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The Removed
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In the 15 years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family...
Secret Agents Spy Mission 3D -Covert Escape Action
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A fierce police vs secret agent and mafia vs crime swat spy mission game where kill or to be killed...
Kristy H (1252 KP) rated The Late Show (Renée Ballard, #1) in Books
Feb 13, 2018
THE LATE SHOW introduces us to a new character in the Connelly canon: Renee Ballard, a young female detective in the LAPD striving to prove herself. Ballard works the night shift, where she picks up evening cases. But Ballard hates that she never gets to see an investigation to fruition--always turning her cases over to the daytime detectives. So when she is assigned two late shift cases, the shooting of a young female in a nightclub and the horrible beating of a transsexual prostitute, she finagles a way to stay involved with both. This means still working the night shift while--mostly secretly--tracking down leads on her cases during the day. In doing so, Ballard gets caught up in department politics and a case that could lead her to immense danger.
Connelly is just an excellent writer; I love all his books, and I was excited and interested to hear he was creating a new character. I've been in love with his Detective Bosch for years. This novel is basically vintage Connelly with a modern twist, with Ballard being extremely knowledgeable about the night shift and police procedure. Connelly is still clearly up-to-date on the current workings of a police department. At times, you almost forget you're not reading about Bosch and his shenanigans.
But, in saying that, I feel as if I don't give Renee Ballard true justice. She's a wonderful character--a strong, yet damaged female, who is smart and fascinating. It's a pleasure to read about such a complicated individual. Ballard is on the late shift (aka the late show) because she accused a former supervisor of sexual harassment and was subsequently blackballed. Yet she's dedicated to her job, almost to the point of obsession. At times, I was amazed she could get away with some of the stuff she pulled. (Sound like any other Connelly characters we know?)
Nonetheless, Ballard pulls us into an incredibly compelling mystery. It started a tad slow for me, but quickly picks up and remains quite mesmerizing. The cases are well-plotted and exciting, and Connelly gives us peeks into Ballard's personal life, without revealing everything. The novel spends a lot of time focusing on her thoughts and feelings, but is still quite compelling.
Overall, <i>I really enjoyed this one.</i> I'm excited to see Connelly with a new character and look forward to more of Renee Ballard in the future.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Connelly is just an excellent writer; I love all his books, and I was excited and interested to hear he was creating a new character. I've been in love with his Detective Bosch for years. This novel is basically vintage Connelly with a modern twist, with Ballard being extremely knowledgeable about the night shift and police procedure. Connelly is still clearly up-to-date on the current workings of a police department. At times, you almost forget you're not reading about Bosch and his shenanigans.
But, in saying that, I feel as if I don't give Renee Ballard true justice. She's a wonderful character--a strong, yet damaged female, who is smart and fascinating. It's a pleasure to read about such a complicated individual. Ballard is on the late shift (aka the late show) because she accused a former supervisor of sexual harassment and was subsequently blackballed. Yet she's dedicated to her job, almost to the point of obsession. At times, I was amazed she could get away with some of the stuff she pulled. (Sound like any other Connelly characters we know?)
Nonetheless, Ballard pulls us into an incredibly compelling mystery. It started a tad slow for me, but quickly picks up and remains quite mesmerizing. The cases are well-plotted and exciting, and Connelly gives us peeks into Ballard's personal life, without revealing everything. The novel spends a lot of time focusing on her thoughts and feelings, but is still quite compelling.
Overall, <i>I really enjoyed this one.</i> I'm excited to see Connelly with a new character and look forward to more of Renee Ballard in the future.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
The Stone Killer (1973)
6.3
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A new breed of anti-hero appeared in 1970s cinema. Obsession, violence and instability characterized...
