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Kirk Bage (1775 KP) rated Fruitvale Station (2013) in Movies
Aug 6, 2020
Here is another movie that was put up for consideration for my upcoming book 21st Century Cinema: 200 Essential Films. It didn’t quite make the final cut, but is part of the long list of honourable mentions – movies that are easy to like and recommend, but aren’t quite of the very highest quality in their respective genres.
Borderline superstar Michael B. Jordan owes his career to Ryan Coogler, which began in earnest in 2013 with the strong effort of true story Fruitvale Station, highlighting the life and final moments of Oscar Grant, who was one of a tragically long list of innocent young men murdered by the police in modern America. Since then he has gone on to star as the eponymous Creed and as the popular Erik Killmonger in Black Panther, making him more or less the most famous black actor under forty currently at work.
I mention him first because having seen the other two films first, I have to admit I wasn’t quite getting it. I mean he is fine in both movies, but nothing world beating. Then you go back to his acheivement in the earlier film and begin to see what he might be capable of given the right scripts. He pretty much embodies Oscar Grant to a degree you believe you are watching a documentary. Which is the major plus point of Ryan Coogler’s direction also.
By pulling us in to the family life of Oscar, as if we were a fly on the wall, we become connected to their story as if we were part of that inner circle, making the inevitable horror of events hit home all the harder. We watch mundane events and conversations take place with a shadow of foreboding that never crosses over into foreshadowing or signposting. The balance is very nicely done.
Melonie Diaz, as girlfriend Sophina, and especially the ever wonderful Octavia Spencer, as loving but grounded mother Wanda, offer solid support, but the camera clings to Jordan by choice, asking us to place ourselves in his shoes and feel the empathy first hand. It is a sober journey, almost totally devoid of directorial flair, which is both a strength and a weakness, ultimately.
With such an awful, heart-rending subject, it can be difficult to remove yourself into a dispassionate view of a film artistically, as the message overpowers your emotions. The best thing that can be said in this case is that the drama never crosses the line of sentimentality or overkill; it merely presents events as they were and asks you to draw your own conclusions. Having said that, I can’t over-praise it simply because the subject needs to be seen, heard, discussed and acted upon with total immediacy in the real world.
This film is already seven years old, and the issues are more pertinent than ever before, as the BLM movement rages all over the world, but especially in the USA, where the culpability and violence of police officers must be addressed and resolved before the loss of one more innocent life. The message delivered by the film is clear and unambiguous – it has to be heeded. And in that sense it is an indespensible film of great power, I would advise you to see.
And with that, it seems a moot point to criticise it, because there isn’t anything negative to say that would say anything useful. I would just say again that it doesn’t quite make the grade of the best 200 films since the Millennium. Whereas, BlacKkKlansman does. An unfair comparison in many ways, but an obvious one in others. See both. Think about them, do what you can, and help make hatred and prejudice a sad fact of history.
Decinemal Rating: 70
Borderline superstar Michael B. Jordan owes his career to Ryan Coogler, which began in earnest in 2013 with the strong effort of true story Fruitvale Station, highlighting the life and final moments of Oscar Grant, who was one of a tragically long list of innocent young men murdered by the police in modern America. Since then he has gone on to star as the eponymous Creed and as the popular Erik Killmonger in Black Panther, making him more or less the most famous black actor under forty currently at work.
I mention him first because having seen the other two films first, I have to admit I wasn’t quite getting it. I mean he is fine in both movies, but nothing world beating. Then you go back to his acheivement in the earlier film and begin to see what he might be capable of given the right scripts. He pretty much embodies Oscar Grant to a degree you believe you are watching a documentary. Which is the major plus point of Ryan Coogler’s direction also.
By pulling us in to the family life of Oscar, as if we were a fly on the wall, we become connected to their story as if we were part of that inner circle, making the inevitable horror of events hit home all the harder. We watch mundane events and conversations take place with a shadow of foreboding that never crosses over into foreshadowing or signposting. The balance is very nicely done.
