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Captive State (2019)
Captive State (2019)
2019 | Sci-Fi, Thriller
John Goodman delivers a solid performance, visually appealing, (0 more)
Too grounded in reality, lacked originality, didn't feel satisfying in the end (0 more)
Not Captivating Enough - 6/10
Captive State is a 2019 sci-fi/thriller movie directed by Rupert Wyatt and co-written by Rupert Wyatt and Erica Beeney. It was produced by Amblin Partners and Participant Media with producers Rupert Wyatt and David Crockett. The film stars John Goodman, Ashton Sanders, Jonathan Majors, and Vera Farmiga.


In 2019, Chicago is placed under Martial Law as extraterrestrials invade Earth. Attempting to flee the city, the Drummond family, breaks through a barricade to a tunnel exit. Before they can back up and reverse, the aliens attack, vaporizing both parents, with the children having survived in the backseat. Nine years later, 2028, the world has surrendered to the conquering alien forces, who have now become the governing authority. They are called "The Legislators" because all rules of governance and subsequent laws come from them. Walled off from the rest of the city and deep beneath the ground, they've had conscripted humans build them suitable habitats called "Closed Zones" where only high government officials are granted access. Gabriel Drummond (Ashton Sanders), the younger son of the Drummond family is confronted by Chicago Police Commander William Mulligan (John Goodman) who believes he is a part of the resistance. Gabriel's brother Rafe Drummond (Jonathan Majors) was part of the resistance but died on a mission and murals are painted of him in Pilsen, the poor part of town, where Gabriel lives. Mulligan however is not convinced the resistance group, called Phoenix has been neutralized as believed and continues to work towards bringing them down.


This movie was not at all what I expected. I thought it was going to be better than what it was and that's because I didn't even have high expectations going into it. So from the previews/trailers it looked like it was going to be a bigger scale resistance. When I hear resistance fighting, I guess I picture more like fighting like Fallen Skies or like the resistance fighters in Star Wars. This was more of a political/spy thriller going back and forth between the point of view from members of the resistance and those tasked with bringing them down. It had sprinkling of sci-fi and aliens but was too grounded in reality to make it entertaining. It seemed very "done before" and lacked originality. John Goodman did a good job and so did Ashton Sanders but I feel this movie suffered from a bad plot to begin with. Or maybe it sounds good on paper but the delivery failed. Visually it was appealing, the aliens and ships and things looked wonderful but after watching seemed like it wasn't enough to leave the audience satisfied. I give it a 6/10.
  
Crawl (2019)
Crawl (2019)
2019 | Horror, Thriller
Killer Alligators and Buckets Of Blood
Crawl is a 2019 disaster/horror movie directed by Alexandre Aja and written by Michael and Shawn Rasmussen. It was produced by Sam Raimi and Craig J. Flores and also Ghost House Pictures and Raimi Productions with distribution by Paramount Pictures. The film stars Kaya Scodelario and Barry Pepper.


Beth advises her sister, Haley Keller (Kaya Scodelario), an aspiring University of Florida swimmer to get out of the state, because a Category 5 hurricane is nearing. Concerned for the safety of her father, Dave (Barry Pepper), she goes against police instructions to evacuate, and goes to check on him. Hayley finds Dave's truck at their old Coral Lake home, where she goes into the crawlspace underneath the home to find her father. Now they both find themselves in a struggle for survival as large, ravenous alligators block their escape and they race against time as flood waters rise.


This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. It was also pretty brutal with the blood and gore in the kill scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed blood soaked adventure. The special effects were a little too unrealistic for me, especially in the beginning, which I thought would have bothered me more; but the plight the characters were in was done in such a way, that it just really draws you in. I know a lot of people would probably criticize the alligators behavior in this film too but I'm sure that could be said of movies like Jaws as well. If you don't over analyze it, you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.

This movie was pretty awesome and better than I thought it was going to be. It was surprisingly delightful the way they built suspense and kept the tension in scenes. Kayla Scodelario performed amazingly and was great as Hayley Keller. Definitely an action-packed, blood soaked adventure. The special effects were a little too unrealistic for me, especiallywhich I thought would have bothered me more but the plight the characters were done in such a that it just really draws you in. I know a lot of people would probably criticize the way the alligators behavior in this film but I'm sure that could be said of movies like Jaws as well. If you don't analyze it too harshly you'll allow yourself to enjoy a rather exhilarating experience. I give it a 8/10.
  
