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Darren (1599 KP) rated 21 Jump Street (2012) in Movies
Jun 20, 2019
Story: We start by following our two very different high school students failing at something different things. We fast forward seven years to the police academy where the two become friends to help each other overcome their problems and get through. After they get through the two get partnered up but continue to fail leading them to get transferred to ’21 Jump Street’ program. They have to go undercover as high school students. They have to uncover a drug ring at the high school and get over the problems they faced before.
When it comes to buddy films cop we all know the basic formula and to be fair this follows everything together to keep the action and comedy blend flowing. It is good to see the mix with the high school film working as well as the idea of giving the two a chance to see how the other get through high school. Having never seen the original show I can’t say whether it is honest to the source material but in the end it really turns into a good action comedy in a world where the comedy films are starting to fall flat. (8/10)
Actor Review
Jonah Hill: Schmidt the high school geek who can get through all the paperwork side of the police work but lacks the physical presence Jenko has. Going undercover gives him a chance to experience the high school experiences he missed out. Jonah gives a good performance as we know he can play the teen comedy but also shows he ability to bounce of somebody else’s strengths. (8/10)
hill
Channing Tatum: Jenko after only just getting out of high school and being told he has no intelligence for a future he ends up joining the police force and until he teams up with Schmidt to help him with get through the academy. While undercover he ends up having to experience the geek in high school. Channing gives a good performance and shows that he can pull off comedy to go with his all action persona. (8/10)
channing
Brie Larson: Molly high school student who Schmidt takes a shine to who ends up leading him to push aside his responsibilities as the cop. Brie gives a solid performance in the supporting role. (7/10)
Dave Franco: Eric the drug dealer at the school who befriends Schmidt while the two try different ways to find out who the supplier is. Dave gives a solid performance as the teenage drug dealer trying to stay cool. (7/10)
franco
Support Cast: The drug dealers, other police officers, Schmidt’s parents and high school attendants all make up the support cast and all offer something for our main characters to work with to progress the story.
Director Review: Phil Lord, Christopher Miller – Good directing to balance the action and comedy perfectly. (9/10)
Action: With car chases being the main source of action they all come off very well with hints of comedy during without just being silly action. (8/10)
Comedy: The most part the comedy is all very good, but I did feel the over use of the sex jokes got boring. (8/10)
Chemistry: Hill and Tatum have brilliant chemistry together. (10/10)
Settings: The high school setting works really well for the story as we haven’t seen the undercover there before. (9/10)
Suggestion: It isn’t very often that I suggest a box office comedy but with this one I feel people should be watching. (Watch)
Best Part: Car and Motorbike Chase.
Worst Part: Slight over used of sex jokes.
Action Scene Of The Film: Car and Motorbike chase
Funniest Scene: The party
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one sequel and has talks of a third.
Post Credits Scene: No
Oscar Chances: No
Box Office: $202 Million
Budget: $42 Million
Runtime: 1 Hour 49 Minutes
Tagline: They’re too old for this shift
Overall: Enjoyable Buddy Cop Comedy
https://moviesreview101.com/2014/12/21/21-jump-street-2012/
When it comes to buddy films cop we all know the basic formula and to be fair this follows everything together to keep the action and comedy blend flowing. It is good to see the mix with the high school film working as well as the idea of giving the two a chance to see how the other get through high school. Having never seen the original show I can’t say whether it is honest to the source material but in the end it really turns into a good action comedy in a world where the comedy films are starting to fall flat. (8/10)
Actor Review
Jonah Hill: Schmidt the high school geek who can get through all the paperwork side of the police work but lacks the physical presence Jenko has. Going undercover gives him a chance to experience the high school experiences he missed out. Jonah gives a good performance as we know he can play the teen comedy but also shows he ability to bounce of somebody else’s strengths. (8/10)
hill
Channing Tatum: Jenko after only just getting out of high school and being told he has no intelligence for a future he ends up joining the police force and until he teams up with Schmidt to help him with get through the academy. While undercover he ends up having to experience the geek in high school. Channing gives a good performance and shows that he can pull off comedy to go with his all action persona. (8/10)
channing
Brie Larson: Molly high school student who Schmidt takes a shine to who ends up leading him to push aside his responsibilities as the cop. Brie gives a solid performance in the supporting role. (7/10)
Dave Franco: Eric the drug dealer at the school who befriends Schmidt while the two try different ways to find out who the supplier is. Dave gives a solid performance as the teenage drug dealer trying to stay cool. (7/10)
franco
Support Cast: The drug dealers, other police officers, Schmidt’s parents and high school attendants all make up the support cast and all offer something for our main characters to work with to progress the story.
