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Hazel (2934 KP) rated The Whole Truth (DI Adam Fawley #5) in Books
Aug 14, 2022
I have had this book on my 'to-be-read' pile for ages only realising (because my pile is so big!) when book 6 came along. I am so disappointed with myself that I didn't read it earlier because this is yet another cracker from Cara Hunter and a great addition to the series. I don't think you have to read the others in the series to enjoy this as it works pretty well as a standalone.
Once again, we are treated to an up to date story line of alleged abuse by a female in a powerful position against a male student and an old case that is coming back to haunt DI Fawley, his team and his wife. Ms Hunter uses different types of media, including podcasts and transcripts from interviews, to enhance the story and make it feel current and relevant and definitely enhances the reading experience.
The Whole Truth, and in fact the whole series so far, is full of excellent characters that are well developed but what I particularly like is that at the very beginning, there is a brief summary of the main characters in the series which gets you up to speed and jogs your memory which, for people who read a lot of books/series or for those, like me, who have memory lapses from time to time, is really useful. I would certainly recommend this to other authors who write series.
I have one small quibble in what is a really good book and that is the reproduction of Alex's written notes and some of the excepts from text conversations and social media didn't reproduce very well on the Kindle in that they were too small even when the font was set to maximum; I realise in a physical book this is likely not to be an issue but it might be worth thinking about this for future books.
Like I said, this is a cracker and one I would recommend to those of you who enjoy a really good police procedural with some great twists, turns and suspense.
Many thanks to Penguin Books UK and NetGalley for enabling me to read and share my views of The Whole Truth.
Once again, we are treated to an up to date story line of alleged abuse by a female in a powerful position against a male student and an old case that is coming back to haunt DI Fawley, his team and his wife. Ms Hunter uses different types of media, including podcasts and transcripts from interviews, to enhance the story and make it feel current and relevant and definitely enhances the reading experience.
The Whole Truth, and in fact the whole series so far, is full of excellent characters that are well developed but what I particularly like is that at the very beginning, there is a brief summary of the main characters in the series which gets you up to speed and jogs your memory which, for people who read a lot of books/series or for those, like me, who have memory lapses from time to time, is really useful. I would certainly recommend this to other authors who write series.
I have one small quibble in what is a really good book and that is the reproduction of Alex's written notes and some of the excepts from text conversations and social media didn't reproduce very well on the Kindle in that they were too small even when the font was set to maximum; I realise in a physical book this is likely not to be an issue but it might be worth thinking about this for future books.
Like I said, this is a cracker and one I would recommend to those of you who enjoy a really good police procedural with some great twists, turns and suspense.
Many thanks to Penguin Books UK and NetGalley for enabling me to read and share my views of The Whole Truth.
Lindsay (1717 KP) rated A Small Case of Murder (Joshua Thornton Mystery #1) in Books
Apr 16, 2024
We are introduced to Joshua Thornton and his five children in chapter 1. The prologue brings Lulu Jefferson's view and a little bit about his parents. We are also introduced to Tad. There is a catch as Joshua moves his family to his former hometown.
He seems to get caught helping someone who tried to kill his cousin Tad in a church, and it seems to bring more to be involved. All when he goes to the state attorney general. It is more as his murderer with his arrangement and ends up murdered along with Beth Davis.
There is a twist when things get more complicated, and the state attorney general decides to ask or request Joshua to become a Special Prosecutor for the case of Vicki Rawlings and Beth Davis. They think he got the trust of the citizens of his hometown. Will he take the offer, or will he not?
Joshua is working with a police officer and a local reporter. What appears to be one thing is that his children are so like him that they want to join in and protect him. Does Joshua wish to be a dad and raise them, or will he hide from them and not send this child to live with their extended family? How will he decide to deal with the life he was chosen for?
Lauren Carr's Mysteries and stories are good. However, this one is less dense when it starts at the story's beginning. However, the action is improving, with this one being when Joshua and his five children are introduced. They are about school age. This book gets better as it goes along.
This is probably when she was starting to write these kinds of stories. This is their second series, so it has improved dramatically since. I love this one. I only wish I knew more about what happened to Valerie and what caused her to pass away. Then Joshua moved and settled in his hometown with his lovely five children. But other than that, it is a good starter book or series to get into her books, Along with Mac Faraday Mysteries.
