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Journey to Italy (1954)
Journey to Italy (1954)
1954 | Drama, Romance
(0 Ratings)
Movie Favorite

"Blew my mind. I didn’t see it until I was middle-aged, after decades of thriving on the ongoing French New Wave. I thought of the New Wave as beginning in these subversive young Parisian cineastes’ love for American genre films. My jaw was dropped the whole length of Journey to see the sensibility and techniques of the New Wave appearing first in this Italian flick (though English-language, starring George Sanders and Ingrid Bergman). Later I read that Truffaut called it the “first modern movie,” and I believe he’s right. I haven’t researched, so don’t know if this is a commonplace, but, on a side note, it’s interesting to consider the parallels between Journey and Godard’s Contempt. They’re both about a couple whose marriage is failing, who are foreigners on a visit to Italy, where their stiff estrangement reaches a head amid the vital, pagan-slash-Catholic ancient culture of the area around Naples. Noble, erotically charged, millennia-old statuary reverently track-circled to swelling music. Local color, and travelogue landmarks of aesthetic and mythologically poetic power, integrated naturally into the story (almost Hitchcockian in a way, except with an emotional and intellectual justification). The most groundbreaking thing about it, though, is the way it’s not exactly a story, but rather a situation, depicted in fragments and episodes—the emotional situation of a couple, displaced within a continuously intruding, alien or disorienting environment, and one that keeps us conscious of death and history. A lot is pointedly artificial about it—to me the dialogue all feels like exposition, and is delivered that way, as presentation of the situation, rather than anything natural—or at least frankly cinema, but at the same time it feels like life in a way that movies hadn’t before."

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Kaz (232 KP) rated The Handmaid's Tale in Books

May 16, 2019  
The Handmaid's Tale
The Handmaid's Tale
Margaret Atwood | 1998 | Essays
8
8.3 (112 Ratings)
Book Rating
I'm totally gripped by the television adaptation of ‘The Handmaid’s Tale’ and can't wait for the new season to start.

So I was a bit hesitant to read the novel, it originally was adapted from. The reason for this was because I love the series so much, I thought that maybe I would be disappointed, when I read the novel. There are some differences between the TV programme and the novel but one thing is for sure, both are brilliant and powerful in their own right.

The writing in this novel had impact, but was also beautiful. Whilst this novel wasn’t quite as overtly shocking as the TV programme, the horrors of the repressed society of Gilead and the struggles that Offred and the other Handmaids go through, were still as alarming. I thought the way in which these shocking events were combined with the most beautiful, poetic observations of even the simplest of things, added to the strength of the words on the page and brilliantly contrasted with the more sinister parts of the novel.

Due to the fact that this book is written in the first person, I think I was able to get into this story very quickly and I believed that Offred was a real person, talking to me. I liked the way in which this book flowed seamlessly between the present and the past. You even find out more about Offred, than you do in the TV programme.

Usually I find that when a novel is adapted into a film or television series, the book or the adaptation, is never as quite as good as the other. With ‘The Handmaid’s Tale’ however, I think that the book and TV series, compliment each other brilliantly.

 If you are looking for a novel which has strong, powerful female characters, then ‘The Handmaid’s Tale’ is a book you should read.

I couldn’t find fault with this novel and I look forward to reading this again in the future.
  
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Film and stuff (30 KP) May 17, 2019

Check out the film with Robert Duvall. It's very faithful to the book.

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Kaz (232 KP) May 17, 2019

I didn't know it was adapted into a film. I will try and check it out!

The Dumb House: (Scottish Classics)
The Dumb House: (Scottish Classics)
John Burnside | 2015 | Fiction & Poetry
6
6.0 (1 Ratings)
Book Rating
This book was nothing like what I thought it would, and for that reason, it disappointed me.

I believed this novel was going to be a creepy, man-holds-children-captive kind of story, but unfortunately it wasn’t. This was far more intelligent, with lots of complex writing than I had expected, and due to that, I couldn’t really get into it. I’m not the sharpest tool in the shed so I feel like a lot of this book went over my head.

There’s no doubt about it, our narrator is one of the most terrifying and disturbed narrators I’ve ever come across, and thanks to my love for the macabre, this made reading his story sometimes enjoyable. When he was simply recalling his actions in the here and now, I was interested, but when he got into his ramblings about his ideas on testing the innateness of language, my mind moved onto different things. Hence it taking me almost a week and a half to read 204 pages.

Burnside is an incredibly beautiful writer, it doesn’t surprise me to see he’s a poetry writer as well as a fiction writer. I’m always one to praise an author for their poetic prose, but sometimes things get a little too complex for me and all meaning is lost on me. This happened a lot throughout reading The Dumb House.

In terms of the story, this wasn’t exactly what I had hoped it would be. It was very slow to get anywhere, and even when we did get to learning his experiment on his children, that whole section was equally slow-moving. It didn’t feel like an awful lot happened other than several uncomfortable sex scenes and some horrifying violence.

Unfortunately, this one didn’t do it for me, which is a shame, because I was so looking forward to reading it. I suppose if you love intelligent fiction that is reasonably ambiguous, this might be great for you. I personally like a book that challenges my mind, but this one went too far for me.