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Blair Witch
7.6
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Video Game
Blair Witch is a first-person, story-driven psychological horror game based on the cinematic lore of...
Blair Witch Horror Psychological Story Driven First Person
I Know What You’ve Done
8.0
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Book
Do you have any idea what the people you know are capable of? Bestselling author of All My Lies Are...
Silent Victim (DCI Matilda Darke #10)
9.0
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A CENSURED DETECTIVE WITH NO LEADS DCI Matilda Darke and her team have been restricted under...
Dance Hall of the Dead
8.0
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Two Native American boys have vanished into thin air, leaving a pool of blood behind them....
We Have Your Daughter: The Unsolved Murder of Jonbenet Ramsey Twenty Years Later
Book
New information from We Have Your Daughter has been revealed. Here is some of it. The Family As a...
Darren (1599 KP) rated Villain (1971) in Movies
Jul 25, 2019
Story: Villain starts as we see how gangster Vic Dakin (Burton) controls London, he has people that will grass on him to the cops with Inspector Bob Matthews (Davenport) trying to bring down the criminal.
Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.
Thoughts on Villain
Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.
Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.
Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.
Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.
Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.
Scene of the Movie – The opening scene as we see just how Vic can operate.
That Moment That Annoyed Me – The final shot.
Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.
Overall: British Gangster 101.
Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.
Thoughts on Villain
Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.
Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.
Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.
Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.
Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.
Scene of the Movie – The opening scene as we see just how Vic can operate.
That Moment That Annoyed Me – The final shot.
Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.
Overall: British Gangster 101.
BookInspector (124 KP) rated What Lies Within in Books
Sep 24, 2020
For more reviews please visit https://bbookinspector.wordpress.com
When I read the description of this book, I found it very catchy, and it got me really intrigued of what this book can offer. I had this ARC for a while now, and I am not sure was anything edited before publication, so this review is my opinion of the copy the author sent me.
The main character in this book is Tyler, along with his younger brother Devil, they are killing child abusers, who have been released by police due to lack of evidence. Unfortunately, their “good deeds” don’t get unnoticed by the police, and the chase begins. I really liked Tyler as a character, I liked his personality, his manners, and his way of thinking was very amusing and interesting to follow throughout the book. I really loved his complex relationship with Devil, and wish to adjust in society. This novel was told from multiple perspectives – Tyler’s and Police investigators. I preferred Tyler’s parts, I think they opened his character very nicely and was more interesting to read than the police investigation.
The plot of this novel was appealing but not fully utilized. I think this book has lots of potentials, and by adding some deeper parts about Devil’s identity, where he came from, it would’ve been better. I think Smith did a good job by incorporating Devil, but the truth was given away too early. Another thing which disappointed me was the investigation, I was not very happy with how detectives were working, I didn’t feel the suspense breathing through the pages, and I think they could’ve done better. However, I think this book would make a pretty interesting film because it has the right amount of action and a riveting suspect. There were some interesting turns and twists in this novel, which kept my interest going. What really struck me, was the topics which Smith was discussing in this book, such as child abuse; how mental illness affects children, when there is nobody to help; children homelessness; survival and adjustment in the society.
This book was very easy to read, and the language used in this novel was not complicated. It has short chapters and it got me binge-reading all the way through. These short chapters kind of made me keep going to find out, what else Tyler has planned. The ending of this novel is unexpected, but absolutely impossible and compromises what detectives said, once they entered Tyler’s flat. I was very pleasantly surprised, that at the end, the author gave a little description of all the characters who were mentioned in this book. I think it was pretty awesome. So, to conclude, I think this novel has a really engrossing message to share with the world, through these intense characters and the struggle between what is good and what is bad in this world. I do recommend to read it and to figure out for yourselves, how people try to cope in this world after something horrible has happened to them in the past.
I would like to throw in a disclaimer, there is murders, violence, child abuse scenes in this book.
When I read the description of this book, I found it very catchy, and it got me really intrigued of what this book can offer. I had this ARC for a while now, and I am not sure was anything edited before publication, so this review is my opinion of the copy the author sent me.
