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Gareth von Kallenbach (980 KP) rated Hot Pursuit (2015) in Movies
Jun 19, 2019
Combining various formulas is nothing new in Hollywood and the new film “Hot Pursuit”, tries very hard to be successful at doing so but has mixed results. The film stars Reese Witherspoon as Cooper, a police office in San Antonio who is trying to grow into the shoes her late father left behind. The fact that he was not only a great cop, but that Cooper is fairly small in stature has caused her to overcompensate through the years. So much so that she has had an epic blunder named after her and is relegated to the evidence room of her station. Cooper is a by the book cop whose social skills are very lacking as is proven by a recent dating disaster. Cooper is given the chance to redeem herself by travelling to escort the wife of a money launderer to court so they can both testify against a notorious drug lord.
When Cooper first meets her assignment Daniella (Sofia Vergera), they do not mix at all. Daniella is annoyed by Cooper’s by the book attitude and Cooper sees her task as nothing more than escorting a gold digging criminal to Dallas. When things go very wrong, the two end up framed and on the run with only each other for company and support. Naturally the duo begin to thaw to one another and there are a few good laughs along the way as they race to clear their names and stay ahead of the dangerous people chasing after them. The film has some fun moments, but the formula of the film can become a bit familiar.
We have seen this played out in numerous road trip and buddy cop segments so many times before that there is very little in the way of drama or surprise moments with the script. Witherspoon does well with her role and does take it away from being overly one dimensional but the jokes run a bit thin after a while. Vergera is good in small doses for me as she is very much the Charo of this generation. I am still wondering if she has been typecast in these shrill roles or if she is simply playing herself, but the over the top performance and her voice works better for me in smaller doses in Modern Family than it does over a full length feature. That being said, the two work well with one another and their scene with Jim Gaffigan is one of the funnier moments of the film. The pacing of the film is brisk, as Director Anne Fletcher has made a film that moves nicely and does not overstay its welcome. The biggest issue is a feeling that we have seen this all many times before and often in better movies, so despite the best efforts of those involved, this is one that never really gels the way that you would want a film to.
http://sknr.net/2015/05/08/hot-pursuit/
When Cooper first meets her assignment Daniella (Sofia Vergera), they do not mix at all. Daniella is annoyed by Cooper’s by the book attitude and Cooper sees her task as nothing more than escorting a gold digging criminal to Dallas. When things go very wrong, the two end up framed and on the run with only each other for company and support. Naturally the duo begin to thaw to one another and there are a few good laughs along the way as they race to clear their names and stay ahead of the dangerous people chasing after them. The film has some fun moments, but the formula of the film can become a bit familiar.
We have seen this played out in numerous road trip and buddy cop segments so many times before that there is very little in the way of drama or surprise moments with the script. Witherspoon does well with her role and does take it away from being overly one dimensional but the jokes run a bit thin after a while. Vergera is good in small doses for me as she is very much the Charo of this generation. I am still wondering if she has been typecast in these shrill roles or if she is simply playing herself, but the over the top performance and her voice works better for me in smaller doses in Modern Family than it does over a full length feature. That being said, the two work well with one another and their scene with Jim Gaffigan is one of the funnier moments of the film. The pacing of the film is brisk, as Director Anne Fletcher has made a film that moves nicely and does not overstay its welcome. The biggest issue is a feeling that we have seen this all many times before and often in better movies, so despite the best efforts of those involved, this is one that never really gels the way that you would want a film to.
http://sknr.net/2015/05/08/hot-pursuit/
Gareth von Kallenbach (980 KP) rated Paul Blart: Mall Cop (2009) in Movies
Aug 14, 2019
Paul Blart (Kevin James) is a man with a dream. Paul dreams of being an officer with the New Jersey police, but thanks to his hypoglycemia, and weight, he has had a difficult time passing his requirements.
After his latest failure which concluded with him passing out inches from an obstacle course finish line, Paul has hit rock bottom. His daughter and mother encourage him to get on with his life, and look for a woman who will make him happy, (It is learned that his ex-wife only wanted him in her life so she could gain citizenship), and that new opportunities will arise.
The fact that the holidays are coming up is of little consolation, as Paul focuses on his career as a security guard at a local mall where he has worked from the past ten years, With the Black Friday shopping day upcoming, Paul attempts to get closer to the lovely Amy (Jayma Mays), who works at one of the mall’s boutiques.
