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Billie Wichkan (118 KP) rated Bad Magic and the Big Top (Blackwood Bay Witches Paranormal Cozy Mystery) in Books
Mar 16, 2019
What a great story!
Welcome to Blackwood Bay, where magic and murder have come out to play...Life for fledgling new witch Dru Rathmore Davis has been a whirlwind since moving to the charming seaside town of Blackwood Bay over a month ago . Seeing spirits, talking to animals, living with three cranky roommates, and totally not crushing on her new Guardian …But when Dru wakes one morning to find the body of a circus clown slouched dead against her doorstep and her bookshop broken into overnight, one of her worst fears may come to pass.She may be haunted by a clown... Together, Dru and her Guardian—incredibly handsome police sergeant Wolf Harper who’s absolutely just a friend —take their investigation to the most marvelous show on earth: the traveling Braun Bros Circus. It’s evident that there’s a far more sinister performance going on behind the scenes, and this traveling circus may have more skeletons buried in their closet than the Rathmore family. But when your suspects are a tight-knight troupe of acrobats, fortune tellers, magicians , and clowns, everyone has something to hide—and secrets they’d do anything to protect…
This is the second book in the Blackwood Bay Witches series. For those of you who like story lines with witches, ghosts, talking animals, wizards and covens, then this book is for you!
In this story Dru is starting to get used to being a witch, seeing ghosts and talking to animals and running the bookshop.
Just when Dru thinks her life is really starting to settle in Blackwood Bay, she opens her door and finds a dead clown on her doorstep.
The circus is in town and murder is afoot.
Come get to know this lovely set of characters. They are wisecracking and lovely bunch; well developed and will make you smile.
This has a good plot, twists abound to make you guess. Loaded with the humor and wise cracks. There are no cliff hangers just really good writing.
I absolutely loved this book and couldn't put it down! I can't wait for more!!!!
Highly recommend reading!
I received this book free and chose to make a voluntary, unbiased review.
This is the second book in the Blackwood Bay Witches series. For those of you who like story lines with witches, ghosts, talking animals, wizards and covens, then this book is for you!
In this story Dru is starting to get used to being a witch, seeing ghosts and talking to animals and running the bookshop.
Just when Dru thinks her life is really starting to settle in Blackwood Bay, she opens her door and finds a dead clown on her doorstep.
The circus is in town and murder is afoot.
Come get to know this lovely set of characters. They are wisecracking and lovely bunch; well developed and will make you smile.
This has a good plot, twists abound to make you guess. Loaded with the humor and wise cracks. There are no cliff hangers just really good writing.
I absolutely loved this book and couldn't put it down! I can't wait for more!!!!
Highly recommend reading!
I received this book free and chose to make a voluntary, unbiased review.
Ross (3284 KP) rated The Paris Mysteries in Books
Dec 27, 2019
Crime fiction stripped bare - all tell
"Show, don't tell" is the mantra of many authors. It means give the reader the information so they can decipher the plot at their own pace, with various tidbits of information scattered throughout a book. It doesn't mean long rambling sections of exposition.
This phrase was clearly coined after Poe's demise, as he doesn't seem to have ever heard it.
Yes, he is undoubtedly the first and most important writer of detective/crime fiction. This by no means suggests it is any good.
The three stories are really just a setting out of a mysterious crime with some facts/suspicions, with a lengthy monologue where C August Dupin solves the mystery. That's it. No suspense. No character development. No real scene setting. Just a slightly puzzling crime followed by a smartarse giving the solution.
The main thing to take away from these three Poe stories is that the police and detectives used to be rubbish and looked for the wrong evidence, or were sidetracked by what they wanted to see. There are many crimes and stories with apparently impossible solutions which can't seem to be unravelled. This idea absolutely was the genesis of the rich and varied crime genre we have today. The idea that a strange set of circumstances can arise where an apparently normal crime can be committed but with the evidence so obscure and tangled that unravelling it would take a genius.
Sadly, Poe didn't put the story around the bare bones of these crimes. So all we have is three exam questions with a know-it-all giving the answer, with no charm, no suspense, no thrilling conclusion. One of them barely even concludes the murderer, just spends an age picking holes in the logic applied by various newspapers in trying to document the crime.
I might be interested in reading a retelling of these stories (except the one where a letter has simply gone missing and is found my looking somewhere obvious), where someone actually weaves a narrative around the bare bones.
