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Gareth von Kallenbach (968 KP) rated Jem and the Holograms (2015) in Movies
Jun 19, 2019
Being a teenager is a confusing time, we want to be accepted, popular, and, at times, invisible. In a world where you feel overlooked and ignored, it is gratifying to have a voice, an identity, some special aspect that is going to make you stand out and be accepted. Jem and the Holograms attempts to make this a theme. Creating your identity and having the ability to shape and form it into a way that it becomes your own shield against the ills of the world. It is a very promising concept and idea when attempting to update the series for today’s audience. Unfortunately there isn’t much substance to the film. The substance that is apparent is quite shallow and undeveloped.
Instead of sticking with the original premise and backstory of the popular cartoon series of the 1980s, it tries to modernize itself in a way that holds onto little of its origin other than the name of some of the characters. There is no heart with this film, there is no feeling driving the movie that makes you want to cheer for the characters to become successful. This is mainly due to the film not giving audiences a chance to like the characters or even learn who they really are. The film makes everything look so easy within the music industry. The basic understanding is that if you post a video online, you might be discovered and are immediately offered a recording contract. This storyline will resonate with many of the “Generation Me” and “Kardashian Culture” crowd that is filled dreams of becoming famous for doing little to nothing.
The story is beyond far-fetched in that it every problem, riddle, issue, and negative moment is resolved in the next scene. There is no struggle for any of the characters other than the possibility that their aunt and foster mother may lose their house, but even this is solved within two minutes.
The one shining light in the film is Juliette Lewis as Erica Raymond, CEO of Starlight Records who gives Jem and her sisters the opportunity to take over the spotlight. She is not only the comic relief, but serves the role as a conniving, manipulative recording manager. This is pretty much the only similarity that exists between this film and the original series. Erica prompts older audiences to think of the Misfits (the nemesis to the Holograms) who were continuously trying to sabotage their careers. The rest of the cast, leaves one not feeling connected to them or their storylines. There is no development for any of the people throughout the film. It almost seems as though when making the film, the production team sat around thinking, “It’s Jem, the music will carry the story.” Unfortunately, the music that is included goes no further than being the typical pop music similar to that which is on every station today. There is nothing that stands out about the music, as catchy as it is, that makes you feel as though you should become invested in who these girls are or even that they have something that makes them stand out. With the time that has passed since the cartoon appeared on television, there should have been more investment in who these girls are and why we should care about them. Audiences don’t have that opportunity, as they become famous, seemingly overnight. It almost makes one want to root against them.
There is a real opportunity missed with this film to combine the original show, catering to older audiences who watched the show as children, and update it for a newer generation. The film would have been much better served with inclusion of many of the elements that made the series have such appeal. The approach is very juvenile and rushed. The original show was more than music, it was about the relationships formed by many of the characters and the various adventures that they would pursue. There were stories with depth and continuity which reinforced the aspects of working hard and achievement of goals. The whole movie looks like a diary entry of what an American tween would see as their life in entertainment. The one positive note about the film is the way that it incorporates social media in the development of the story. It demonstrates the connection that is and can be made through music and pop culture.
Sadly, in contrast to the original series, the film demeans and belittles women. Its approach is short-sighted and does not deal with any aspect of reality that one would expect. Jem is nothing more than a manufactured pop music story. There is little that audiences could relate to. In a sense, it is anti-music, and anti-intellectual. The film itself, is filler and a corruption of the origin story and the time that has passed since it first debuted. Audiences of Jem the TV series may be appalled at what they witness, if they do decide to actually watch the film. For younger audiences, this film reinforces the belief that all kids should get participation trophies because they tried. There is the sense that if you just show up, the opportunity will be handed to you. There is no real work on the screen and it seems as though there was no real work or effort put into creating this film. Younger audiences will tout the music and friendship displayed. Older audiences who were fans of the television show will be soundly disappointed in what they witness on the screen. It is a bastardization of what Jem should be in a modern age. There is no soul to this film. Every note that it hits is flat.
http://sknr.net/2015/10/23/jem-and-the-holograms/
Instead of sticking with the original premise and backstory of the popular cartoon series of the 1980s, it tries to modernize itself in a way that holds onto little of its origin other than the name of some of the characters. There is no heart with this film, there is no feeling driving the movie that makes you want to cheer for the characters to become successful. This is mainly due to the film not giving audiences a chance to like the characters or even learn who they really are. The film makes everything look so easy within the music industry. The basic understanding is that if you post a video online, you might be discovered and are immediately offered a recording contract. This storyline will resonate with many of the “Generation Me” and “Kardashian Culture” crowd that is filled dreams of becoming famous for doing little to nothing.
The story is beyond far-fetched in that it every problem, riddle, issue, and negative moment is resolved in the next scene. There is no struggle for any of the characters other than the possibility that their aunt and foster mother may lose their house, but even this is solved within two minutes.
The one shining light in the film is Juliette Lewis as Erica Raymond, CEO of Starlight Records who gives Jem and her sisters the opportunity to take over the spotlight. She is not only the comic relief, but serves the role as a conniving, manipulative recording manager. This is pretty much the only similarity that exists between this film and the original series. Erica prompts older audiences to think of the Misfits (the nemesis to the Holograms) who were continuously trying to sabotage their careers. The rest of the cast, leaves one not feeling connected to them or their storylines. There is no development for any of the people throughout the film. It almost seems as though when making the film, the production team sat around thinking, “It’s Jem, the music will carry the story.” Unfortunately, the music that is included goes no further than being the typical pop music similar to that which is on every station today. There is nothing that stands out about the music, as catchy as it is, that makes you feel as though you should become invested in who these girls are or even that they have something that makes them stand out. With the time that has passed since the cartoon appeared on television, there should have been more investment in who these girls are and why we should care about them. Audiences don’t have that opportunity, as they become famous, seemingly overnight. It almost makes one want to root against them.