Merissa (11765 KP) rated Hell & High Water (THIRDS #1) in Books
Jun 27, 2017
Hell & High Water (THIRDS #1) by Charlie Cochet
Hell & High Water is the first book in the THIRDS series by Charlie Cochet. It starts with Dex putting his work partner behind bars for shooting a Therian in the back in cold blood. Of course, this doesn't go down very well with others in the police force so he gets beaten up for his trouble on more than one occasion. He also gets shunted out of his job into a new one with the Therian force, called a promotion to help it go down easier. When he gets there, he realises that his new team is in trouble, and he has some big boots to fill. This is also whilst they have an ongoing investigation, plus the tensions within the team.
This book had me laughing out loud with Dex's comments and snark, whilst in the next breath, my heart was breaking for him/them/her (whichever one of the team that was being spoken about). Although Dex could be called high maintenance, his humour is his shield and he wields it with precision! He has a brain and eyes, and isn't afraid to use them - seeing connections and things that others are trying to hide. There isn't a lot of unnecessary drama with Dex, the drama that is there is usually for a reason. Sloane doesn't want a new partner, but is on his last warning. To his surprise, Dex is accepted by most of the team quicker than he would have thought possible. To his dismay, he finds that he also likes him, although he doesn't want to.
This book is excellently written, and will draw you in as you stay with Dex as he goes through everything. The pace is smooth throughout, building up to the climax that will leave you breathless. Full of emotions, whether they are 'good' or 'bad', as a reader you will experience a whole gamut of them. There were no editing or grammatical errors that disrupted my reading flow. Highly recommended, and I can't wait to continue with this series.
* Verified Purchase ~ April 2017 *
Merissa
Archaeolibrarian - I Dig Good Books!
This book had me laughing out loud with Dex's comments and snark, whilst in the next breath, my heart was breaking for him/them/her (whichever one of the team that was being spoken about). Although Dex could be called high maintenance, his humour is his shield and he wields it with precision! He has a brain and eyes, and isn't afraid to use them - seeing connections and things that others are trying to hide. There isn't a lot of unnecessary drama with Dex, the drama that is there is usually for a reason. Sloane doesn't want a new partner, but is on his last warning. To his surprise, Dex is accepted by most of the team quicker than he would have thought possible. To his dismay, he finds that he also likes him, although he doesn't want to.
This book is excellently written, and will draw you in as you stay with Dex as he goes through everything. The pace is smooth throughout, building up to the climax that will leave you breathless. Full of emotions, whether they are 'good' or 'bad', as a reader you will experience a whole gamut of them. There were no editing or grammatical errors that disrupted my reading flow. Highly recommended, and I can't wait to continue with this series.
* Verified Purchase ~ April 2017 *
Merissa
Archaeolibrarian - I Dig Good Books!
Kristy H (1252 KP) rated The Adults in Books
Mar 20, 2019
Quick read with its funny moments
Matt and Claire are no longer married, but both want to spend the Christmas holiday with their seven-year-old daughter, Scarlett. It's not quite clear whose idea it was, or how the whole thing came about, but suddenly Matt, Claire, their new partners, and Scarlett are spending a long weekend at the Happy Forest holiday park. Oh yes, and we can't forget that Posey, Scarlett's giant imaginary friend--a nearly life-size rabbit--is along for the ride too. Claire has brought Patrick, a fellow lawyer, a seemingly rational guy who loves Scarlett and is training for an Ironman. And Matt has brought Alex, his scientist girlfriend, who is skeptical about the whole affair. Suddenly the group is jammed into a small lodge, subject to the whims of a mercurial seven-year-old (and her pretend rabbit), and stuck doing a variety of "fun family activities." It's no wonder that this all leads to an event so horrific that the police are called.
This book was an odd one, as if it couldn't decide to be serious or funny. It starts out with a call to the police, so we know that someone has been shot at archery, but we don't yet know who. Then things unfold from the beginning of the holiday, slowly building back up to the incident. Interspersed with the characters' narratives are bits and pieces of the police's discussion with various people at the holiday park involved with the shooting. It's interesting, but it's a little disconcerting: partial mystery/partial character-driven novel/partial "humorous look at family fun gone wrong."