I appreciate Poe's efforts because of what followed, but not for what they themselves are.
This phrase was clearly coined after Poe's demise, as he doesn't seem to have ever heard it.
Yes, he is undoubtedly the first and most important writer of detective/crime fiction. This by no means suggests it is any good.
The three stories are really just a setting out of a mysterious crime with some facts/suspicions, with a lengthy monologue where C August Dupin solves the mystery. That's it. No suspense. No character development. No real scene setting. Just a slightly puzzling crime followed by a smartarse giving the solution.
The main thing to take away from these three Poe stories is that the police and detectives used to be rubbish and looked for the wrong evidence, or were sidetracked by what they wanted to see. There are many crimes and stories with apparently impossible solutions which can't seem to be unravelled. This idea absolutely was the genesis of the rich and varied crime genre we have today. The idea that a strange set of circumstances can arise where an apparently normal crime can be committed but with the evidence so obscure and tangled that unravelling it would take a genius.
Sadly, Poe didn't put the story around the bare bones of these crimes. So all we have is three exam questions with a know-it-all giving the answer, with no charm, no suspense, no thrilling conclusion. One of them barely even concludes the murderer, just spends an age picking holes in the logic applied by various newspapers in trying to document the crime.
I might be interested in reading a retelling of these stories (except the one where a letter has simply gone missing and is found my looking somewhere obvious), where someone actually weaves a narrative around the bare bones.
I appreciate Poe's efforts because of what followed, but not for what they themselves are.
Shelle Perry (66 KP) rated Abide With Me : A Sister Agatha and Father Selwyn Mystery in Books
Dec 16, 2020
A young journalist is visiting Gwenafwy Abby, presumably writing a story on the new directions the church is taking. When she is found dead, Sister Agatha does not believe the theory of an accidental death. She starts a new notebook and dives into the case chasing down clues. Does the young woman’s death have something to do with scathing articles she has written in the past? Or, could it be an ex-boyfriend who just happens to show up in town, and just who was it seen entering the woman’s cottage after her death?Sister Agatha is a bit of a handful. She doesn’t do anything by half measures. One simply has to adore a nun who writes detective romance stories, has a murder club to help her with amateur sleuthing, and looks to famous literary detectives for advice. What would Miss Marple do??? Agatha’s weakness for cake lends itself to wonderful descriptions of mouthwatering traditional Welsh food. In this story, nearly everyone close to the Abby is a suspect. As much as Agatha and the reader want the killer to be found out and caught, it is likely that it will be heartbreaking for the nuns. Agatha keeps her moxie to the thrilling end of the investigation though.These are characters I would love to sit and visit with. From the put upon police department and store clerks to the individual sisters at the Abby. Maybe spend a few days learning to make cheese, especially since Gouda is my family’s fave.I loved the social commentary on modern technology and how it fits into a cloistered setting. Mostly I just giggled over the names of the shops in town, I won’t spoil them all, but, my favorites are The Fatted Calf farm to table market and Lettuce Eat Vegan.So why should you read this book? Because it is quirky, brilliant, softboiled Cozy at its best. The cast of characters and their personal stories will have you scrambling to read the first two books, or waiting impatiently for the next one.
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Darren (1599 KP) rated Acts Of Vengeance (2017) in Movies
Jun 20, 2019
Story: Acts of Vengeance starts as fast-talking defence lawyer Frank (Banderas) misses his daughter’s talent show, that same night his wife Sue (Serafini) and daughter Olivia (Blankenship) are killed, with the police struggling to come up with the answers to who was behind it.
Frank teaches himself how to fight and defend himself as he continues to investigate the murders, being joined by a nurse Alma (Vega), he learns about the corruption coming from the streets, setting out to end the problem once and for all, while under a vow of silence.
Thoughts on Acts of Vengeance
Characters – Frank was a fast-talking defence lawyer, he made a career out of getting criminals off, this only put his personal life on the back burner though, leaving him to not be around when his wife and daughter are murdered. Taking a vow of silence, Frank decides to train and investigate the crime to seek the vengeance he requires to move on with his life. Strode is the one cop that offers Frank any advice while he searches for the truth. Alma is a nurse that has found herself under the fingers of a ruthless gang that want her to do work, she choses to help Frank when he becomes injured. While the end of the film does give the motivation for the killer, that does offer the question of who is in the right for the most part.