He seems to get caught helping someone who tried to kill his cousin Tad in a church, and it seems to bring more to be involved. All when he goes to the state attorney general. It is more as his murderer with his arrangement and ends up murdered along with Beth Davis.
There is a twist when things get more complicated, and the state attorney general decides to ask or request Joshua to become a Special Prosecutor for the case of Vicki Rawlings and Beth Davis. They think he got the trust of the citizens of his hometown. Will he take the offer, or will he not?
Joshua is working with a police officer and a local reporter. What appears to be one thing is that his children are so like him that they want to join in and protect him. Does Joshua wish to be a dad and raise them, or will he hide from them and not send this child to live with their extended family? How will he decide to deal with the life he was chosen for?
Lauren Carr's Mysteries and stories are good. However, this one is less dense when it starts at the story's beginning. However, the action is improving, with this one being when Joshua and his five children are introduced. They are about school age. This book gets better as it goes along.
This is probably when she was starting to write these kinds of stories. This is their second series, so it has improved dramatically since. I love this one. I only wish I knew more about what happened to Valerie and what caused her to pass away. Then Joshua moved and settled in his hometown with his lovely five children. But other than that, it is a good starter book or series to get into her books, Along with Mac Faraday Mysteries.
Lee (2222 KP) rated Queen & Slim (2019) in Movies
Dec 4, 2019
Usually when my local cinema chain hosts a secret screening, it's for a lesser known film that they're hoping to drum up interest and support for. They do occasionally show something a bit more mainstream though (the last one I went to was for an advance showing of Le Mans '66) and a lot of people in the run up to last nights secret screening were actually expecting it to be Little Women. It turned out to be Queen & Slim, a film that I knew very little about, and probably wouldn't have ventured to see at the cinema if I'm honest. Which is obviously the whole idea behind the secret screenings and why they urge you on social media beforehand to stick with it when you discover what it is!
Queen (Jodie Turner-Smith) and Slim (Daniel Kaluuya) are at a diner for their first Tinder date and they seem to be getting along, although a second date isn't exactly a definite just yet. As they drive home afterwards, they are pulled over by a white cop for driving erratically (Slim was quickly reaching to grab his phone back from Queen at the time) and for failure to execute a turn signal. There are clearly some racial motives behind the actions of the police officer though, not helped by Slim's impatience as the officer checks through the contents of his car, and the questioning coming from Queen, who works as a defense attorney and knows their rights. Following a heated exchange, a shot is fired and Queen is left with a flesh wound to her leg. An angered Slim then brawls with the cop and, in what is clearly self defense, shoots and kills the officer. Fearing what will happen to them next and the likelihood of further injustice, they decide to go on the run.
What follows is around 40 minutes of pretty tense drama, unexpectedly peppered with some moments of real humour when as the pair find themselves getting into even more difficult situations. As dash-cam footage from the vehicle of the deceased police officer goes viral, there's a real sense of urgency and intensity to their predicament, making for a really intense and gripping roller-coaster of a ride. They make it to New Orleans, and a brief stopover at the home of Queen's Uncle Earl (Bokeem Woodbine), and it's around this point in the movie that momentum gets lost somewhat, never really recovering until the finale.
Written by Lena Waithe (Master of None and Ready Player One), Queen & Slim is clearly a relevant and important movie, boasting a great look and style from director Melina Matsoukas. Daniel Kaluuya is a great choice for Slim too, no stranger to portraying strong emotions with his eyes and facial expressions, as he did so perfectly in his iconic Get Out role. While I wasn't so keen on Jodie Turner-Smith, the pair did work well together, despite making some questionable character choices at times. When a photo of the pair goes viral, they become a kind of modern day Bonnie & Clyde, hailed as heroes and legends by many as they make their way down towards Florida, where they hope to be able catch a flight to freedom in Cuba. Along the way, their relationship develops and they occasionally find support among the black community in each town they stop at.
