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Hazel (2934 KP) rated The Stolen Child (Hanlon Series #1) in Books
Jan 21, 2021
Well, crikey, that was a tough but exciting read that I wasn't able to put down despite the content.
I haven't read anything by this author before and missed this first time round when it was published under a different name but I'm so glad I didn't let it pass me by this time because what a treat it is, although it should come with a warning as there are some very unsavoury sections regarding child abuse that will upset people so be warned.
What we have here is a hard-hitting, gritty and dark story that starts at a fairly gentle pace whilst introducing the main characters but then, wow, it ramps up and doesn't stop until the end. The characters are exceptional and so well described that I could clearly see them in my mind.
The main character, DI Hanlon, is driven by her own form of justice and won't shy away from any situation even if it goes against the letter of the law - she will do what it takes to bring those responsible for despicable crimes to justice and she doesn't hold back. She is one tough cookie and I doubt any miscreant out there would want to be on her bad side!
The sense of tension Mr Coombs developed was palpable and the emotions this book evoked were so strong that I actually felt my heart-rate climbing and experiencing real anger and hatred towards some of the characters - not many books do that which, to me, shows the ability of the author to really draw you in and develop people and situations that get under your skin.
Due to the subject matter and the level of violence contained, this won't appeal to everyone however I would certainly recommend it to those who enjoy a less than flowery police procedural that is likely to be more realistic than most other books in the genre.
Many thanks to Boldwood Books and NetGalley for my copy in return for an honest, unbiased and unedited review and for introducing me to yet another excellent British author.
I'm off to read the second in the series now - The Innocent Girl.
I haven't read anything by this author before and missed this first time round when it was published under a different name but I'm so glad I didn't let it pass me by this time because what a treat it is, although it should come with a warning as there are some very unsavoury sections regarding child abuse that will upset people so be warned.
What we have here is a hard-hitting, gritty and dark story that starts at a fairly gentle pace whilst introducing the main characters but then, wow, it ramps up and doesn't stop until the end. The characters are exceptional and so well described that I could clearly see them in my mind.
The main character, DI Hanlon, is driven by her own form of justice and won't shy away from any situation even if it goes against the letter of the law - she will do what it takes to bring those responsible for despicable crimes to justice and she doesn't hold back. She is one tough cookie and I doubt any miscreant out there would want to be on her bad side!
The sense of tension Mr Coombs developed was palpable and the emotions this book evoked were so strong that I actually felt my heart-rate climbing and experiencing real anger and hatred towards some of the characters - not many books do that which, to me, shows the ability of the author to really draw you in and develop people and situations that get under your skin.
Due to the subject matter and the level of violence contained, this won't appeal to everyone however I would certainly recommend it to those who enjoy a less than flowery police procedural that is likely to be more realistic than most other books in the genre.
Many thanks to Boldwood Books and NetGalley for my copy in return for an honest, unbiased and unedited review and for introducing me to yet another excellent British author.
I'm off to read the second in the series now - The Innocent Girl.
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American Fire:Love, Arson, And Life In A Vanishing Land
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A breathtaking feat of reportage, American Fire combines procedural with love story, redefining...
Hazel (2934 KP) rated The Whole Truth (DI Adam Fawley #5) in Books
Aug 14, 2022
I have had this book on my 'to-be-read' pile for ages only realising (because my pile is so big!) when book 6 came along. I am so disappointed with myself that I didn't read it earlier because this is yet another cracker from Cara Hunter and a great addition to the series. I don't think you have to read the others in the series to enjoy this as it works pretty well as a standalone.
Once again, we are treated to an up to date story line of alleged abuse by a female in a powerful position against a male student and an old case that is coming back to haunt DI Fawley, his team and his wife. Ms Hunter uses different types of media, including podcasts and transcripts from interviews, to enhance the story and make it feel current and relevant and definitely enhances the reading experience.
The Whole Truth, and in fact the whole series so far, is full of excellent characters that are well developed but what I particularly like is that at the very beginning, there is a brief summary of the main characters in the series which gets you up to speed and jogs your memory which, for people who read a lot of books/series or for those, like me, who have memory lapses from time to time, is really useful. I would certainly recommend this to other authors who write series.
I have one small quibble in what is a really good book and that is the reproduction of Alex's written notes and some of the excepts from text conversations and social media didn't reproduce very well on the Kindle in that they were too small even when the font was set to maximum; I realise in a physical book this is likely not to be an issue but it might be worth thinking about this for future books.
