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Kaz (232 KP) rated Queen Camilia in Books
Jul 15, 2019 (Updated Jul 15, 2019)
A Royal 'What if' story
Contains spoilers, click to show
I remember reading 'The Secret Diary of Adrian Mole' when I was a teenager and really enjoying it. So when I saw this book, I was looking forward to reading this.
This novel is based on what would happen if the institution of the Royal Family was in exile and were living on a council estate. Britain is divided into many different zones, depending on your social standing and no one can cross zones without an I.D card. Also the police know your every move, thanks to cameras which are installed everywhere and they can access all information about the residents, using the Vulcan computer system.
Firstly, I liked how Sue Townsend characterized the members of the Royal family, they are all very likable characters, funny characters. I also liked that we got the perspectives of the royal pets too, on what was going on.
However, I found a few things wrong with this book. I personally like the British Royal Family, but, even though this book is funny, I could tell that the author wasn't entirely in favour of them and so I felt that at times, the jokes were a bit cutting and were laughing at the Royal Family, rather than laughing with them.
Secondly, at the beginning of the book, I felt like this was making some interesting observation on modern British life. However, as the book progressed, what could have been a humorous insight into these issues, turned into a bit of a mess.
Thirdly, the construction of the plot was very sloppy. The plot didn't seem to focus on one specific thing. What was a book about the Royal Family and the illegitimate son of Prince Charles and Camilla Parker Bowles , randomly turned into a farce about the dogs in the area. The comedy with the dogs at the beginning was funny, as I said before,, but it escalated into farce.
Also, plot line involving a police officer having a crush on one of the lower class women in 'Slapper Valley', one of the exclusion zones, never got an resolution at all..
Finally, the ending for me, was very poor. It ended quite abruptly and was quite frankly, bizarre and unsatisfying.
I started out really enjoying this book, but in the end, it turned into a bit of a mess. This was occasionally funny, but overall, a very disappointing read.
This novel is based on what would happen if the institution of the Royal Family was in exile and were living on a council estate. Britain is divided into many different zones, depending on your social standing and no one can cross zones without an I.D card. Also the police know your every move, thanks to cameras which are installed everywhere and they can access all information about the residents, using the Vulcan computer system.
Firstly, I liked how Sue Townsend characterized the members of the Royal family, they are all very likable characters, funny characters. I also liked that we got the perspectives of the royal pets too, on what was going on.
However, I found a few things wrong with this book. I personally like the British Royal Family, but, even though this book is funny, I could tell that the author wasn't entirely in favour of them and so I felt that at times, the jokes were a bit cutting and were laughing at the Royal Family, rather than laughing with them.
Secondly, at the beginning of the book, I felt like this was making some interesting observation on modern British life. However, as the book progressed, what could have been a humorous insight into these issues, turned into a bit of a mess.
Thirdly, the construction of the plot was very sloppy. The plot didn't seem to focus on one specific thing. What was a book about the Royal Family and the illegitimate son of Prince Charles and Camilla Parker Bowles , randomly turned into a farce about the dogs in the area. The comedy with the dogs at the beginning was funny, as I said before,, but it escalated into farce.
Also, plot line involving a police officer having a crush on one of the lower class women in 'Slapper Valley', one of the exclusion zones, never got an resolution at all..
Finally, the ending for me, was very poor. It ended quite abruptly and was quite frankly, bizarre and unsatisfying.
I started out really enjoying this book, but in the end, it turned into a bit of a mess. This was occasionally funny, but overall, a very disappointing read.
Phil Leader (619 KP) rated Chuck Steak in Books
Nov 11, 2019
Remember those action movies from the 80s and 90s? The ones where the chisel-jawed hero catches the bad guy via a convoluted and improbable plot, over the top action scenes and mass collateral damage? Chuck Steak doesn't just remember them. He IS them.
Maverick stop-at-nothing-even-if-it-causes-millions-of-dollars-of-damage-and-gets-me-suspended-again cop Chuck Steak (not the meat) has a new adversary. A bomb has been planted in his girlfriend and Chuck is being blackmailed into doing things he doesn't want to do, like be nice to his in-laws-to-be, become tolerant and accepting of minorities and work with a partner. He blunders through each increasingly ridiculous task, always managing it in unlikely ways, in the nick of time and causing maximum destruction in the process. But the mastermind behind the plan is always one step ahead. Has the apparently invincible Chuck Steak finally met his match?