But, following that stopover in New Orleans, Queen & Slim becomes much more of a slow meander towards the finish line, and it's a real noticeable tonal shift and change of pacing from those first 40 minutes or so. People in the cinema became fidgety (including me), some gave up on the movie completely and left the cinema (I've done that before, vowed never to do it again though) and all I could think about when they get help from some old friends of Queen's Uncle was "Is that Needles, from Back to the Future?" (it was).
All of this shouldn't detract from how important this movie is though, highlighting racial injustice and delving into real issues unashamedly. While Queen & Slim didn't quite work for me overall, it is certainly a story which deserves to be told and seen by many, getting people talking and hopefully instigating some real change. I'm glad I had the chance to see it, and glad I stuck with it right until the end.
Queen (Jodie Turner-Smith) and Slim (Daniel Kaluuya) are at a diner for their first Tinder date and they seem to be getting along, although a second date isn't exactly a definite just yet. As they drive home afterwards, they are pulled over by a white cop for driving erratically (Slim was quickly reaching to grab his phone back from Queen at the time) and for failure to execute a turn signal. There are clearly some racial motives behind the actions of the police officer though, not helped by Slim's impatience as the officer checks through the contents of his car, and the questioning coming from Queen, who works as a defense attorney and knows their rights. Following a heated exchange, a shot is fired and Queen is left with a flesh wound to her leg. An angered Slim then brawls with the cop and, in what is clearly self defense, shoots and kills the officer. Fearing what will happen to them next and the likelihood of further injustice, they decide to go on the run.
What follows is around 40 minutes of pretty tense drama, unexpectedly peppered with some moments of real humour when as the pair find themselves getting into even more difficult situations. As dash-cam footage from the vehicle of the deceased police officer goes viral, there's a real sense of urgency and intensity to their predicament, making for a really intense and gripping roller-coaster of a ride. They make it to New Orleans, and a brief stopover at the home of Queen's Uncle Earl (Bokeem Woodbine), and it's around this point in the movie that momentum gets lost somewhat, never really recovering until the finale.
Written by Lena Waithe (Master of None and Ready Player One), Queen & Slim is clearly a relevant and important movie, boasting a great look and style from director Melina Matsoukas. Daniel Kaluuya is a great choice for Slim too, no stranger to portraying strong emotions with his eyes and facial expressions, as he did so perfectly in his iconic Get Out role. While I wasn't so keen on Jodie Turner-Smith, the pair did work well together, despite making some questionable character choices at times. When a photo of the pair goes viral, they become a kind of modern day Bonnie & Clyde, hailed as heroes and legends by many as they make their way down towards Florida, where they hope to be able catch a flight to freedom in Cuba. Along the way, their relationship develops and they occasionally find support among the black community in each town they stop at.
But, following that stopover in New Orleans, Queen & Slim becomes much more of a slow meander towards the finish line, and it's a real noticeable tonal shift and change of pacing from those first 40 minutes or so. People in the cinema became fidgety (including me), some gave up on the movie completely and left the cinema (I've done that before, vowed never to do it again though) and all I could think about when they get help from some old friends of Queen's Uncle was "Is that Needles, from Back to the Future?" (it was).
All of this shouldn't detract from how important this movie is though, highlighting racial injustice and delving into real issues unashamedly. While Queen & Slim didn't quite work for me overall, it is certainly a story which deserves to be told and seen by many, getting people talking and hopefully instigating some real change. I'm glad I had the chance to see it, and glad I stuck with it right until the end.
Gareth von Kallenbach (977 KP) rated Elle (2016) in Movies
Jul 12, 2019
The end of 2016 is just a few short weeks away. That being said, studios and filmmakers across the world are rolling out the few remaining big budget blockbusters and potential breakout independent masterpieces before year’s end. Among them is today’s film for your consideration. A film that has already received international acclaim when it premiered in competition for the Palme d’Or at the 2016 Cannes Film Festival as well as several awards including the Gotham Independent Film Award For Best Actress, the Los Angeles Film Critics Association Award for Best Actress, a New York Film Critics Association Award for Best Actress, and a Golden Globe Award Nomination for Best Actress for the film’s star, celebrated French film and stage actress Isabelle Huppert. The film would later go on to be selected as the French entry for Best Foreign Language Film at the 89th Academy Awards.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
BankofMarquis (1832 KP) rated The Batman (2022) in Movies
Mar 12, 2022
Too Long Of a Setup for a Terrific Payoff
The rap on the films of the DCEU - especially the films directed by Zach Snyder - is that they are too dark, dour and a “downer”, with very little joy or sunshine in the images or themes.