The fact that Paul is shy and awkward does not help his cause, but in time, he is able to form a friendship with Amy that survives some real obstacles such as a very out of character wild night out which ends in disaster for Paul as his intolerance of alcohol leads to some truly outrageous behavior which embarrasses Amy.
As Paul attempts to recover from his fiasco at the workplace party, he returns to patrol at the mall astride his ever present Segway while a group of thieves secretly plot to take over the mall and rob the various stores.
When the bad guys make their move, Paul is indisposed and is easily overlooked, which in turn keeps him in the dark about what is really happening. When Paul eventually learns what is going on and that Amy is amongst the hostages, he must muster up the courage and abilities he never knew he had in order to save the day and rescue Amy.
What follows is a madcap though slight romp which while not big on over the top laughs has more than enough smiles to keep you amused along the way.
Kevin James is entertaining as the hapless Blart, but he is not given much to work with in his first starring role as the story is very formulaic and restrained which does not allow him to fully display his comedic skills as he did in The King of Queens.
The film was produced by Adam Sandler’s Happy Madison company and was co written by James and Nick Bakay. While it is not a bad film, I had hoped for more as the premise is rife with possibilities and the film comes across as playing it safe rather than taking chances. There is very little offensive in the film so it is appropriate for most families, which despite the flaws, makes the film a pleasant if not memorable diversion.
After his latest failure which concluded with him passing out inches from an obstacle course finish line, Paul has hit rock bottom. His daughter and mother encourage him to get on with his life, and look for a woman who will make him happy, (It is learned that his ex-wife only wanted him in her life so she could gain citizenship), and that new opportunities will arise.
The fact that the holidays are coming up is of little consolation, as Paul focuses on his career as a security guard at a local mall where he has worked from the past ten years, With the Black Friday shopping day upcoming, Paul attempts to get closer to the lovely Amy (Jayma Mays), who works at one of the mall’s boutiques.
The fact that Paul is shy and awkward does not help his cause, but in time, he is able to form a friendship with Amy that survives some real obstacles such as a very out of character wild night out which ends in disaster for Paul as his intolerance of alcohol leads to some truly outrageous behavior which embarrasses Amy.
As Paul attempts to recover from his fiasco at the workplace party, he returns to patrol at the mall astride his ever present Segway while a group of thieves secretly plot to take over the mall and rob the various stores.
When the bad guys make their move, Paul is indisposed and is easily overlooked, which in turn keeps him in the dark about what is really happening. When Paul eventually learns what is going on and that Amy is amongst the hostages, he must muster up the courage and abilities he never knew he had in order to save the day and rescue Amy.
What follows is a madcap though slight romp which while not big on over the top laughs has more than enough smiles to keep you amused along the way.
Kevin James is entertaining as the hapless Blart, but he is not given much to work with in his first starring role as the story is very formulaic and restrained which does not allow him to fully display his comedic skills as he did in The King of Queens.
The film was produced by Adam Sandler’s Happy Madison company and was co written by James and Nick Bakay. While it is not a bad film, I had hoped for more as the premise is rife with possibilities and the film comes across as playing it safe rather than taking chances. There is very little offensive in the film so it is appropriate for most families, which despite the flaws, makes the film a pleasant if not memorable diversion.
Emma @ The Movies (1786 KP) rated The Mule (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Thinking Clint Eastwood is a great actor is sadly not enough to get you through this film.
We open with what honestly reminded me of something you might have seen in Last Of The Summer Wine but with a tinge of melancholy. Those were actual things I wrote down in the screening, it's not often that I can nail my feelings about things like that the instant I see them.
There's some solid acting from some of the support cast. Ignacio Serricchio (amazing in Bones), Robert LaSardo (pops up in lots of different shows and films I watch), Michael Peña
(aaaaahhhh, why didn't he get more screen time?) and Laurence Fishburne (again, probably didn't get enough screen time) gave their best with the limited moments they had. Bradley Cooper managed to eek out some more lines luckily and I loved the interactions between him and Eastwood.
Eastwood himself played the dawdling old man very well, at this point you have to assume that some of that comes naturally rather than from his acting talent. He managed to get himself a choice role with lots of lovely semi-clad ladies in it that's for sure.
After seeing this I'm wondering if it could have benefited from a shift in focus. The family set up at the beginning was a bit drawn out and could easily have lost a lot of it's run time. Had they moved those minutes over to the police/DEA side and made it more crime than drama I think it might have given it a little injection of pace.