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Adam Ant recommended Idiot by Iggy Pop in Music (curated)

 
Idiot by Iggy Pop
Idiot by Iggy Pop
1977 | Rock
9.0 (1 Ratings)
Album Favorite

"I was listening to this all through 1977 at a time when I was staying at a flat in Buckingham Gate with Linda, the famous dominatrix – y'know, beating up MPs and all that. And we'd have the New York Dolls in there and various members of the Pistols hanging out. I was staying there because that was where my friend Jordan lived, who worked with Vivienne [Westwood]. Everyone had gone to bed and I had the headphones on listening to The Idiot. I only ever listen to it late at night; I can't listen to it any other time. It's got such a great mood to it. It's a very dark record, the songs are really grinding. I went to do a gig a year or so later in Berlin at a club called SO36 on Oranienstrasse. The Idiot was mixed in Berlin and was the perfect soundtrack to going there when the Wall was still up. It was such a volatile, dangerous place to be. People were disappearing on the way there. We stayed in an old building. The place hadn't changed much since the war, it was still bomb damaged. There were lots of really old ladies with fur coats on going around buying gloves. There seemed to be lots of shops there selling these beautiful handmade gloves. It was in the Turkish quarter and it was quite exciting to go over there and play a gig. It was lost in time, that place. The fans there were quite ahead of the game. They had their own scene. The SO36 club was the reverse of any club we'd ever played. It was completely white with these dazzling neon lights, so you played in this absolutely bright, white room. The crowd were all there with their wedge haircuts, looking all existentialist. And at the end of the show the police tear gassed the place and it came to an abrupt end. That album always reminds me of that time. But every song on that album is a mood; him in a basement breaking out of whatever it was going through at the time. It's the perfect late night record. I met Iggy once at a theatre in Fulham during the Lust for Life tour, I think. He was there rehearsing and we were introduced. The thing that impressed me was that he'd introduce himself off stage: ""Ladies and gentlemen, Iggy Pop."" [Chuckles] He came out and played that night and he had jeans on with a big fur tail hanging out the back and a German helmet and he'd covered himself in paint. Typical Iggy. He was a great performer. Off stage he was very smiley, really sweet to talk to."

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The Little Things (2021)
The Little Things (2021)
2021 | Crime, Drama, Thriller
7
6.7 (10 Ratings)
Movie Rating
Great cast (0 more)
Lacks tension and suspense (0 more)
The opening of The Little Things promises a lot but ultimately the tension that is driven during the first ten minutes is nowhere to be seen for the rest of the run time.

With three Oscar-winning actors and a genre that I absolutely love I couldn’t have been more excited, but that excitement started to take a nosedive when ‘The Little Things‘ started to get a ‘little dull’. Joe ‘Deke’ Deacon (Denzel Washington) is former Los Angeles cop turned local county sheriff, whose content with chasing small-time criminals. When he is asked to go back to the city to pick up some evidence for another case he crosses paths with Jim Baxter (Rami Malek) who is on the hunt for a sadistic serial killer.

Baxter realising that he is in the presence of greatness asks Deacon to accompany him to a crime scene, at which point Deke’s instincts point to someone potentially far more dangerous. Set in the 90s this is raw police work and the use of technology is limited, this is about assessing a crime scene in-depth, or in this case why the killer posed his victims in specific ways or returned to the crime scene later to move them.

Director John Lee Hancock wrote the script 30 years ago which is where it has remained until now. At one point Steven Spielberg and Clint Eastwood were rumoured to direct. The film bears resemblance to such thrillers as Se7en and Zodiac, however, The Little Things might be 30 years too late. The atmosphere and ambience is a neo-noir, at one point Deke is lying on a bed in a run-down motel room starring at polaroid photos of past victims on the wall. An obsession burning inside to catch the killer, which during flashbacks, he has encountered before.

And then there is Albert Sparma (Jared Leto) the prime suspect, or is he? Such is the film’s ambiguity that the third act will leave you scratching your head, trying to piece the evidence together yourself in a bid to catch the killer. Sparma has all the tendencies of a serial killer, he certainly has the look and demeanour. But he may also be a self-obsessed crime buff, with a morbid fascination for death and crime scenes.

All three actors give a solid account of themselves, with Leto making the biggest impression. He’s creepy in a way that will get under your skin. The film is bursting with ideas and places to ramp up the tension but it falls short which is such a shame. As someone who is very fond of a good psychological thriller, this was definitely a missed opportunity.
  
