"I remember watching this, stoned, while at university, and I think you kind of have to be stoned to watch it, because it’s so psychedelic and weird. I’ve always had a fascination with Jim Morrison and regularly I ask myself: “What would a female Jim Morrison do in this moment?”, because I like his commitment to the moment as a performer, and his shameless expression of his sexuality, which, as a woman, I think is a nice thing to exploit. I don’t know how I would feel watching this film now, not being stoned, but at the time it seemed like a really romantic portrayal of a poetic artist."

"Then I’m gonna go into Kubrick. 2001, because it is so enigmatic, it is so poetic, and it remains a mystery to me, even today where I can view it annually, three times a year, and still find something new in it. I’m still mystified by it. It achieved this status of being eternal in a way that didn’t rely heavily on performance; it was the special effects, the music. The fact that it was a success, that it was a commercial success, and it challenged every critic — many critics didn’t get it — so it was really ahead of its time. Nothing’s been ever quite like it again."