Performances – Antonio Banderas in the leading role is the strongest part of the film, we know he can handle himself in a fight, making this easy for him to deliver on. The supporting cast do struggle to make the impact which would be required, which only disappoints with the talent we have on show.
Story – The film follows a man that loses his wife and child, forcing him to go on a one man mission to learn the truth and taking on crime after making his career from defending criminals. When it comes to stories, this is the simplest kind, which is needed for action, when we get the reveal to who the killer was, it does make perfect sense, it is just the building up to this moment that is a waste, with endless amounts of time spend talking about the number of words a person say in a day.
Action – The action is mostly the training before Frank gets into his fights, each fight is in a different location which the fighting seemingly being easy to shoot style never too difficult to pull off.
Settings – The film is set in one city which sees just how different parts of the city can be the corrupt.
Scene of the Movie – Killer’s motivation.
That Moment That Annoyed Me – The talking about using too many words.
Final Thoughts – This is just another basic action movie, it offers little new material for the genre and if we are honest is nothing more than a late night movie.
Overall: Late Night action film.
https://moviesreview101.com/2019/04/01/abc-film-challenge-action-a-acts-of-vengeance-2017/
Frank teaches himself how to fight and defend himself as he continues to investigate the murders, being joined by a nurse Alma (Vega), he learns about the corruption coming from the streets, setting out to end the problem once and for all, while under a vow of silence.
Thoughts on Acts of Vengeance
Characters – Frank was a fast-talking defence lawyer, he made a career out of getting criminals off, this only put his personal life on the back burner though, leaving him to not be around when his wife and daughter are murdered. Taking a vow of silence, Frank decides to train and investigate the crime to seek the vengeance he requires to move on with his life. Strode is the one cop that offers Frank any advice while he searches for the truth. Alma is a nurse that has found herself under the fingers of a ruthless gang that want her to do work, she choses to help Frank when he becomes injured. While the end of the film does give the motivation for the killer, that does offer the question of who is in the right for the most part.
Performances – Antonio Banderas in the leading role is the strongest part of the film, we know he can handle himself in a fight, making this easy for him to deliver on. The supporting cast do struggle to make the impact which would be required, which only disappoints with the talent we have on show.
Story – The film follows a man that loses his wife and child, forcing him to go on a one man mission to learn the truth and taking on crime after making his career from defending criminals. When it comes to stories, this is the simplest kind, which is needed for action, when we get the reveal to who the killer was, it does make perfect sense, it is just the building up to this moment that is a waste, with endless amounts of time spend talking about the number of words a person say in a day.
Action – The action is mostly the training before Frank gets into his fights, each fight is in a different location which the fighting seemingly being easy to shoot style never too difficult to pull off.
Settings – The film is set in one city which sees just how different parts of the city can be the corrupt.
Scene of the Movie – Killer’s motivation.
That Moment That Annoyed Me – The talking about using too many words.
Final Thoughts – This is just another basic action movie, it offers little new material for the genre and if we are honest is nothing more than a late night movie.
Overall: Late Night action film.
https://moviesreview101.com/2019/04/01/abc-film-challenge-action-a-acts-of-vengeance-2017/
Daniel Boyd (1066 KP) rated The Jinx: The Life and Deaths of Robert Durst in TV
Jun 27, 2018 (Updated Jun 27, 2018)
Mindblowing
Contains spoilers, click to show
I have been on a bit of a documentary kick lately and my most recent watch was the Jinx. I never watched this show back when it aired in 2015, or followed the story at the time, so I went into this show knowing very little about the tale it was telling. I'd say if you are in the same boat, then that is probably the best way to go into this doc. There are only six parts to the doc, so it can be binged over a few nights or in one day. Don't look up anything about it before watching and just go in blind, by the end your mind will be blown.
Please don't read on until you have seen the show in it's entirety as there are massive SPOILERS ahead. It feels weird to say that about a documentary, something that actually happened, but I promise you will not want this final revelation spoiled for you in any way.
Ok, so during the last interview, Andrew Jarecki confronts Robert Durst with two letters with the same address handwritten on each, one written by Durst years previous and the other was written by the killer and sent into a police station to notify them of the location of a body. Beverly Hills is spelt wrong in each, it is spelt BEVERLEY on each and the handwriting is exceptionally similar, especially the letter N. Durst initially appears pretty unphased by the accusation and brushes it off, until Jarecki asks him to look at a sheet that has the two versions of the address blown up and placed side by side and he asks him to tell him what one he wrote and what one he didn't and Durst is unable to tell the difference. He then begins burping uncontrollably as if trying to supress vomiting. The interview ends and Jarecki thanks Durst for his time. Durst then goes to the bathroom, unaware that he is still wearing a live microphone and says:
"There it is, you're caught.