Director Review: Phil Lord, Christopher Miller – Good directing to balance the action and comedy perfectly. (9/10)
Action: With car chases being the main source of action they all come off very well with hints of comedy during without just being silly action. (8/10)
Comedy: The most part the comedy is all very good, but I did feel the over use of the sex jokes got boring. (8/10)
Chemistry: Hill and Tatum have brilliant chemistry together. (10/10)
Settings: The high school setting works really well for the story as we haven’t seen the undercover there before. (9/10)
Suggestion: It isn’t very often that I suggest a box office comedy but with this one I feel people should be watching. (Watch)
Best Part: Car and Motorbike Chase.
Worst Part: Slight over used of sex jokes.
Action Scene Of The Film: Car and Motorbike chase
Funniest Scene: The party
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one sequel and has talks of a third.
Post Credits Scene: No
Oscar Chances: No
Box Office: $202 Million
Budget: $42 Million
Runtime: 1 Hour 49 Minutes
Tagline: They’re too old for this shift
Overall: Enjoyable Buddy Cop Comedy
https://moviesreview101.com/2014/12/21/21-jump-street-2012/
Bob Mann (459 KP) rated The Happytime Murders (2017) in Movies
Sep 28, 2021
Why did some muppet green light this?
Man, this is grim.
The Happytime Murders is set in LA where puppets and humans live together but without much harmony, in a somewhat clumsy parody of racism. In this setting Phil Philips (voiced by Muppets regular Bill Barretta) is a disgraced ex-cop puppet – the first of his kind -drummed out of the force for an indiscretion and now making ends meet as a PI.
But someone is progressively bumping off members of “Happy Time” – an old muppet-style show on the Puppet Television Network featuring Phil’s old flame Jenny (Elizabeth Banks). When a murder hits home close to Pete, he teams with his old police partner Connie (Melissa McCartney) to catch the murderer.
One problem with this film is that the concept – rude puppets – is not new: “Avenue Q” have done this way better on stage and “Team America: World Police” on film. So from the outset the content doesn’t really shock. But the worst problem is that for adults, the screenplay by Todd Berger is just NOT FUNNY ENOUGH. It’s a bad sign when you can count the moments you moved from a smile to a light chuckle on one hand: just three times in fact (with the silly string scene, with the wringing-out scene (“look away”) and with a parody of a famous interrogation scene).
So, based on the ‘laffs-per-minute’ count, this is 90 minutes of my life I’d like back please. Actually, if you cut out the regular swearing and came up with a suitable story about silly string, then – cartoon puppet violence and all – the kids might enjoy it much more!
The only other mildly entertaining aspect for me – which grudgingly earns it an extra half Fad – were the closing titles that showed how some of it was filmed.
McCarthy delivers much of the same shtick we’ve seen from her in all of her recent movie outings, which doesn’t really wash well with me anymore. Banks is good as the love interest Jenny, but has little to do.
It’s directed by Brian Henson, son of the late and great Jim Henson. I’m all for “experiments”, and I notice that this was released under the “Henson Alternative” brand, which is perhaps appropriate, but some experiments work and some just don’t. I personally think this is one that doesn’t extend the Henson brand and needs to be quietly forgotten with a line drawn under it.
