnt feel forced or overdone. I am struggling to put into words how much I enjoyed this book, I will read it again and I would recommend it. I will now even consider reading other historical fiction that I had not thought I would enjoy.
Unfortunately as I havent ever read historical fiction before I dont really have any point of reference for comparison. But what I will say is that I thoroughly enjoyed how realistic this book felt, but still was able to bring in completely fictitious elements of magic and witchcraft. Sam OReilly has managed to bring in these elements, which appealed to my love of fantasy, without being over the top. I particularly enjoyed the time when London was under the grips of the plague and thought it was just so well written and explained. At no point did I feel lost in descriptions, I was there, with Aemilia and that poor woman just couldnt catch a break.
There is mature content it is an adult story of love, so yes there is sex. I personally have no issue with this and believe it to be an integral addition to this story. It is done well and doesnt feel forced or overdone. I am struggling to put into words how much I enjoyed this book, I will read it again and I would recommend it. I will now even consider reading other historical fiction that I had not thought I would enjoy.
Merissa (12687 KP) rated Rain (A Stranger in the Woods, #1) in Books
Dec 17, 2018
Rain is the first book in the A Stranger in the Woods series, and it starts off with a bang. Rose is looking after her younger siblings as her mother struggles to live. There is a plague that has decimated her village, it has already claimed her father, and numerous friends. The person who has been there for Rose throughout is Gunner. They have been best friends for years, but Gunner thinks that he wants to take it further. Everyone else is expecting it, but when it does happen, it's not as Rose imagined. Whilst this is going on, we meet Ryder, a Guardian, who is instantly attracted to Rose for reasons he doesn't really comprehend. Only time will tell how these three will work things out.
Now, where do I start? This story is fresh and original, it is compelling, it is heartbreaking, it is hopeful. India R. Adams has a way of writing that draws you in, that makes you want to read more, even at stupid o'clock! I will admit to be slightly worried at the start as love triangles aren't really my thing, but how this story was told... well, it all just makes sense! I couldn't be happier with how everything turned out. Of course, I mean that generally as there are parts that had me sobbing. With feisty families, fabulous friends, gorgeous Guardians, and more 'bad guys' than you can shake a stick at, there is something here for everyone.
This book was extremely well written, with no editing or grammatical errors to disrupt the reading flow. I really can't recommend it highly enough, if you are looking for a fresh paranormal/fantasy romance. Absolutely brilliant! Also, have you SEEN that cover? Simply stunning, I love it!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Now, where do I start? This story is fresh and original, it is compelling, it is heartbreaking, it is hopeful. India R. Adams has a way of writing that draws you in, that makes you want to read more, even at stupid o'clock! I will admit to be slightly worried at the start as love triangles aren't really my thing, but how this story was told... well, it all just makes sense! I couldn't be happier with how everything turned out. Of course, I mean that generally as there are parts that had me sobbing. With feisty families, fabulous friends, gorgeous Guardians, and more 'bad guys' than you can shake a stick at, there is something here for everyone.
This book was extremely well written, with no editing or grammatical errors to disrupt the reading flow. I really can't recommend it highly enough, if you are looking for a fresh paranormal/fantasy romance. Absolutely brilliant! Also, have you SEEN that cover? Simply stunning, I love it!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!