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Ivana A. | Diary of Difference (1171 KP) rated Multiverse in Books
Aug 3, 2020
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Multiverse is a collection of poems as well as short paragraphs that take on interesting topics and thought-provoking scenarios of our life.
After reading Multiverse, I cannot say for certain whether he is being arrogant or brave. I am still undecided as to whether I love or hate his style of writing. There is something very intriguing about his writing; sometimes he makes me smirk, and sometimes his words trigger me.
<b><i>"In a democracy, shouldn't there be room for those who don't want a fair society?"</i></b>
Even though I appreciate the style this book was written in, and the way the topics are being expressed, I am not in awe of how bombshells are dropped and then he proceeds to move on to a different subject.
Following up on this, I would also like to note the poem "Forsaking the Poppy", where the author opens us the suggestion of declining to wear a poppy. The thought process behind it is that this could be seen as synonymous with racism and chauvinism.
<b><i>One thing is certain though. </i></b>
This book will definitely leave an impact on you, whether good or bad. And it will prompt a discussion, or at least spark a bit of curiosity on various topics that are relevant in today's world.
I recommend it to all curious minds out there. It may not be your cup of tea, but you never know. As for me, I like books that either make me feel good or learn something, so i will end this review with something I learnt from this book:
<b><i>"According to ancient Japanese culture, the Sakura tree represents the beauty and fragility of life, reminding us that things in life are incredibly precious but also tragically ephemeral." </i></b>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2020/04/Book-Review-Banner-38.png"/>;
Multiverse is a collection of poems as well as short paragraphs that take on interesting topics and thought-provoking scenarios of our life.
After reading Multiverse, I cannot say for certain whether he is being arrogant or brave. I am still undecided as to whether I love or hate his style of writing. There is something very intriguing about his writing; sometimes he makes me smirk, and sometimes his words trigger me.
<b><i>"In a democracy, shouldn't there be room for those who don't want a fair society?"</i></b>
Even though I appreciate the style this book was written in, and the way the topics are being expressed, I am not in awe of how bombshells are dropped and then he proceeds to move on to a different subject.
Following up on this, I would also like to note the poem "Forsaking the Poppy", where the author opens us the suggestion of declining to wear a poppy. The thought process behind it is that this could be seen as synonymous with racism and chauvinism.
<b><i>One thing is certain though. </i></b>
This book will definitely leave an impact on you, whether good or bad. And it will prompt a discussion, or at least spark a bit of curiosity on various topics that are relevant in today's world.
I recommend it to all curious minds out there. It may not be your cup of tea, but you never know. As for me, I like books that either make me feel good or learn something, so i will end this review with something I learnt from this book:
<b><i>"According to ancient Japanese culture, the Sakura tree represents the beauty and fragility of life, reminding us that things in life are incredibly precious but also tragically ephemeral." </i></b>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Rachel King (13 KP) rated The Virgin Cure in Books
Feb 11, 2019
I loved Ami McKay's first book, The Birth House, so I was eager to read this one without even knowing the synopsis. This book did not really live up to the quality of the first book, but I did still enjoy it. While the title conveys the idea that the focus of the book is this social problem of the myth of the "virgin cure", in reality the book was really about the life of the main character, Moth. The virgin cure only plays a part in two small events, and serves better as a footnote to Moth's life.
Moth is quite an interesting girl from the start, having the maturity of a much older person as she deals with her mother's methods of making money along with her drinking habits, even as she finds her own ways of survival. Despite being of such a young age, she is aware of the struggles of the people around her and knows enough to recognize what a better life would look like for herself - even beyond the trappings of wealth. While sold by her own mother for the price of a sack of coins, Moth still longs to impress her and return to her. From there, she encounters one horror after another, many hidden behind a veneer of wealth and privilege. Her desires propel her to take on a different name in an effort to change her very identity into the kind of person she longs to be.
Dr. Sadie's intervention into Moth's life provides a nice contrast to what Moth lived with day-to-day. As McKay's original protagonist, she provided another appealing way of life other than one of wealth and privilege. Her journal entries in the book also showed how Moth appeared to others. Despite the struggles that Dr. Sadie endured as a female physician, I liked the part she played in Moth's life and the things she showed Moth.
As for the format of the book, I found it a bit strange sometimes. The pages often held side notes that had little to do with the plot, and were better at serving as distractions, plus chapters often began with poems or quotes that were vague at best and required some intelligent deciphering to figure out how they contributed to the book. The journal entries of Dr. Sadie that peppered the book held the most valuable writing, as it fit in with the timeline of the plot. I think the book would have fared better with less distractions, more plotting, and a better title.
Moth is quite an interesting girl from the start, having the maturity of a much older person as she deals with her mother's methods of making money along with her drinking habits, even as she finds her own ways of survival. Despite being of such a young age, she is aware of the struggles of the people around her and knows enough to recognize what a better life would look like for herself - even beyond the trappings of wealth. While sold by her own mother for the price of a sack of coins, Moth still longs to impress her and return to her. From there, she encounters one horror after another, many hidden behind a veneer of wealth and privilege. Her desires propel her to take on a different name in an effort to change her very identity into the kind of person she longs to be.