You're right of course, but you can't imagine...
Arrest him.
I don't know what's in the house.
Oh, I want this.
What a disaster.
He was right, I was wrong.
And the burping?
I'm having difficulty understanding the question.
What the hell did I do?
Killed them all, of course."
Holy shit, these filmmakers just stumbled into getting an accidental confession from a guy who has dodged the law since 1982. Not only that, but what was recorded actually sounds like two different people having a conversation, almost like Gollum and Sméagol from Lord Of The Rings. The recording is creepy, but extremely important and provides an absolutely captivating ending to this already brilliant story. I think that what we hear in the bathroom is two sides of Durst arguing about what has just transpired. The way that each line is like a comment and then a response and the way that his tone of voice changes from line to line. I will type up my interpretation of the conversation below showing what side of Durst said what.
Good Bob: There it is, you're caught.
Bad Bob: You're right of course, but you can't imagine...
Good Bob: Arrest him.
Bad Bob: I don't know what's in the house.
Good Bob: Oh, I want this.
Bad Bob: What a disaster.
Good Bob:He was right, I was wrong.
Bad Bob: And the burping?
Good Bob: I'm having difficulty understanding the question.
What the hell did I do?
Bad Bob: Killed them all, of course.
This is obviously pure conjecture, but it's how I see the conversation going in Durst's head. Whether this is proof of disassociation or multiple personality disorder, I don't know as I'm not a psychiatrist, all that I know is that it is absolutely fascinating to hear this play out in a real world situation and makes for an absolutely brilliant piece of TV.
Please don't read on until you have seen the show in it's entirety as there are massive SPOILERS ahead. It feels weird to say that about a documentary, something that actually happened, but I promise you will not want this final revelation spoiled for you in any way.
Ok, so during the last interview, Andrew Jarecki confronts Robert Durst with two letters with the same address handwritten on each, one written by Durst years previous and the other was written by the killer and sent into a police station to notify them of the location of a body. Beverly Hills is spelt wrong in each, it is spelt BEVERLEY on each and the handwriting is exceptionally similar, especially the letter N. Durst initially appears pretty unphased by the accusation and brushes it off, until Jarecki asks him to look at a sheet that has the two versions of the address blown up and placed side by side and he asks him to tell him what one he wrote and what one he didn't and Durst is unable to tell the difference. He then begins burping uncontrollably as if trying to supress vomiting. The interview ends and Jarecki thanks Durst for his time. Durst then goes to the bathroom, unaware that he is still wearing a live microphone and says:
"There it is, you're caught.
You're right of course, but you can't imagine...
Arrest him.
I don't know what's in the house.
Oh, I want this.
What a disaster.
He was right, I was wrong.
And the burping?
I'm having difficulty understanding the question.
What the hell did I do?
Killed them all, of course."
Holy shit, these filmmakers just stumbled into getting an accidental confession from a guy who has dodged the law since 1982. Not only that, but what was recorded actually sounds like two different people having a conversation, almost like Gollum and Sméagol from Lord Of The Rings. The recording is creepy, but extremely important and provides an absolutely captivating ending to this already brilliant story. I think that what we hear in the bathroom is two sides of Durst arguing about what has just transpired. The way that each line is like a comment and then a response and the way that his tone of voice changes from line to line. I will type up my interpretation of the conversation below showing what side of Durst said what.
Good Bob: There it is, you're caught.
Bad Bob: You're right of course, but you can't imagine...
Good Bob: Arrest him.
Bad Bob: I don't know what's in the house.
Good Bob: Oh, I want this.
Bad Bob: What a disaster.
Good Bob:He was right, I was wrong.
Bad Bob: And the burping?
Good Bob: I'm having difficulty understanding the question.
What the hell did I do?
Bad Bob: Killed them all, of course.
This is obviously pure conjecture, but it's how I see the conversation going in Durst's head. Whether this is proof of disassociation or multiple personality disorder, I don't know as I'm not a psychiatrist, all that I know is that it is absolutely fascinating to hear this play out in a real world situation and makes for an absolutely brilliant piece of TV.