The Writer and Director of the new DCEU film, THE BATMAN, Matt Reeves (CLOVERFIELD) has one simple answer for you: “Hold my beer”.
Doubling down on the dark themes, imagery and attitudes of all involved, THE BATMAN is a 3 hour epic that is unrelenting in it’s bleakness with constant rain and dark images with not a peak of sun or color in the entire film. This bleakness and the slowness of the first 5/6 of this film will turn off the average viewer and will thrill only the most diehard of fans.
And that’s too bad for the last 1/2 hour of this film is pretty terrific, paying off the long setup beforehand with a confrontation between Batman (Robert Pattinson) and The Riddler (Paul Dano) that rivals just about any confrontation scene in comic books movie history (this side of Heath Ledger’s Joker).
Let’s start with the overwhelming look and feel of this film. It is a downer. Gotham City is, yet again, a city in decay with the bad guys over-running the good guys. Which begs this question - why would anyone join the Gotham City Police Department? But Director/Writer Reeves is is sure-handed in his approach to this material and he is unwavering in his bleakness. It is a strongly directed film that knows what it wants to be and does not pretend to be anything else - nor does it apologize for being what it is.
In this world is dropped Robert Pattinson (the TWILIGHT films) as the titular Batman and he is a perfect choice for this role in this film. His Batman is morose, dour, thoughtful and razor focused on being “vengeance”. He is not interested in being a good guy or a superhero, rather this version of Batman is focused on being a really good Detective, ferreting out evil-doers and administering punishment when they are caught. This film barely mentions Batman’s alter-ego, Bruce Wayne, and when Pattinson is on the screen in the guise as Bruce Wayne he looks uninterested in being Bruce Wayne, he’d rather be Batman - and this is a compliment for that is how this movie portrays this dual role. Batman is disguising himself as Bruce Wayne (and not vica-versa).
Assisting Batman in his Detective work is Lt. James Gordon (the always terrific Jeffrey Wright), the only honest cop in a corrupt Police Department. These 2 work as a Detective team, and this film often-times feels like a Detective procedural, some liken it to SEVEN with Brad Pitt/Morgan Freeman, I look at it more like the first season of TRUE DETECTIVE(the one with Matthew McConaughey and Woody Harrelson), dark and interesting in their search for the bad guys.
As is typical of these types of films, we have a rogues gallery of villains. Some fair well - an unrecognizable Colin Farrel as Oz (the Penguin) and John Torturro as mob boss Carmine Falcone. While others fair less well - Peter Sarsgaard as corrupt District Attorney Gil Colson and, unfortunately, Zoe Kravitz as Selina Kyle (Catwoman). Both of these roles are not fleshed out well. Kravitz hits the screen looking good in her cat suit and while there is unmistakable sexual chemistry between Catwoman and Batman (not, it should be noted, between Selina Kyle and Bruce Wayne), but this only takes the character so far and Selina really wasn’t the bad-ass conflicted villain/hero that one would expect.
A pleasant surprise was the performance of the always interesting Paul Dano as the Riddler. He underplays this character in much the same way that most have overplayed him. Clearly, this is a smart, if mentally off, person who talks through riddles but has an overall plan to bring down “The Bat’ and the City. Not to spoil this film, but it didn’t really grab my attention until after the masked Riddler was unmasked and that was very late in the game - almost too late.
And that’s the problem with this film. The last 1/2 hour is TERRIFIC, but one has to sit through 2 1/2 hours of dark, dour setup to get there and for most, that journey will not be worth the payoff.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
The Writer and Director of the new DCEU film, THE BATMAN, Matt Reeves (CLOVERFIELD) has one simple answer for you: “Hold my beer”.