Like I said, this is a cracker and one I would recommend to those of you who enjoy a really good police procedural with some great twists, turns and suspense.
Many thanks to Penguin Books UK and NetGalley for enabling me to read and share my views of The Whole Truth.
Once again, we are treated to an up to date story line of alleged abuse by a female in a powerful position against a male student and an old case that is coming back to haunt DI Fawley, his team and his wife. Ms Hunter uses different types of media, including podcasts and transcripts from interviews, to enhance the story and make it feel current and relevant and definitely enhances the reading experience.
The Whole Truth, and in fact the whole series so far, is full of excellent characters that are well developed but what I particularly like is that at the very beginning, there is a brief summary of the main characters in the series which gets you up to speed and jogs your memory which, for people who read a lot of books/series or for those, like me, who have memory lapses from time to time, is really useful. I would certainly recommend this to other authors who write series.
I have one small quibble in what is a really good book and that is the reproduction of Alex's written notes and some of the excepts from text conversations and social media didn't reproduce very well on the Kindle in that they were too small even when the font was set to maximum; I realise in a physical book this is likely not to be an issue but it might be worth thinking about this for future books.
Like I said, this is a cracker and one I would recommend to those of you who enjoy a really good police procedural with some great twists, turns and suspense.
Many thanks to Penguin Books UK and NetGalley for enabling me to read and share my views of The Whole Truth.
Kristy H (1252 KP) rated A Means to an End in Books
Sep 13, 2019
Cold Case Detective Lauren Riley is back on the job after being stabbed in the line of duty. She and her partner, Shane Reese, find themselves investigating a body dumped in the woods in the exact same site as a victim from one of Lauren's previous cases. She quickly recognizes the tie to David Spencer, a clever kid whom Lauren helped get off on a murder charge while she was working as a Private Investigator. Once he was acquitted, Lauren realized he was a cold-blooded psychopath, and she's been haunted by it (and him) ever since. Lauren is put on a Task Force investigating the killing--and the unsolved murders of two cops--but she quickly realizes she may be the only one who can stop David, for once and for all.
I really like the character of Lauren Riley--she's a tough yet vulnerable cop who knows her stuff, and I've been following her since the beginning of this series. This book tied up some things, but left others hanging, and I have to admit, I hope there is a book four out there? I also have to say, to prove my devotion to Lauren, my ARC copy had issues with the "f"s in the book (e.g. Sheriff = Sheri; office = offce; files = les, etc.) and none of the text messages were in there, and I still read it, because I needed to know what was happening to Lauren. A final copy will be fine--just pointing out how much I care about these characters!
We have a small cast here, but do get some new blood, mainly in the form of the task force gents. Two, of course, suspect Lauren for the cop killings that happened in the second novel, but one, Jack Nolan, seems to be a good guy. Poor Lauren, she can't catch a break. I would mention that this book will make more sense if you've read the first two. Redmond explains things, but the backstory is easier to comprehend (and those first two books are good). Still, don't let that scare you away from this one.
These cases are personal for Lauren, and I found some of this book stressful, as I care about her and Reese, and I was worried about them both! If you're less invested, you may not be as concerned. No matter what, it's an interesting book--we think we know our suspect (David), but we're never quite sure, and there's a lot of angst and intrigue in trying to track him down. I always enjoy how the city of Buffalo is almost another character in these books, and it's very clear that Redmond knows her police procedures.
"She'd been waging a one-person war against him, and she was losing. She had to take this further before anyone else got hurt."
Overall, I definitely recommend this one, especially if you've read the earlier books, enjoy a good police procedural, or are on the hunt for a strong female protagonist. Redmond's stories are always interesting and sure to suck you in. 4 stars.
I really like the character of Lauren Riley--she's a tough yet vulnerable cop who knows her stuff, and I've been following her since the beginning of this series. This book tied up some things, but left others hanging, and I have to admit, I hope there is a book four out there? I also have to say, to prove my devotion to Lauren, my ARC copy had issues with the "f"s in the book (e.g. Sheriff = Sheri; office = offce; files = les, etc.) and none of the text messages were in there, and I still read it, because I needed to know what was happening to Lauren. A final copy will be fine--just pointing out how much I care about these characters!
