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The Fixer (The Fixer #1)
8.0
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Sixteen-year-old Tess Kendrick has spent her entire life on her grandfather's ranch. But when her...
The Long Game (The Fixer #2)
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The Kendricks help make the problems of the Washington elite disappear…but some secrets won’t...
Raging Falcon
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In the 21st century wars are won in the mind rather than on battlefields. One man will forever...
stephen perkins thriller crime political
Victoria & Violet (Royal Maids #1)
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When Violet Parker is told she will be Queen Victoria’s personal housemaid, she cannot believe her...
Historical Romance
Gareth von Kallenbach (980 KP) rated Argo (2012) in Movies
Aug 7, 2019
As a small child, I can remember the Iranian hostage crisis as it dominated the news media for over a year. While I did not understand the political atmosphere behind it, I did understand that a group of our embassy staff were being held prisoner in a foreign land for simply being in the wrong place at the wrong time.
Director and star Ben Affleck has brought a new side to the story to light in the form of his new film “Argo”, which is based upon true events which have recently become declassified. The story centers around six workers of the embassy in Tehran, who fled the chaos when a disgruntled mob stormed the embassy walls. At that time it was unheard of for an embassy to be occupied as they host country and internal security were thought to of been more than adequate protection.
However for a country in a state of revolution, much less one that was extremely upset with America’s refusal to return the deposed Shah to face trial, security from the local populace was not available when the unthinkable happened.
After being turned away by the British and New Zealand embassies, the six escapees find refuge in the residence of the Canadian ambassador Ken Taylor (Victor Garber), who refuses to turn them away despite the volatile political situation harboring them would create should they ever be discovered.
On the other side of the world, C.I.A. Director Jack O’Donnell (Bryan Cranston), and his staff are desperately looking for a way to retrieve not only the Americans held hostage but also the six individuals currently being sheltered by the Canadian ambassador.
With few viable options available, save for the longshot of trying to get the refugees to bike through 300 miles of winter and soldier laden roads to the Turkish border, Tony Mendez (Affleck), is brought in to find other options.
One evening, Tony gets the idea to go to Iran posing as a Canadian filmmaker on a location scouting trip for an upcoming film. His plan is to pass the refugees off as part of his crew thanks to newly issued passports from the Canadian government.
In order to add validity to his plan, Tony recruits award-winning makeup artist John Chambers (John Goodman), and producer Lester Siegel (Alan Arkin), to help establish the necessary cover for the operation.
Soon Tony, John, and Lester have obtained a script for science fiction film named “Argo”, and the use the Hollywood trades and publicity machine to establish their back story of their production company and film project.
With time running down, Tony must venture alone to Tehran to meet with and prepare the refugees for extraction as well as firming up their cover with the local Iranian authorities.
What follows is a tense political thriller that is extremely well performed and captivating throughout. What really impressed me about the film was that Affleck expertly paced it and refrain from using such overused stereotypes such as car chases, fight sequences, and love scenes to tell the story.
The cast is exceptionally good all around and the film does a good job capturing the look and the atmosphere of the situation without ever becoming preachy and taking extreme political stances. Instead the focus is on real people caught in an extraordinary situation from which they were unprepared, and the extraordinary measures taken by good people in the United States and Canada who stepped up and did the right thing regardless of the cost to them personally or politically.
“Argo”, was an extremely pleasant surprise in one of the most enjoyable films I have seen this year. While I understand it would not be for everyone, I would not be surprised to see the film get a few Oscar nods come awards season as they would be in my opinion well deserved.
Director and star Ben Affleck has brought a new side to the story to light in the form of his new film “Argo”, which is based upon true events which have recently become declassified. The story centers around six workers of the embassy in Tehran, who fled the chaos when a disgruntled mob stormed the embassy walls. At that time it was unheard of for an embassy to be occupied as they host country and internal security were thought to of been more than adequate protection.
However for a country in a state of revolution, much less one that was extremely upset with America’s refusal to return the deposed Shah to face trial, security from the local populace was not available when the unthinkable happened.
After being turned away by the British and New Zealand embassies, the six escapees find refuge in the residence of the Canadian ambassador Ken Taylor (Victor Garber), who refuses to turn them away despite the volatile political situation harboring them would create should they ever be discovered.
On the other side of the world, C.I.A. Director Jack O’Donnell (Bryan Cranston), and his staff are desperately looking for a way to retrieve not only the Americans held hostage but also the six individuals currently being sheltered by the Canadian ambassador.
With few viable options available, save for the longshot of trying to get the refugees to bike through 300 miles of winter and soldier laden roads to the Turkish border, Tony Mendez (Affleck), is brought in to find other options.
One evening, Tony gets the idea to go to Iran posing as a Canadian filmmaker on a location scouting trip for an upcoming film. His plan is to pass the refugees off as part of his crew thanks to newly issued passports from the Canadian government.
In order to add validity to his plan, Tony recruits award-winning makeup artist John Chambers (John Goodman), and producer Lester Siegel (Alan Arkin), to help establish the necessary cover for the operation.
Soon Tony, John, and Lester have obtained a script for science fiction film named “Argo”, and the use the Hollywood trades and publicity machine to establish their back story of their production company and film project.
With time running down, Tony must venture alone to Tehran to meet with and prepare the refugees for extraction as well as firming up their cover with the local Iranian authorities.