Unfortunately for me, I didn't find a lot of the book all that fun. Yes, I could see the humor in some of the situations, but honestly, a lot of it just made me uncomfortable. Perhaps it's being a child of divorce myself. Maybe too much hit close to home. I felt the most for poor Alex, who was tortured by Scarlett (and that darn fake bunny) and then forced to witness her boyfriend in a series of cozy moments with her ex. Patrick was slightly insane, Claire too good to be true, and Matt, honestly, an infuriating wuss for most of the book. As everyone got more and more tired of each other, I would have had a feeling of doom reading this even without knowing someone gets shot. You just know no good can come of this.
Now, yes, there is some dark humor here, and I did laugh at times. There are definitely some funny places. But I think Scarlett and Posey were supposed to be more funny than they were (I've been that kid angry at her parents for divorcing, but man, Scarlett was really irritating sometimes). When you really only feel for one of the characters (Alex), it's hard to stay invested in the book. Luckily, things improved a bit closer to the end, and I found myself getting a more into the story. Still, I couldn't help but find things a bit implausible and frustrating at times, and I really longed for more of the hilarity the book promised.
Overall, this is a quick read, and it has its funny, crazy moments. Still, the characters are tough to feel invested in and sometimes the plot was almost too zany and stressful for me. I liked this one, but didn't love it.
I received a copy of this book from the publisher and LibraryThing in return for an unbiased review (thank you!).
This book was an odd one, as if it couldn't decide to be serious or funny. It starts out with a call to the police, so we know that someone has been shot at archery, but we don't yet know who. Then things unfold from the beginning of the holiday, slowly building back up to the incident. Interspersed with the characters' narratives are bits and pieces of the police's discussion with various people at the holiday park involved with the shooting. It's interesting, but it's a little disconcerting: partial mystery/partial character-driven novel/partial "humorous look at family fun gone wrong."
Unfortunately for me, I didn't find a lot of the book all that fun. Yes, I could see the humor in some of the situations, but honestly, a lot of it just made me uncomfortable. Perhaps it's being a child of divorce myself. Maybe too much hit close to home. I felt the most for poor Alex, who was tortured by Scarlett (and that darn fake bunny) and then forced to witness her boyfriend in a series of cozy moments with her ex. Patrick was slightly insane, Claire too good to be true, and Matt, honestly, an infuriating wuss for most of the book. As everyone got more and more tired of each other, I would have had a feeling of doom reading this even without knowing someone gets shot. You just know no good can come of this.
Now, yes, there is some dark humor here, and I did laugh at times. There are definitely some funny places. But I think Scarlett and Posey were supposed to be more funny than they were (I've been that kid angry at her parents for divorcing, but man, Scarlett was really irritating sometimes). When you really only feel for one of the characters (Alex), it's hard to stay invested in the book. Luckily, things improved a bit closer to the end, and I found myself getting a more into the story. Still, I couldn't help but find things a bit implausible and frustrating at times, and I really longed for more of the hilarity the book promised.
Overall, this is a quick read, and it has its funny, crazy moments. Still, the characters are tough to feel invested in and sometimes the plot was almost too zany and stressful for me. I liked this one, but didn't love it.
I received a copy of this book from the publisher and LibraryThing in return for an unbiased review (thank you!).
Gangstar: West Coast Hustle
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OPTIMIZED FOR iPHONE 4! High-definition graphics that fully utilize the iPhone 4 Retina display. ...
Louis Theroux’s Weird Weekends - Series 2
8.1
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Documentaries by writer and presenter Louis Theroux which delve into the weirder fringes of American...
Eleanor (1463 KP) rated Indelible (Grant County, #4) in Books
Jul 23, 2019
Better then the last but still not in the same league as the first couple of books in this series....
This is the fourth in the Grant County series and for a series that started so strong (I loved the first two books) I was really disappointed with this. I would recommend approaching this series in order as they do carry a lot of emotional baggage through the series.
This was the first one I listened to as an audiobook and the Southern American accents used were a bit grating for me, so I'll try to stick to the books in the future for this series (obviously a personal preference.)