We have a small cast here, but do get some new blood, mainly in the form of the task force gents. Two, of course, suspect Lauren for the cop killings that happened in the second novel, but one, Jack Nolan, seems to be a good guy. Poor Lauren, she can't catch a break. I would mention that this book will make more sense if you've read the first two. Redmond explains things, but the backstory is easier to comprehend (and those first two books are good). Still, don't let that scare you away from this one.
These cases are personal for Lauren, and I found some of this book stressful, as I care about her and Reese, and I was worried about them both! If you're less invested, you may not be as concerned. No matter what, it's an interesting book--we think we know our suspect (David), but we're never quite sure, and there's a lot of angst and intrigue in trying to track him down. I always enjoy how the city of Buffalo is almost another character in these books, and it's very clear that Redmond knows her police procedures.
"She'd been waging a one-person war against him, and she was losing. She had to take this further before anyone else got hurt."
Overall, I definitely recommend this one, especially if you've read the earlier books, enjoy a good police procedural, or are on the hunt for a strong female protagonist. Redmond's stories are always interesting and sure to suck you in. 4 stars.
Phil Leader (619 KP) rated Bells On Her Toes in Books
Nov 8, 2019
When a body is discovered in a burnt-out barn, DCI Peter Hatherall and DI Fiona Williams are assigned to investigate. The barn is owned by a racehorse trainer and the two detectives struggle to penetrate the closed and secretive world of horse racing to uncover who the body is and why they were murdered. As the body count rises Hatharall's personal life starts to impact on his professional judgement putting not only the investigation but lives at risk.
The police procedural has a long and distinguished history and Febry does an excellent job in following the formula and adding enough twists and turns to keep the reader guessing. Everything is told from a personal point of view (mostly Williams') and the author does a great job in conveying personality through how events are described. One of the key suspects also provides some of their thoughts between chapters and this very effectively cranks the tension up.
The cast of characters is very convincing. The detective with personal problems has very much become a cliche but Hatherall is drawn in a very realistic and human light and is clearly struggling. Williams has her own relationship issues and their interaction has a ring of authenticity. The cast of suspects is wide and a number of them could easily be guily. What is certain is that it will take time for all the secrets to be uncovered.
The plot has many twists and plenty of red herrings for both the reader and the detectives to fall foul of. The stakes are constantly raised until the final confrontation.
When reading this book I was reminded of one of my favourite detective thriller novelists, Reginald Hill. The characterisation, the plot twists and some of the way Febry plays with the reader's expectations reminded so much of a Dalziel and Pascoe novel. I think that's a very fair comparison and although Peter Hathersall is not at all like Andy Dalziel he is still a detective who works with both facts and instinct
This books is part of a series (and indeed one of the other books in the series is mentioned in passing) and if this novel is anything to go by the series is one to read as soon as possible. Anyone who likes a good detective novel with interesting characters and plenty of twists will like this. A lot.
The police procedural has a long and distinguished history and Febry does an excellent job in following the formula and adding enough twists and turns to keep the reader guessing. Everything is told from a personal point of view (mostly Williams') and the author does a great job in conveying personality through how events are described. One of the key suspects also provides some of their thoughts between chapters and this very effectively cranks the tension up.
The cast of characters is very convincing. The detective with personal problems has very much become a cliche but Hatherall is drawn in a very realistic and human light and is clearly struggling. Williams has her own relationship issues and their interaction has a ring of authenticity. The cast of suspects is wide and a number of them could easily be guily. What is certain is that it will take time for all the secrets to be uncovered.
The plot has many twists and plenty of red herrings for both the reader and the detectives to fall foul of. The stakes are constantly raised until the final confrontation.
When reading this book I was reminded of one of my favourite detective thriller novelists, Reginald Hill. The characterisation, the plot twists and some of the way Febry plays with the reader's expectations reminded so much of a Dalziel and Pascoe novel. I think that's a very fair comparison and although Peter Hathersall is not at all like Andy Dalziel he is still a detective who works with both facts and instinct
This books is part of a series (and indeed one of the other books in the series is mentioned in passing) and if this novel is anything to go by the series is one to read as soon as possible. Anyone who likes a good detective novel with interesting characters and plenty of twists will like this. A lot.
Kristy H (1252 KP) rated The Long Call in Books
Sep 13, 2019
Well, this was an excellent police procedural; one of those mysteries that you get caught up in from the start. I'll be honest that I've never heard of Ann Cleeves or any of her previous series. That's clearly my loss, and I'm definitely interested in her other works now.