The family angle was the main drag for me, it felt much longer than needed but beyond that the acting was the weakest overall. Coming in right at the bottom was Dianne Wiest. I've been thinking about it trying to work out why I didn't like her part as Mary. Sometimes the characters themselves are unlikeable, sometimes it's a poor script, but I think it was just the way she played it. I can think of a couple of other actresses who in the same part could have struck the right note.
In the end I think there was a lot of potential missed, it felt like it spread itself a little too far into the drama side. Some of the bits are a little crazy but get away with being believable... except when they try to make me believe that an octogenarian can work out how to use a smart phone.
What you should do
I probably would say not to bother, there are a lot of other films out there that have a lot more excitement to them.
Movie thing you wish you could take home
I'd like to leave mt keys in the glove compartment of my car and come back to a stash of cash. Alas I think I'd come back to a missing car.
We open with what honestly reminded me of something you might have seen in Last Of The Summer Wine but with a tinge of melancholy. Those were actual things I wrote down in the screening, it's not often that I can nail my feelings about things like that the instant I see them.
There's some solid acting from some of the support cast. Ignacio Serricchio (amazing in Bones), Robert LaSardo (pops up in lots of different shows and films I watch), Michael Peña
(aaaaahhhh, why didn't he get more screen time?) and Laurence Fishburne (again, probably didn't get enough screen time) gave their best with the limited moments they had. Bradley Cooper managed to eek out some more lines luckily and I loved the interactions between him and Eastwood.
Eastwood himself played the dawdling old man very well, at this point you have to assume that some of that comes naturally rather than from his acting talent. He managed to get himself a choice role with lots of lovely semi-clad ladies in it that's for sure.
After seeing this I'm wondering if it could have benefited from a shift in focus. The family set up at the beginning was a bit drawn out and could easily have lost a lot of it's run time. Had they moved those minutes over to the police/DEA side and made it more crime than drama I think it might have given it a little injection of pace.
The family angle was the main drag for me, it felt much longer than needed but beyond that the acting was the weakest overall. Coming in right at the bottom was Dianne Wiest. I've been thinking about it trying to work out why I didn't like her part as Mary. Sometimes the characters themselves are unlikeable, sometimes it's a poor script, but I think it was just the way she played it. I can think of a couple of other actresses who in the same part could have struck the right note.
In the end I think there was a lot of potential missed, it felt like it spread itself a little too far into the drama side. Some of the bits are a little crazy but get away with being believable... except when they try to make me believe that an octogenarian can work out how to use a smart phone.
What you should do
I probably would say not to bother, there are a lot of other films out there that have a lot more excitement to them.
Movie thing you wish you could take home
I'd like to leave mt keys in the glove compartment of my car and come back to a stash of cash. Alas I think I'd come back to a missing car.
Gareth von Kallenbach (980 KP) rated Operation Finale (2018) in Movies
Jul 2, 2019
Fifteen years after the end of World War II there are still high ranking Nazi officials who have not been brought to justice. One of the biggest names to yet be captured is Adolph Eichmann (Ben Kingsley), the so called Architect of the Final Solution. Then in May 1960 someone in Argentina tips off the Israeli government that Eichmann may be hiding out in near Buenos Ares, Argentina. When the leader of an Israeli special unit finds out he sends an agent, Zvi Aharoni (Michael Aronov), to confirm the identity of the war criminal. When they determine that this has to be their man, a unit of operatives led by Peter Malkin (Oscar Isaac) set out to bring Eichmann to justice. In the past the unit has been able to deliver swift justice and in most cases there was no trial. But for a man that brought so much pain to so many Jewish people they must bring him to justice in the newly established state of Israel for all the world to see. Unfortunately the Argentine government would object to such an operation on its soil. So risky and daring plan for Peter to grab Eichmann near his home and get him to a safe house nearby. The would then have disguise him and Doctor Hanna Elian (Melanie Laurent) would have to keep him drugged all the way to the airport and on to awaiting plane out of the country. All of this will dodging Nazi sympathizers both in the police and roaming the streets. But for the 6 million of their people who died at the hands of men like Eichmann they must try.