Definitely NOT recommended. If someone asks you to go to the cinema with them to see this, tell them to get stuffed!
The Happytime Murders is set in LA where puppets and humans live together but without much harmony, in a somewhat clumsy parody of racism. In this setting Phil Philips (voiced by Muppets regular Bill Barretta) is a disgraced ex-cop puppet – the first of his kind -drummed out of the force for an indiscretion and now making ends meet as a PI.
But someone is progressively bumping off members of “Happy Time” – an old muppet-style show on the Puppet Television Network featuring Phil’s old flame Jenny (Elizabeth Banks). When a murder hits home close to Pete, he teams with his old police partner Connie (Melissa McCartney) to catch the murderer.
One problem with this film is that the concept – rude puppets – is not new: “Avenue Q” have done this way better on stage and “Team America: World Police” on film. So from the outset the content doesn’t really shock. But the worst problem is that for adults, the screenplay by Todd Berger is just NOT FUNNY ENOUGH. It’s a bad sign when you can count the moments you moved from a smile to a light chuckle on one hand: just three times in fact (with the silly string scene, with the wringing-out scene (“look away”) and with a parody of a famous interrogation scene).
So, based on the ‘laffs-per-minute’ count, this is 90 minutes of my life I’d like back please. Actually, if you cut out the regular swearing and came up with a suitable story about silly string, then – cartoon puppet violence and all – the kids might enjoy it much more!
The only other mildly entertaining aspect for me – which grudgingly earns it an extra half Fad – were the closing titles that showed how some of it was filmed.
McCarthy delivers much of the same shtick we’ve seen from her in all of her recent movie outings, which doesn’t really wash well with me anymore. Banks is good as the love interest Jenny, but has little to do.
It’s directed by Brian Henson, son of the late and great Jim Henson. I’m all for “experiments”, and I notice that this was released under the “Henson Alternative” brand, which is perhaps appropriate, but some experiments work and some just don’t. I personally think this is one that doesn’t extend the Henson brand and needs to be quietly forgotten with a line drawn under it.
Definitely NOT recommended. If someone asks you to go to the cinema with them to see this, tell them to get stuffed!
London Live Bus Times Countdown -Timetable Checker
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Sarah (7800 KP) rated Line of Duty - Season 2 in TV
May 5, 2019 (Updated May 5, 2019)
Better than the first
I didn't believe it possible, but this second series has really surpassed the first. I think it's partly down to having main characters that are now well established and likeable at that, and their personal lives are shown briefly and all we ever get is an insight into the private lives rather than them being drawn out and over exaggerated. Not matter shows can pull this off without becoming dull or just cheesy.
This show is all about corrupt police, so theres always going to be an element of surprise and ambiguity. However for me this second series really excels. It takes ambiguity and grey areas to a completely new level and I spent the entire 6 episodes unsure of which way things were going to go until the final reveal. This series may not be quite as gory and violent as the first series, but it makes up for it in tension and intrigue, brought in part by the wonderful Keeley Hawes and the rest of the cast.
I should also add that I'm highly impressed with how accurate the portrayal of policing is on this. Yes there is some artistic license in place to make it look more exciting (and even get me started on their lax attitude to drink driving), but aside from this they've obviously done their research. It makes me feel like I'm at work, although obviously a more exciting version).
Although I have to admit the thing that surprised me the most today wasn't the ending to this series, but finding out that Martin Compston is actually Scottish! Arnott is a Scot, mind blown.
This show is all about corrupt police, so theres always going to be an element of surprise and ambiguity. However for me this second series really excels. It takes ambiguity and grey areas to a completely new level and I spent the entire 6 episodes unsure of which way things were going to go until the final reveal. This series may not be quite as gory and violent as the first series, but it makes up for it in tension and intrigue, brought in part by the wonderful Keeley Hawes and the rest of the cast.