I won't go into too many details here and spoil the plot, but I'll say that this is a great read, filled with all the little details and nuances that you get from a strong writer. I was heartened from the beginning to find our protagonist, DI Venn, to be gay. You don't get a lot of that in the mystery world. His sexuality is a part of the book, but not the focus, and it was just really nice to read about a gay detective. Matthew is a fascinating character, who is grappling with facing members of the Barum Brethren, a religious sect that he grew up in, but of whom he is no longer a member. He is also a straight-laced policeman, and a strong leader who can admit his faults. It will be nice to follow him in a new series.
His team is interesting as well--quirky Jen and annoying Ross are the main two--and I hope they come along in the second book. Cleeves is quite adept at creating her characters, and all are easy to imagine. There's a wide cast of characters in this one, and plenty of suspects, but not so many as to get confused or lost. There's a main plotline (murdered man) and a secondary one--that may be related--and both are intriguing and keep you guessing. We learn things along with the team, as they investigate, which is always a favorite of mine. It's a small-town setting, and many folks are complicated, many have secrets, and it's difficult to work out which secret may have led to murder! (Though I'm proud that I had an inkling about some things!)
In the end, this was a really strong mystery. It quietly keeps you guessing and invested in the story. The characters are excellent, and I'm just so heartened to find a gay lead! It's thoughtful and smart, without any gimmicks. Definitely recommend. 4+ stars.
I won't go into too many details here and spoil the plot, but I'll say that this is a great read, filled with all the little details and nuances that you get from a strong writer. I was heartened from the beginning to find our protagonist, DI Venn, to be gay. You don't get a lot of that in the mystery world. His sexuality is a part of the book, but not the focus, and it was just really nice to read about a gay detective. Matthew is a fascinating character, who is grappling with facing members of the Barum Brethren, a religious sect that he grew up in, but of whom he is no longer a member. He is also a straight-laced policeman, and a strong leader who can admit his faults. It will be nice to follow him in a new series.
His team is interesting as well--quirky Jen and annoying Ross are the main two--and I hope they come along in the second book. Cleeves is quite adept at creating her characters, and all are easy to imagine. There's a wide cast of characters in this one, and plenty of suspects, but not so many as to get confused or lost. There's a main plotline (murdered man) and a secondary one--that may be related--and both are intriguing and keep you guessing. We learn things along with the team, as they investigate, which is always a favorite of mine. It's a small-town setting, and many folks are complicated, many have secrets, and it's difficult to work out which secret may have led to murder! (Though I'm proud that I had an inkling about some things!)
In the end, this was a really strong mystery. It quietly keeps you guessing and invested in the story. The characters are excellent, and I'm just so heartened to find a gay lead! It's thoughtful and smart, without any gimmicks. Definitely recommend. 4+ stars.
Softer Than You Think
Utterly bonkers attempt at combining an apocalyptic thriller with gritty police procedural; the preposterousness of the plot combined with the fact that it always takes itself Very, Very Seriously results in what's essentially a hilarious unintentional comedy.
So, what's it about? Well, a pair of London coppers (cockney geezer and troubled waif) stumble upon a USB stick containing the government's advance planning for the end of the world, which is due in about five years. Quite what form this planning takes is a little unclear, as it neglects to mention just what form the apocalypse is going to take (which if nothing else allows the show a nice big revelation at the end of the season). Geezer and Waif must try to get the truth out there while fending off government agents who want them dead!
Except, it's not really about that: news of the impending catastrophe, whatever it is, lures various nutters out of the woodwork to start committing grisly murders, and - wouldn't you know it - whenever Geezer and Waif get a spare moment from being hunted by the government, they have to go around catching them By Any Means Necessary! (At one point Geezer contemplates waterboarding an innocent man who's not being cooperative enough.)
Except, it's not just about that, either, for Geezer and Waif have the most implausibly complicated back-stories known to man, involving an extramarital fling, a secure unit, an internal affairs investigation, the murder of Geezer's old partner, a secret deal, and Waif's homicidal grown-up son (who seems to be nearly as old as she is).
All of this stuff bangs together in the most grisly and unlikely fashion, with a general tone of overwrought existential misery (every one of the duo's cases either features a moment where they literally start beating each other up with collapsible truncheons, or one where they sit down together and wail 'What's the point of any of this? We're all going to be dead in five years anyway!').