What follows is a tense political thriller that is extremely well performed and captivating throughout. What really impressed me about the film was that Affleck expertly paced it and refrain from using such overused stereotypes such as car chases, fight sequences, and love scenes to tell the story.
The cast is exceptionally good all around and the film does a good job capturing the look and the atmosphere of the situation without ever becoming preachy and taking extreme political stances. Instead the focus is on real people caught in an extraordinary situation from which they were unprepared, and the extraordinary measures taken by good people in the United States and Canada who stepped up and did the right thing regardless of the cost to them personally or politically.
“Argo”, was an extremely pleasant surprise in one of the most enjoyable films I have seen this year. While I understand it would not be for everyone, I would not be surprised to see the film get a few Oscar nods come awards season as they would be in my opinion well deserved.
Brick Body Kids Still Daydream by Open Mike Eagle
Album Watch
With the first song of his 2014 masterpiece, Dark Comedy, Open Mike Eagle reintroduced himself by...
rap
Awix (3310 KP) rated BlacKkKlansman (2018) in Movies
Mar 12, 2019
Based-on-truth joint from Spike Lee is one part comedy, one part thriller, and one part consciousness-raising polemic. The first African-American to join the Colorado Springs PD has to deal with racism from his own colleagues even before he embarks upon the seemingly insane mission of infiltrating the Ku Klux Klan, assisted by his Jewish partner.
Not quite the absurd comedy the trailer suggests it will be, although anyone familiar with Lee's work could probably have guessed as much; the material dealing with the civil rights movement and the political realities of the time is seriously presented and clearly deeply felt. Still involving and entertaining stuff - the decision to dispense with a conventional ending in favour of a diatribe against those provoking the Charlottesville riots and their cheerleader in Washington may not be great storytelling, but it feels entirely understandable and appropriate.
Not quite the absurd comedy the trailer suggests it will be, although anyone familiar with Lee's work could probably have guessed as much; the material dealing with the civil rights movement and the political realities of the time is seriously presented and clearly deeply felt. Still involving and entertaining stuff - the decision to dispense with a conventional ending in favour of a diatribe against those provoking the Charlottesville riots and their cheerleader in Washington may not be great storytelling, but it feels entirely understandable and appropriate.
Awix (3310 KP) rated Cosmic Voyage (Космический рейс) (1936) in Movies
May 12, 2019 (Updated May 12, 2019)
First Man it ain't, but this optimistic prediction of the first manned mission to the Moon (by the Soviets, in 1946) still has many points of interest. Bold (if somewhat geriatric) scientist Sedych decides to take a bold leap into the unknown and go to the Moon, against the wishes of the authorities. He ends up going with his young female assistant and a teenage boy; various hazards imperil the voyage.
There are obviously allegorical and political elements to the script, but in another way this is an attempt at genuine scientific accuracy; this is probably the first film to attempt to portray characters in zero gravity, and it does a pretty decent job. Some of the special effects are startlingly good for the period the film was made. You do have to cut it some slack, but this is by no means a slow or heavy film.
There are obviously allegorical and political elements to the script, but in another way this is an attempt at genuine scientific accuracy; this is probably the first film to attempt to portray characters in zero gravity, and it does a pretty decent job. Some of the special effects are startlingly good for the period the film was made. You do have to cut it some slack, but this is by no means a slow or heavy film.
Mark @ Carstairs Considers (2357 KP) rated Mrs. Pollifax, Innocent Tourist (Mrs. Pollifax, #13) in Books
Mar 9, 2018
Mrs. Pollifax teams up with her old friend Farrell and heads to Jordan to smuggle out a manuscript about life in Iraq under Saddam Hussein. Their mission is complicated when someone - the wrong someone – seems interested in them. Might it have something to do with Mrs. Pollifax’s seatmate from the plane?
Welcome back to the late 90’s and the penultimate Mrs. Pollifax adventure. Things get off to a great start, but unfortunately Mrs. Pollifax isn’t a driving force in most of the climax. That’s only a minor complaint because any time spent with Mrs. Pollifax is plenty of fun, and that holds true again here. The characters, new and old, are a delight. And the book provides a good reminder of the political situation of 20 years ago.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/08/book-review-mrs-pollifax-innocent.html">Carstairs Considers</a>.
Welcome back to the late 90’s and the penultimate Mrs. Pollifax adventure. Things get off to a great start, but unfortunately Mrs. Pollifax isn’t a driving force in most of the climax. That’s only a minor complaint because any time spent with Mrs. Pollifax is plenty of fun, and that holds true again here. The characters, new and old, are a delight. And the book provides a good reminder of the political situation of 20 years ago.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/08/book-review-mrs-pollifax-innocent.html">Carstairs Considers</a>.
Loz Hughes (80 KP) rated Harry Potter and the Prisoner of Azkaban in Books
Jul 14, 2018
By far my favorite Harry potter book.
Contains spoilers, click to show
Ive always found this book to be my favorite out of the whole series purely because Harry finds some family...his godfather, whom after a convoluted storyline he realises isnt set out to murder him. Its the only book where I feel he actually has a few happy moments in his life and is discovering who he is and achieves a bit of character stability. I love how the story handles the introduction of Sirius and displays the political and media spin that happens in the background (between the bad reporting on the daily prophet and ministry of magic). Also the trio (Harry, Ron and hermoine) seem to have solid bonds of friendship grow tighter in this storyline.