There is a real opportunity missed with this film to combine the original show, catering to older audiences who watched the show as children, and update it for a newer generation. The film would have been much better served with inclusion of many of the elements that made the series have such appeal. The approach is very juvenile and rushed. The original show was more than music, it was about the relationships formed by many of the characters and the various adventures that they would pursue. There were stories with depth and continuity which reinforced the aspects of working hard and achievement of goals. The whole movie looks like a diary entry of what an American tween would see as their life in entertainment. The one positive note about the film is the way that it incorporates social media in the development of the story. It demonstrates the connection that is and can be made through music and pop culture.
Sadly, in contrast to the original series, the film demeans and belittles women. Its approach is short-sighted and does not deal with any aspect of reality that one would expect. Jem is nothing more than a manufactured pop music story. There is little that audiences could relate to. In a sense, it is anti-music, and anti-intellectual. The film itself, is filler and a corruption of the origin story and the time that has passed since it first debuted. Audiences of Jem the TV series may be appalled at what they witness, if they do decide to actually watch the film. For younger audiences, this film reinforces the belief that all kids should get participation trophies because they tried. There is the sense that if you just show up, the opportunity will be handed to you. There is no real work on the screen and it seems as though there was no real work or effort put into creating this film. Younger audiences will tout the music and friendship displayed. Older audiences who were fans of the television show will be soundly disappointed in what they witness on the screen. It is a bastardization of what Jem should be in a modern age. There is no soul to this film. Every note that it hits is flat.
http://sknr.net/2015/10/23/jem-and-the-holograms/
Emma @ The Movies (1786 KP) rated Late Night (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Show me Emma Thompson in a trailer and I'll show you a film that's going to the top of my must-see list. Comedy, drama, she can do it all, and as Katherine Newbury she got to do a bit of both.
Katherine is losing her TV show after years of being a late night icon. Where she wants serious and respectable guests, viewers tastes are edging ever closer to internet and pop culture celebs. She needs some fresh and relevant content, but the team is lacking fresh blood and the ideas just aren't coming.
Molly longs for a change of pace from working at the plants and she takes a chance and gets herself an opportunity to interview for the writing team. Pressured by Katherine to get results, Brad hires Molly to start on the entirely male team despite her less than popular when she takes the place of their recently fired colleague.
Mindy Kaling has done a great job on the script for Late Night, it's funny but still manages to transition to more serious moments. The characters all make great connections and Katherine and Molly are particularly fun together once Molly is able to break the tough shell of Katherine. The only slight quibble about it is that a couple of times I felt things didn't need to be there, but those scenes still worked well.
The story may be a new take, but it's a tale as old as time in this sort of comedy. It's predictable but in a way that you love because the chemistry on screen is so good and the outcome is genuinely what you want.
Emma Thompson on screen is a delight, there's even one point where we see her contemplating and she looks like a Jack Vettriano. The woman is a masterpiece. She can play anything (well, apart from a yeti, but that was more to do with the terrible scripting) and the role of Katherine really does come to life in her hands.
Kaling as Molly is a delight to see. Her always upbeat nature and genuine love for what she's doing shines through bringing a beautiful partnership out between her and Katherine.
The supporting cast is full of faces you'll recognise and all of them help this light-hearted comedy becomes something that genuinely made me smile.
Late Night was an unsurprising hit with me, when you have so many great things it's very difficult to create something bad.
What you should do
Have you looked at the news or Twitter today and sighed at just how depressing the world can be? If yes, go and see Late Night for a great mood lifter. If no, go and see Late Night for a great mood lifter.
Movie thing you wish you could take home
That suit Katherine wears right at the end of the movie... amazing.
Katherine is losing her TV show after years of being a late night icon. Where she wants serious and respectable guests, viewers tastes are edging ever closer to internet and pop culture celebs. She needs some fresh and relevant content, but the team is lacking fresh blood and the ideas just aren't coming.
Molly longs for a change of pace from working at the plants and she takes a chance and gets herself an opportunity to interview for the writing team. Pressured by Katherine to get results, Brad hires Molly to start on the entirely male team despite her less than popular when she takes the place of their recently fired colleague.
Mindy Kaling has done a great job on the script for Late Night, it's funny but still manages to transition to more serious moments. The characters all make great connections and Katherine and Molly are particularly fun together once Molly is able to break the tough shell of Katherine. The only slight quibble about it is that a couple of times I felt things didn't need to be there, but those scenes still worked well.
The story may be a new take, but it's a tale as old as time in this sort of comedy. It's predictable but in a way that you love because the chemistry on screen is so good and the outcome is genuinely what you want.
Emma Thompson on screen is a delight, there's even one point where we see her contemplating and she looks like a Jack Vettriano. The woman is a masterpiece. She can play anything (well, apart from a yeti, but that was more to do with the terrible scripting) and the role of Katherine really does come to life in her hands.
Kaling as Molly is a delight to see. Her always upbeat nature and genuine love for what she's doing shines through bringing a beautiful partnership out between her and Katherine.
The supporting cast is full of faces you'll recognise and all of them help this light-hearted comedy becomes something that genuinely made me smile.
Late Night was an unsurprising hit with me, when you have so many great things it's very difficult to create something bad.
What you should do
Have you looked at the news or Twitter today and sighed at just how depressing the world can be? If yes, go and see Late Night for a great mood lifter. If no, go and see Late Night for a great mood lifter.
Movie thing you wish you could take home
That suit Katherine wears right at the end of the movie... amazing.
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