Melonie Diaz, as girlfriend Sophina, and especially the ever wonderful Octavia Spencer, as loving but grounded mother Wanda, offer solid support, but the camera clings to Jordan by choice, asking us to place ourselves in his shoes and feel the empathy first hand. It is a sober journey, almost totally devoid of directorial flair, which is both a strength and a weakness, ultimately.
With such an awful, heart-rending subject, it can be difficult to remove yourself into a dispassionate view of a film artistically, as the message overpowers your emotions. The best thing that can be said in this case is that the drama never crosses the line of sentimentality or overkill; it merely presents events as they were and asks you to draw your own conclusions. Having said that, I can’t over-praise it simply because the subject needs to be seen, heard, discussed and acted upon with total immediacy in the real world.
This film is already seven years old, and the issues are more pertinent than ever before, as the BLM movement rages all over the world, but especially in the USA, where the culpability and violence of police officers must be addressed and resolved before the loss of one more innocent life. The message delivered by the film is clear and unambiguous – it has to be heeded. And in that sense it is an indespensible film of great power, I would advise you to see.
And with that, it seems a moot point to criticise it, because there isn’t anything negative to say that would say anything useful. I would just say again that it doesn’t quite make the grade of the best 200 films since the Millennium. Whereas, BlacKkKlansman does. An unfair comparison in many ways, but an obvious one in others. See both. Think about them, do what you can, and help make hatred and prejudice a sad fact of history.
Decinemal Rating: 70
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Bob Mann (459 KP) rated Live By Night (2017) in Movies
Sep 29, 2021
“Sleep by day…”.
Ben Affleck’s new movie could best be described as “sprawling”. In both directing and writing the screenplay (based on a novel by Dennis Lehane), Affleck has aimed for a “Godfather” style gangster epic and missed: not missed by a country mile, but missed nonetheless.
Morally bankrupted by his experiences in the trenches, Joe Coughlin (Affleck) returns to Boston to pick and choose which social rules he wants to follow. Not sociopathic per se, as he has a strong personal code of conduct, but Coughlin turns to robbery walking a delicate path between the warring mob factions of the Irish community, led by Albert White (the excellent Robert Glenister from TV’s “Hustle”), and the Italian community, led by Maso Pescatore (Remo Girone). Trying to keep him out of jail is his father (“Harry Potter”’s Brendan Gleeson) who – usefully – is the Deputy Police Chief. Life gets complicated when he falls in love with White’s moll, Emma Gould (Sienna Miller). The scene is set for a drama stretching from Boston to the hot and steamy Everglades over a period of the next twenty years.
Although a watchable popcorn film, the choppy episodic nature of the movie is hugely frustrating, with no compelling story arc to glue all of the disparate parts together. The (often very violent) action scenes are very well done and exciting but as a viewer you don’t feel invested in a ‘journey’ from the beginning of the film to the (unsatisfactory) ending. In my experience it’s never a good sign when the writer considers it necessary to add a voiceover to the soundtrack, and here Affleck mutters truisms about his thoughts and motives that irritate more than illuminate.
The sheer volume of players in the piece (there are about three film’s worth in here) and the resulting minimal screen time given to each allows no time for character development. Unfortunately the result is that you really care very little about whether people live or die and big plot developments land as rather an “oh” than an “OH!”.
Affleck puts in a great turn as the autistic central character whose condition results in a cold, calculating demeanor and a complete lack of emotion reflecting on his face. Oh, hang on… no, wait a minute… sorry… I’ve got the wrong film…. I’m thinking about “The Accountant”. I don’t know whether he filmed these films in parallel. I generally enjoy Ben Affleck’s work (he was excellent in “The Town”) but for 95% of this film his part could have been completed by a burly extra with an Affleck mask on. In terms of acting range, his facial muscles barely get to a “2” on the scale. Given the double problem that he is barely credible as the “young man” returning mentally wounded from the trenches, then in my opinion he would have been better to have focused on the writing and directing and found a lead of the likes of an Andrew Garfield to fill Coughlin’s shoes.