Dr. Sadie's intervention into Moth's life provides a nice contrast to what Moth lived with day-to-day. As McKay's original protagonist, she provided another appealing way of life other than one of wealth and privilege. Her journal entries in the book also showed how Moth appeared to others. Despite the struggles that Dr. Sadie endured as a female physician, I liked the part she played in Moth's life and the things she showed Moth.
As for the format of the book, I found it a bit strange sometimes. The pages often held side notes that had little to do with the plot, and were better at serving as distractions, plus chapters often began with poems or quotes that were vague at best and required some intelligent deciphering to figure out how they contributed to the book. The journal entries of Dr. Sadie that peppered the book held the most valuable writing, as it fit in with the timeline of the plot. I think the book would have fared better with less distractions, more plotting, and a better title.
Goddess in the Stacks (553 KP) rated With the Fire on High in Books
Jul 25, 2019
With this book, Elizabeth Acevedo has solidified her position as one of my must-read authors. The Poet X was EXCELLENT, and this one is every bit as good, which is awesome, considering the wildly different formats of the two books. The Poet X was a novel in poem form, being the collected poems of a teenage girl. This book is a more traditional novel, written in prose. It loses none of the lyrical, enchanting quality of Acevedo's writing, however.
With The Fire On High centers on Emoni Santiago, a teenage mother struggling to graduate from high school on time. When a culinary arts elective is offered during her senior year of school, she takes it despite feeling like she should be spending her energy on her daughter's future instead of realizing her own dreams. The elective opens up an entire world for her, however, taking her from whipping up magic alone in her own kitchen to being recognized by talented chefs as having something special. The added hours spent on cooking begin to affect her other responsibilities, however, and Emoni struggles to balance everything in her life, a fight that is very nearly upended by the new, very cute boy who just transferred to her school.
Emoni deals admirably with the vast responsibilities of being a parent, the complications of her own somewhat unusual home life (she's been raised by her grandmother after her mother's death and her father's absence), and the pressures of high school. Especially a school where she spent freshman year pregnant. Rather luckily, her daughter's father goes to a different school, so at least she doesn't have to deal with him every day.
Similar to The Poet X, the book deals with the intersection of black American culture and Puerto Rican culture, a combination I've been seeing more and more in Young Adult. (Well, The Poet X was Dominican, but they have very similar worries, mostly revolving around feeling "not black enough.")
I loved Emoni, I loved Malachi (the cute transfer student), I loved Abuela and Baby Girl/Emma. I even didn't mind Tyrone too much. For being a player, he was trying to do right by his daughter. Acevedo has such a talent for characters. Angelica (Emoni's best friend) and her girlfriend were a delight, too.
If you see a book by Elizabeth Acevedo, pick it up. You won't be disappointed. I can't wait to pick up her next book, which appears to be another novel in verse called Clap When You Land, due out next year!
You can find all my reviews and more at http://goddessinthestacks.com
With The Fire On High centers on Emoni Santiago, a teenage mother struggling to graduate from high school on time. When a culinary arts elective is offered during her senior year of school, she takes it despite feeling like she should be spending her energy on her daughter's future instead of realizing her own dreams. The elective opens up an entire world for her, however, taking her from whipping up magic alone in her own kitchen to being recognized by talented chefs as having something special. The added hours spent on cooking begin to affect her other responsibilities, however, and Emoni struggles to balance everything in her life, a fight that is very nearly upended by the new, very cute boy who just transferred to her school.
Emoni deals admirably with the vast responsibilities of being a parent, the complications of her own somewhat unusual home life (she's been raised by her grandmother after her mother's death and her father's absence), and the pressures of high school. Especially a school where she spent freshman year pregnant. Rather luckily, her daughter's father goes to a different school, so at least she doesn't have to deal with him every day.
Similar to The Poet X, the book deals with the intersection of black American culture and Puerto Rican culture, a combination I've been seeing more and more in Young Adult. (Well, The Poet X was Dominican, but they have very similar worries, mostly revolving around feeling "not black enough.")
I loved Emoni, I loved Malachi (the cute transfer student), I loved Abuela and Baby Girl/Emma. I even didn't mind Tyrone too much. For being a player, he was trying to do right by his daughter. Acevedo has such a talent for characters. Angelica (Emoni's best friend) and her girlfriend were a delight, too.
If you see a book by Elizabeth Acevedo, pick it up. You won't be disappointed. I can't wait to pick up her next book, which appears to be another novel in verse called Clap When You Land, due out next year!
You can find all my reviews and more at http://goddessinthestacks.com
Gruff Rhys recommended Tacsi i'r Tywyllwch by Geraint Jarman in Music (curated)
JT (287 KP) rated The Raven (2012) in Movies
Mar 10, 2020
I've never really been a massive fan of John Cusack, I find him a bit tenuous and someone who slightly over acts. The Raven gives him the chance to over act to his heart’s content, as he plays poet Edgar Allan Poe who is drawn into the world and mind of a serial killer.