This is the incredible true story of the capture of one of the top Nazi officials. The story is set up well by Director Chris Weitz (About a Boy, The Golden Compass). Ben Kingsley and Oscar Isaac give outstanding performances. Kingsley’s character and how his story develops is interesting. The entire supporting cast does well and Nick Kroll (Sing, The House) brings a surprising bit of fun to a heavy story line. Some may say the bits of humor might be a little odd given the subject matter but I thought it brought a realness and humanity to the film. The balance between the humor and showing the horror of World War II was really well done. At a little over two hours it does run a little long and there are flashback scenes that are at inconsistent times.
I was pleasantly surprised by this film. Not having heard this story before I enjoyed how this film was laid out for the audience. It definitely made me want to learn more about this unique true story. I think this is a film that shows the importance of people fighting to bring truth and justice to the world regardless of the odds.
This is the incredible true story of the capture of one of the top Nazi officials. The story is set up well by Director Chris Weitz (About a Boy, The Golden Compass). Ben Kingsley and Oscar Isaac give outstanding performances. Kingsley’s character and how his story develops is interesting. The entire supporting cast does well and Nick Kroll (Sing, The House) brings a surprising bit of fun to a heavy story line. Some may say the bits of humor might be a little odd given the subject matter but I thought it brought a realness and humanity to the film. The balance between the humor and showing the horror of World War II was really well done. At a little over two hours it does run a little long and there are flashback scenes that are at inconsistent times.
I was pleasantly surprised by this film. Not having heard this story before I enjoyed how this film was laid out for the audience. It definitely made me want to learn more about this unique true story. I think this is a film that shows the importance of people fighting to bring truth and justice to the world regardless of the odds.
Sophia (Bookwyrming Thoughts) (530 KP) rated Indigo Incite (Indigo Trilogy, #1) in Books
Jan 23, 2020
Well, in a few words, Indigo Incite was quite the snooze fest. It has an interesting premise, yes, but quite DULL. There's nothing much going on. Nothing!
It started out interesting, of course, with all those seriously cool powers but over the course of the book, there really was nothing going on. I was really just hoping it would slowly build up and end with a good pow.
It honestly didn't. It was like Nikita in walking through very deep snow motion, and I actually like Nikita. It's certainly not as interesting as Grimm though. I'm not even surprised by the end. It's obvious and doesn't exactly take brains to figure out the most logical answer.
Then again, I could be surprised by the second book, but I'm pretty sure I won't be surprised. I probably won't be surprised on what may happen at the end of the trilogy either, but that's yet to be seen. *doesn't really plan on reading further on the series unless things spice up a notch in action*
<blockquote>A few different people some good, some not so good. Do you have time to talk? My name is Sarah, by the way.</blockquote>
Essentially it's a repeat of "Hi, I'm so and so. Can we talk?" in a different style. I stress SLOW. Too much talking. Less talking, more action. I have a semi-short attention span and I have other books on my review queue to read that are most likely more interesting than a bunch of dialogue. >_<
Let me backtrack a little. Indigo Incite isn't full of dialogue, but it simply felt like it's all talk and no action, if you know what I mean?
Maybe it's the random commas that just felt really out of place. I really thought that was the main reason for the slow going of things. I eventually ignored them, but still... nothing interesting going on. Zzzzz. *yawns*
<blockquote>Come on, boys. Henry waved the gun toward the door. Lets walk. First, Ill take that disc off your hands.</blockquote>
What happens next? ATTENTION: SPOILER ALERT! Hellooo, the police barge in. -_-
Typical bad guy gets caught by the authorities and real life stuffy. -_-
I thought Tyler and Toby would go all Jackie Chan on Henry and things will finally have some SPICE. I adore spices. Particularly cinnamon and does gingerbread marshmallows count? It contains ginger and they're delicious. Quite cheap right after Christmas too. I don't mean those Asian herbs that look like alien fingers, though for all I know they're the same thing. :D
--------------------
Review copy provided by author for review on the blog tour
Original Rating: 2.5 out of 5 Owls
Formatting has been removed due to copy and paste
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/01/review-indigo-incite-by-jacinda-buchmann.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
It started out interesting, of course, with all those seriously cool powers but over the course of the book, there really was nothing going on. I was really just hoping it would slowly build up and end with a good pow.
It honestly didn't. It was like Nikita in walking through very deep snow motion, and I actually like Nikita. It's certainly not as interesting as Grimm though. I'm not even surprised by the end. It's obvious and doesn't exactly take brains to figure out the most logical answer.