First things first, this is in no way a serious book. As is fitting for the movie genre it is inspired by, everything is larger than life and twice as loud. There is however coherence to the plot (even though it does meander around for some gratuitous action scenes) and the twists, turns and red herrings thrown out in the final chapters as to who the villain is will certainly wrong foot many readers and in the end it does make some kind of sense.
There is also a subtext around acceptance of people who are different; Chuck and the police are portrayed very much as the intolerant knuckleheads of action movies, but his realisations that how he normally behaves could be grossly offensive provide some of the more striking moments of the book.
The prose is fast and loose, with flashbacks, changes of point of view and the occasional sub plot thrown in. The characterisation is bold, from the incredibly clichéd police captain to the more nuanced father in law. They bounce of each other in interesting ways and are each a key part of Chuck's journey. Some of the writing is a little cluttered and confused but that just adds to the feeling of this being a headlong rush to the final chapter.
80s and 90s action flicks were just 2 hours of pure escapist entertainment, never intended to be anything other than enormous fun. Chuck Steak captures the spirit of these well. An absolute riot to read.
Rated R for pretty much everything that makes things R rated
Maverick stop-at-nothing-even-if-it-causes-millions-of-dollars-of-damage-and-gets-me-suspended-again cop Chuck Steak (not the meat) has a new adversary. A bomb has been planted in his girlfriend and Chuck is being blackmailed into doing things he doesn't want to do, like be nice to his in-laws-to-be, become tolerant and accepting of minorities and work with a partner. He blunders through each increasingly ridiculous task, always managing it in unlikely ways, in the nick of time and causing maximum destruction in the process. But the mastermind behind the plan is always one step ahead. Has the apparently invincible Chuck Steak finally met his match?
First things first, this is in no way a serious book. As is fitting for the movie genre it is inspired by, everything is larger than life and twice as loud. There is however coherence to the plot (even though it does meander around for some gratuitous action scenes) and the twists, turns and red herrings thrown out in the final chapters as to who the villain is will certainly wrong foot many readers and in the end it does make some kind of sense.
There is also a subtext around acceptance of people who are different; Chuck and the police are portrayed very much as the intolerant knuckleheads of action movies, but his realisations that how he normally behaves could be grossly offensive provide some of the more striking moments of the book.
The prose is fast and loose, with flashbacks, changes of point of view and the occasional sub plot thrown in. The characterisation is bold, from the incredibly clichéd police captain to the more nuanced father in law. They bounce of each other in interesting ways and are each a key part of Chuck's journey. Some of the writing is a little cluttered and confused but that just adds to the feeling of this being a headlong rush to the final chapter.
80s and 90s action flicks were just 2 hours of pure escapist entertainment, never intended to be anything other than enormous fun. Chuck Steak captures the spirit of these well. An absolute riot to read.
Rated R for pretty much everything that makes things R rated
Andrew Sinclair (25 KP) rated Demolition Man (1993) in Movies
Nov 25, 2019 (Updated Nov 25, 2019)
I've decided it will be fun to review this classic action-packed sci-fi thriller as I watch it. I've watched it many times before and I guess I'm feeling nostalgic.
The film opens with a violent action scene with Stallone the hero pursuing his nemesis Wesley Snipes. It's tense stuff as they come face to face and stare each other down. It's literally an explosive beginning. Snipes manic laughter in that first scene gives you an idea of the kind of psychopath he is playing. After the destruction they have both caused they are both sentenced to be cryogenicly frozen for their crimes. That's a harsh punishment for an over-zealous cop but probably a fair one for a psychotic killer.
35 years later and America is a very different place. There is barely any crime but very little freedom. It is even illegal to swear. It's this philosophical debate that the film sheds light on which makes it both intriguing and funny. When the main characters, Snipes first then Stallone, find themselves in this supposed utopia their reactions are both humorous and volatile.