That’s not to say there is not some good acting present in the rest of the cast’s all too brief supporting roles. Elle Fanning (“Trumbo”, “Maleficent”) in particular shines as the Southern belle Loretta Figgis: a religious zealot driving her police chief father (Chris Cooper, “The Bourne Identity”) to distraction. Cooper also delivers a star turn as the moral but pragmatic law-man.
Sienna Miller (“Foxcatcher”) delivers a passable Cork accent and does her best to develop some believable chemistry with the rock-like Affleck. Zoe Saldana (“Star Trek”) is equally effective as a Cuban humanitarian.
In summary, it’s sprawlingly watchable… but overall a disappointment, with Affleck over-reaching. One day we surely will get a gangster film the likes of another “Godfather”, “Goodfellas” or “Untouchables”. Although this has its moments, unfortunately it’s more towards the “Public Enemies” end of the genre spectrum.
Morally bankrupted by his experiences in the trenches, Joe Coughlin (Affleck) returns to Boston to pick and choose which social rules he wants to follow. Not sociopathic per se, as he has a strong personal code of conduct, but Coughlin turns to robbery walking a delicate path between the warring mob factions of the Irish community, led by Albert White (the excellent Robert Glenister from TV’s “Hustle”), and the Italian community, led by Maso Pescatore (Remo Girone). Trying to keep him out of jail is his father (“Harry Potter”’s Brendan Gleeson) who – usefully – is the Deputy Police Chief. Life gets complicated when he falls in love with White’s moll, Emma Gould (Sienna Miller). The scene is set for a drama stretching from Boston to the hot and steamy Everglades over a period of the next twenty years.
Although a watchable popcorn film, the choppy episodic nature of the movie is hugely frustrating, with no compelling story arc to glue all of the disparate parts together. The (often very violent) action scenes are very well done and exciting but as a viewer you don’t feel invested in a ‘journey’ from the beginning of the film to the (unsatisfactory) ending. In my experience it’s never a good sign when the writer considers it necessary to add a voiceover to the soundtrack, and here Affleck mutters truisms about his thoughts and motives that irritate more than illuminate.
The sheer volume of players in the piece (there are about three film’s worth in here) and the resulting minimal screen time given to each allows no time for character development. Unfortunately the result is that you really care very little about whether people live or die and big plot developments land as rather an “oh” than an “OH!”.
Affleck puts in a great turn as the autistic central character whose condition results in a cold, calculating demeanor and a complete lack of emotion reflecting on his face. Oh, hang on… no, wait a minute… sorry… I’ve got the wrong film…. I’m thinking about “The Accountant”. I don’t know whether he filmed these films in parallel. I generally enjoy Ben Affleck’s work (he was excellent in “The Town”) but for 95% of this film his part could have been completed by a burly extra with an Affleck mask on. In terms of acting range, his facial muscles barely get to a “2” on the scale. Given the double problem that he is barely credible as the “young man” returning mentally wounded from the trenches, then in my opinion he would have been better to have focused on the writing and directing and found a lead of the likes of an Andrew Garfield to fill Coughlin’s shoes.
That’s not to say there is not some good acting present in the rest of the cast’s all too brief supporting roles. Elle Fanning (“Trumbo”, “Maleficent”) in particular shines as the Southern belle Loretta Figgis: a religious zealot driving her police chief father (Chris Cooper, “The Bourne Identity”) to distraction. Cooper also delivers a star turn as the moral but pragmatic law-man.
Sienna Miller (“Foxcatcher”) delivers a passable Cork accent and does her best to develop some believable chemistry with the rock-like Affleck. Zoe Saldana (“Star Trek”) is equally effective as a Cuban humanitarian.
In summary, it’s sprawlingly watchable… but overall a disappointment, with Affleck over-reaching. One day we surely will get a gangster film the likes of another “Godfather”, “Goodfellas” or “Untouchables”. Although this has its moments, unfortunately it’s more towards the “Public Enemies” end of the genre spectrum.
