Kim Pook (101 KP) rated American Murder: The Family Next Door (2020) in Movies
Oct 14, 2020
After a friend is unable to contact Shannan, the police are called as well as Chris - Shannans husband-who come out to her house and find no trace of anybody in the house, it's like the family vanished into thin air, even a neighbour has no footage of them on his surveillance camera to show of anything suspicious. That neighbour does suggest, however, that something seems off with Chris but it is brushed off.
As the documentary continues, it becomes evident that the neighbour had every reason to be suspicious.
It's certainly a different way to tell a story, as usually it's told through interviews given to the camera or interviewer, so I wasn't sure if I would enjoy it. It turned out I found it just as interesting as a regular documentary if not more, because of watching everything unfold in reality. It was an interesting watch that's for sure, but the outcome is very sad.
The Thirst (Harry Hole #11) (Oslo Sequence #9)
Jo Nesbo and Neil Smith
Book
THERE'S A NEW KILLER ON THE STREETS. A woman is found murdered after an internet date. The marks...
The Genius
Book
"From its first hip, cynical, snarky, confessional pages, this deftly plotted novel rivets the...
Awix (3310 KP) rated Ultraviolet in TV
Jan 3, 2021
One of the many post-X Files genre shows to appear in the UK in the late 90s, but much better than most of them, largely because it resists the temptation to go overboard with the flashy fantasy elements: vampires rarely appear in the early episodes and this more closely resembles a police procedural show. But definitely a horror series, and an effective one for the most part, written and played with great skill. Starts off as an episodic show before the serial elements gradually take over - the standalone episodes are best - and comes up with some clever new spins on vampire lore. One wishes they could have made more than just the six episodes (plus a US pilot with a mostly different cast and rather different approach), but as it this this definitely counts as small but perfectly formed.
Tim McGuire (301 KP) rated Brigsby Bear (2017) in Movies
Aug 23, 2019
Dale Lawson (13 KP) rated The Stranger in TV
Mar 1, 2020 (Updated Mar 1, 2020)
The premise of the show is that a stranger visits Richard Armitage’s character and unveils some unexpected and life changing news. As the series develops various crimes, including murder, end up being committed and they fuel a lot of the ‘twists’ or cliffhangers that end each episode.
These endings are what make the show enjoyable to watch, I think. They keep you wanting more. We watched three episodes in one evening because of the desire to ‘find out more’. Whilst the writers have done an excellent job in this regard and for the sub-plots, the content of each episode is often rushed, to progress the plot or just simply poorly written.
But it is the actors that let this show down the most; regularly, they are even laughable. The cast that play the children are extremely rough around the edges and provide much of the unintended humour. This said, the blame is not solely down to them. Many of the other supporting adult cast come across flat and dry, which is partly down to the poor writing.
Richard Armitage does the best he can with the script he has, yet it was good to see him on screen again after a large hiatus. The two main police officers also provide quality performances, and thankfully are on screen for much of the time to hold this show together. Stephen Rhea’s character is also very likeable for the first half of the story. It’s a shame to see a cast of strong actors struggling to provide quality performances.
With an ending that felt wrong and depressing, to the poorly acted episodes, The Stranger proves to be an addictive watch that leaves you feeling a little underwhelmed and deflated upon its conclusion.
Steph Freeman (26 KP) rated Altered Carbon in TV
Feb 19, 2018
The lack of regard for anyone below them (literally as well as figuratively) makes it easy to hate the Meths and the decadence that surrounds them. Their wealth allows a god-like immortality, and a lack of respect for life and "real death". Kovacs was detained for crimes against the Protectorate and his stack placed "on ice" for 250 years until the meth Laurens Bancroft pays for his release and a new skin. As Kovacs accepts the offer to find Bancrofts murder, and as he searches for the killer he finds friendship in an AI Edgar Allen Poe (one of the best characters in the whole show), a former military drunk and his wife and daughter, who is damaged emotionally trapped in virtual life, and a police officer. There are also several people after Elias Ryker (a police officer who was a little too curious), which causes issue for Kovacs because that is the skin Bancroft selected when he was taken off ice.
The locked room mystery portion of the season ends in episode 7, but that is far from the end of the action. As we learn more about Kovacs' history his interest in the Envoy mission of recapturing humanity and forcing real death on the world is made more evident, as is his love for Quell. His sister, Rei, did not believe in the mission as much as spending eternity with her big brother. While Kovacs was on ice his sister built a meth empire, acquiring wealth and power, becoming everything Quell and Kovacs fought against. The final moments with his sister, and his decision to find Quell's stack were gripping.
The cinematography, costuming, and CGI in this show are phenomenal, and the attention to detail is obvious. As Netflix is transitioning to big budget productions it's clear they have the right people handling the decisions. I didn't realize this series was also a book trilogy written by Richard Morgan, this series has definitely peaked my interest and I will be reading the books before the next season drops.
Sam (74 KP) rated The Hate u Give in Books
Mar 27, 2019
Only I didn’t enjoy it to the point where I got halfway through and couldn’t finish it. I wasn’t even sure whether to post the review because I know that lots of people will disagree with me over this.
I was so excited for a book to be out that’s about police brutality in America towards black teenagers, and was surprised, to begin with, that something as serious as this was in a YA book, but also happy that it was being told to teenagers. It sounded like my ideal book.
But I just couldn’t get along with it at all. The whole idea with the book is to show what casual racism is doing to America, but at the same time on every few pages, there’s another part talking about how horrible and funny and evil white people are. If a book wants to make a stand against racism, make a stand against it from both sides, not just one. You cannot end racism by calling the other race.
I just found it really one-sided in its battle against racism. I am definitely not saying that the police shooting was right, let me just say that, and Starr has every right to hate the police for shooting her best friend. However, this does not mean that every few pages there needs to be a comment about how awful white people are.
A much healthier focus for the book would have been equality, not switching the racism to the other side in a ‘how-do-you-like-it-now’ move.
OffRoad 4x4 Luxury Snow Driving - Driver Simulator
Games and Entertainment
App
Have become bore from playing old classical games and heavy trucks? Get ready and fasten your for...
Surfacing Secrets (Elemental Evidence #3)
Bellora Quinn and Sadie Rose Bermingham
Book
They’re treading water in an ocean of secrets. When ex-cop Jake Chivis is woken by the police...
M_M Fantasy Romance Suspense