With a shootout occuring in the town in the present day, we get flashbacks to an “origin” type story 12 years earlier, which sets out to give the reasoning behind the attack. It’s a pretty shocking attack and the present day part was tense.
This book is very focused on two of the main characters from the series, Medical examiner Sara Linton and her now ex husband / current boyfriend (it’s a complicated relationship) Police Chief Jeffrey. In the flashback parts of this book we see Sara and Jeffrey taking a trip to Jefferies hometown where his best friend ends up shooting someone and a body is found from Jefferies distant past. I didn’t find the investigation part here as engaging as in the previous books, with too much focus on what Jeffrey was like as a lad.
I think my main issue with this particular book is I just don’t like Jeffery and having so much dedicated to back story for him didn’t endear him any more to me. I came out of that part of the story still not liking him or really understanding why Sara is so in love with him (I suppose love is blind.)
Although I enjoyed the action packed present day shootout it still had a character issue in the form of the ever complicated Lena Adams. She is back to being a cop and this is her first day back (talk about bad timing!) I really have no idea why they are letting her back on the force she just seems to be a terrible cop (and not a particularly nice person) who is suffering from PTSD.
I feel I may be being too harsh on this book and I can fully understand people who love the characters in this series (or love to hate main characters) enjoying this book. I just prefer this series when it’s slightly more focused on a case rather than their personal lives.
This was the first one I listened to as an audiobook and the Southern American accents used were a bit grating for me, so I'll try to stick to the books in the future for this series (obviously a personal preference.)
With a shootout occuring in the town in the present day, we get flashbacks to an “origin” type story 12 years earlier, which sets out to give the reasoning behind the attack. It’s a pretty shocking attack and the present day part was tense.
This book is very focused on two of the main characters from the series, Medical examiner Sara Linton and her now ex husband / current boyfriend (it’s a complicated relationship) Police Chief Jeffrey. In the flashback parts of this book we see Sara and Jeffrey taking a trip to Jefferies hometown where his best friend ends up shooting someone and a body is found from Jefferies distant past. I didn’t find the investigation part here as engaging as in the previous books, with too much focus on what Jeffrey was like as a lad.
I think my main issue with this particular book is I just don’t like Jeffery and having so much dedicated to back story for him didn’t endear him any more to me. I came out of that part of the story still not liking him or really understanding why Sara is so in love with him (I suppose love is blind.)
Although I enjoyed the action packed present day shootout it still had a character issue in the form of the ever complicated Lena Adams. She is back to being a cop and this is her first day back (talk about bad timing!) I really have no idea why they are letting her back on the force she just seems to be a terrible cop (and not a particularly nice person) who is suffering from PTSD.
I feel I may be being too harsh on this book and I can fully understand people who love the characters in this series (or love to hate main characters) enjoying this book. I just prefer this series when it’s slightly more focused on a case rather than their personal lives.
Gareth von Kallenbach (971 KP) rated Dredd (2012) in Movies
Aug 7, 2019
The mid 90’s was a strange time for movies. Sure, there were quite a few remembered fondly (just like with any era) but there were also many movies that are forgotten due to their ridiculousness. It was a time that gave us the style of adaptions on par with Alien 3 and Alien Resurrection, or the two Joel Schumacher Batman films. Likewise, there was a Judge Dredd film right in the middle of that time period.
It was a mess. It exemplified everything wrong with many adaptions in the 90’s. Big name actors, over-the-top designs, cheesy dialogue. It tried very hard to be akin to the original Total Recall but instead succeeded at only being a movie fun to laugh at. It featured Sylvester Stallone and Rob Schneider. That is all that needs to be said about that film. So, when Hollywood comes along and decides to make a new adaption, of course the original’s ridiculousness looms over the whole affair. Not helping is the fact that most of the cast and crew are relatively obscure, and its source material (the Judge Dredd comics) is not as well-known as most of Marvel’s or DC’s pantheon. Yet, this brand new adaption, Dredd 3D, soars much higher than the original and manages to be one of those well-hidden gems of Fall 2012. I don’t imagine this film breaking box office records, but it is a wholly worthwhile piece of screen entertainment, even if it has some notable flaws and is overshadowed by past outings in the franchise.