Kristy H (1252 KP) rated The Last Place You Look in Books
Dec 24, 2017
funny (2 more)
dark
sarcastic
Roxane Weary is good at finding things. She always has been. So when she's hired by Brad Stockton's sister, Danielle, to find Brad's teenage girlfriend, Sarah, she doesn't think it will be a difficult case. Danielle is convinced she spotted Sarah at a gas station--despite the fact she disappeared fifteen years ago. Meanwhile, Brad is in jail--set to soon be executed--for the brutal murder of Sarah's parents the night Sarah disappeared; the prosecution also alleged that Brad killed Sarah as well. Brad did not put up much of a fight in his defense, but Danielle refuses to give up. Roxane quickly becomes caught up in Sarah's story and finds ties between her disappearance and other girls in the seemingly idyllic town of Belmont-- as well as connections to cases worked by her father, a police officer.
This is just a great book. It's easy to read and funny, albeit dark and sad at times. Roxane's dark, sarcastic humor is perfect. She gives off a Kinsey Millhone type vibe, if Kinsey was a functioning alcoholic with major Daddy issues. She's a complicated character (a complicated, real, female character - so refreshing!). She's bisexual (so wonderful to see reflected realistically in a novel). The other characters are well-formed and range from awful to sweet, but they support Roxane and the story perfectly.
As for the plot, it draws you immediately and keeps you constantly guessing, wondering what people know, who is telling the truth, and what's the actual story. I actually didn't figure this one out, so kudos to Lepionka. There are a few amazing "aha" moments that basically made me gasp. The town of Belmont is creepy and dark, and you'll find yourself completely wrapped up in its twisted, sad characters.
It looks like this is the first in a series, and I couldn't be happier; I can't wait to see where Roxane is headed next. Definitely recommend this one to mystery and thriller fans alike.
This is just a great book. It's easy to read and funny, albeit dark and sad at times. Roxane's dark, sarcastic humor is perfect. She gives off a Kinsey Millhone type vibe, if Kinsey was a functioning alcoholic with major Daddy issues. She's a complicated character (a complicated, real, female character - so refreshing!). She's bisexual (so wonderful to see reflected realistically in a novel). The other characters are well-formed and range from awful to sweet, but they support Roxane and the story perfectly.
As for the plot, it draws you immediately and keeps you constantly guessing, wondering what people know, who is telling the truth, and what's the actual story. I actually didn't figure this one out, so kudos to Lepionka. There are a few amazing "aha" moments that basically made me gasp. The town of Belmont is creepy and dark, and you'll find yourself completely wrapped up in its twisted, sad characters.
It looks like this is the first in a series, and I couldn't be happier; I can't wait to see where Roxane is headed next. Definitely recommend this one to mystery and thriller fans alike.
Merissa (13169 KP) rated Wolf Slayer (Arctic Brotherhood #4) in Books
Jul 24, 2017
Wolf Slayer (Arctic Brotherhood #4) by Jane Godman
Wolf Slayer is the fourth book in the Arctic Brotherhood series, and this time we are with the 'pretty boy', Madden. He is on the hunt for a serial killer, one who likes to taunt Madden personally. Madden has his own opinions on why the killer is targeting the victims, but without telling his police squad all about Arctic wolf shifters, he has nothing physical to go on. Luck seems to favour him when he is able to retrieve a victim still alive, although in a very bad way. The attraction between Madden and Maria is instantaneous and hot. Maria is a survivor, and tries to make the best of any situation, including being thrown to the wolves - quite literally. We meet the whole brotherhood again, much to my delight, although it was also to my sorrow towards the end. There is a hint as to who might star in the next book, but nothing given away for sure.
