"I also read this in college. I guess going to college was great, because I read some great books. It’s considered a novel but the structure is more a collection of vignettes. Some poetry and some short stories. I really like how it keeps your brain engaged; when the writer switches between this structure and dialogue and not proper English, it makes you focus on what’s actually being written. I love how ambitious it is. It’s also another book about black life that tons of people should love and read and not only read during Black History Month. You know what? Read this book in April when it’s raining outside. How about that?"

"I was 16 or 17. I'd just started doing Art A Level at school, and this whole world suddenly just opened up. For ages, I'd been playing the flute, playing the saxophone and skateboarding. That was it really and then all of a sudden, I hit that age. My friend Adrian had a ridiculous record collection. He started making tapes for us, me and another friend of mine, and he introduced us to all that stuff: The Doors, The Velvet Underground, Led Zeppelin, Jimi Hendrix. I was getting really into art and really into poetry. I discovered Picasso, Matisse, Magritte at the same time. I also discovered surrealism and surrealist poetry, literally in the same couple of years. It was like an explosion in my head. 
'Run Run Run' was just brilliant because it was so chaotic. I'd been into music for a while - I was really into The Police and various bits - but this was just so different. I just loved how nihilistic it was. Really dirty. Luckily my partner's a massive Velvet Underground fan as well, so we stick it on quite often, even now. I still get the same feeling from it when I listen to it now that I did that very first time. I still get that electric charge of energy from it."