However one character played by Sandra Bullock actually appreciates Stallone's hardline old-fashioned ways as she has a fascination for the 20th Century. This creates an amusing and romantic interaction between them. Her inept attempts at 20th Century phrases adds to the comedy.
The scene where the police need instructions to arrest a violent criminal from a device which is like a modern day tablet makes me smile. And the line "We're police officers. We're not trained for this kind of violence!" makes me laugh out loud.
There is also a conspiracy story line. Snipes was released on purpose in order to hunt down rebels who resent the choice limiting laws. Meanwhile others unaware of this conspiracy release Stallone in order to capture Snipes. Then things really kick off!
The list of things that have been made illegal is laughable and this is brilliantly summed up with Stallone's line "Are you shitting me?!"
The films futuristic vision is entertaining and is also a good vehicle for humour as Stallone and Snipes are constantly taken aback by the technology. They both finally cross paths again in a museum where Snipes is stealing old weapons as of course weapons are illegal now. From this point on they continue their cat and mouse pursuit until the spectacular climax.
I love this film! It's over the top full-on fun which also manages to be philosophically thought-provoking. Definitely worth watching!
The film opens with a violent action scene with Stallone the hero pursuing his nemesis Wesley Snipes. It's tense stuff as they come face to face and stare each other down. It's literally an explosive beginning. Snipes manic laughter in that first scene gives you an idea of the kind of psychopath he is playing. After the destruction they have both caused they are both sentenced to be cryogenicly frozen for their crimes. That's a harsh punishment for an over-zealous cop but probably a fair one for a psychotic killer.
35 years later and America is a very different place. There is barely any crime but very little freedom. It is even illegal to swear. It's this philosophical debate that the film sheds light on which makes it both intriguing and funny. When the main characters, Snipes first then Stallone, find themselves in this supposed utopia their reactions are both humorous and volatile.
However one character played by Sandra Bullock actually appreciates Stallone's hardline old-fashioned ways as she has a fascination for the 20th Century. This creates an amusing and romantic interaction between them. Her inept attempts at 20th Century phrases adds to the comedy.
The scene where the police need instructions to arrest a violent criminal from a device which is like a modern day tablet makes me smile. And the line "We're police officers. We're not trained for this kind of violence!" makes me laugh out loud.
There is also a conspiracy story line. Snipes was released on purpose in order to hunt down rebels who resent the choice limiting laws. Meanwhile others unaware of this conspiracy release Stallone in order to capture Snipes. Then things really kick off!
The list of things that have been made illegal is laughable and this is brilliantly summed up with Stallone's line "Are you shitting me?!"
The films futuristic vision is entertaining and is also a good vehicle for humour as Stallone and Snipes are constantly taken aback by the technology. They both finally cross paths again in a museum where Snipes is stealing old weapons as of course weapons are illegal now. From this point on they continue their cat and mouse pursuit until the spectacular climax.
I love this film! It's over the top full-on fun which also manages to be philosophically thought-provoking. Definitely worth watching!
Lee (2222 KP) rated Knives Out (2019) in Movies
Nov 26, 2019 (Updated Nov 29, 2019)
The morning after his 85th birthday party, millionaire Harlan Thrombey (Christopher Plummer) is found dead in his study. The local police find no evidence of foul play and come to the conclusion that his death was a suicide. However, an anonymous person believes otherwise and has hired celebrity detective Benoit Blanc (Daniel Craig) to try and determine 'whodunit'. When Blanc arrives at the Thrombey residence, it's been a week since Harlan's death, and all members of his large eccentric family have been assembled for further questioning by the police while Blanc looks on, quietly digesting their stories.
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
Emma @ The Movies (1786 KP) rated Spiral: From the Book of Saw (2021) in Movies
May 23, 2021
Usually I would feel the urge to watch the series of films before seeing a new one. In this instance, knowing I've only seen one film (possibly two), kept me happy enough to go with this one. I wasn't convinced I had it in me to watch the whole series.
Detective Banks works alone in his departments after standing up against a corrupt cop. Now he has to partner with a rookie cop as he's thrown into a case as a spate of horrendous murders, with more than a passing resemblance to those that lie deep in the cities past, plague the PD.