The sheer ridiculousness of Hard Sun makes it quite watchable in a stick-it-on-in-the-background-while-you're-doing-something else kind of way; every time you find yourself saying 'This can't possibly get any sillier' the show comes right back and proves you wrong. The makers of the show are clearly hoping for a full five year run, counting down to the actual apocalypse itself, although clearly the format is in for a big retool somewhere along the line. Fingers crossed this finds the devoted global audience such a potential cult camp classic deserves.
So, what's it about? Well, a pair of London coppers (cockney geezer and troubled waif) stumble upon a USB stick containing the government's advance planning for the end of the world, which is due in about five years. Quite what form this planning takes is a little unclear, as it neglects to mention just what form the apocalypse is going to take (which if nothing else allows the show a nice big revelation at the end of the season). Geezer and Waif must try to get the truth out there while fending off government agents who want them dead!
Except, it's not really about that: news of the impending catastrophe, whatever it is, lures various nutters out of the woodwork to start committing grisly murders, and - wouldn't you know it - whenever Geezer and Waif get a spare moment from being hunted by the government, they have to go around catching them By Any Means Necessary! (At one point Geezer contemplates waterboarding an innocent man who's not being cooperative enough.)
Except, it's not just about that, either, for Geezer and Waif have the most implausibly complicated back-stories known to man, involving an extramarital fling, a secure unit, an internal affairs investigation, the murder of Geezer's old partner, a secret deal, and Waif's homicidal grown-up son (who seems to be nearly as old as she is).
All of this stuff bangs together in the most grisly and unlikely fashion, with a general tone of overwrought existential misery (every one of the duo's cases either features a moment where they literally start beating each other up with collapsible truncheons, or one where they sit down together and wail 'What's the point of any of this? We're all going to be dead in five years anyway!').
The sheer ridiculousness of Hard Sun makes it quite watchable in a stick-it-on-in-the-background-while-you're-doing-something else kind of way; every time you find yourself saying 'This can't possibly get any sillier' the show comes right back and proves you wrong. The makers of the show are clearly hoping for a full five year run, counting down to the actual apocalypse itself, although clearly the format is in for a big retool somewhere along the line. Fingers crossed this finds the devoted global audience such a potential cult camp classic deserves.
Kristy H (1252 KP) rated The Witch Elm: A Novel in Books
Mar 18, 2019
Interesting but long and slow at times
Life has always been pretty easy for Toby--school, girls, job, etc. All that changes in an instant, however, after a night out with his two best friends. Upon arriving home, Toby surprises two burglars in his home. They beat him horribly, leaving him with terrible injuries that may impact his life forever. Unable to go back to work, Toby reluctantly heads to the Ivy House, his family home, where he spent many happy summers with his cousins. His Uncle Hugo is ill--with irreparable brain cancer--and Toby agrees to help care for him in his last few months. Then Toby's nephew discovers a skull in the backyard of Ivy House and everything changes again. Toby begins questioning everything he remembered about his happy childhood--and his own guilt and innocence.
This is the first "stand-alone" for Tana French, versus her group of loosely connected police procedural novels. For some reason, it wasn't quite what I was expecting, and I found myself sort of missing the detective side of things. As this is a typical Tana French novel, there are a lot of thoughts and feelings, with Toby explaining (a lot) about how he feels, how things affect him, etc. It's always something you just have to be prepared for and used to with her books. She's a wonderful writer, and the novel's setting unfolds so easily around you.
Of course, it also means that things can happen fairly slowly. The discovery of the skull, for instance, while heralded in the novel's description, doesn't happen until around 200 pages in. Those first 200 pages can be a bit slow. Things do pick up when they find the skull, but there is definitely a lot of character-driven angst that accompanied the mystery of what happened in the backyard of the Ivy House, and sometimes it was a bit much for me.
Toby has to grow on you, and the book is Toby central, with everything coming in from him and all his many ramblings. The other characters are a bit hard to like (with the exception, perhaps, of poor Hugo), which doesn't make things any easier. A lot of bickering unlikable relatives can only take you so far.
Still, I was intrigued as to what had gone down in the backyard to lead to a skull landing in a tree, and I cannot argue that French is just a lovely writer, who can weave a beautiful scene. This was an interesting novel and compelling at times, but it was a bit long, and it took me a over a week to finish, which is certainly longer than usual in my typical reading span. I never really felt excited to read it, though I often enjoyed it once I picked it up, if that makes any sense. I'll still be back to read whatever Tana French writes, of course.