Then again, I could be surprised by the second book, but I'm pretty sure I won't be surprised. I probably won't be surprised on what may happen at the end of the trilogy either, but that's yet to be seen. *doesn't really plan on reading further on the series unless things spice up a notch in action*
<blockquote>A few different people some good, some not so good. Do you have time to talk? My name is Sarah, by the way.</blockquote>
Essentially it's a repeat of "Hi, I'm so and so. Can we talk?" in a different style. I stress SLOW. Too much talking. Less talking, more action. I have a semi-short attention span and I have other books on my review queue to read that are most likely more interesting than a bunch of dialogue. >_<
Let me backtrack a little. Indigo Incite isn't full of dialogue, but it simply felt like it's all talk and no action, if you know what I mean?
Maybe it's the random commas that just felt really out of place. I really thought that was the main reason for the slow going of things. I eventually ignored them, but still... nothing interesting going on. Zzzzz. *yawns*
<blockquote>Come on, boys. Henry waved the gun toward the door. Lets walk. First, Ill take that disc off your hands.</blockquote>
What happens next? ATTENTION: SPOILER ALERT! Hellooo, the police barge in. -_-
Typical bad guy gets caught by the authorities and real life stuffy. -_-
I thought Tyler and Toby would go all Jackie Chan on Henry and things will finally have some SPICE. I adore spices. Particularly cinnamon and does gingerbread marshmallows count? It contains ginger and they're delicious. Quite cheap right after Christmas too. I don't mean those Asian herbs that look like alien fingers, though for all I know they're the same thing. :D
--------------------
Review copy provided by author for review on the blog tour
Original Rating: 2.5 out of 5 Owls
Formatting has been removed due to copy and paste
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/01/review-indigo-incite-by-jacinda-buchmann.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
Ivana A. | Diary of Difference (1171 KP) rated Three Hours in Books
Feb 3, 2020
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<b><i>Three hours is 180 minutes or 10,800 seconds.
It is a morning’s lessons, a dress rehearsal of Macbeth, a snowy trek through the woods.
It’s an eternity waiting for news. Or a countdown to something terrible.
It is 180 minutes to discover who you will die for and what men will kill for.</i></b>
I am glad I got the chance to be part of the blog tour for Three Hours by Rosamund Lupton. I was reading this book while I was on a plane, travelling to Macedonia, and it was a great adventure all the way through. In all honesty, I enjoyed it a lot, but it didn’t make my favourites list.
A school is under a siege and the headmaster has been shot. The story is being told from the point of view of everyone involved – the students, the teachers, the worried parents, the investigators, even the bad guys… Different people are hiding in different places in the school, all hoping this is just a dream.
During the book, we follow a few story lines:
*Hannah, the teenage girl who is in love for the first time, trying to help the wounded headmaster.
*Rafi and his younger brother Basi, Syrian refugees, still suffering from PTSD.
*The parents that are gathered together, desperate for news that their children are safe.
*The police psychologist and investigators, who are trying to identify the gunmen.
*The students hiding in the school theatre, who rely on a Shakespeare play to calm themselves.
As the chapters go through, the time passes and we get a better glimpse of the whole picture, and the story behind the whole attack of the school. It is very nicely written and amazingly put together.
The ending was unpredictable.
I loved the ending. Even though I had a lot of guesses, and I desperately tried to convince myself that the person responsible couldn’t possibly be the guilty one, the book proved me wrong in the most unpredictable way possible. The book’s ending is the ending you have been waiting for in a thriller for a very long time, and I was quite pleased for a few days after reading it.
Throughout the book, you will get hundreds of small clues that you won’t even notice, and in the end it will all make sense. I may have to read this book again, just to enjoy all those little hidden clues throughout the way and cherish them for the amazing clues they were. Also, to simply mock my inability to spot them as well.
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<b><i>Three hours is 180 minutes or 10,800 seconds.
It is a morning’s lessons, a dress rehearsal of Macbeth, a snowy trek through the woods.
It’s an eternity waiting for news. Or a countdown to something terrible.
It is 180 minutes to discover who you will die for and what men will kill for.</i></b>
I am glad I got the chance to be part of the blog tour for Three Hours by Rosamund Lupton. I was reading this book while I was on a plane, travelling to Macedonia, and it was a great adventure all the way through. In all honesty, I enjoyed it a lot, but it didn’t make my favourites list.