This was a wonderful read, with plenty of action and heartache as Madden tries to find and stop the killer. Maria supports him every which way she can, knowing that he will do the same for her. I love getting the cameos from other pairs that we've met so far, although Lowell will always be my favourite! The story is fast-paced, designed to keep the reader on its toes. With no editing or grammatical errors to disrupt my reading flow, this is yet another book in this Brotherhood series that I have no hesitation in recommending it. I would suggest you read these books in order though, just to receive the full benefit of each story, and because circumstances/pairings that have already happened are mentioned.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This was a wonderful read, with plenty of action and heartache as Madden tries to find and stop the killer. Maria supports him every which way she can, knowing that he will do the same for her. I love getting the cameos from other pairs that we've met so far, although Lowell will always be my favourite! The story is fast-paced, designed to keep the reader on its toes. With no editing or grammatical errors to disrupt my reading flow, this is yet another book in this Brotherhood series that I have no hesitation in recommending it. I would suggest you read these books in order though, just to receive the full benefit of each story, and because circumstances/pairings that have already happened are mentioned.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Haley Mathiot (9 KP) rated The Stolen Ones (Jessica Balzano & Kevin Byrne, #7) in Books
Apr 27, 2018
A cold case comes to live with the discovery of a new body, a new murder, and multiple new connections. A two-year-old child is found standing in the middle of the street. A mysterious man in ragged clothing appears in a little girls closet completely out of nowhere. A woman disappears from her basement without having left her house. With the help of the rest of the experts in the Philadelphia Police Department, Detectives Jessica Balzano and Kevin Byrne unravel a chilling series of dream-like murders.
The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.
The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.
The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.
There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.
The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.
The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.
The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.
There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.
Whatchareadin (174 KP) rated Fierce Kingdom in Books
May 10, 2018
Joan and her son Lincoln are enjoying an afternoon in the zoo. As closing time approaches and they are gathering their things to leave, shots ring out. As Joan finds a place to seek refuge and try to keep Lincoln calm and quiet, she's never sure if the sounds she hears are nature or the shooters. Hiding out in an empty porcupine exhibit seems like the perfect idea, until the darkness comes and Lincoln has to eat. He's only four years old and trying to hold off the hunger for too long is nearly impossible. Spanning three grueling hours, Joan and Lincoln try to survive and make it out alive.
I have heard a lot of rave reviews about this book. For me, it was just alright. Even though I made it through the book quickly, I felt myself skipping over parts and then having to go back and read it again.
I don't know what I would do if I was out with my kids and gunfire broke out. Which, unfortunately in this day and age, can happen at any time and anywhere. Whether it be a movie theater, church, a concert, your school, or with your kids at the zoo.
While Joan and Lincoln are hiding, Joan thinks of all things past and present that have gotten her to this exact moment in time. These thoughts help Joan to stay calm during this dire situation. She even sees the gunmen and is able to text her husband that there are two of them to share with the police. But when the hiding place has to be abandoned so that Joan can feed Lincoln in order to keep him quiet, the excitement starts and it's a fight for survival. And the consequences of each action are apparent. Join Joan and Lincoln on their journey to survive when survival seems next to impossible.
I have heard a lot of rave reviews about this book. For me, it was just alright. Even though I made it through the book quickly, I felt myself skipping over parts and then having to go back and read it again.
I don't know what I would do if I was out with my kids and gunfire broke out. Which, unfortunately in this day and age, can happen at any time and anywhere. Whether it be a movie theater, church, a concert, your school, or with your kids at the zoo.
While Joan and Lincoln are hiding, Joan thinks of all things past and present that have gotten her to this exact moment in time. These thoughts help Joan to stay calm during this dire situation. She even sees the gunmen and is able to text her husband that there are two of them to share with the police. But when the hiding place has to be abandoned so that Joan can feed Lincoln in order to keep him quiet, the excitement starts and it's a fight for survival. And the consequences of each action are apparent. Join Joan and Lincoln on their journey to survive when survival seems next to impossible.
Whatchareadin (174 KP) rated Debbie Doesn't Do It Anymore in Books
May 10, 2018
Debbie Doesn't Do It Anymore is the story of a platinum blonde, African American porn star. She is someone you would recognize everywhere. When tragedy strikes, Debbie decides that she is no longer going to live this life and try for the straight and narrow. The road to get there though is long and has quite a few bumps along the way.
