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Douglas is a show-off
This is hands-down the most action-packed biography I have ever read! And it’s almost the most egotistical and narcissistic sounding biography I have ever read.

In his opening scene in the prologue, Douglas finds himself waking up from a coma in hospital expecting to be tortured by sick criminals, having (almost) single-handily run the FBI’s psychological profiling unit, handling hundreds of cases for several years.

I haven’t had the opportunity to watch the Netflix series based on this book, but I am quite a fan of the Criminal Minds series, so I had an idea of what to expect. However, you need to get 6 chapters in before Douglas starts talking about his work as an FBI profiler. He starts off talking about growing up, his love life, and getting into his career.

Douglas may call himself a profiler, but in my opinion, he is first and foremost a story-teller, with a talent for a drama-filled yarn. And rather than being put off by his constant bragging, I found myself hanging on his every word.

This light and long prelude to the criminal profiling section of the book made the crime details feel all the more gruesome. Some of the predictions made by Douglas about the murderers are barely believable. I mean, how can a crime scene really tell you the age of a murderer or what kind of car he drives?

Unfortunately, Douglas doesn’t offer much explanation into these kinds of things, and the leader is left assuming it’s all down to statistics. And if there’s anywhere the book is let down it would be here, because this would be why readers would pick the book up.

I once read a similar book called The Profiler, by Pat Brown. Brown, however, was a mere spectator to criminal goings on and had no influence whatever on getting criminals brought to justice. Douglas, however, would meet with local police and provide strategies on getting the bad guy, and getting him to confess.

To me, the most crucial chapter was Battle of the Shrinks. It looks at how criminals are dealt with once apprehended. Here Douglas meets with a psychiatrist whose job it was to assess whether criminals can have their sentences shortened and be let off early. This psychiatrist didn’t bother reading police reports to see from an outsider exactly what the criminal had done because he didn’t want to be made biased it and wanted to meet the criminal exactly as they presented himself to him. Douglas was appalled by this attitude and tried to get this over to the psychiatrist, but sadly, to no avail.

In short, this is a very entertaining book, and while it can teach you lot, reading it will never make you as good a profiler as John Douglas himself.
  
Afton Tangler is halfway up a cold, icy mountain ledge when the call comes in: a three-month old baby, Elizabeth Ann, has vanished, taken from her home in the middle of the night. The little girl's babysitter is in the hospital after being assaulted, and Elizabeth Ann's wealthy parents are frantic. Afton, a family liaison officer for the Minneapolis Police Department, must console the baby's parents, Susan and Richard Darden. Besides her ice climbing hobby, Afton is also an aspiring police officer, so when the lead detective on the case, Max, has her tag along, she does, trying to untangle the weird web of clues that accompanies this sad case. Who was the strange man, pretending to deliver a pizza, who attacked the babysitter? Is he connected to a woman at a doll show that interacted with Susan? Is Richard's recent job switch a factor? Will a ransom call come in? As Afton and Max race to find Elizabeth Ann, the web only thickens, and they become more frantic to find Elizabeth Ann before it's too late.

This was an interesting mystery novel. I won't lie: the writing is wooden and clunky to say the least. It's certainly not the smoothly written thriller of a say a Tana French or Mary Kubica, whose books I've recently read. Further, the plot is really preposterous at times, and it's crazy to watch Afton, who should really be sitting at a desk and chatting with families, out solving crimes, chasing bad guys, and scaling cliffs (seriously). That being said, you can't help develop but an affinity for Ms. Afton Tangler. She's amazingly good at untangling a mystery (a little too good at times), but she's also incredibly plucky and genuine. She's like a Melissa McCarthy character in "Spy" or "Bridesmaids" - she's so herself that you fall for her in spite of yourself.

I also always find it impressive when authors can make a book suspenseful even when we know who "did it" from the beginning. [b:Little Girl Gone|27209410|Little Girl Gone|Gerry Schmitt|https://d.gr-assets.com/books/1463571368s/27209410.jpg|47250892] is told from the ever-popular multi-character POV, so we hear from Afton, but also Susan, and several characters related to the crime itself. So while we see the crime unfold and know exactly who took the Elizabeth Ann, Schmitt still does a good job of making the book exciting as Afton and Max attempt to find the little girl and reunite her with her parents. Because of that, plus Afton's tenacious character, I will still give this one 3 stars, despite some of the crazy plot holes and the occasional less than stellar writing.