The main character in this book is Tyler, along with his younger brother Devil, they are killing child abusers, who have been released by police due to lack of evidence. Unfortunately, their “good deeds” don’t get unnoticed by the police, and the chase begins. I really liked Tyler as a character, I liked his personality, his manners, and his way of thinking was very amusing and interesting to follow throughout the book. I really loved his complex relationship with Devil, and wish to adjust in society. This novel was told from multiple perspectives – Tyler’s and Police investigators. I preferred Tyler’s parts, I think they opened his character very nicely and was more interesting to read than the police investigation.
The plot of this novel was appealing but not fully utilized. I think this book has lots of potentials, and by adding some deeper parts about Devil’s identity, where he came from, it would’ve been better. I think Smith did a good job by incorporating Devil, but the truth was given away too early. Another thing which disappointed me was the investigation, I was not very happy with how detectives were working, I didn’t feel the suspense breathing through the pages, and I think they could’ve done better. However, I think this book would make a pretty interesting film because it has the right amount of action and a riveting suspect. There were some interesting turns and twists in this novel, which kept my interest going. What really struck me, was the topics which Smith was discussing in this book, such as child abuse; how mental illness affects children, when there is nobody to help; children homelessness; survival and adjustment in the society.
This book was very easy to read, and the language used in this novel was not complicated. It has short chapters and it got me binge-reading all the way through. These short chapters kind of made me keep going to find out, what else Tyler has planned. The ending of this novel is unexpected, but absolutely impossible and compromises what detectives said, once they entered Tyler’s flat. I was very pleasantly surprised, that at the end, the author gave a little description of all the characters who were mentioned in this book. I think it was pretty awesome. So, to conclude, I think this novel has a really engrossing message to share with the world, through these intense characters and the struggle between what is good and what is bad in this world. I do recommend to read it and to figure out for yourselves, how people try to cope in this world after something horrible has happened to them in the past.
I would like to throw in a disclaimer, there is murders, violence, child abuse scenes in this book.
Andy K (10823 KP) rated Dial M for Murder (1954) in Movies
Sep 15, 2019
An unsavory proposition
When ranking Hitchcock's elite films, Dial M For Murder doesn't usually get mentioned in the top 5 including Psycho, Rear Window, Vertigo North By Northwest and maybe The Birds, but it should be. I went through a Hitchcock phase myself a few years back (I would think most serious film fans would at some point). Although, I still have several to go, most still hold up as suspense/thriller classics definitely including this film.
Ex tennis pro Tony Wendice, now married to beautiful and wealthy Margot, has discovered her secret, she's been seeing another man. Months earlier he discovered a love letter from her lover in her handbag and secretly blackmailed for with this information.
Tony decides to invite an old college acquaintance, currently an unsavory character over to their home to explain his plot for this man killing his wife. He would then stand to inherit her fortunes as he is the beneficiary of her will. The man agrees so the plot is set.
The next evening, Tony is out with friends (to ensure his alibi) and phones Margot late in the evening so she rises to answer with the perpetrator waiting for her. After he slips a stocking around her neck to strangle her, a struggle ensues. Instead of her murder, Margot manages to stab the assailant in the back with a pair of nearby scissors. The man falls to the ground in pain driving the scissors deeper within finishing the job for him instead.
The ensuing police investigation initially feels the facts just don't add up since there was no break in and the man did not have a key on him, but he did have the love letter Tony planted on him before the police initially arrived. Fingers eventually point toward Margot as the killer since the facts seem to lead that way.
The 3rd act is brilliant in the way the eventual plot is discovered and how the police ensure Tony incriminates himself as the true antagonist.
Hitchcock's use of camera framing and movement to reveal certain scene elements only when he wants you to see them is one of my favorite elements of his films. He obviously chose source materials which suited his natural abilities to tell sinister or suspenseful stories and this one works just as well as some of his more famous classics.