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Kristy H (1252 KP) rated Mother May I in Books

Apr 15, 2021  
Mother May I
Mother May I
Joshilyn Jackson | 2021 | Contemporary, Thriller
9
9.3 (4 Ratings)
Book Rating
A riveting and addictive thriller about the power of motherhood
Bree Cabbat wakes up in the middle night, convinced a witch was peering into her bedroom window. Surely it was just a dream, she thinks, trying to get over the bad feeling the dream leaves behind. But the next day she sees the witch again--a haggard old woman--at the private school her daughters attend. Minutes later, Bree's infant son, Robert, vanishes, stolen from his car seat while she watches her oldest daughter rehearse. There's a note left behind, and Bree is told she cannot go to the police or fail to the follow instructions whatsoever. A woman contacts Bree, and Bree learns the old woman is a mother herself. She has a task for Bree; Bree agrees to do it, for she would do anything to get her son back. But completing that request sets off a series of events that Bree could have never foreseen, unleashing buried secrets and disastrous consequences. And in the end, it comes down to this: how far will two mothers go to protect their children?

"I felt more than I thought, Something bad is coming for us."

Wow, MOTHER MAY I was an excellent thriller! I was sucked in from the beginning, and this riveting page-turner never let me go. It was surprisingly captivating and so suspenseful--Bree's son Robert is taken nearly immediately, and the rest of the book revolves around her frantically trying to get him back. As she does, she learns more about the woman who stole him. The relationship the two form over the phone is fascinating. Bree is one tough cookie, as is her friend from college, Marshall, a PI at her husband's law firm.

"If you ever want to see your baby again, GO HOME"

Bree was once a poor kid, raised by a fearful mother in rural Georgia, but she's now a wealthy wife and mother, having married an attorney with family money and connections. She's worked hard to push off her mom's fears and wariness and feels like that her picture perfect life has proved her right. But with Robert's kidnapping, she starts to wonder if her mom was justified all along. The novel deftly explores the theme of class. It offers some wonderful messages on the power of motherhood--no matter how wealthy you may be. It certainly makes you think: what would you do in Bree's situation? And the old woman's?

Perhaps not everything in this tale is plausible, but I could have cared less. I was here for all of it! It was incredibly suspenseful and twisty, with information oozing out and surprising you at every turn. I truly couldn't put it down. This is definitely a winning thriller in my book! 4.5 stars.
  
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Kristy H (1252 KP) rated The Maidens in Books

Jun 24, 2021  
The Maidens
The Maidens
Alex Michaelides | 2021 | Mystery, Thriller
4
7.0 (2 Ratings)
Book Rating
A lackluster and dull thriller
Mariana Andros is a group therapist and Cambridge University graduate. She is mourning her late husband, Sebastian, when their niece, Zoe, calls, upset because a friend at Cambridge has been murdered. Mariana and Sebastian raised Zoe as a surrogate daughter, so Mariana heads to Cambridge and St. Christopher's College to be there for her. There, Mariana feels she can help her friend and fellow therapist, Julian Ashcroft, in looking into the murder. Mariana is convinced that Greek tragedy professor Edward Fosca is responsible. He is followed around by a group of female students, deemed The Maidens, who seem obsessed with Fosca and his teachings. When another girl, a Maiden, is found dead, Mariana vows she will do anything to stop him.

"Death was no stranger to Mariana; it had been her traveling companion since she was a child--keeping close behind her, hovering just over her shoulder. She sometimes felt she had been cursed, as if by some malevolent goddess in a Greek myth, to lose everyone she ever loved."

Unpopular opinion time... this book did not work for me. I did not find it engaging nor interesting. I had to force myself to keep reading, as I did not care for any of the characters, including Mariana and Zoe. Mariana is fixated on Edward Fosca from the beginning and seems convinced she should insert herself in a rather serious murder investigation despite not seeming one bit qualified. I'm not sure how her group therapist qualifications lend her any credentials and she lies constantly, much to the annoyance (justified) and detriment of the police. There are basically no sympathetic characters, and there seems to be no reason to care about the murdered women, as we're given no background on them. Some characters (e.g., Julian) seem inserted for no reason whatsoever.

There is a lot of Greek mythology tucked into the story and perhaps I was just over it, as I've read several books revolving around Greek myths lately. It was a lot, though, and sometimes did not seem relevant to our story.

This thriller is certainly atmospheric, with Cambridge playing a strong role in the setting. You definitely feel a part of the academic setting, and I learned a lot about the university while reading. It's dark and somewhat foreboding, but since I was not fully invested in the story, I could only feel so tense. There are some twists, but the big twist came too late and seemed too preposterous to be truly exciting. The author throws in so many red herrings that you find yourself almost rolling your eyes.

Still, this is a very popular thriller for many readers, so chances are it may work for you. For me, it just didn't hold my interest or seem all that, well, thrilling. 2 stars.