The focus on the PD and Banks really worked for me, and the partnership between Banks and Schenk was strong. It transitioned the story well from being a Saw film without being a Saw film. For me that was a bonus.
Chris Rock was an interesting choice in the lead role. There are moments where he stood out and was convincing in the part, but others that gave me flashbacks to Dogma and Lethal Weapon 4. While it was an enjoyable piece of acting, it did occasionally take me out of the story.
Dynamics between the characters were pretty solid throughout, and I'd be hard-pressed to say someone didn't fit in the cast. What did put me out a little was the tension within the police department. There are some flashbacks that give you some context, but the current day points felt... too petty? But that might just be something I don't have enough knowledge of.
Not being tied to the Saw franchise probably helps. I liked the idea of this horror breaking out into a police thriller sort of thing, and I got Bone Collector and Criminal Monds vibes as I watched. Anyone who knows me will know that's a winner.
I was very entertained as I watched, but it wasn't until I got outside and was chatting about it that I kept stumbling across flaws that had thankfully escaped me while in the cinema. I did know the ending before I got there, and that didn't bother me as much as it had in other films. I think mainly because I was engaged in finding out the why of it all. Despite both of those things, it was a good film for me, but I sense a Saw purist might not agree.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/05/spiral-movie-review.html
Detective Banks works alone in his departments after standing up against a corrupt cop. Now he has to partner with a rookie cop as he's thrown into a case as a spate of horrendous murders, with more than a passing resemblance to those that lie deep in the cities past, plague the PD.
The focus on the PD and Banks really worked for me, and the partnership between Banks and Schenk was strong. It transitioned the story well from being a Saw film without being a Saw film. For me that was a bonus.
Chris Rock was an interesting choice in the lead role. There are moments where he stood out and was convincing in the part, but others that gave me flashbacks to Dogma and Lethal Weapon 4. While it was an enjoyable piece of acting, it did occasionally take me out of the story.
Dynamics between the characters were pretty solid throughout, and I'd be hard-pressed to say someone didn't fit in the cast. What did put me out a little was the tension within the police department. There are some flashbacks that give you some context, but the current day points felt... too petty? But that might just be something I don't have enough knowledge of.
Not being tied to the Saw franchise probably helps. I liked the idea of this horror breaking out into a police thriller sort of thing, and I got Bone Collector and Criminal Monds vibes as I watched. Anyone who knows me will know that's a winner.
I was very entertained as I watched, but it wasn't until I got outside and was chatting about it that I kept stumbling across flaws that had thankfully escaped me while in the cinema. I did know the ending before I got there, and that didn't bother me as much as it had in other films. I think mainly because I was engaged in finding out the why of it all. Despite both of those things, it was a good film for me, but I sense a Saw purist might not agree.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/05/spiral-movie-review.html
Jesters_folly (230 KP) rated Jigsaw (2017) in Movies
May 1, 2021
Contains spoilers, click to show
10 Years after the events in saw 7 (the Final chapter/Saw 3D) a new 'game' has started and a new group of police officers have to try to find out what is happening and who is responsible.
Jigsaw runs to almost the same formula as the previous films , there is a game in progress and the police have to stop it but as well as the game there is still enough of a story to make the film interesting. The biggest difference is that there isn't really the back story in the same way the other films had mainly because, with the exception of John Kramer (the original Jigsaw), we have all new characters. Instead Jigsaw focuses on finding out who the new Jigsaw is or even if it is a new Jigsaw or if John has some how come back from the dead. This is where the film is cleaver, it gives us a number of possible suspects and even makes it seem it may be John.
Jigsaw doesn't seem to be as gory as the previous films, yes you still have people in a game and yes at least some of them loose but there are no intestines littering the ground or close ups on people getting cut in half. Don't get me wrong there is still gore, closeups of the dead bodies and people loosing limbs but it doesn't quite have the same feel to it.
The story aspect to the film is good , as I said, it does leave you guessing to who the killer is although, if you pay attention there are clues. The film also plays with time a bit and, as in the other films, this is used to throw the viewer off track.