The film is set in 18th century Maryland where the flamboyant Edgar Allan Poe is busy churning out poems and gruesome stories that he desperately tries to get published in the local paper, although frustratingly as he experiences no one really knows or cares who he is?
This leads to large quantities of booze and lots of shouting and aggression at anyone who stands in his way. When a series of killings alert the local police, Detective Fields (Luke Evans) is called in to investigate, and when it’s discovered that the killings are in some way a copy of Poe’s illustrious work the man himself is tasked with assisting.
Visually the film is very good and is in keeping with the traditions of the 18th century, dark and slightly gothic it certainly gives the sense of a disturbed horror film. The killer is masked for the majority until the reveal, but clues are dropped as to the identity giving the viewer the chance to play detective. Although you probably don’t need to be Inspector Morse to figure it out.
When Poe’s beloved fiancé Emily Hamilton (Alice Eve) is kidnapped and buried alive it adds a whole new twist to the plot. The killer is making this a personal vendetta against Poe who seems at a loss to who could be targeting him in such a horrific way, it then becomes a race against time as the killer leaves clues on his victims for Poe to follow that will lead him to a theatrical conclusion.
The film echos Se7en, in that both Fields and Poe are being taunted by a sadistic killer who is clearly making a bold statement with his work, that involve a huge swinging blade, being buried into a wall and having your tongue cut out. Also a young beautiful woman is at the killers mercy, can Poe race against time to save her?
Cusack does an admirable job in fairness to him and his portrayal of Poe is an accurate reincarnation. Brendan Gleeson who despite limited screen time still manages to command a presence that has to be respected, and here as Emily’s father he gives off a burning sense of desperation.
The rest of the cast amble a long and certainly don’t set any fires alight It’s an OK film and it does have the thrills but nothing that is going to set pulses racing. When you turn it off you just let out one big long “Meh!”
The film is set in 18th century Maryland where the flamboyant Edgar Allan Poe is busy churning out poems and gruesome stories that he desperately tries to get published in the local paper, although frustratingly as he experiences no one really knows or cares who he is?
This leads to large quantities of booze and lots of shouting and aggression at anyone who stands in his way. When a series of killings alert the local police, Detective Fields (Luke Evans) is called in to investigate, and when it’s discovered that the killings are in some way a copy of Poe’s illustrious work the man himself is tasked with assisting.
Visually the film is very good and is in keeping with the traditions of the 18th century, dark and slightly gothic it certainly gives the sense of a disturbed horror film. The killer is masked for the majority until the reveal, but clues are dropped as to the identity giving the viewer the chance to play detective. Although you probably don’t need to be Inspector Morse to figure it out.
When Poe’s beloved fiancé Emily Hamilton (Alice Eve) is kidnapped and buried alive it adds a whole new twist to the plot. The killer is making this a personal vendetta against Poe who seems at a loss to who could be targeting him in such a horrific way, it then becomes a race against time as the killer leaves clues on his victims for Poe to follow that will lead him to a theatrical conclusion.
The film echos Se7en, in that both Fields and Poe are being taunted by a sadistic killer who is clearly making a bold statement with his work, that involve a huge swinging blade, being buried into a wall and having your tongue cut out. Also a young beautiful woman is at the killers mercy, can Poe race against time to save her?
Cusack does an admirable job in fairness to him and his portrayal of Poe is an accurate reincarnation. Brendan Gleeson who despite limited screen time still manages to command a presence that has to be respected, and here as Emily’s father he gives off a burning sense of desperation.
The rest of the cast amble a long and certainly don’t set any fires alight It’s an OK film and it does have the thrills but nothing that is going to set pulses racing. When you turn it off you just let out one big long “Meh!”
Jesters_folly (230 KP) rated Blinded by the Light (2019) in Movies
Jul 10, 2019
One of the joys of having a cinema card are the previews, because you chose to pay monthly or yearly for unlimited films you get to see some films early, this can be anything from a day to a month. Then there are the secret films, a preview that can be a few months early but you only find out what you are seeing when the certificate card comes up. This is how I came to see Blinded by the Light. As the title came up I dug through my memory to see if I'd seen any trailers, I thought I had but couldn't remember anything about it. Five people left cinema so there must have been some trailers but people leaving doesn't really tell you much, there's always some one who leaves and it's better than the people who stay and mumble about how rubbish it is. After the title came the words ‘Inspired by real events.’ Which still doesn't give to much away, it could be an over the top farce like ‘I Tonya', a black comedy like ‘Three Billboards’ or a dull trudge like ‘The Post'.
It turns out that 'Blinded by the Light' is not really any of these, it's more of a 'slice of life' it the slice is a couple of years. The film centres on Javed, a Pakistani teen living in Luton, England in the late 1980s. Javed has written diaries and poems for most of his life but, due to his family life he has always kept them to himself. Not long after starting his A levels Javed is introduced to the music of Bruce Springsteen and finds that the lyrics speak to him in a way he's never felt before.
Blinded by the Light is a film about family, friends and finding your place. Javed starts off as a quiet, bookish character who, thanks to the people around him and his growing love of Bruce Springsteen records manages to find himself. However, this change leaded to problems as he clash’s with family and friends.