The future America is an irradiated waste land known as the Cursed Earth. On the east coast of North America lies Mega-City One, a vast, violent metropolis containing 800 million residents, where 17,000 crimes are reported daily and “Slo-Mo”, an addictive new drug that slows the user’s perception of time, has been introduced. The only force of order is the Judges, who act as police, judge, jury and executioner. Judge Dredd (Karl Urban) is tasked by the Chief Judge (Rakie Ayola) with evaluating rookie Judge Cassandra Anderson (Olivia Thirlby), a psychic who has failed the tests to become a full Judge. They become involved in a raid upon a crime and Slo-Mo ridden apartment complex known as Peach-Trees, which is ruled by a vicious crime boss Ma-Ma (Lena Heady).
You can guess from the title that the movie is meant to be watched in 3D. But that is where personal opinions of 3D come into play. For me personally, I cannot ding the film’s use of 3D because it uses it well enough that it becomes unnoticeable, which is to say it does not obnoxiously remind you at all times it is meant to be watched in 3D by throwing random things at the camera. But I will say that, although somewhat gimmicky, the “Slo-Mo” segments (which are shot from the perspective of those on the mind-altering drug ‘Slo-Mo’) do use 3D very well and manage to be some of the most visually striking and beautiful shots in the entire film.
The plot is simple to understand and straight forward. There are not huge twists and turns, and manages to be tightly written. It is not extremely memorable for plot standards, but it does not need to be. The story is held up by focusing on three major characters, which some good additional characterization of two more side characters. In that sense, the plot and characters do not pop off the screen into greatness, yet they are still tightly written enough that both elements (plot and characters) are not muddled or confusing. The simple plot, and the fact it all takes place in one apartment complex, makes it easier to focus on action and visuals.
While the visuals are all extremely well-done, the action could use some work. The setting of Mega-City One is extremely well established, as opposed to the original Judge Dredd adaption. It seems like it could be a real place not far off in the future, as it is set up with a realistic visual design – just with added grittiness and subtle science fictional elements. Also, there is not a huge amount of CG and the Judge uniforms especially look like iconic yet possibly realistic futuristic police suits. But the action could use some work, as stated. I could not help but constantly compare it to the recently released film, “The Raid: Redeption”, the Indonesian martial arts police film centering on a single police raid on an apartment complex. The similarities are there.
Both movies have very similar locations and plots, but the difference is that while Dredd has more interesting setting and science fiction elements (and arguably more interesting characters), The Raid: Redemption’s action is far more entertaining and engrossing. The real problem with Dredd is that there are never any real amazing feats of heroics on part of Judge Dredd. They set up the film in a sort of “’Die Hard’ in the future vibe” but that requires the hero to barely overcome overwhelming odds. As it stands, it never really feels like Judge Dredd is in a ton of danger. There are some cool shooting moments, and some even more interesting usage of Judge Anderson’s psychic powers. But at the end of the day, there simply are not many memorable action moments.
Overall, it does not ruin the film at all. It still manages to be an entertaining and interesting movie regardless of memorable action sequences. It has a tightly plotted narrative with fairly well done characters, not muddled by overuse of complexity or plot twists. It manages to be visually excellent with interesting science fictional elements, but never does it soar with its action set-pieces. It would have benefitted with some better use of gunplay or more clever feats of heroics on Judge Dredd’s part. But at least it takes itself seriously enough to not have anything akin to Rob Schneider following Sylvester Stallone around in a cheesy script.