Jigsaw is a good entry in to the Saw franchise, as it has a ten year gap from Saw 7 it doesn't get bogged down with the original charters and doesn't get (too) bogged down with the past timeline which was getting a bit muddled (in my opinion) but it does manage to pull from what has gone before and use it further the story.
And that's it, the end of the Saw franchise. OK not quite, at the time of writing 'Spiral, Chapters from the book of Saw' is due out at the cinema (Corona willing) in a couple of weeks and it looks to bigger and better however I probably won't get to see it for a while so, for now, it's time to move onto something new.
Jigsaw runs to almost the same formula as the previous films , there is a game in progress and the police have to stop it but as well as the game there is still enough of a story to make the film interesting. The biggest difference is that there isn't really the back story in the same way the other films had mainly because, with the exception of John Kramer (the original Jigsaw), we have all new characters. Instead Jigsaw focuses on finding out who the new Jigsaw is or even if it is a new Jigsaw or if John has some how come back from the dead. This is where the film is cleaver, it gives us a number of possible suspects and even makes it seem it may be John.
Jigsaw doesn't seem to be as gory as the previous films, yes you still have people in a game and yes at least some of them loose but there are no intestines littering the ground or close ups on people getting cut in half. Don't get me wrong there is still gore, closeups of the dead bodies and people loosing limbs but it doesn't quite have the same feel to it.
The story aspect to the film is good , as I said, it does leave you guessing to who the killer is although, if you pay attention there are clues. The film also plays with time a bit and, as in the other films, this is used to throw the viewer off track.
Jigsaw is a good entry in to the Saw franchise, as it has a ten year gap from Saw 7 it doesn't get bogged down with the original charters and doesn't get (too) bogged down with the past timeline which was getting a bit muddled (in my opinion) but it does manage to pull from what has gone before and use it further the story.
And that's it, the end of the Saw franchise. OK not quite, at the time of writing 'Spiral, Chapters from the book of Saw' is due out at the cinema (Corona willing) in a couple of weeks and it looks to bigger and better however I probably won't get to see it for a while so, for now, it's time to move onto something new.
BookInspector (124 KP) rated The Puppet Show (Washington Poe, #1) in Books
Sep 24, 2020
Tilly and Poe are an absolutely stunning combo. They are total opposites in everything: age, the way they work, IQ levels, but they make such an amazing team together. I really liked Poe and his personality, he has a great analytical mind and strong determination to achieve justice. However, Tilly was my favourite in this book, she is such a unique and original character! She is full of surprises, and her intelligence and naivety are incredibly refreshing. I really liked the way the author portrayed the different relationships between police personnel, all the politics and territorial fights were very amusing to read about, and gave the sense, that the author really knows what he is talking about. His work experience in the police and life in the Lake District was very well utilized in this book.
The narrative was very creatively written. The excitement in this book comes in waves, we have these calm periods, when it seems that not many things happen, and then the author throws in some great twist or turn, and the whole buzz comes back rushing. I really liked the topics which the author discussed in this book, such as workplace bullying, child abuse, politics in the management, etc. The story was told from a single perspective, bringing in a lot of Poe’s personal emotions. Even though it was sufficient to me, I would love to see how Tilly’s brain works and how she is processing different situations.
The setting of the book is constantly changing between different places in Cumbria, and the detailed descriptions made me feel like I am with Poe on this journey. The writing style was very pleasant with short chapters, which really just flew by. I have to add a little warning, this novel does carry some scenes where people might feel disturbed. The ending was very cleverly written, where it rounded the whole story very well, but at the same time, leaving you questioning of what is going to happen next.
To conclude, I think it is a very intriguing and absorbing thriller, filled with very unique but at the same time believable characters, and the plot, that keeps thickening as you go, engrossing you with all the new findings and leads. It was a true page-turner to me and I can not wait for the second book in the series. If you haven’t read it, please do, I think it is worth the time, and I hope you will enjoy it as much as I did.
The narrative was very creatively written. The excitement in this book comes in waves, we have these calm periods, when it seems that not many things happen, and then the author throws in some great twist or turn, and the whole buzz comes back rushing. I really liked the topics which the author discussed in this book, such as workplace bullying, child abuse, politics in the management, etc. The story was told from a single perspective, bringing in a lot of Poe’s personal emotions. Even though it was sufficient to me, I would love to see how Tilly’s brain works and how she is processing different situations.