Being set in 80s and being about a Pakistani family the film also touches on the problem of racism and, from the clips I remembered from the trailer I found myself wondering if it was going to erupt into violence in the style of films like 'Made in England'. However, 'blinded by the Light' takes a more family friendly view, it does show some racism but less ‘violent’ and more personal making ‘Blinded by the Light’ a more family friendly film.
Although music plays a large part of the film it is not the music itself that’s important but the effect that it has on Javed, showing how the right music can change someone’s life.
It turns out that 'Blinded by the Light' is not really any of these, it's more of a 'slice of life' it the slice is a couple of years. The film centres on Javed, a Pakistani teen living in Luton, England in the late 1980s. Javed has written diaries and poems for most of his life but, due to his family life he has always kept them to himself. Not long after starting his A levels Javed is introduced to the music of Bruce Springsteen and finds that the lyrics speak to him in a way he's never felt before.
Blinded by the Light is a film about family, friends and finding your place. Javed starts off as a quiet, bookish character who, thanks to the people around him and his growing love of Bruce Springsteen records manages to find himself. However, this change leaded to problems as he clash’s with family and friends.
Being set in 80s and being about a Pakistani family the film also touches on the problem of racism and, from the clips I remembered from the trailer I found myself wondering if it was going to erupt into violence in the style of films like 'Made in England'. However, 'blinded by the Light' takes a more family friendly view, it does show some racism but less ‘violent’ and more personal making ‘Blinded by the Light’ a more family friendly film.
Although music plays a large part of the film it is not the music itself that’s important but the effect that it has on Javed, showing how the right music can change someone’s life.
Bob Mann (459 KP) rated Wordslingers: The Story of Self-Publishing (2021) in Movies
Sep 28, 2021
They say that everyone has a book in them. I guess the key question is whether anyone else wants to read it. Such is the subject of this new documentary from A. Brooks Bennett. As a publisher says at one point “Writing a book is a creative act; publishing a book is a business”.
The democratization of publishing
The internet has brought many advantages to modern life, but perhaps one of the most interesting is the democratization of publishing. No longer is control in the hands of publishing houses, who might glance at and immediately dismiss new ideas in literature. It’s worth remembering that 12 publishing houses turned down J.K. Rowling’s draft for Harry Potter! Now anyone can be creative in writing and self-publish on the web. My own wife – Sue Mann – did just this, self-publishing the WW1 poems and reminiscences of two of her great-uncles. (It’s available from all good bookshops… oh, no…. actually just from here!) Are the poems artistically any good? I have no idea! Will it sell many copies? Clearly not! Was it a personal goal achieved in honouring their memory? Absolutely! Different people want different things from the medium.
Very ‘American’.
It’s probably down to the pioneer spirit, but as a generalisation Americans seem far more ambitious than Brits: or at least, more OPENLY ambitious. Whereas most Brits will quietly get on with building their careers, some Americans will go hell-for-leather towards their vision of “success” no matter the cost: no guts; no glory; and be noisy about it!
But for every J.K. Rowling or Bill Bryson there are several thousand writers who have ‘failed to launch’.
Here we follow two budding authors – one from California; the other from North Carolina – self-publishing their work and seeking sales.
One – Giles A (“Andy”) Anderson – has self-published a seemingly disturbing work called “Vidu” – the first of what he hopes will be a five-part series. He first talks from a ghoulish bookstore, speaking psycho-babble with the requisite hyperbole of an ‘artiste’. (It suggests how the books might read… but perhaps that’s misjudging). It comes then as a surprise when we find he doesn’t live alone in a coffin playing video games on his own, but has a lovely wife and two young and perfectly normal children. So his book is an “off the beaten track kinda book”, but the man seems well-grounded and following his dream in bite-size pieces.
Moral: Avoid the Travel Books
As is often the case though, the documentary homes in on, and spends most of its time with, the other author – Adam Shephard. Shephard is struggling to launch as an author and also – in parallel – wrestling with the Green Card process for his supportive and vivacious Croatian wife Ivana. The problem is that Shephard has written an extended travel blog: ten-a-penny on sites like WordPress.
I read a Forbes article last year that reported that – astonishingly – in a survey 11% of American respondents had never travelled outside of their home state and 40% had never left the country. For such a well-heeled country, the US is incredibly insular. So Shephard’s vision is to encourage youngsters to step outside of their comfort zone and jump on that plane to Guatemala. It’s a fine objective. But does anyone want to listen? And – crucially – is the book any good and commercial enough? As the famous ‘founder of self-publishing’, the late Dan Poynter (to who the film is dedicated) says “You can’t make any money off a travel book”.
The film never goes as far as having either of the featured books critically reviewed: that might have added some extra spice to the story (and possibly provoked some painful reactions). But the piles of unopened boxes in Adam’s clinically white storage facility rather speaks for itself. Since Shephard never seems to do anything by halves, the boxes are piled high and thus the fall from grace is hard, long…. and absolutely riveting. (Ivana’s support and love in such difficult circumstances is commendable: he is a truly blessed man).