Gareth von Kallenbach (977 KP) rated Batman Begins (2005) in Movies
Aug 14, 2019
In the dark of night, a young man’s life is about to be forever changed. Young Bruce Wayne, son of wealthy industrialist Dr. Thomas Wayne (Linus Roache), is about to be orphaned in a random act of street violence.
The act will forever scar the younger Wayne, and will install and fuel a dark fire to stop crime and corruption wherever they may be. Fast forward years later and Bruce (Christian Bale), is interned in and Asian prison as a result of his desire to stop crime and an unfortunate series of events that made him flee Gotham City to find himself. Hope arrives one day in the form of a visitor named Henri Ducard (Liam Neeson), who arranges not only to free Bruce, but to train him for his destiny.
High atop a rocky, snow-covered peak, Bruce undergoes rigorous physical and mental training to hone his body and mind into the ultimate tool to combat crime. As time passes, Bruce eventually is ready to go out into the world. That is until an unexpected situation arises that forces him to decide which path he wishes to select.
The aftermath of this decision has Bruce returning home to Gotham City, where he is again under the care of the trusted family servant Alfred (Michael Caine), who informs him that crime and corruption is rampant in Gotham because the crime leader Carmine Falcone (Tom Wilkinson), has many members of the police force and judicial system under his influence.
While touring his father’s company, Bruce meets Lucius Fox (Morgan Freeman), who makes all manners of high-end experimental military weaponry and armor available to Bruce. Inspired, Bruce begins to craft his alter ego Batman, and takes to the nights to disrupt Falcone and the criminal activities in Gotham.
Unknown to Bruce/Batman, an evil villain known as the Scarecrow (Cillian Murphy), is plotting to destroy Gotham, and with Batman being wanted by the police as a vigilante his attempts to cleanse the city are hindered as Bruce/Batman must fight a war on different fronts.
For most films this would be more than enough plot to carry a summer action film, but for Batman Begins, it is only the setup as the depth of the story is surpassed only by the depth of the intensity and emotion of the film as this is not Tim Burton or Joel Schumacher’s campy takes on the tale of the Dark Knight.
Director Christopher Nolan takes the gloves off and shows that his triumphant work in “Memento” was not a fluke. He has crafted a complex, dark, and emotional film that is more of a drama than a comic book caper. Bale does a masterful job portraying the angst and anger of his character without ever being hammy or over the top. He portrays Wayne as a very normal, yet disturbed soul, who clearly has a method to his madness and is not a shallow once dimensional character. When Bruce is not out fighting crime, he is not above cracking jokes, squiring the ladies about town, and spending time with long time friend (and the one who got away) Rachael Dawes (Katie Holmes).
The film takes many twists and never gets sappy as far too many comic based films do. In fact, the intensity of the film keeps going up until the town literally explodes into frenzy of violence and chaos. Parents should note that this Batman is a very intense film filled with dark images and as such may be too intense for younger viewers as this is a film that is aimed towards a more mature audience.
As I sat through the films nearly two and a half hour running time, I was captivated as the film holds your attention throughout, and is filled with great performances and action. The chase scene with the new Batmobile is one of the best car chase sequences in recent memory and the action scenes move with a crisp and steady pacing. Bale, as I mentioned, does great work, but so do Neeson, Caine and Gary Oldman in a supporting role as Police Officer Gordon. They take supporting characters and infuse them with a touch of humanity that enables them to come across as real people rather than the thin constructs that are far too often passed on as characters in films of this type.
The only real quibble I had with the film, and it is very minor, would be that Holmes was not given a chance to show more to her character other than the duality of the damsel in distress and the passionate Assistant D.A. Her scenes with Bale seem to lack the spark and chemistry of someone who is supposed to have been a close friend of Bruce since they were children.
That being said, the mature nature and gripping and deep storyline, as well as the standout performances and action, make this film a true classic and rivals “Spider-Man” as the best and most faithful adaptation of a comic book.
The act will forever scar the younger Wayne, and will install and fuel a dark fire to stop crime and corruption wherever they may be. Fast forward years later and Bruce (Christian Bale), is interned in and Asian prison as a result of his desire to stop crime and an unfortunate series of events that made him flee Gotham City to find himself. Hope arrives one day in the form of a visitor named Henri Ducard (Liam Neeson), who arranges not only to free Bruce, but to train him for his destiny.
High atop a rocky, snow-covered peak, Bruce undergoes rigorous physical and mental training to hone his body and mind into the ultimate tool to combat crime. As time passes, Bruce eventually is ready to go out into the world. That is until an unexpected situation arises that forces him to decide which path he wishes to select.