The setting of the book is constantly changing between different places in Cumbria, and the detailed descriptions made me feel like I am with Poe on this journey. The writing style was very pleasant with short chapters, which really just flew by. I have to add a little warning, this novel does carry some scenes where people might feel disturbed. The ending was very cleverly written, where it rounded the whole story very well, but at the same time, leaving you questioning of what is going to happen next.
To conclude, I think it is a very intriguing and absorbing thriller, filled with very unique but at the same time believable characters, and the plot, that keeps thickening as you go, engrossing you with all the new findings and leads. It was a true page-turner to me and I can not wait for the second book in the series. If you haven’t read it, please do, I think it is worth the time, and I hope you will enjoy it as much as I did.
Kristy H (1252 KP) rated Follow Me Back in Books
Oct 15, 2020
This is the sixth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet.
Tessa Hart spends most (okay all) of her days in her bedroom. After an incident that causes her intense anxiety and agoraphobia, her one outlet and escape is the online world of pop star Eric Thorn. She can lose herself in his music, as well as the digital chatter of Twitter. For Eric, though, online is a scary place, where he fears his fans' obsessive behavior. He's even more scared in real life, especially after one of his fellow stars is murdered by a crazed fan. But online media is key to his success, according to his PR team. So Eric decides to ruin his image via a trolling Twitter account--of his own making. But his plan derails quickly and he finds himself involved in his deepest and most meaningful relationship to date, albeit a virtual one. But when he and his Twitter friend agree to meet, everything goes wrong.
This is one of those books that you know will probably be incredibly silly and cheesy, and it was definitely both of those things. But I still read it in one day, because, well, sometimes you just need silly and cheesy in your life. I was all for something related to Twitter that didn't involve politics and the world ending.
Honestly, Follow Me Back was quite addictive and easy-to-read, even if I wanted to shake Tessa and Eric sometimes for their bad decisions. Some early honesty would have avoided a lot of angst. It's told via the point-of-view of both characters, along with excerpts from police interrogations. Through the police pieces, we know something bad has happened--then we back up to the events that lead up to it. The book delves into the pressures of stardom, along with anxiety, assault, and mental illness. It's a little all over the place, at times--perhaps trying to throw us off course, but I appreciated that it did try to cover Tessa's issues respectfully. There's Eric and Tessa's relationship, as well as a bit of a mystery element.
Overall, this was just an escapist novel for me, and it did its job fairly well. My only problem was that it ended with a cliffhanger ending, so while I did move this book off my shelf, I am going to have to track down book #2 to see how it all ends. Darn it! Still, 3 stars for a fun and crazy ride.
Tessa Hart spends most (okay all) of her days in her bedroom. After an incident that causes her intense anxiety and agoraphobia, her one outlet and escape is the online world of pop star Eric Thorn. She can lose herself in his music, as well as the digital chatter of Twitter. For Eric, though, online is a scary place, where he fears his fans' obsessive behavior. He's even more scared in real life, especially after one of his fellow stars is murdered by a crazed fan. But online media is key to his success, according to his PR team. So Eric decides to ruin his image via a trolling Twitter account--of his own making. But his plan derails quickly and he finds himself involved in his deepest and most meaningful relationship to date, albeit a virtual one. But when he and his Twitter friend agree to meet, everything goes wrong.
This is one of those books that you know will probably be incredibly silly and cheesy, and it was definitely both of those things. But I still read it in one day, because, well, sometimes you just need silly and cheesy in your life. I was all for something related to Twitter that didn't involve politics and the world ending.
Honestly, Follow Me Back was quite addictive and easy-to-read, even if I wanted to shake Tessa and Eric sometimes for their bad decisions. Some early honesty would have avoided a lot of angst. It's told via the point-of-view of both characters, along with excerpts from police interrogations. Through the police pieces, we know something bad has happened--then we back up to the events that lead up to it. The book delves into the pressures of stardom, along with anxiety, assault, and mental illness. It's a little all over the place, at times--perhaps trying to throw us off course, but I appreciated that it did try to cover Tessa's issues respectfully. There's Eric and Tessa's relationship, as well as a bit of a mystery element.