Jaw-dropping Walmart scene
At least at the start of the film, Adam’s self-belief and confidence in himself is infectious. The peak of his bravado, and a jaw-dropping highpoint in the movie for me, was a scene filmed in Walmart. Shephard, in a case of “reverse shoplifting”, sneaks HIS books onto the bookshelves of Walmart. What happens when they then try to buy one? It’s a real eye-opener and worth watching the documentary for in its own right.
It’s an interesting legal position: if Walmart were to be upset about this scene, what on earth could they charge them with!? Littering?
Highs and lows.
Shephard seems to have talent as a speaker, and it struck me that he would be genuinely suited to a job in sales. In the movie we see him performing self-confidence-building pitches to young people (and, boy, could we sometimes use that in the UK post-Brexit). A few books sold. But another event barely breaking even. The pattern becomes familiar and, in a way, rather tragic.
There are unexpected highs and lows for Adam and Ivana along the way though, unrelated to the publishing story, and the filmmaker skillfully weaves them into the narrative to good effect.
Thought-provoking.
I watched this on a whim and thought I’d probably switch off after 10 minutes. Documentaries normally are not my thing! But no. It had me gripped to see how things would turn out – like watching a slow-motion car crash! The journey was well-worth the ride: a real page-turner you might say.
The democratization of publishing
The internet has brought many advantages to modern life, but perhaps one of the most interesting is the democratization of publishing. No longer is control in the hands of publishing houses, who might glance at and immediately dismiss new ideas in literature. It’s worth remembering that 12 publishing houses turned down J.K. Rowling’s draft for Harry Potter! Now anyone can be creative in writing and self-publish on the web. My own wife – Sue Mann – did just this, self-publishing the WW1 poems and reminiscences of two of her great-uncles. (It’s available from all good bookshops… oh, no…. actually just from here!) Are the poems artistically any good? I have no idea! Will it sell many copies? Clearly not! Was it a personal goal achieved in honouring their memory? Absolutely! Different people want different things from the medium.
Very ‘American’.
It’s probably down to the pioneer spirit, but as a generalisation Americans seem far more ambitious than Brits: or at least, more OPENLY ambitious. Whereas most Brits will quietly get on with building their careers, some Americans will go hell-for-leather towards their vision of “success” no matter the cost: no guts; no glory; and be noisy about it!
But for every J.K. Rowling or Bill Bryson there are several thousand writers who have ‘failed to launch’.
Here we follow two budding authors – one from California; the other from North Carolina – self-publishing their work and seeking sales.
One – Giles A (“Andy”) Anderson – has self-published a seemingly disturbing work called “Vidu” – the first of what he hopes will be a five-part series. He first talks from a ghoulish bookstore, speaking psycho-babble with the requisite hyperbole of an ‘artiste’. (It suggests how the books might read… but perhaps that’s misjudging). It comes then as a surprise when we find he doesn’t live alone in a coffin playing video games on his own, but has a lovely wife and two young and perfectly normal children. So his book is an “off the beaten track kinda book”, but the man seems well-grounded and following his dream in bite-size pieces.
Moral: Avoid the Travel Books
As is often the case though, the documentary homes in on, and spends most of its time with, the other author – Adam Shephard. Shephard is struggling to launch as an author and also – in parallel – wrestling with the Green Card process for his supportive and vivacious Croatian wife Ivana. The problem is that Shephard has written an extended travel blog: ten-a-penny on sites like WordPress.
I read a Forbes article last year that reported that – astonishingly – in a survey 11% of American respondents had never travelled outside of their home state and 40% had never left the country. For such a well-heeled country, the US is incredibly insular. So Shephard’s vision is to encourage youngsters to step outside of their comfort zone and jump on that plane to Guatemala. It’s a fine objective. But does anyone want to listen? And – crucially – is the book any good and commercial enough? As the famous ‘founder of self-publishing’, the late Dan Poynter (to who the film is dedicated) says “You can’t make any money off a travel book”.
The film never goes as far as having either of the featured books critically reviewed: that might have added some extra spice to the story (and possibly provoked some painful reactions). But the piles of unopened boxes in Adam’s clinically white storage facility rather speaks for itself. Since Shephard never seems to do anything by halves, the boxes are piled high and thus the fall from grace is hard, long…. and absolutely riveting. (Ivana’s support and love in such difficult circumstances is commendable: he is a truly blessed man).
Jaw-dropping Walmart scene
At least at the start of the film, Adam’s self-belief and confidence in himself is infectious. The peak of his bravado, and a jaw-dropping highpoint in the movie for me, was a scene filmed in Walmart. Shephard, in a case of “reverse shoplifting”, sneaks HIS books onto the bookshelves of Walmart. What happens when they then try to buy one? It’s a real eye-opener and worth watching the documentary for in its own right.
It’s an interesting legal position: if Walmart were to be upset about this scene, what on earth could they charge them with!? Littering?
Highs and lows.
