"I discovered this book of poetry in 1978 and carried it in my purse (pages dogeared) for over ten years. It hasn’t been easy to find the 40 copies I’ve gifted to just about every young woman I’ve met. It includes pieces and poems of race, love, loneliness and violence against women, and the very being of women, written from Ntozakes’ very heart-filled and heartbreaking clear view of her body, her life and the world. The entries “No Gust of Wind” and “Every 3 Minutes” = Bible."

"I discovered this book of poetry in 1978 and carried it in my purse (pages dogeared) for over ten years. It hasn’t been easy to find the 40 copies I’ve gifted to just about every young woman I’ve met. It includes pieces and poems of race, love, loneliness and violence against women, and the very being of women, written from Ntozakes’ very heart-filled and heartbreaking clear view of her body, her life and the world. The entries “No Gust of Wind” and “Every 3 Minutes” = Bible."

"Kiarostami has spooky power. The wind, the dust, passersby, stray sounds, even your attention—they all slow down and fall into his rhythm. He seems able to control everything inside and outside the frame, and it’s all poetry. Taste of Cherry was my introduction to him. It’s a very sad and beautiful film about life via death. I’ll think about the coda for a long time. I’m also a big fan of The Wind Will Carry Us, Where Is the Friend’s Home?, and Close-up."

"I first read it because it was on sale for a quarter in a bookstore in Penn Station. I thought it was going to be something like the Albee play. I read it on the train to Boston, and I felt that the prose had broken one of my ribs: it was so powerful. I had been a poet until then, not thinking of writing fiction and “Mrs. Dalloway,” let me know you could do in fiction what I wanted to do in poetry."