This was a very explicit novel by Walter Mosley. Every word imaginable to describe the male and female genitalia was used. This did not bother me at all, but I wanted to let others who may be offended by that type of language. This was a very real look into the porn industry for me. Sure I have seen some porn in my life, not an avid watcher at all, but it's interesting to know a back story. Debbie grew up as Sandra Peal in California. She met Theon Pinckney, her husband, when she was just a girl, and he changed her world forever. When Deb comes home from a most unusual movie shoot, she finds police and paramedics at her home. Her husband had been found dead in their bathtub, with another woman, or girl is more appropriate. This doesn't upset Debbie as you would think, she was used to this kind of behavior from her husband, especially being in the industry that they were in. The death of her husband also, to Debbie, meant the death of her career. She changed her whole look so that she was no longer recognizable on the streets or even to some of her "friends". She went back to using her real name instead of the stage name of Debbie Dare.
This book was quite entertaining. I found myself looking over my shoulder whenever the explicit words were announced to see if anyone around me was listening out. This book gives you a different look at porn stars and the life they lead. I recommend this book for anyone who is not easily upset by pornographic language.
This was a very explicit novel by Walter Mosley. Every word imaginable to describe the male and female genitalia was used. This did not bother me at all, but I wanted to let others who may be offended by that type of language. This was a very real look into the porn industry for me. Sure I have seen some porn in my life, not an avid watcher at all, but it's interesting to know a back story. Debbie grew up as Sandra Peal in California. She met Theon Pinckney, her husband, when she was just a girl, and he changed her world forever. When Deb comes home from a most unusual movie shoot, she finds police and paramedics at her home. Her husband had been found dead in their bathtub, with another woman, or girl is more appropriate. This doesn't upset Debbie as you would think, she was used to this kind of behavior from her husband, especially being in the industry that they were in. The death of her husband also, to Debbie, meant the death of her career. She changed her whole look so that she was no longer recognizable on the streets or even to some of her "friends". She went back to using her real name instead of the stage name of Debbie Dare.
This book was quite entertaining. I found myself looking over my shoulder whenever the explicit words were announced to see if anyone around me was listening out. This book gives you a different look at porn stars and the life they lead. I recommend this book for anyone who is not easily upset by pornographic language.
Whatchareadin (174 KP) rated Then She Was Gone in Books
May 23, 2018
I Loved This Book
Ten years ago, Ellie Mack went missing. The police think she is just another teenage runaway, but her mother, Laurel, doesn't believe that for a second. Ellie's disappearance destroyed the family and now that her remains have been found, Laurel will finally have some closure. When she meets Floyd, it's like she's getting a second chance at life. But when she meets his daughter, Poppy, life comes to an alarming halt. Poppy looks so much like Ellie, but why? Of course people look like other people all the time, but there is just something about this child that keeps Ellie at the forefront. When Laurel discovers a connection between Floyd and her family, she embarks on a journey to find out exactly what happened to her daughter and who did it.
Thank you to NetGalley and Atria Books for the opportunity to read and review this book.
After the first few chapters of this book, I figured out a few things about this story that I think most readers will discover as well. But the thing that made this book so hard to put down was how it was all going to come together, it's an incredible journey.
Losing a child is the most painful experience. When Laurel loses Ellis, her whole world is turned upside down and she can no longer function as she once did. She stops cooking for her family, her relationships become strained and eventually she and her husband divorce. Once they find the body of her daughter, the pain becomes a little less since she now has some closure. But why does this young girl look so much like her dead daughter. Did Floyd have something to do with Ellie's disappearance and death? Her family doesn't get a good vibe from this man, but Laurel feels as if she needs to stay with him until the whole truth is revealed.
Thank you to NetGalley and Atria Books for the opportunity to read and review this book.
After the first few chapters of this book, I figured out a few things about this story that I think most readers will discover as well. But the thing that made this book so hard to put down was how it was all going to come together, it's an incredible journey.
Losing a child is the most painful experience. When Laurel loses Ellis, her whole world is turned upside down and she can no longer function as she once did. She stops cooking for her family, her relationships become strained and eventually she and her husband divorce. Once they find the body of her daughter, the pain becomes a little less since she now has some closure. But why does this young girl look so much like her dead daughter. Did Floyd have something to do with Ellie's disappearance and death? Her family doesn't get a good vibe from this man, but Laurel feels as if she needs to stay with him until the whole truth is revealed.