Shephard seems to have talent as a speaker, and it struck me that he would be genuinely suited to a job in sales. In the movie we see him performing self-confidence-building pitches to young people (and, boy, could we sometimes use that in the UK post-Brexit). A few books sold. But another event barely breaking even. The pattern becomes familiar and, in a way, rather tragic.
There are unexpected highs and lows for Adam and Ivana along the way though, unrelated to the publishing story, and the filmmaker skillfully weaves them into the narrative to good effect.
Thought-provoking.
I watched this on a whim and thought I’d probably switch off after 10 minutes. Documentaries normally are not my thing! But no. It had me gripped to see how things would turn out – like watching a slow-motion car crash! The journey was well-worth the ride: a real page-turner you might say.
BookwormLea (3034 KP) rated Down a Dark Hall (2018) in Movies
Jul 26, 2020
Movie? Not great. Concept? Fabulous!
Contains spoilers, click to show
So I wouldn't call this a good horror. Maybe a passable thriller or drama??? Just the usual possession and strange happenings in a secluded school. (If you're looking for a better version of a similar thing, i recommend The Silenced.)
The general plot is that after her father dies when she's young, Katherine slowly becomes the stereotypical angry teen who lets the world know she hates it by letting it burn. She gets made to go to therapy after claiming she sees her father (which she does, because we watched his spirit say goodbye). She is invited to Blackwood. A mysteriously remote mansion home to 6 even more mysterious teachers, including Madame Duret, the headmistress. Kat is joined by 4 other girls of a seemingly lost cause. Duret calls them 'gifted' and 'misunderstood'. They are taught the usual lessons, Maths and English, music and art. And with the exception of Veronica (the literal definition of teenage nightmare) they all seem to excel at one thing in particular. Our lead girl Kat, music, specifically piano. She is taught by Durets son, Jules. Everything seems to be going well, one girl paints like a prodigy, another writes poems that could rock Shakespeares world, Kat does her piano thing rivalling Mozart and the last (who could basically still be in the role of Esther in Orphan) is solving maths problems that could save the world. That is until they start seeing shadows of people who aren't there, voices in their heads and they physically can't stop doing what they are gifted at, to the point where they don't eat or leave their rooms. After finding old files of other girls in similar situations who died, Kat and Veronica try to do something about it. Veronica is taken away and Kat is suddenly a Piano prodigy, almost possessed by the greats themselves. Yeah 'almost'. Because that's exactly what happened. They have been used as vessels for history's greatest men and women, who died too soon. How fantastic is that? If this movie was made better, that is a brilliant plot! But of course everything goes bad, just like their ghosts, the girls start dropping like flies, Poem girl kills herself, Painter literally starves herself, and crazy math girl is on the verge of escaping when she becomes enthralled in the beauty of the flames. Flames caused by Kat when she saves Veronica from being possessed by some weird demon thing who really doesn't get explained. They almost get out. Duret gets possseded and burned by the spirits she conjured. All the teachers die and Jules is crushed when he saves Kat. Of course there has to be surviors so Kat and Veronica get out, where on the brink of death, Kat sees her father again who makes her come back to life after she tries to go with him.
Overall, not a terrible movie, but if it had been made better, would probably be one of my favourite plots ever!
The general plot is that after her father dies when she's young, Katherine slowly becomes the stereotypical angry teen who lets the world know she hates it by letting it burn. She gets made to go to therapy after claiming she sees her father (which she does, because we watched his spirit say goodbye). She is invited to Blackwood. A mysteriously remote mansion home to 6 even more mysterious teachers, including Madame Duret, the headmistress. Kat is joined by 4 other girls of a seemingly lost cause. Duret calls them 'gifted' and 'misunderstood'. They are taught the usual lessons, Maths and English, music and art. And with the exception of Veronica (the literal definition of teenage nightmare) they all seem to excel at one thing in particular. Our lead girl Kat, music, specifically piano. She is taught by Durets son, Jules. Everything seems to be going well, one girl paints like a prodigy, another writes poems that could rock Shakespeares world, Kat does her piano thing rivalling Mozart and the last (who could basically still be in the role of Esther in Orphan) is solving maths problems that could save the world. That is until they start seeing shadows of people who aren't there, voices in their heads and they physically can't stop doing what they are gifted at, to the point where they don't eat or leave their rooms. After finding old files of other girls in similar situations who died, Kat and Veronica try to do something about it. Veronica is taken away and Kat is suddenly a Piano prodigy, almost possessed by the greats themselves. Yeah 'almost'. Because that's exactly what happened. They have been used as vessels for history's greatest men and women, who died too soon. How fantastic is that? If this movie was made better, that is a brilliant plot! But of course everything goes bad, just like their ghosts, the girls start dropping like flies, Poem girl kills herself, Painter literally starves herself, and crazy math girl is on the verge of escaping when she becomes enthralled in the beauty of the flames. Flames caused by Kat when she saves Veronica from being possessed by some weird demon thing who really doesn't get explained. They almost get out. Duret gets possseded and burned by the spirits she conjured. All the teachers die and Jules is crushed when he saves Kat. Of course there has to be surviors so Kat and Veronica get out, where on the brink of death, Kat sees her father again who makes her come back to life after she tries to go with him.