Doubling down on the dark themes, imagery and attitudes of all involved, THE BATMAN is a 3 hour epic that is unrelenting in it’s bleakness with constant rain and dark images with not a peak of sun or color in the entire film. This bleakness and the slowness of the first 5/6 of this film will turn off the average viewer and will thrill only the most diehard of fans.
And that’s too bad for the last 1/2 hour of this film is pretty terrific, paying off the long setup beforehand with a confrontation between Batman (Robert Pattinson) and The Riddler (Paul Dano) that rivals just about any confrontation scene in comic books movie history (this side of Heath Ledger’s Joker).
Let’s start with the overwhelming look and feel of this film. It is a downer. Gotham City is, yet again, a city in decay with the bad guys over-running the good guys. Which begs this question - why would anyone join the Gotham City Police Department? But Director/Writer Reeves is is sure-handed in his approach to this material and he is unwavering in his bleakness. It is a strongly directed film that knows what it wants to be and does not pretend to be anything else - nor does it apologize for being what it is.
In this world is dropped Robert Pattinson (the TWILIGHT films) as the titular Batman and he is a perfect choice for this role in this film. His Batman is morose, dour, thoughtful and razor focused on being “vengeance”. He is not interested in being a good guy or a superhero, rather this version of Batman is focused on being a really good Detective, ferreting out evil-doers and administering punishment when they are caught. This film barely mentions Batman’s alter-ego, Bruce Wayne, and when Pattinson is on the screen in the guise as Bruce Wayne he looks uninterested in being Bruce Wayne, he’d rather be Batman - and this is a compliment for that is how this movie portrays this dual role. Batman is disguising himself as Bruce Wayne (and not vica-versa).
Assisting Batman in his Detective work is Lt. James Gordon (the always terrific Jeffrey Wright), the only honest cop in a corrupt Police Department. These 2 work as a Detective team, and this film often-times feels like a Detective procedural, some liken it to SEVEN with Brad Pitt/Morgan Freeman, I look at it more like the first season of TRUE DETECTIVE(the one with Matthew McConaughey and Woody Harrelson), dark and interesting in their search for the bad guys.
As is typical of these types of films, we have a rogues gallery of villains. Some fair well - an unrecognizable Colin Farrel as Oz (the Penguin) and John Torturro as mob boss Carmine Falcone. While others fair less well - Peter Sarsgaard as corrupt District Attorney Gil Colson and, unfortunately, Zoe Kravitz as Selina Kyle (Catwoman). Both of these roles are not fleshed out well. Kravitz hits the screen looking good in her cat suit and while there is unmistakable sexual chemistry between Catwoman and Batman (not, it should be noted, between Selina Kyle and Bruce Wayne), but this only takes the character so far and Selina really wasn’t the bad-ass conflicted villain/hero that one would expect.
A pleasant surprise was the performance of the always interesting Paul Dano as the Riddler. He underplays this character in much the same way that most have overplayed him. Clearly, this is a smart, if mentally off, person who talks through riddles but has an overall plan to bring down “The Bat’ and the City. Not to spoil this film, but it didn’t really grab my attention until after the masked Riddler was unmasked and that was very late in the game - almost too late.
And that’s the problem with this film. The last 1/2 hour is TERRIFIC, but one has to sit through 2 1/2 hours of dark, dour setup to get there and for most, that journey will not be worth the payoff.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Lee (2222 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Jan 3, 2018
Superbly acted, funny and emotional
Every so often I head into a movie knowing very little about it. I don't see the trailer, I don't read any detailed reviews. What I do see are a lot of positive headlines in my movie related news feeds and I decide to just go for it. Last year I did the exact same thing with 'Get Out', which turned out to be my favourite movie of 2017. This year, for my first cinema trip of 2018, it's the oddly titled 'Three Billboards Outside Ebbing, Missouri'. Not quite as wonderful as Get Out, but a very enjoyable movie all the same.
The three billboards in question lie, unused since the 80s, on a barely used road leading to the home of Mildred Hayes (Frances McDormand). While driving past them one day, she stops to ponder for a while, before heading into town to the advertising company responsible for the boards and renting them out for a whole year. The message she spreads across the three boards is a simple one, set to shame the local police force who she feels have become a bit slack when it comes to investigating the brutal rape and murder of her daughter seven months earlier. Chief Willoughby (Woody Harrelson) is named on one of the boards, a respected man of the town, who we later discover is suffering from cancer. Officer Dixon (Sam Rockwell) on the other hand is a man with problems, totally inept at his job, living at home with his momma and recently in trouble for beating up a black suspect.