The aftermath of this decision has Bruce returning home to Gotham City, where he is again under the care of the trusted family servant Alfred (Michael Caine), who informs him that crime and corruption is rampant in Gotham because the crime leader Carmine Falcone (Tom Wilkinson), has many members of the police force and judicial system under his influence.
While touring his father’s company, Bruce meets Lucius Fox (Morgan Freeman), who makes all manners of high-end experimental military weaponry and armor available to Bruce. Inspired, Bruce begins to craft his alter ego Batman, and takes to the nights to disrupt Falcone and the criminal activities in Gotham.
Unknown to Bruce/Batman, an evil villain known as the Scarecrow (Cillian Murphy), is plotting to destroy Gotham, and with Batman being wanted by the police as a vigilante his attempts to cleanse the city are hindered as Bruce/Batman must fight a war on different fronts.
For most films this would be more than enough plot to carry a summer action film, but for Batman Begins, it is only the setup as the depth of the story is surpassed only by the depth of the intensity and emotion of the film as this is not Tim Burton or Joel Schumacher’s campy takes on the tale of the Dark Knight.
Director Christopher Nolan takes the gloves off and shows that his triumphant work in “Memento” was not a fluke. He has crafted a complex, dark, and emotional film that is more of a drama than a comic book caper. Bale does a masterful job portraying the angst and anger of his character without ever being hammy or over the top. He portrays Wayne as a very normal, yet disturbed soul, who clearly has a method to his madness and is not a shallow once dimensional character. When Bruce is not out fighting crime, he is not above cracking jokes, squiring the ladies about town, and spending time with long time friend (and the one who got away) Rachael Dawes (Katie Holmes).
The film takes many twists and never gets sappy as far too many comic based films do. In fact, the intensity of the film keeps going up until the town literally explodes into frenzy of violence and chaos. Parents should note that this Batman is a very intense film filled with dark images and as such may be too intense for younger viewers as this is a film that is aimed towards a more mature audience.
As I sat through the films nearly two and a half hour running time, I was captivated as the film holds your attention throughout, and is filled with great performances and action. The chase scene with the new Batmobile is one of the best car chase sequences in recent memory and the action scenes move with a crisp and steady pacing. Bale, as I mentioned, does great work, but so do Neeson, Caine and Gary Oldman in a supporting role as Police Officer Gordon. They take supporting characters and infuse them with a touch of humanity that enables them to come across as real people rather than the thin constructs that are far too often passed on as characters in films of this type.
The only real quibble I had with the film, and it is very minor, would be that Holmes was not given a chance to show more to her character other than the duality of the damsel in distress and the passionate Assistant D.A. Her scenes with Bale seem to lack the spark and chemistry of someone who is supposed to have been a close friend of Bruce since they were children.
That being said, the mature nature and gripping and deep storyline, as well as the standout performances and action, make this film a true classic and rivals “Spider-Man” as the best and most faithful adaptation of a comic book.
Movie Metropolis (309 KP) rated Chappie (2015) in Movies
Jun 11, 2019
A little rough around the edges
District 9 was a tough act to follow for first-time director Neill Blomkamp. His follow up to 2009’s sci-fi sleeper hit was the mediocre Elysium that whilst having a gargantuan budget and the likes of Jodie Foster and Matt Damon, failed on the most basic of levels – storytelling.
Here, Blomkamp returns a little wiser and much richer with Chappie. But does it hark back to the brilliance of District 9?
Chappie follows the story of the titular robot, created by Deon Wilson (Dev Patel), as he grows up in the violent city of Johannesburg. Due to the increasing crime rates, Wilson has created a force of robotic police officers, known as Scouts.
Despite the gritty nature of the film, the cityscapes are stunning with the sweeping shots of the South African metropolis perfectly blended with claustrophobic ruins and towering skyscrapers.
Hugh Jackman stars as ex-soldier Vincent Moore, a man hell bent on proving the capabilities of his own robot, The Moose, even if that means going against the protocols of his employers Tetravaal. Sigourney Weaver also stars as the CEO of the aforementioned corporation.
Unfortunately, side-lining Jackman and to a greater extent Weaver hurts the film. We see Chappie grow from a young child-like robot through to a young adult but Jackman and Weaver only show their faces for very brief moments at a time, though they manage to show their prowess in each scene.