Overall, not a terrible movie, but if it had been made better, would probably be one of my favourite plots ever!
Heather Cranmer (2721 KP) rated You Won't Know Her Name in Books
Feb 17, 2022
When I first heard of You Won't Know Her Name by Santi Hershenson, there was just something about the synopsis that was calling to me to read it. The synopsis really sucked me in, and I found myself wanting to know more about The Girl. I ended up loving this book!
You Won't Know Her Name is certainly not for the faint of heart. With heavy themes such as bullying and sexual assault, I knew the plot would be a dark read. However, Hershenson writes like a pro, and the way she incorporates these themes into her story didn't put me off reading. The plot is solid and interesting if a little sad at what The Girl had to go through. I loved that there were no chapters, only poems and that each poem started with a title of what the short poem would be about. Each poem flows well into the next. It really made my heart hurt for all the injustices done to the girl (and her sister). What angered me the most was how the school failed this child. Unfortunately, many schools fail bullied children every day. (I speak from personal experience). I would say that there is a plot twist in this story, but there are no cliff hangers. It's just sad that there are so many people (children and adults alike) that have to go through such horrible bullying.
The characters in You Won't Know Her Name felt very realistic. We are told early on by the author that names aren't important so no names are ever mentioned in this story. We have "The Girl" who I felt so bad for. She didn't deserve any of the hate and the uncaringness she got. I just wanted to protect her so much throughout the story and tell "The Person" (The Girl's bully) to just back off. The Person acted in such a vile way toward The Girl and her sister. It made me wonder about The Person's background though. Was The Person being bullied at home to act out that way in school? I am, by no means, excusing The Person's behavior though.
Trigger warnings for You Won't Know Her Name include sexual assault (not graphic), profanity, talks of suicide, and violence. The author has included trigger warning notices at the start of each poem that could possibly trigger some readers though.
You Won't Know Her Name is a sad but a good read. There is some good to come out of it though. You Won't Know Her Name is a thought provoking read about a subject that, sadly, many children (and adults) have to deal with although they shouldn't.
Overall, You Won't Know Her Name is a well written piece of poetic literature that everyone should read. I would highly suggest that parents read it with their child and discuss it. If you are a librarian, buy this book for your library. It's not a long book either, so even the most hesitant reader could get a lot from it. I would definitely recommend You Won't Know Her Name by Shanti Hershenson to those aged 14+. Trust me, this is a book that needs to be read.
You Won't Know Her Name is certainly not for the faint of heart. With heavy themes such as bullying and sexual assault, I knew the plot would be a dark read. However, Hershenson writes like a pro, and the way she incorporates these themes into her story didn't put me off reading. The plot is solid and interesting if a little sad at what The Girl had to go through. I loved that there were no chapters, only poems and that each poem started with a title of what the short poem would be about. Each poem flows well into the next. It really made my heart hurt for all the injustices done to the girl (and her sister). What angered me the most was how the school failed this child. Unfortunately, many schools fail bullied children every day. (I speak from personal experience). I would say that there is a plot twist in this story, but there are no cliff hangers. It's just sad that there are so many people (children and adults alike) that have to go through such horrible bullying.
The characters in You Won't Know Her Name felt very realistic. We are told early on by the author that names aren't important so no names are ever mentioned in this story. We have "The Girl" who I felt so bad for. She didn't deserve any of the hate and the uncaringness she got. I just wanted to protect her so much throughout the story and tell "The Person" (The Girl's bully) to just back off. The Person acted in such a vile way toward The Girl and her sister. It made me wonder about The Person's background though. Was The Person being bullied at home to act out that way in school? I am, by no means, excusing The Person's behavior though.
Trigger warnings for You Won't Know Her Name include sexual assault (not graphic), profanity, talks of suicide, and violence. The author has included trigger warning notices at the start of each poem that could possibly trigger some readers though.
You Won't Know Her Name is a sad but a good read. There is some good to come out of it though. You Won't Know Her Name is a thought provoking read about a subject that, sadly, many children (and adults) have to deal with although they shouldn't.
Overall, You Won't Know Her Name is a well written piece of poetic literature that everyone should read. I would highly suggest that parents read it with their child and discuss it. If you are a librarian, buy this book for your library. It's not a long book either, so even the most hesitant reader could get a lot from it. I would definitely recommend You Won't Know Her Name by Shanti Hershenson to those aged 14+. Trust me, this is a book that needs to be read.
Lee (2222 KP) rated Blinded by the Light (2019) in Movies
Jul 10, 2019
Not the feel good hit I was expecting
Blinded by the Light is based on a memoir by Guardian journalist Sarfaz Manzoor (who is also one of the screenwriters on the movie) and is directed by Gurinder Chadha (also one of the screenwriters), who had a hit back in 2002 with Bend it like Beckham. I remember seeing the trailer for this before watching Rocketman recently and it certainly looked like a pretty enjoyable 80s based British movie, set to a soundtrack of Bruce Springsteen songs. Unfortunately though, this turned out to be just a fairly average and generic drama, enjoyable at times, but kind of just meandering along and not really working for me.