This is the first "stand-alone" for Tana French, versus her group of loosely connected police procedural novels. For some reason, it wasn't quite what I was expecting, and I found myself sort of missing the detective side of things. As this is a typical Tana French novel, there are a lot of thoughts and feelings, with Toby explaining (a lot) about how he feels, how things affect him, etc. It's always something you just have to be prepared for and used to with her books. She's a wonderful writer, and the novel's setting unfolds so easily around you.
Of course, it also means that things can happen fairly slowly. The discovery of the skull, for instance, while heralded in the novel's description, doesn't happen until around 200 pages in. Those first 200 pages can be a bit slow. Things do pick up when they find the skull, but there is definitely a lot of character-driven angst that accompanied the mystery of what happened in the backyard of the Ivy House, and sometimes it was a bit much for me.
Toby has to grow on you, and the book is Toby central, with everything coming in from him and all his many ramblings. The other characters are a bit hard to like (with the exception, perhaps, of poor Hugo), which doesn't make things any easier. A lot of bickering unlikable relatives can only take you so far.
Still, I was intrigued as to what had gone down in the backyard to lead to a skull landing in a tree, and I cannot argue that French is just a lovely writer, who can weave a beautiful scene. This was an interesting novel and compelling at times, but it was a bit long, and it took me a over a week to finish, which is certainly longer than usual in my typical reading span. I never really felt excited to read it, though I often enjoyed it once I picked it up, if that makes any sense. I'll still be back to read whatever Tana French writes, of course.
BankofMarquis (1832 KP) rated The Batman (2022) in Movies
Mar 12, 2022
Too Long Of a Setup for a Terrific Payoff
The rap on the films of the DCEU - especially the films directed by Zach Snyder - is that they are too dark, dour and a “downer”, with very little joy or sunshine in the images or themes.
The Writer and Director of the new DCEU film, THE BATMAN, Matt Reeves (CLOVERFIELD) has one simple answer for you: “Hold my beer”.
Doubling down on the dark themes, imagery and attitudes of all involved, THE BATMAN is a 3 hour epic that is unrelenting in it’s bleakness with constant rain and dark images with not a peak of sun or color in the entire film. This bleakness and the slowness of the first 5/6 of this film will turn off the average viewer and will thrill only the most diehard of fans.
And that’s too bad for the last 1/2 hour of this film is pretty terrific, paying off the long setup beforehand with a confrontation between Batman (Robert Pattinson) and The Riddler (Paul Dano) that rivals just about any confrontation scene in comic books movie history (this side of Heath Ledger’s Joker).
Let’s start with the overwhelming look and feel of this film. It is a downer. Gotham City is, yet again, a city in decay with the bad guys over-running the good guys. Which begs this question - why would anyone join the Gotham City Police Department? But Director/Writer Reeves is is sure-handed in his approach to this material and he is unwavering in his bleakness. It is a strongly directed film that knows what it wants to be and does not pretend to be anything else - nor does it apologize for being what it is.
In this world is dropped Robert Pattinson (the TWILIGHT films) as the titular Batman and he is a perfect choice for this role in this film. His Batman is morose, dour, thoughtful and razor focused on being “vengeance”. He is not interested in being a good guy or a superhero, rather this version of Batman is focused on being a really good Detective, ferreting out evil-doers and administering punishment when they are caught. This film barely mentions Batman’s alter-ego, Bruce Wayne, and when Pattinson is on the screen in the guise as Bruce Wayne he looks uninterested in being Bruce Wayne, he’d rather be Batman - and this is a compliment for that is how this movie portrays this dual role. Batman is disguising himself as Bruce Wayne (and not vica-versa).
Assisting Batman in his Detective work is Lt. James Gordon (the always terrific Jeffrey Wright), the only honest cop in a corrupt Police Department. These 2 work as a Detective team, and this film often-times feels like a Detective procedural, some liken it to SEVEN with Brad Pitt/Morgan Freeman, I look at it more like the first season of TRUE DETECTIVE(the one with Matthew McConaughey and Woody Harrelson), dark and interesting in their search for the bad guys.
As is typical of these types of films, we have a rogues gallery of villains. Some fair well - an unrecognizable Colin Farrel as Oz (the Penguin) and John Torturro as mob boss Carmine Falcone. While others fair less well - Peter Sarsgaard as corrupt District Attorney Gil Colson and, unfortunately, Zoe Kravitz as Selina Kyle (Catwoman). Both of these roles are not fleshed out well. Kravitz hits the screen looking good in her cat suit and while there is unmistakable sexual chemistry between Catwoman and Batman (not, it should be noted, between Selina Kyle and Bruce Wayne), but this only takes the character so far and Selina really wasn’t the bad-ass conflicted villain/hero that one would expect.
