"I saw Ashes and Diamonds for the first time in 1961. And even back then, during that period when we expected to be astonished at the movies, when things were happening all over the world, it shocked me. It had to do with the look, both immediate and haunted, like a nightmare that won’t stop unfolding; the sense of maddening insanity and absurdity, the tragedy of political infighting on the brink of peace and coming of age during wartime; and the beauty of the lead actor, Zbigniew Cybulski. The film has the power of a hallucination: I can close my eyes and certain images will flash back to me with the force they had when I saw them for the first time over fifty years ago. I’ve crossed paths with Andrzej Wajda a few times over the years, and I’ve always been in awe of his energy and his unflinching vision. I saw him again a couple of years ago, a little frailer but still as burning with energy as he’d been back in the ’90s, and he was preparing to make another film, now just completed, about Lech Walesa (the final installment of the trilogy that began with Man of Marble and Man of Iron). He’s a model to all filmmakers."

"Again, her whole catalogue is amazing. I love her music back to front. This is her hit record, as it were, not that it was a proper hit unfortunately. It's been with me for a while and I love it so much. We brought a few pieces of music to listen to while my wife was giving birth to our daughter and this was one of them. That gives an indication of how embedded in my life it is. The tone and mood it sets... She was deep into that sense of spiritual connectedness and universal love. I understand how people who aren't necessarily spiritual might see it as a foolish hippy diversion, but for me, this unlocks the potential of what music can do. At the time it was married to a political agenda, same for all these spiritual free jazz records, and I feel that it's a really unfortunate thing that people don't seem to be able to articulate that so well in the contemporary music world. This is an analysis and that's not why I love it, that's because when I put it on it's my favourite thing to be listening to. But it also stands up to analysis - there's so many reasons to love this music."

"I adore Fassbinder’s work. I’ve been living in Germany for the last ten years, and I think he’s one of the biggest reasons I moved there. Ali: Fear Eats the Soul is my favorite film of all time. It’s the kind of film I’d never think of making—I’d never have thought of those two protagonists as a possible couple—but it’s the most beautiful and yet political film I’ve ever seen. When I was growing up, I never thought that I’d be able to make movies, but I began to learn by discovering films that were made in a way that was very technically simple yet powerful in terms of character, which is what you see in Ali. I come from an Algerian family that emigrated to France in the seventies, so there is something about the character of Ali in particular, and the empathy that the older woman has for him, that touched me. There’s also something about the way Fassbinder depicts sadness that I love and find refreshing. I absolutely adore In a Year of 13 Moons, Fox and His Friends, and Querelle, which made me feel the world differently. I didn’t feel so alone; I felt there were other people who were like me."