Overall, this was just an escapist novel for me, and it did its job fairly well. My only problem was that it ended with a cliffhanger ending, so while I did move this book off my shelf, I am going to have to track down book #2 to see how it all ends. Darn it! Still, 3 stars for a fun and crazy ride.
Bob Mann (459 KP) rated The Happytime Murders (2017) in Movies
Sep 28, 2021
Why did some muppet green light this?
Man, this is grim.
The Happytime Murders is set in LA where puppets and humans live together but without much harmony, in a somewhat clumsy parody of racism. In this setting Phil Philips (voiced by Muppets regular Bill Barretta) is a disgraced ex-cop puppet – the first of his kind -drummed out of the force for an indiscretion and now making ends meet as a PI.
But someone is progressively bumping off members of “Happy Time” – an old muppet-style show on the Puppet Television Network featuring Phil’s old flame Jenny (Elizabeth Banks). When a murder hits home close to Pete, he teams with his old police partner Connie (Melissa McCartney) to catch the murderer.
One problem with this film is that the concept – rude puppets – is not new: “Avenue Q” have done this way better on stage and “Team America: World Police” on film. So from the outset the content doesn’t really shock. But the worst problem is that for adults, the screenplay by Todd Berger is just NOT FUNNY ENOUGH. It’s a bad sign when you can count the moments you moved from a smile to a light chuckle on one hand: just three times in fact (with the silly string scene, with the wringing-out scene (“look away”) and with a parody of a famous interrogation scene).
So, based on the ‘laffs-per-minute’ count, this is 90 minutes of my life I’d like back please. Actually, if you cut out the regular swearing and came up with a suitable story about silly string, then – cartoon puppet violence and all – the kids might enjoy it much more!
The only other mildly entertaining aspect for me – which grudgingly earns it an extra half Fad – were the closing titles that showed how some of it was filmed.
McCarthy delivers much of the same shtick we’ve seen from her in all of her recent movie outings, which doesn’t really wash well with me anymore. Banks is good as the love interest Jenny, but has little to do.
It’s directed by Brian Henson, son of the late and great Jim Henson. I’m all for “experiments”, and I notice that this was released under the “Henson Alternative” brand, which is perhaps appropriate, but some experiments work and some just don’t. I personally think this is one that doesn’t extend the Henson brand and needs to be quietly forgotten with a line drawn under it.
Definitely NOT recommended. If someone asks you to go to the cinema with them to see this, tell them to get stuffed!
The Happytime Murders is set in LA where puppets and humans live together but without much harmony, in a somewhat clumsy parody of racism. In this setting Phil Philips (voiced by Muppets regular Bill Barretta) is a disgraced ex-cop puppet – the first of his kind -drummed out of the force for an indiscretion and now making ends meet as a PI.
But someone is progressively bumping off members of “Happy Time” – an old muppet-style show on the Puppet Television Network featuring Phil’s old flame Jenny (Elizabeth Banks). When a murder hits home close to Pete, he teams with his old police partner Connie (Melissa McCartney) to catch the murderer.
One problem with this film is that the concept – rude puppets – is not new: “Avenue Q” have done this way better on stage and “Team America: World Police” on film. So from the outset the content doesn’t really shock. But the worst problem is that for adults, the screenplay by Todd Berger is just NOT FUNNY ENOUGH. It’s a bad sign when you can count the moments you moved from a smile to a light chuckle on one hand: just three times in fact (with the silly string scene, with the wringing-out scene (“look away”) and with a parody of a famous interrogation scene).
So, based on the ‘laffs-per-minute’ count, this is 90 minutes of my life I’d like back please. Actually, if you cut out the regular swearing and came up with a suitable story about silly string, then – cartoon puppet violence and all – the kids might enjoy it much more!
The only other mildly entertaining aspect for me – which grudgingly earns it an extra half Fad – were the closing titles that showed how some of it was filmed.
McCarthy delivers much of the same shtick we’ve seen from her in all of her recent movie outings, which doesn’t really wash well with me anymore. Banks is good as the love interest Jenny, but has little to do.