Ray Milland is charming and diabolical as Tony, never letting on to his beautiful wife (the gorgeous Princess Grace Kelly) the dastardly scheme he has cooked up for her demise or his initial deeds of blackmail. The reveal at the beginning of the murder plot takes the audience on maybe a typical Hitchcock suspense route, but you never know where or when the twists are going to come, but you are willing to go along for the ride.
Your emotions turn from shock having seen the murder to disgust when Margot is eventually blamed for it and then finally to delight when Tony performs just as the police want him to in the end.
Ex tennis pro Tony Wendice, now married to beautiful and wealthy Margot, has discovered her secret, she's been seeing another man. Months earlier he discovered a love letter from her lover in her handbag and secretly blackmailed for with this information.
Tony decides to invite an old college acquaintance, currently an unsavory character over to their home to explain his plot for this man killing his wife. He would then stand to inherit her fortunes as he is the beneficiary of her will. The man agrees so the plot is set.
The next evening, Tony is out with friends (to ensure his alibi) and phones Margot late in the evening so she rises to answer with the perpetrator waiting for her. After he slips a stocking around her neck to strangle her, a struggle ensues. Instead of her murder, Margot manages to stab the assailant in the back with a pair of nearby scissors. The man falls to the ground in pain driving the scissors deeper within finishing the job for him instead.
The ensuing police investigation initially feels the facts just don't add up since there was no break in and the man did not have a key on him, but he did have the love letter Tony planted on him before the police initially arrived. Fingers eventually point toward Margot as the killer since the facts seem to lead that way.
The 3rd act is brilliant in the way the eventual plot is discovered and how the police ensure Tony incriminates himself as the true antagonist.
Hitchcock's use of camera framing and movement to reveal certain scene elements only when he wants you to see them is one of my favorite elements of his films. He obviously chose source materials which suited his natural abilities to tell sinister or suspenseful stories and this one works just as well as some of his more famous classics.
Ray Milland is charming and diabolical as Tony, never letting on to his beautiful wife (the gorgeous Princess Grace Kelly) the dastardly scheme he has cooked up for her demise or his initial deeds of blackmail. The reveal at the beginning of the murder plot takes the audience on maybe a typical Hitchcock suspense route, but you never know where or when the twists are going to come, but you are willing to go along for the ride.
Your emotions turn from shock having seen the murder to disgust when Margot is eventually blamed for it and then finally to delight when Tony performs just as the police want him to in the end.
Whatchareadin (174 KP) rated A Stranger in the House in Books
May 10, 2018
Karen and Tom Krupp have been married for two years and they are very much in love. When Tom comes home from work one night, he finds his front door unlocked and dinner half way done in the kitchen, but his wife and her car are no where to be found. After calling her best friend and neighbor Brigid and having no luck with where Karen, might be, Tom calls the police to report her missing. Shortly after, the police arrive at his door to let him know that Karen has been in a terrible accident and is in the hospital. Tom is instantly worried because none of these actions sound like his wife. But does Tom now Karen as well as he thinks? Is she keeping secrets from him?
Let me just say that female thriller writers are hitting it out of the park this year. I don't think I've read one bad one yet. <u>A Stranger in the House</u> was incredible. From the very beginning it grips you and pulls you into the story. It was so hard to put down.
Karen Krupp is your typical housewife with a part-time job. Dinner is on the table at the same time each night. But lately, things haven't been quite right. Things are moved in the house that neither she or Tom have moved. After her accident she has amnesia and can't remember what happened that night and with her mind still foggy from the concussion she's not sure if she's going crazy or if things really are being moved. She is living in constant fear of her past and the police since a body was found near the scene of her accident. Will she be able to lean on Tom for the support she needs during this difficult time? Will she be able to count on her friend Brigid to be a shoulder to cry on?
There was only one thing I saw coming in this book the rest took me by surprise. There were twists and turns around each corner. I wasn't sure which way I wanted the story to go, but I was eager to figure out who did what to who and how and why. This is by far one of the best books I have read this year and I highly recommend it.