A pleasant surprise was the performance of the always interesting Paul Dano as the Riddler. He underplays this character in much the same way that most have overplayed him. Clearly, this is a smart, if mentally off, person who talks through riddles but has an overall plan to bring down “The Bat’ and the City. Not to spoil this film, but it didn’t really grab my attention until after the masked Riddler was unmasked and that was very late in the game - almost too late.
And that’s the problem with this film. The last 1/2 hour is TERRIFIC, but one has to sit through 2 1/2 hours of dark, dour setup to get there and for most, that journey will not be worth the payoff.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
The Writer and Director of the new DCEU film, THE BATMAN, Matt Reeves (CLOVERFIELD) has one simple answer for you: “Hold my beer”.
Doubling down on the dark themes, imagery and attitudes of all involved, THE BATMAN is a 3 hour epic that is unrelenting in it’s bleakness with constant rain and dark images with not a peak of sun or color in the entire film. This bleakness and the slowness of the first 5/6 of this film will turn off the average viewer and will thrill only the most diehard of fans.
And that’s too bad for the last 1/2 hour of this film is pretty terrific, paying off the long setup beforehand with a confrontation between Batman (Robert Pattinson) and The Riddler (Paul Dano) that rivals just about any confrontation scene in comic books movie history (this side of Heath Ledger’s Joker).
Let’s start with the overwhelming look and feel of this film. It is a downer. Gotham City is, yet again, a city in decay with the bad guys over-running the good guys. Which begs this question - why would anyone join the Gotham City Police Department? But Director/Writer Reeves is is sure-handed in his approach to this material and he is unwavering in his bleakness. It is a strongly directed film that knows what it wants to be and does not pretend to be anything else - nor does it apologize for being what it is.
In this world is dropped Robert Pattinson (the TWILIGHT films) as the titular Batman and he is a perfect choice for this role in this film. His Batman is morose, dour, thoughtful and razor focused on being “vengeance”. He is not interested in being a good guy or a superhero, rather this version of Batman is focused on being a really good Detective, ferreting out evil-doers and administering punishment when they are caught. This film barely mentions Batman’s alter-ego, Bruce Wayne, and when Pattinson is on the screen in the guise as Bruce Wayne he looks uninterested in being Bruce Wayne, he’d rather be Batman - and this is a compliment for that is how this movie portrays this dual role. Batman is disguising himself as Bruce Wayne (and not vica-versa).
Assisting Batman in his Detective work is Lt. James Gordon (the always terrific Jeffrey Wright), the only honest cop in a corrupt Police Department. These 2 work as a Detective team, and this film often-times feels like a Detective procedural, some liken it to SEVEN with Brad Pitt/Morgan Freeman, I look at it more like the first season of TRUE DETECTIVE(the one with Matthew McConaughey and Woody Harrelson), dark and interesting in their search for the bad guys.
As is typical of these types of films, we have a rogues gallery of villains. Some fair well - an unrecognizable Colin Farrel as Oz (the Penguin) and John Torturro as mob boss Carmine Falcone. While others fair less well - Peter Sarsgaard as corrupt District Attorney Gil Colson and, unfortunately, Zoe Kravitz as Selina Kyle (Catwoman). Both of these roles are not fleshed out well. Kravitz hits the screen looking good in her cat suit and while there is unmistakable sexual chemistry between Catwoman and Batman (not, it should be noted, between Selina Kyle and Bruce Wayne), but this only takes the character so far and Selina really wasn’t the bad-ass conflicted villain/hero that one would expect.
A pleasant surprise was the performance of the always interesting Paul Dano as the Riddler. He underplays this character in much the same way that most have overplayed him. Clearly, this is a smart, if mentally off, person who talks through riddles but has an overall plan to bring down “The Bat’ and the City. Not to spoil this film, but it didn’t really grab my attention until after the masked Riddler was unmasked and that was very late in the game - almost too late.
And that’s the problem with this film. The last 1/2 hour is TERRIFIC, but one has to sit through 2 1/2 hours of dark, dour setup to get there and for most, that journey will not be worth the payoff.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)