It’s directed by Brian Henson, son of the late and great Jim Henson. I’m all for “experiments”, and I notice that this was released under the “Henson Alternative” brand, which is perhaps appropriate, but some experiments work and some just don’t. I personally think this is one that doesn’t extend the Henson brand and needs to be quietly forgotten with a line drawn under it.
Definitely NOT recommended. If someone asks you to go to the cinema with them to see this, tell them to get stuffed!
Debbiereadsbook (1444 KP) rated Hunt In The Night (Blood and Bonds #3) in Books
Aug 9, 2024
Saved the best for last!
Independent reviewer for GRR, I was gifted my copy of this book.
This is book 3 in the Blood and Bonds series and you really MUST read book 1, Touch in The Night and book 2, Bleed in The Night. It is a continuation of the ongoing story arc, and much is NOT recapped.
Book three has to be my favourite!
This book follows Mason, the police detective tasked with finding out who is killing haemophiles and humans, and more importantly, WHY. He is joined by Cai, a former police dective who wa turned against his will. There is some clashing at first, but Mason finds himself attracted to Cai and he is straight, right?
So, book three. It wraps up everything that has been happening, with a big fat bow. BUT! I did NOT see that coming at me, not at all! I had it all worked out, who was doing all this and why. Then, I'm thrown for a loop as to who turned Cai those ten years ago, and it appears the bad guy was playing the long game.
THEN! There was another thing thrown at me that I did not see coming as well! I mean for the most part, this book kinda threw me, but in the best way!
Again, the book is told only from Mason's point of view but I knew it would be, so I was prepared.
I'm being deliberately vague, I know but I don't want to give you spoilers.
We get, eventually, a wonderful wedding of Jesse and Emory (from book 1) and there is a return of Tyler and Lucien (book 2) for said wedding. So it was nice to catch up with them.
But the best bit?? The epilogues! Told from Emory, Lucien and Cai's points of view. While I would have LOVED to hear from them in their respective books, getting this little glimpse into the minds of the haemophiles was the best thing! We get the fear of these guys, at falling for a human, and the joy they feel at finally admitting they needed someone in their lives. I loved it because it was so unexpected! This is not a spoiler thing, either, cos other reviews have mentioned it already, and I NEEDED to say how much I loved getting into THEIR heads, just for this little bit.
I cannot fault this one, I really can't so...
5 full and shiny stars!
*same worded review will appear elsewhere
This is book 3 in the Blood and Bonds series and you really MUST read book 1, Touch in The Night and book 2, Bleed in The Night. It is a continuation of the ongoing story arc, and much is NOT recapped.
Book three has to be my favourite!
This book follows Mason, the police detective tasked with finding out who is killing haemophiles and humans, and more importantly, WHY. He is joined by Cai, a former police dective who wa turned against his will. There is some clashing at first, but Mason finds himself attracted to Cai and he is straight, right?
So, book three. It wraps up everything that has been happening, with a big fat bow. BUT! I did NOT see that coming at me, not at all! I had it all worked out, who was doing all this and why. Then, I'm thrown for a loop as to who turned Cai those ten years ago, and it appears the bad guy was playing the long game.
THEN! There was another thing thrown at me that I did not see coming as well! I mean for the most part, this book kinda threw me, but in the best way!
Again, the book is told only from Mason's point of view but I knew it would be, so I was prepared.
I'm being deliberately vague, I know but I don't want to give you spoilers.
We get, eventually, a wonderful wedding of Jesse and Emory (from book 1) and there is a return of Tyler and Lucien (book 2) for said wedding. So it was nice to catch up with them.
But the best bit?? The epilogues! Told from Emory, Lucien and Cai's points of view. While I would have LOVED to hear from them in their respective books, getting this little glimpse into the minds of the haemophiles was the best thing! We get the fear of these guys, at falling for a human, and the joy they feel at finally admitting they needed someone in their lives. I loved it because it was so unexpected! This is not a spoiler thing, either, cos other reviews have mentioned it already, and I NEEDED to say how much I loved getting into THEIR heads, just for this little bit.
I cannot fault this one, I really can't so...
5 full and shiny stars!
*same worded review will appear elsewhere