I should also add that I'm highly impressed with how accurate the portrayal of policing is on this. Yes there is some artistic license in place to make it look more exciting (and even get me started on their lax attitude to drink driving), but aside from this they've obviously done their research. It makes me feel like I'm at work, although obviously a more exciting version).
Although I have to admit the thing that surprised me the most today wasn't the ending to this series, but finding out that Martin Compston is actually Scottish! Arnott is a Scot, mind blown.
The Memory Illusion: Remembering, Forgetting, and the Science of False Memory
Book
Think you have a good memory? Think again. Memories are our most cherished possessions. We rely on...
Kim Pook (101 KP) rated Goosebumps (2015) in Movies
Dec 24, 2020
A mother and son move into their new home. Upon arrival Zack notices someone watching him but thinks nothing of it. He soon meets the person watching him and her dad who tells him to stay away from her.
One evening after hanging out with Hannah (the girl next door), Zack hears her screaming and her dad shouting at her. Worried, Zack calls the police but when they investigate hannahs dad claims that hannah had gone back to her mother's and the screaming was from the TV. Zack, however, is not buying this so he seeks help from a school mate and goes searching hannahs house. There they find a basement full of bear traps, a bookshelf full of locked Goosebumps books and of course Hannah. They unlock one of the books and an abominable snowman comes out of it jumanji style. After it's recaptured back into the book we learn that hannahs dad is R. L Stine, the author of Goosebumps and he explains about the books.
His most evil creation slappy opens all the books unleashing every monster he's ever created. It is now upto Stine and the teens to return them to their rightful place.
As a teen I loved Goosebumps and owned many of the books. I was really looking forward to this movie. Its definitely not one to take seriously and is very silly and cringy in places, and the CGI isn't the best but it is entertaining nonetheless. It gives you all the nostalgia from the books, though I was disappointed they didn't take the opportunity to use the theme tune from the show.
One evening after hanging out with Hannah (the girl next door), Zack hears her screaming and her dad shouting at her. Worried, Zack calls the police but when they investigate hannahs dad claims that hannah had gone back to her mother's and the screaming was from the TV. Zack, however, is not buying this so he seeks help from a school mate and goes searching hannahs house. There they find a basement full of bear traps, a bookshelf full of locked Goosebumps books and of course Hannah. They unlock one of the books and an abominable snowman comes out of it jumanji style. After it's recaptured back into the book we learn that hannahs dad is R. L Stine, the author of Goosebumps and he explains about the books.
His most evil creation slappy opens all the books unleashing every monster he's ever created. It is now upto Stine and the teens to return them to their rightful place.
As a teen I loved Goosebumps and owned many of the books. I was really looking forward to this movie. Its definitely not one to take seriously and is very silly and cringy in places, and the CGI isn't the best but it is entertaining nonetheless. It gives you all the nostalgia from the books, though I was disappointed they didn't take the opportunity to use the theme tune from the show.
Tell Me Lies
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FBI special agent Max Carter is on the hunt – he’ll stop at nothing to catch a kidnapper with a...
Merissa (13149 KP) rated Running From Darkness (Dark River Stone Collective #3) in Books
Mar 20, 2023
RUNNING FROM DARKNESS is the third book in the Dark River Stone Collective series, and it starts off with a horrible subject, so read the trigger warning!
Conall and Calliope end up in Belton, asking for a favour, to save Calliope. She is in a bad way but Kyle and Nutty are there to help, even if Linc and Mason aren't. Once they turn up, Conall knows they will help him, in every way they can, which is a good thing when the police are wanting to question him.
I have to say, I have no qualms about what Conall did, or how Mason plays with the truth on his behalf. Earl deserved everything thing that came his way. I only hope to find out for sure in future books that karma paid him a visit!