The movie takes place in Luton during 1987, focusing on Pakistani teenager Javed (Viveik Kalra) as he struggles to find balance and purpose in his life against the backdrop of a Britain that's ruled by Margaret Thatcher and dominated by unemployment, uncertainty and racial tension. His father has very old fashioned views and his expectations for Javed begin to conflict with his own. Tensions within the family increase when his father is made redundant from the Vauxhall factory he has worked at for many years and Javed's dreams of becoming a writer don't really sit well with his father in terms of being a worthwhile career route. Javed begins sixth form college where his eyes are soon opened to a much bigger world, full of potential. And full of girls!
Everything comes to a head for Javed on the night of the famous UK storm of 1987. We see the infamous Michael Fish weather forecast on TV and a frustrated Javed, having dumped all of his poems outside in the bin, returning to his room and plugging into his Walkman the Bruce Springsteen cassette borrowed from his friend Roops. The song lyrics immediately click and resonate with Javed and we see them flashing up on the screen as he listens, swirling around his head or flashing up on walls. At the same time we see him remembering earlier scenes from the movie, elements of his life with which connect him with the message within the music, in a kind of low-key 80s music video style. It gives the impression of a major turning point in the movie, and the kind of uplifting musical direction in which the movie is heading. In a way, it kind of is, particularly with regard to Javed's 'awakening'. However, in terms of the musical sequences beyond this one, they're more along the lines of random singing and dancing at school or out on the town. It's more awkward and confusing than uplifting and enjoyable.
Blinded by the Light felt like the combination of a number movies I've seen before, with nothing really elevating it beyond those in terms of originality. So many generic characters - from the father stuck in his ways, dictating how his son should live his life, to the supportive and encouraging teacher (Hayley Atwell, on fine form here). And so many clichéd moments too - the best example being when an emotional Javed is arguing with his angry father and repeatedly waving in front of him the concert tickets he just bought without his knowledge. Three guesses as to what happens next...!
Overall, I didn't completely dislike this movie. I liked the 80s school setting, as that was the period that I was in secondary school, so could relate to that. But it also feels like the kind of movie drama that they used to make in the 80s too, and I expect more from my cinema experience these days. It also seems to be getting the usual "one of the best movies this year" phrase thrown at it though, something which I think is bandied around a little too freely at the moment. I put it squarely in the same camp as another movie from this year - Wild Rose, another movie that didn't really do it for me - so if you were one of the many people who enjoyed that movie, then Blinded by the Light will be well worth your time.
The movie takes place in Luton during 1987, focusing on Pakistani teenager Javed (Viveik Kalra) as he struggles to find balance and purpose in his life against the backdrop of a Britain that's ruled by Margaret Thatcher and dominated by unemployment, uncertainty and racial tension. His father has very old fashioned views and his expectations for Javed begin to conflict with his own. Tensions within the family increase when his father is made redundant from the Vauxhall factory he has worked at for many years and Javed's dreams of becoming a writer don't really sit well with his father in terms of being a worthwhile career route. Javed begins sixth form college where his eyes are soon opened to a much bigger world, full of potential. And full of girls!
Everything comes to a head for Javed on the night of the famous UK storm of 1987. We see the infamous Michael Fish weather forecast on TV and a frustrated Javed, having dumped all of his poems outside in the bin, returning to his room and plugging into his Walkman the Bruce Springsteen cassette borrowed from his friend Roops. The song lyrics immediately click and resonate with Javed and we see them flashing up on the screen as he listens, swirling around his head or flashing up on walls. At the same time we see him remembering earlier scenes from the movie, elements of his life with which connect him with the message within the music, in a kind of low-key 80s music video style. It gives the impression of a major turning point in the movie, and the kind of uplifting musical direction in which the movie is heading. In a way, it kind of is, particularly with regard to Javed's 'awakening'. However, in terms of the musical sequences beyond this one, they're more along the lines of random singing and dancing at school or out on the town. It's more awkward and confusing than uplifting and enjoyable.
Blinded by the Light felt like the combination of a number movies I've seen before, with nothing really elevating it beyond those in terms of originality. So many generic characters - from the father stuck in his ways, dictating how his son should live his life, to the supportive and encouraging teacher (Hayley Atwell, on fine form here). And so many clichéd moments too - the best example being when an emotional Javed is arguing with his angry father and repeatedly waving in front of him the concert tickets he just bought without his knowledge. Three guesses as to what happens next...!
Overall, I didn't completely dislike this movie. I liked the 80s school setting, as that was the period that I was in secondary school, so could relate to that. But it also feels like the kind of movie drama that they used to make in the 80s too, and I expect more from my cinema experience these days. It also seems to be getting the usual "one of the best movies this year" phrase thrown at it though, something which I think is bandied around a little too freely at the moment. I put it squarely in the same camp as another movie from this year - Wild Rose, another movie that didn't really do it for me - so if you were one of the many people who enjoyed that movie, then Blinded by the Light will be well worth your time.