Instead, we are lumbered with real-life pop group Die Antwoord in two roles as Chappie’s ‘mommy’ and ‘daddy’, and despite their decent acting skills and intriguing screen presence, they fail to make as much of an impression as the big names.
Chappie hits home hard and often on just how violent a species we are and the fact that the titular robot doesn’t understand why we can be so cruel only deepens the emotional connection forged for him.
Sharlto Copley, a Blomkamp staple, must be given high praise for crafting such a brilliant cast-member in the motion-captured Chappie. The robot rivals Caesar from Dawn of the Planet of the Apes for sheer realism, and credit must be given to the entire crew for making us feel for a character that has very few human characteristics.
Nevertheless, there is a real issue with the film’s narrative. There are moments of comedic brilliance that are hastily juxtaposed with ones of
sadness and gore, and despite Blomkamp’s best efforts to merge them together, it fails and this becomes increasingly evident in the film’s admittedly exciting finale.
Pacing, a blight that plagued Elysium, is again a problem here. The first 40 minutes of the film drag to such an extent that it feels much longer than its 2 hour running time. This is a huge shame as once it gets going, Chappie rarely lets up until the end credits roll.
Overall, despite not reaching the dizzying heights of the brilliant District 9, director Neill Blomkamp is back on the right track and has crafted a beautifully shot, richly detailed and hugely emotional film – despite his insistence on pushing the most intriguing human characters into the background.
Like the titular character himself, Chappie is charming, if a little rough around the edges and has a lack of story definition, but if you’re a fan of Blomkamp’s work, there’s no reason why you’d be disappointed with what’s on offer.
https://moviemetropolis.net/2015/03/08/a-little-rough-around-the-edges-chappie-review/
Here, Blomkamp returns a little wiser and much richer with Chappie. But does it hark back to the brilliance of District 9?
Chappie follows the story of the titular robot, created by Deon Wilson (Dev Patel), as he grows up in the violent city of Johannesburg. Due to the increasing crime rates, Wilson has created a force of robotic police officers, known as Scouts.
Despite the gritty nature of the film, the cityscapes are stunning with the sweeping shots of the South African metropolis perfectly blended with claustrophobic ruins and towering skyscrapers.
Hugh Jackman stars as ex-soldier Vincent Moore, a man hell bent on proving the capabilities of his own robot, The Moose, even if that means going against the protocols of his employers Tetravaal. Sigourney Weaver also stars as the CEO of the aforementioned corporation.
Unfortunately, side-lining Jackman and to a greater extent Weaver hurts the film. We see Chappie grow from a young child-like robot through to a young adult but Jackman and Weaver only show their faces for very brief moments at a time, though they manage to show their prowess in each scene.
Instead, we are lumbered with real-life pop group Die Antwoord in two roles as Chappie’s ‘mommy’ and ‘daddy’, and despite their decent acting skills and intriguing screen presence, they fail to make as much of an impression as the big names.
Chappie hits home hard and often on just how violent a species we are and the fact that the titular robot doesn’t understand why we can be so cruel only deepens the emotional connection forged for him.
Sharlto Copley, a Blomkamp staple, must be given high praise for crafting such a brilliant cast-member in the motion-captured Chappie. The robot rivals Caesar from Dawn of the Planet of the Apes for sheer realism, and credit must be given to the entire crew for making us feel for a character that has very few human characteristics.
Nevertheless, there is a real issue with the film’s narrative. There are moments of comedic brilliance that are hastily juxtaposed with ones of
sadness and gore, and despite Blomkamp’s best efforts to merge them together, it fails and this becomes increasingly evident in the film’s admittedly exciting finale.
Pacing, a blight that plagued Elysium, is again a problem here. The first 40 minutes of the film drag to such an extent that it feels much longer than its 2 hour running time. This is a huge shame as once it gets going, Chappie rarely lets up until the end credits roll.
Overall, despite not reaching the dizzying heights of the brilliant District 9, director Neill Blomkamp is back on the right track and has crafted a beautifully shot, richly detailed and hugely emotional film – despite his insistence on pushing the most intriguing human characters into the background.
Like the titular character himself, Chappie is charming, if a little rough around the edges and has a lack of story definition, but if you’re a fan of Blomkamp’s work, there’s no reason why you’d be disappointed with what’s on offer.
https://moviemetropolis.net/2015/03/08/a-little-rough-around-the-edges-chappie-review/