A school is under a siege and the headmaster has been shot. The story is being told from the point of view of everyone involved – the students, the teachers, the worried parents, the investigators, even the bad guys… Different people are hiding in different places in the school, all hoping this is just a dream.
During the book, we follow a few story lines:
*Hannah, the teenage girl who is in love for the first time, trying to help the wounded headmaster.
*Rafi and his younger brother Basi, Syrian refugees, still suffering from PTSD.
*The parents that are gathered together, desperate for news that their children are safe.
*The police psychologist and investigators, who are trying to identify the gunmen.
*The students hiding in the school theatre, who rely on a Shakespeare play to calm themselves.
As the chapters go through, the time passes and we get a better glimpse of the whole picture, and the story behind the whole attack of the school. It is very nicely written and amazingly put together.
The ending was unpredictable.
I loved the ending. Even though I had a lot of guesses, and I desperately tried to convince myself that the person responsible couldn’t possibly be the guilty one, the book proved me wrong in the most unpredictable way possible. The book’s ending is the ending you have been waiting for in a thriller for a very long time, and I was quite pleased for a few days after reading it.
Throughout the book, you will get hundreds of small clues that you won’t even notice, and in the end it will all make sense. I may have to read this book again, just to enjoy all those little hidden clues throughout the way and cherish them for the amazing clues they were. Also, to simply mock my inability to spot them as well.
Emma @ The Movies (1786 KP) rated Queen & Slim (2019) in Movies
Feb 2, 2020
Queen and Slim share a nice, if odd, first date. Driving her home after dinner their night takes a turn as they're pulled over by a police officer. It's clear that he's less than happy, and when he asks Slim to step out of the car with no real reason Queen, as a lawyer, tries to stand for what's right. What happens next leaves them both changed and they need to escape what's coming, but neither are prepared for what it'll lead them to.
Queen and Slim was interesting and yet at times boring. The basic idea is that these two are on the run after committing a crime, that can be a thrilling ride to be on, but between the thrilling, there was a lot of filler. It wasn't bad, it's artistically shot, but at some point that doesn't make up for the lack of scene.
There's also a technique employed that really didn't sit well with me. In those in-between bits when we're shown characters there's a voiceover when they're sitting looking intense. The first time it happened I honestly thought something had gone wrong with the audio but it all went back to normal fairly quickly. Then it happened a second time and I suddenly realised... this is a thing. I didn't feel like it added anything to the film, rather it took me out of the scenes every time.
Our peripheral characters are all solid and I was particularly impressed with the lad playing the mechanics son, Jahi Di'Allo Winston. While he wasn't in a lot of the film his moments were important and held an interesting message about what was occurring in the film.
With our main characters there was a big issue I had from the very beginning. I didn't particularly like Queen as a character. Even considering the events that take place for her outside of the film's main timeline I found her actions to be unbelievable compared to the image of her as a person that we'd already gleaned. In turn, I found the reactions of Slim to be against character too. This led to a lot of other similar issues through the whole film.
Jodie Turner-Smith's performance felt a little flat, while some of that will be to do with the way Queen was written I didn't get any flashes of something unique to latch on to. Daniel Kaluuya also might not have had the best writing to deal with but his performance was much more impressive.
While the story was an interesting one and brings up a lot to think about when it comes to social justice I was almost instantly taken out of it by Queen's actions, and then put off again by the strange voiceovers. I don't think I will need to watch this one again, while there are good bits in Queen and Slim there was way too much that was just okay between them.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/queen-slim-movie-review.html
Queen and Slim was interesting and yet at times boring. The basic idea is that these two are on the run after committing a crime, that can be a thrilling ride to be on, but between the thrilling, there was a lot of filler. It wasn't bad, it's artistically shot, but at some point that doesn't make up for the lack of scene.
There's also a technique employed that really didn't sit well with me. In those in-between bits when we're shown characters there's a voiceover when they're sitting looking intense. The first time it happened I honestly thought something had gone wrong with the audio but it all went back to normal fairly quickly. Then it happened a second time and I suddenly realised... this is a thing. I didn't feel like it added anything to the film, rather it took me out of the scenes every time.
Our peripheral characters are all solid and I was particularly impressed with the lad playing the mechanics son, Jahi Di'Allo Winston. While he wasn't in a lot of the film his moments were important and held an interesting message about what was occurring in the film.