The billboards have the desired effect, bringing the murder case to everyones attention once again and causing uproar around town. But Mildred is a force to be reckoned with, foul mouthed and out for vengeance, and she's brilliant to watch. The movie effortlessly switches between laugh out loud sharp dialogue and gut wrenching emotional drama. Just when you think you've got the whole thing worked out, something major happens to shake things up again. It's a hugely enjoyable rollercoaster ride.
One of the few things I saw before seeing this movie said that if you like Fargo, then you'll enjoy this, and that's a pretty fair assumption. Interesting characters with interesting stories, beautifully told. I loved it.
The three billboards in question lie, unused since the 80s, on a barely used road leading to the home of Mildred Hayes (Frances McDormand). While driving past them one day, she stops to ponder for a while, before heading into town to the advertising company responsible for the boards and renting them out for a whole year. The message she spreads across the three boards is a simple one, set to shame the local police force who she feels have become a bit slack when it comes to investigating the brutal rape and murder of her daughter seven months earlier. Chief Willoughby (Woody Harrelson) is named on one of the boards, a respected man of the town, who we later discover is suffering from cancer. Officer Dixon (Sam Rockwell) on the other hand is a man with problems, totally inept at his job, living at home with his momma and recently in trouble for beating up a black suspect.
The billboards have the desired effect, bringing the murder case to everyones attention once again and causing uproar around town. But Mildred is a force to be reckoned with, foul mouthed and out for vengeance, and she's brilliant to watch. The movie effortlessly switches between laugh out loud sharp dialogue and gut wrenching emotional drama. Just when you think you've got the whole thing worked out, something major happens to shake things up again. It's a hugely enjoyable rollercoaster ride.
One of the few things I saw before seeing this movie said that if you like Fargo, then you'll enjoy this, and that's a pretty fair assumption. Interesting characters with interesting stories, beautifully told. I loved it.
Kristy H (1252 KP) rated The Hate u Give in Books
Jan 10, 2018
Starr Carter lives a divided life. At sixteen, she spends part of her life in her impoverished inner city neighborhood and another portion in the suburbs, attending an elite prep school, where she is one of a handful of African American students. Starr feels like she is two Starrs, and she keeps these two people very separate, with a different set of friends and personas for each world. But her careful facade is threatened when her childhood best friend, Khalil, is killed by a police officer. Starr is with Khalil when he is shot--unarmed--and her life will never be the same. In the aftermath, the media begins to call Khalil a drug dealer and a gang member. But speaking up about what she saw isn't so simple, especially when not everyone wants to hear the truth.
You've probably heard about Thomas' debut novel by now--it's been getting a lot of coverage and truly, deservedly so. This is definitely a powerful, eye-opening, and timely story. Thomas has created an excellent main character in Starr, whose voice shines clear and strong in the book. Her struggle to fit into two worlds is one many can relate to: Starr's just happens to have life and death consequences. Starr has wonderful, supportive parents and two humorous brothers who fill out the book with a realism and warmth that's hard to describe. Thomas is superb in capturing her characters' voices, and I found myself easily able to picture Starr and her family. I especially loved such snippets that made them jump off the pages--for instance, the family settling down to watch NBA basketball, complete with all their little superstitions (I've definitely been there) was perfect.
Starr's story isn't always easy to read (nor should it be), but it offered strong insight into the systemic problems facing African American communities--much of it framed by Starr's pragmatic parents. I thought some things tied up too easily, but I was still very profoundly affected by the story. I loved Starr and her tough yet vulnerable self. I loved her parents, their love, and their history. Her brothers cracked me up. At its core, this is a story about family, as well as identity and race. It's important, serious, heartbreaking, and yet sometimes really funny. It's also beautiful, powerful, and definitely worth a read.