The relationship between Conall and Kyle was never going to be easy and I have to admire Kyle's tenacity. Although the two of them together were hot, it was actually the easy relationship between Kyle, Conall, and Calliope that I loved. That girl is something else!
This was a great addition to the series and I loved being back with the Dark Angels. And it just goes to show - sometimes, just sometimes, running is the right thing to do, especially when you're running to the light. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Conall and Calliope end up in Belton, asking for a favour, to save Calliope. She is in a bad way but Kyle and Nutty are there to help, even if Linc and Mason aren't. Once they turn up, Conall knows they will help him, in every way they can, which is a good thing when the police are wanting to question him.
I have to say, I have no qualms about what Conall did, or how Mason plays with the truth on his behalf. Earl deserved everything thing that came his way. I only hope to find out for sure in future books that karma paid him a visit!
The relationship between Conall and Kyle was never going to be easy and I have to admire Kyle's tenacity. Although the two of them together were hot, it was actually the easy relationship between Kyle, Conall, and Calliope that I loved. That girl is something else!
This was a great addition to the series and I loved being back with the Dark Angels. And it just goes to show - sometimes, just sometimes, running is the right thing to do, especially when you're running to the light. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (980 KP) rated End of Watch (2012) in Movies
Aug 7, 2019
Director/Writer David Ayer (Street Kings, Training day) once again takes us into the world of the Los Angeles police department in the new movie End of Watch. Only this time rather than go in the corrupt police officer direction he has gone before, Ayer instead takes audiences on a honest and somewhat realistic emotionally charged ride along with two young and confident LAPD patrolmen.
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
Erika Kehlet (21 KP) rated Somebody I Used to Know in Books
Feb 21, 2018
***NOTE: I was provided a free copy of this book from Netgalley in exchange for an honest review***
Nick Hansen is a recently divorced social worker living alone with his dog Riley. His ex-wife is sure that he never stopped loving his college girlfriend Marissa, who was killed in a college campus house fire 20 years earlier, and that's one of the reasons that they are no longer together. On his way home from work one evening, he sees a girl in the supermarket who looks so much like Marissa that he is compelled to speak to her. As soon as he asks about her family, she turns and runs from the store. The following day, police arrive on his doorstep to ask him if he knew a girl who has been found murdered at a local hotel. They show him a photo, and it is none other than the girl from he market. Even worse, she had his name and address on a slip of paper in her pocket when they found her.
Wanting both to clear his name and to lay to rest his suspicion that this could somehow be Marissa's daughter, even though she would have been born after Marissa died in the fire, he enlists the help of an old college friend to investigate the girl's death.
This was a great thriller! I had suspicions about some things (which I can't mention because I don't want to spoil anything!) early on, but only suspicions. The author keeps things moving at a good pace, and I felt as invested in Nick's investigation as he was.
I highly recommend this book to anyone who loves a good mystery or thriller.
Nick Hansen is a recently divorced social worker living alone with his dog Riley. His ex-wife is sure that he never stopped loving his college girlfriend Marissa, who was killed in a college campus house fire 20 years earlier, and that's one of the reasons that they are no longer together. On his way home from work one evening, he sees a girl in the supermarket who looks so much like Marissa that he is compelled to speak to her. As soon as he asks about her family, she turns and runs from the store. The following day, police arrive on his doorstep to ask him if he knew a girl who has been found murdered at a local hotel. They show him a photo, and it is none other than the girl from he market. Even worse, she had his name and address on a slip of paper in her pocket when they found her.
Wanting both to clear his name and to lay to rest his suspicion that this could somehow be Marissa's daughter, even though she would have been born after Marissa died in the fire, he enlists the help of an old college friend to investigate the girl's death.
This was a great thriller! I had suspicions about some things (which I can't mention because I don't want to spoil anything!) early on, but only suspicions. The author keeps things moving at a good pace, and I felt as invested in Nick's investigation as he was.
I highly recommend this book to anyone who loves a good mystery or thriller.