It was a mess. It exemplified everything wrong with many adaptions in the 90’s. Big name actors, over-the-top designs, cheesy dialogue. It tried very hard to be akin to the original Total Recall but instead succeeded at only being a movie fun to laugh at. It featured Sylvester Stallone and Rob Schneider. That is all that needs to be said about that film. So, when Hollywood comes along and decides to make a new adaption, of course the original’s ridiculousness looms over the whole affair. Not helping is the fact that most of the cast and crew are relatively obscure, and its source material (the Judge Dredd comics) is not as well-known as most of Marvel’s or DC’s pantheon. Yet, this brand new adaption, Dredd 3D, soars much higher than the original and manages to be one of those well-hidden gems of Fall 2012. I don’t imagine this film breaking box office records, but it is a wholly worthwhile piece of screen entertainment, even if it has some notable flaws and is overshadowed by past outings in the franchise.
The future America is an irradiated waste land known as the Cursed Earth. On the east coast of North America lies Mega-City One, a vast, violent metropolis containing 800 million residents, where 17,000 crimes are reported daily and “Slo-Mo”, an addictive new drug that slows the user’s perception of time, has been introduced. The only force of order is the Judges, who act as police, judge, jury and executioner. Judge Dredd (Karl Urban) is tasked by the Chief Judge (Rakie Ayola) with evaluating rookie Judge Cassandra Anderson (Olivia Thirlby), a psychic who has failed the tests to become a full Judge. They become involved in a raid upon a crime and Slo-Mo ridden apartment complex known as Peach-Trees, which is ruled by a vicious crime boss Ma-Ma (Lena Heady).
You can guess from the title that the movie is meant to be watched in 3D. But that is where personal opinions of 3D come into play. For me personally, I cannot ding the film’s use of 3D because it uses it well enough that it becomes unnoticeable, which is to say it does not obnoxiously remind you at all times it is meant to be watched in 3D by throwing random things at the camera. But I will say that, although somewhat gimmicky, the “Slo-Mo” segments (which are shot from the perspective of those on the mind-altering drug ‘Slo-Mo’) do use 3D very well and manage to be some of the most visually striking and beautiful shots in the entire film.
The plot is simple to understand and straight forward. There are not huge twists and turns, and manages to be tightly written. It is not extremely memorable for plot standards, but it does not need to be. The story is held up by focusing on three major characters, which some good additional characterization of two more side characters. In that sense, the plot and characters do not pop off the screen into greatness, yet they are still tightly written enough that both elements (plot and characters) are not muddled or confusing. The simple plot, and the fact it all takes place in one apartment complex, makes it easier to focus on action and visuals.
While the visuals are all extremely well-done, the action could use some work. The setting of Mega-City One is extremely well established, as opposed to the original Judge Dredd adaption. It seems like it could be a real place not far off in the future, as it is set up with a realistic visual design – just with added grittiness and subtle science fictional elements. Also, there is not a huge amount of CG and the Judge uniforms especially look like iconic yet possibly realistic futuristic police suits. But the action could use some work, as stated. I could not help but constantly compare it to the recently released film, “The Raid: Redeption”, the Indonesian martial arts police film centering on a single police raid on an apartment complex. The similarities are there.
Both movies have very similar locations and plots, but the difference is that while Dredd has more interesting setting and science fiction elements (and arguably more interesting characters), The Raid: Redemption’s action is far more entertaining and engrossing. The real problem with Dredd is that there are never any real amazing feats of heroics on part of Judge Dredd. They set up the film in a sort of “’Die Hard’ in the future vibe” but that requires the hero to barely overcome overwhelming odds. As it stands, it never really feels like Judge Dredd is in a ton of danger. There are some cool shooting moments, and some even more interesting usage of Judge Anderson’s psychic powers. But at the end of the day, there simply are not many memorable action moments.
Overall, it does not ruin the film at all. It still manages to be an entertaining and interesting movie regardless of memorable action sequences. It has a tightly plotted narrative with fairly well done characters, not muddled by overuse of complexity or plot twists. It manages to be visually excellent with interesting science fictional elements, but never does it soar with its action set-pieces. It would have benefitted with some better use of gunplay or more clever feats of heroics on Judge Dredd’s part. But at least it takes itself seriously enough to not have anything akin to Rob Schneider following Sylvester Stallone around in a cheesy script.