With our main characters there was a big issue I had from the very beginning. I didn't particularly like Queen as a character. Even considering the events that take place for her outside of the film's main timeline I found her actions to be unbelievable compared to the image of her as a person that we'd already gleaned. In turn, I found the reactions of Slim to be against character too. This led to a lot of other similar issues through the whole film.
Jodie Turner-Smith's performance felt a little flat, while some of that will be to do with the way Queen was written I didn't get any flashes of something unique to latch on to. Daniel Kaluuya also might not have had the best writing to deal with but his performance was much more impressive.
While the story was an interesting one and brings up a lot to think about when it comes to social justice I was almost instantly taken out of it by Queen's actions, and then put off again by the strange voiceovers. I don't think I will need to watch this one again, while there are good bits in Queen and Slim there was way too much that was just okay between them.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/queen-slim-movie-review.html
Emma @ The Movies (1786 KP) rated Richard Jewell (2019) in Movies
Mar 2, 2020
Richard longs to work in law enforcement, but his eagerness to make the best impression doesn't endear him to his employers or the people he's bound to protect.
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
Veronica Pena (690 KP) rated Rope (1948) in Movies
Mar 12, 2020
did i speak too soon?
Contains spoilers, click to show
If you've read my other reviews, you know that I'm currently in a Hitchcock film class. I've been dreading watching his films because of the ones I've seen, with the exception of Psycho, have been the same story told in different ways. I was equally as dreadful when it came to watching this film. However, I was pleasantly surprised.
In Psycho, while we saw a serial killer, it was almost as if Norman had no choice because he'd been overtaken, so to speak, by Norma Bates. Norman knew what had been done, what his mother had done, and he cleaned up after her, defended her, took care of her. In Shadow of a Doubt, while Uncle Charlie was also a killer, Hitchcock played with the likable villain scenario that we talked about last week. He was this dapper, well-liked, well-respected man that seemed like he could never be capable of the things he was accused. And even when he did die, only little Charly and the detective really knew the truth of who Uncle Charlie was. In Sabotage, we saw murder but it wasn't purposeful. The bomb that was meant to explode, wasn't meant to explode where it did - on a public bus, killing not only the nephew but several strangers and a puppy.
Rope is glaringly different in comparison. We see Brandon who is ecstatic, almost euphoric about what he and Phillip had done. He almost gets off on the idea that they just killed a man, a friend of theirs, and invited that man's family, friends, and fiance over for a party while that man's dead body lying there, unbeknownst to the guests. Brandon was excited by that. In contrast, Phillip is paranoid, drinking rapidly and in excess trying to calm himself down, but really only making himself more suspicious. The nuance and the contrast of Brandon and Phillip's characters are different than anything we've seen from Hitchcock thus far, but even further than that, we see Rupert come in and kind of save the day. He puts the pieces together, observant of both Brandon and Phillip's awkwardness and behavior throughout the party, then noticing the hat and the rope, he comes back and realizes what they have done. Instead of taking vengeance into his own hands, something that we saw in Sabotage, he fires 3 shots out of the window, causing passersby and neighbors to call the police. Rupert than sits next to the chest that holds David's body, almost protecting him, while he waits for the authorities to arrive for Brandon and Phillip.
This film, more than any other one besides Psycho, has been my favorite to watch and the one that kept me drawn in. This film does not fit the original narrative I've held. It's in a completely different game entirely.
In Psycho, while we saw a serial killer, it was almost as if Norman had no choice because he'd been overtaken, so to speak, by Norma Bates. Norman knew what had been done, what his mother had done, and he cleaned up after her, defended her, took care of her. In Shadow of a Doubt, while Uncle Charlie was also a killer, Hitchcock played with the likable villain scenario that we talked about last week. He was this dapper, well-liked, well-respected man that seemed like he could never be capable of the things he was accused. And even when he did die, only little Charly and the detective really knew the truth of who Uncle Charlie was. In Sabotage, we saw murder but it wasn't purposeful. The bomb that was meant to explode, wasn't meant to explode where it did - on a public bus, killing not only the nephew but several strangers and a puppy.