You've probably heard about Thomas' debut novel by now--it's been getting a lot of coverage and truly, deservedly so. This is definitely a powerful, eye-opening, and timely story. Thomas has created an excellent main character in Starr, whose voice shines clear and strong in the book. Her struggle to fit into two worlds is one many can relate to: Starr's just happens to have life and death consequences. Starr has wonderful, supportive parents and two humorous brothers who fill out the book with a realism and warmth that's hard to describe. Thomas is superb in capturing her characters' voices, and I found myself easily able to picture Starr and her family. I especially loved such snippets that made them jump off the pages--for instance, the family settling down to watch NBA basketball, complete with all their little superstitions (I've definitely been there) was perfect.
Starr's story isn't always easy to read (nor should it be), but it offered strong insight into the systemic problems facing African American communities--much of it framed by Starr's pragmatic parents. I thought some things tied up too easily, but I was still very profoundly affected by the story. I loved Starr and her tough yet vulnerable self. I loved her parents, their love, and their history. Her brothers cracked me up. At its core, this is a story about family, as well as identity and race. It's important, serious, heartbreaking, and yet sometimes really funny. It's also beautiful, powerful, and definitely worth a read.
Haley Mathiot (9 KP) rated Yarn Bombing: The Art of Crochet and Knit Graffiti in Books
Apr 27, 2018
Yarn Bombing—the art of crochet and knit graffiti by Mandy Moore and Leanne Prain
Genre: craft/art
Rating: 4/5
Yarn Bombing is an extremely inspirational and creative book. It got my knitting juices flowing and made my hands itch for the needles when I saw pictures of colorful yarn knit into… beautiful graffiti?
Yes, yarn graffiti. Yarn Bombing is a rather large thing in big cities and even other countries where knitting is prominent, especially Sweden (see links below).
Yarn Bombing has many fantastic pictures, ideas for bombing, some basics for getting started, points and tips, advice on what to say if you get caught in the act (either by passer-bys or police), interviews with yarn bombers, and some patterns.
Here is my favorite pattern:
this pattern is for chain-link fence weave:
1. Cast On 12.
2. Open a bottle of wine.
3. Knit every row until sober.
4. Bind off
5. Repeat 1-4 seven more times…
I find this hilarious, though some people who aren’t knitters may not. By the way, the real pattern for the chain link fence weave is written in the book right under that ;)
There are patterns in the book for knitting items for yourself, such as arm warmers, hoods that cover your whole face except your eyes (so you can be a ninja-yarn-bomber!) sweaters, and some other stuff. Some of the bombing patterns include treesweaters, knit tulips and mushrooms, Knit sneakers to hang over wires, Bolo balls, Elf Stockings, and more.
I give it a 4/5 because, considering that graffiti is illegal and I’m perusing Criminology… let’s just say that I’m being gracious.(and I’m actually considering giving this a try… I’ll keep you posted on that one ;). Also, it was laid out a little odd and it was a bit hard to find some things. Lastly it didn’t have quite as many patterns as I expected. But, all in all, it was an awesome craft book!
Recommendation: knitters and Crocheters of any age, anyone interested in graffiti or contemporary art.
Here are some links to some yarn-bombers that you should check out, there are tons more! Follow the links you find on their blogs and explore the yarn-bombing community.
Genre: craft/art
Rating: 4/5
Yarn Bombing is an extremely inspirational and creative book. It got my knitting juices flowing and made my hands itch for the needles when I saw pictures of colorful yarn knit into… beautiful graffiti?
Yes, yarn graffiti. Yarn Bombing is a rather large thing in big cities and even other countries where knitting is prominent, especially Sweden (see links below).
Yarn Bombing has many fantastic pictures, ideas for bombing, some basics for getting started, points and tips, advice on what to say if you get caught in the act (either by passer-bys or police), interviews with yarn bombers, and some patterns.
Here is my favorite pattern:
this pattern is for chain-link fence weave:
1. Cast On 12.
2. Open a bottle of wine.
3. Knit every row until sober.
4. Bind off
5. Repeat 1-4 seven more times…
I find this hilarious, though some people who aren’t knitters may not. By the way, the real pattern for the chain link fence weave is written in the book right under that ;)
There are patterns in the book for knitting items for yourself, such as arm warmers, hoods that cover your whole face except your eyes (so you can be a ninja-yarn-bomber!) sweaters, and some other stuff. Some of the bombing patterns include treesweaters, knit tulips and mushrooms, Knit sneakers to hang over wires, Bolo balls, Elf Stockings, and more.