I received a copy of this book from the publisher and Netgalley (thank you); it is available everywhere as of 07/05/2016.

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Manhattan Night (Manhattan Nocturne) (2016)
Manhattan Night (Manhattan Nocturne) (2016)
2016 | Drama, Mystery
6
6.0 (2 Ratings)
Movie Rating
Characters – Porter Wren is a well-respected journalist in New York, he has a comfortable job in his paper because of his reputation for telling people’s stories. His latest case however will get him looking into the murder mystery that will push himself to the limits when he gets involved with the victim’s wife. He narrates a lot of this which is the films way of trying to have a dig a modern society. Caroline is the wife whose husband has been killed, she seduces Porter, which plays her out to be a siren, only she soon feels like a victim with this character get caught in the middle we never know which side she is meant to be, one that gets what she wants or just a victims. Simon is the husband that has been murdered meaning we only see him in flashback of how the two were married. Lisa is the wife of Porter, she is doctor and from how Porter tells the story they don’t get along as they once did.

Performances – Adrien Brody does well in the leading role in the film even if he doesn’t make his character feel much different than any others from the similar genre. Yvonne Strahovski fits the seductive side to her character, though without being the strongest in the serious side of the story. Campbell Scott and Jennifer Beals just don’t get enough time to show their skills off in this film.

Story – The story here follows an investigation into an unsolved murder which brings the investigative reporter into a series of cover ups and conspiracy in true noir style. Using the noir style is clear here, the execution of the noir style doesn’t quite come off though because the siren doesn’t feel like a siren and by the end you will be left wondering just why the investigation wasn’t solved by the police in the first place, let alone why the reporter is even asked to investigate it. Nothing really comes out of solving the case which is the biggest disappointment from everything we are getting invested in.

Crime/Mystery – The crime side of this mystery does involve a murder that hasn’t been solved, it does have other crime elements involved too which just confuse the simply plot.

Settings – The film is set in New York and uses a secret house to show a place of peace in this busy city and how people can meet and connect through life.


Scene of the Movie – The truth.

That Moment That Annoyed Me – The case felt pointless to solve.

Final Thoughts – This is a noir styled crime mystery that gives us a case that almost doesn’t need to be solved in the end.

 

Overall: Mystery that didn’t need solving.
  
Hush, Hush (Hush, Hush, #1)
Hush, Hush (Hush, Hush, #1)
Becca Fitzpatrick | 2009 | Paranormal, Romance, Young Adult (YA)
2
7.6 (36 Ratings)
Book Rating
So this book took over a month for me to read, which considering how its not a relatively long book baffles me. I was not compelled to read this book when I had a spare few minutes. I was not finding myself wanting to stay up just a little bit longer to finish the next chapter. It was honestly really lacking in so many ways.

I love reading YA fantasy/paranormal/mystical books. I love them! I have enjoyed series like House of Night, Sookie Stackhouse, Hunger Games, Daughter of Smoke and Bone, I even liked Twilight back before the films. But I just don't get this book at all.

Less than a month after reading it I can barely remember anything that happened. None of the characters were likeable, swoon worthy or even vaguely pleasant. Her mother was frankly useless. The police who randomly seemed to show up completely incompetent and frankly rude (but not in a realistic way).

The 'heroine'.... if you could see or feel how hard my eyes want to roll back into my head thinking about her would give you a better understanding of how I felt towards her. She has no conviction to anything. She isn't even being portrayed as dumb, but that is what she is. Her best 'friend', just vile, not even funny at all.

The main 'love interest' .... called Patch, again with a tendon pulling eye roll. he was the only vaguely interesting character. But even there this book just complete missed the mark with me.

Honestly I have no more words for this book. It seemed to be about nothing at all, and i cant honestly remember any redeeming element of it. Honestly surprised it has 3.something stars on Goodreads. If i could give it less than 1 star I would have. I likely would have given it -Stars. Safe to say i will not be reading any of the others.
  
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