Rope is glaringly different in comparison. We see Brandon who is ecstatic, almost euphoric about what he and Phillip had done. He almost gets off on the idea that they just killed a man, a friend of theirs, and invited that man's family, friends, and fiance over for a party while that man's dead body lying there, unbeknownst to the guests. Brandon was excited by that. In contrast, Phillip is paranoid, drinking rapidly and in excess trying to calm himself down, but really only making himself more suspicious. The nuance and the contrast of Brandon and Phillip's characters are different than anything we've seen from Hitchcock thus far, but even further than that, we see Rupert come in and kind of save the day. He puts the pieces together, observant of both Brandon and Phillip's awkwardness and behavior throughout the party, then noticing the hat and the rope, he comes back and realizes what they have done. Instead of taking vengeance into his own hands, something that we saw in Sabotage, he fires 3 shots out of the window, causing passersby and neighbors to call the police. Rupert than sits next to the chest that holds David's body, almost protecting him, while he waits for the authorities to arrive for Brandon and Phillip.
This film, more than any other one besides Psycho, has been my favorite to watch and the one that kept me drawn in. This film does not fit the original narrative I've held. It's in a completely different game entirely.
Night Reader Reviews (683 KP) rated When Darkness Falls in Books
Mar 13, 2020
Honest Review for Free Copy of Book
When Darkness Falls by Kathleen Harryman is an extremely gripping thriller that will have readers up all night. This psychological murder mystery is uniquely written from the killer’s perspective and will have you making conclusions only to find out that you are oh so very wrong.
Tracy Bennett seems to be an average young woman. She has a typical and relatively boring job at a store and leads a typical life. Tracy has her own apartment which she shares with the mysterious Lauren. In her free time Tracy hangs out with her tow best friends Susie and Abigal. For as normal and mundane as Tracy’s life is there are things going on that are directly related to her, yet just like everyone else she remains oblivious.
There is someone terrorizing the city, though the police have prevented an all out panic. This person is suspected to be a large and rather muscular man, the press has named The Slasher. The real Slasher hates this name as they see their murders as artwork. This is the killer’s story and they take great pride in what they do. The killer is extremely aware of how forensic teams work and finds it funny playing mind games with them. The killers is also aware of how society labels them and often debates the characteristics of these traits and personality types. But just who is The Slasher? What makes them choose the seemingly random victims and how will all this affect Tracy?
I don’t know where to start when talking about what I liked best about this book. The perspective this book was written from was refreshing in how unique it was. Even once I figured out what was going on I did not want to accept it and the book always had me second guessing myself. While it may be a little confusing at times it is all explained in the end. What I liked least about this book is that there is not currently a sequel (thought I truly hope Kathleen Harryman writes one). This is one of those books that once you finish it you are left wanting more.
This book is ideal for adults and young adults who can handle reading graphic descriptions of blood and gore. Other than that there are mentions of a rape but nothing in detail. It could however, potentially give younger readers nightmares. I rate this book 4 out of 4. A word of warning, be careful when you start to read this book because you won't want to stop until its done. There was nothing in this book that I truly did not like and that alone is rare and impressive.
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Tracy Bennett seems to be an average young woman. She has a typical and relatively boring job at a store and leads a typical life. Tracy has her own apartment which she shares with the mysterious Lauren. In her free time Tracy hangs out with her tow best friends Susie and Abigal. For as normal and mundane as Tracy’s life is there are things going on that are directly related to her, yet just like everyone else she remains oblivious.
There is someone terrorizing the city, though the police have prevented an all out panic. This person is suspected to be a large and rather muscular man, the press has named The Slasher. The real Slasher hates this name as they see their murders as artwork. This is the killer’s story and they take great pride in what they do. The killer is extremely aware of how forensic teams work and finds it funny playing mind games with them. The killers is also aware of how society labels them and often debates the characteristics of these traits and personality types. But just who is The Slasher? What makes them choose the seemingly random victims and how will all this affect Tracy?
I don’t know where to start when talking about what I liked best about this book. The perspective this book was written from was refreshing in how unique it was. Even once I figured out what was going on I did not want to accept it and the book always had me second guessing myself. While it may be a little confusing at times it is all explained in the end. What I liked least about this book is that there is not currently a sequel (thought I truly hope Kathleen Harryman writes one). This is one of those books that once you finish it you are left wanting more.
This book is ideal for adults and young adults who can handle reading graphic descriptions of blood and gore. Other than that there are mentions of a rape but nothing in detail. It could however, potentially give younger readers nightmares. I rate this book 4 out of 4. A word of warning, be careful when you start to read this book because you won't want to stop until its done. There was nothing in this book that I truly did not like and that alone is rare and impressive.
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