I give it a 4/5 because, considering that graffiti is illegal and I’m perusing Criminology… let’s just say that I’m being gracious.(and I’m actually considering giving this a try… I’ll keep you posted on that one ;). Also, it was laid out a little odd and it was a bit hard to find some things. Lastly it didn’t have quite as many patterns as I expected. But, all in all, it was an awesome craft book!
Recommendation: knitters and Crocheters of any age, anyone interested in graffiti or contemporary art.
Here are some links to some yarn-bombers that you should check out, there are tons more! Follow the links you find on their blogs and explore the yarn-bombing community.
Debbiereadsbook (1166 KP) rated Soul of Discretion in Books
May 1, 2018
great collaboration!
I was gifted my copy of this book, direct from the author, that I write a review was not required.
You know how you love a particular author, all their books are mostly 5 stars reviews, and then one comes along that throws you for a loop, and you did not love it, but you cannot figure out why?? This one, right here.
Simon is in Canada to see just what has happened to his money, and more importantly, his friend. His hook-up provides him with some much needed relief. When said hook-up turns out to be the police officer dealing with his friend, both Simon and Nick realise they have to stay apart. But neither man can do that, because each man feels more for the other than just a hook-up. But how can things work, with them living on opposite sides of the world??
I LIKED this, I really did, I just didn't love, and it pains me deeply to say that, and I really don't know why!
I loved Simon, being an Earl, but he doesn't lord it over others. He works hard, makes his millions by working hard and pushing others to work hard for him. Loved Nick, who is, up to now, quite happy in his job as a Mountie. Loved the supporting cast of characters that take part in this story. Loved how they came together, and that they both thought, quite quickly, that there could be more between them.
I just didn't love the story! I did love how Jack, Simon's friend, redeemed himself, and the bad guys got their comeuppence, though.
This is a collaboration between Susan Mac Nicol, and M.Tasia. I LOVE Ms Mac Nicol, but have only read one short by Ms Tasia. I tried really hard to pick out where each author had their say, as it were, but I couldn't find any seams. The changes between each author are smooth and painless and unless you KNOW where they are, you might never be able to pick those seams apart. So, very well done for that!
So, as much as I enjoyed the story, I just didn't love it and for that I'm deeply sorry!
4 stars
**same worded review will appear elsewhere**
You know how you love a particular author, all their books are mostly 5 stars reviews, and then one comes along that throws you for a loop, and you did not love it, but you cannot figure out why?? This one, right here.
Simon is in Canada to see just what has happened to his money, and more importantly, his friend. His hook-up provides him with some much needed relief. When said hook-up turns out to be the police officer dealing with his friend, both Simon and Nick realise they have to stay apart. But neither man can do that, because each man feels more for the other than just a hook-up. But how can things work, with them living on opposite sides of the world??
I LIKED this, I really did, I just didn't love, and it pains me deeply to say that, and I really don't know why!
I loved Simon, being an Earl, but he doesn't lord it over others. He works hard, makes his millions by working hard and pushing others to work hard for him. Loved Nick, who is, up to now, quite happy in his job as a Mountie. Loved the supporting cast of characters that take part in this story. Loved how they came together, and that they both thought, quite quickly, that there could be more between them.
I just didn't love the story! I did love how Jack, Simon's friend, redeemed himself, and the bad guys got their comeuppence, though.
This is a collaboration between Susan Mac Nicol, and M.Tasia. I LOVE Ms Mac Nicol, but have only read one short by Ms Tasia. I tried really hard to pick out where each author had their say, as it were, but I couldn't find any seams. The changes between each author are smooth and painless and unless you KNOW where they are, you might never be able to pick those seams apart. So, very well done for that!
So, as much as I enjoyed the story, I just didn't love it and for that I'm deeply sorry!
4 stars
**same worded review will appear elsewhere**