Let me just say that female thriller writers are hitting it out of the park this year. I don't think I've read one bad one yet. <u>A Stranger in the House</u> was incredible. From the very beginning it grips you and pulls you into the story. It was so hard to put down.
Karen Krupp is your typical housewife with a part-time job. Dinner is on the table at the same time each night. But lately, things haven't been quite right. Things are moved in the house that neither she or Tom have moved. After her accident she has amnesia and can't remember what happened that night and with her mind still foggy from the concussion she's not sure if she's going crazy or if things really are being moved. She is living in constant fear of her past and the police since a body was found near the scene of her accident. Will she be able to lean on Tom for the support she needs during this difficult time? Will she be able to count on her friend Brigid to be a shoulder to cry on?
There was only one thing I saw coming in this book the rest took me by surprise. There were twists and turns around each corner. I wasn't sure which way I wanted the story to go, but I was eager to figure out who did what to who and how and why. This is by far one of the best books I have read this year and I highly recommend it.
Kristy H (1252 KP) rated Rogue Lawyer in Books
Feb 13, 2018
Sebastian Rudd is not your typical lawyer per se -- he works out of his car or home, has (and needs) a bodyguard, and spends much of his time trying to bend the law as much as he can. Sebastian defends those who others will not: mostly criminals our society immediately condemns as guilty. He believes all are entitled to a fair trial and as a result, he finds himself hated by the police, other lawyers (especially the DA and all associated with the office), and much of his town. In addition, Sebastian struggles as a father, spending limited time with his young son, who is being raised by Sebastian's ex-wife.
This book was an interesting one. I almost didn't pick it up, as I'd read some negative reviews. In that respect, I found the book a pleasant surprise. It certainly surpassed most of the reviews I'd read. Good to start with low expectations perhaps? One of the biggest surprises about this novel is the disdain for the police, and truly, much of the legal system, that comes across via Sebastian. Not always something you see in a Grisham book. It's a theme that's hit over and over (it gets to be a bit much after a while). However, Sebastian has a bit of a right to be disgruntled - the novel weaves together a few different separate stories of his various clients - and several certainly aren't treated fairly by the legal system, or the police.
It's a daring choice to to put Sebastian as a rogue lawyer who works out of his van - your brain can't help but going immediately to Connelly's Mickey Haller (the "Lincoln Lawyer"). In that respect, Sebastian and the book fall short. It's hard to surpass a Connelly character. But Sebastian has his own unique charm and the novel grew on me as it went on. The story picks up considerably and I found myself drawn into the tales and Sebastian's woes. It's not the most uplifting of books- there's no amazing court battle victory here, and not a lot of characters you can root for - but the interconnected stories are intriguing and Sebastian is a complicated character who kept me thinking. I'll be curious if Grisham does a follow-up book on him.
This book was an interesting one. I almost didn't pick it up, as I'd read some negative reviews. In that respect, I found the book a pleasant surprise. It certainly surpassed most of the reviews I'd read. Good to start with low expectations perhaps? One of the biggest surprises about this novel is the disdain for the police, and truly, much of the legal system, that comes across via Sebastian. Not always something you see in a Grisham book. It's a theme that's hit over and over (it gets to be a bit much after a while). However, Sebastian has a bit of a right to be disgruntled - the novel weaves together a few different separate stories of his various clients - and several certainly aren't treated fairly by the legal system, or the police.
It's a daring choice to to put Sebastian as a rogue lawyer who works out of his van - your brain can't help but going immediately to Connelly's Mickey Haller (the "Lincoln Lawyer"). In that respect, Sebastian and the book fall short. It's hard to surpass a Connelly character. But Sebastian has his own unique charm and the novel grew on me as it went on. The story picks up considerably and I found myself drawn into the tales and Sebastian's woes. It's not the most uplifting of books- there's no amazing court battle victory here, and not a lot of characters you can root for - but the interconnected stories are intriguing and Sebastian is a complicated character who kept me thinking. I'll be curious if Grisham does a follow-up book on him.