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I first read Dracula as part of a film and fiction course at University: read the book; watch the film. It is, of course, the most famous of all vampire stories.
Unlike the movie version, the story is told from the point of view of the various secondary characters (who are all writing in their diaries or memoirs): Dracula, himself, is never at the forefront. Rather, he is an ominous shadowy presence in the background throughout. This is actually quite effective: by disassociating the reader from the villain, Stoker manages to both convey the deadly mysteriousness of the Count, and side-steps the danger of the reader sympathizing too much with Dracula, while that character is also able to be abroad during the day-time; just not with the powers he has at night.
Finally, and unlike the film version which bears the same name, in the book Dracula is not given the same back-story: Mina, for instance, is never described as being his long-lost love! In this sense, the film is much more of a Gothic love-story than the original source material!
Unlike the movie version, the story is told from the point of view of the various secondary characters (who are all writing in their diaries or memoirs): Dracula, himself, is never at the forefront. Rather, he is an ominous shadowy presence in the background throughout. This is actually quite effective: by disassociating the reader from the villain, Stoker manages to both convey the deadly mysteriousness of the Count, and side-steps the danger of the reader sympathizing too much with Dracula, while that character is also able to be abroad during the day-time; just not with the powers he has at night.
Finally, and unlike the film version which bears the same name, in the book Dracula is not given the same back-story: Mina, for instance, is never described as being his long-lost love! In this sense, the film is much more of a Gothic love-story than the original source material!
David McK (3832 KP) rated Superman: Up, Up, and Away! in Books
Jan 30, 2019
This is one of those rare beasts: a Superman story that contentrates jsut as much (if not more!) on the Clark Kent side of the character than on the Superman side.
As it starts, Clark is powerless (apparently, following the events of an older story which I hadn't read), and has been so for the last year. With Lex Luthor once again released from prison, and with various other comic-book'y' threats (to coin a phrase) still popping up around the city, however, the need for theman of Steel is as strong as ever, even though Supergirl and various other Super-heroes (such as members of the Green Lantern Corp) are covering the vacancy, as it were.
If I'm honest, I also found these early sections to be a little slow, never really grabbing me all that much.
It became obvious, however, that these sections were laying the groundwork for the latter half of the book: the bit when Clark starts getting his powers back! Without those early sections, that particular bit (and Superman's battle - again! - with Luthor) would not have been anywhere near the same impact that it does.
As it starts, Clark is powerless (apparently, following the events of an older story which I hadn't read), and has been so for the last year. With Lex Luthor once again released from prison, and with various other comic-book'y' threats (to coin a phrase) still popping up around the city, however, the need for theman of Steel is as strong as ever, even though Supergirl and various other Super-heroes (such as members of the Green Lantern Corp) are covering the vacancy, as it were.
If I'm honest, I also found these early sections to be a little slow, never really grabbing me all that much.
It became obvious, however, that these sections were laying the groundwork for the latter half of the book: the bit when Clark starts getting his powers back! Without those early sections, that particular bit (and Superman's battle - again! - with Luthor) would not have been anywhere near the same impact that it does.
Phil Leader (619 KP) rated Always Forever in Books
Nov 8, 2019
All technology is all but dead and the ancient powers stalk the land. With civlization in ruins only the Brothers and Sisters of Dragons can stop the world sliding into chaos. But they are broken, a spent force after the many trials they have endured. All may be lost after all.
Carrying on the tone of the first two books of the trilogy this is a dark and edgy read, often difficult as the protagonists are pushed to breaking point and beyond. Chadbourn's writing is very evocative and descriptive of the locations and the characters - perhaps because they have every flaw exposed - seem very human.
The ending makes the trilogy worthwhile, but to an extent maybe this is half a book too far; some plot elements become a little repetitive as do the threat from the creatures of legend that are hunting for the heroes. Ultimately the story just about justifies this and it definitely doesn't let down the series but maybe there's just a bit of faerie fatigue.
If you like your fantasy dark and your heroes really put through the wringer this series will appeal but it is not for the faint hearted.
Carrying on the tone of the first two books of the trilogy this is a dark and edgy read, often difficult as the protagonists are pushed to breaking point and beyond. Chadbourn's writing is very evocative and descriptive of the locations and the characters - perhaps because they have every flaw exposed - seem very human.
The ending makes the trilogy worthwhile, but to an extent maybe this is half a book too far; some plot elements become a little repetitive as do the threat from the creatures of legend that are hunting for the heroes. Ultimately the story just about justifies this and it definitely doesn't let down the series but maybe there's just a bit of faerie fatigue.
If you like your fantasy dark and your heroes really put through the wringer this series will appeal but it is not for the faint hearted.
Awix (3310 KP) rated Village of the Damned (1995) in Movies
Nov 16, 2019
Thumpingly unsubtle SF remake turns up the horror dial but doesn't seem aware that sometimes less is more. After a strange town-wide blackout, the citizens of Midwich (do they really have 'villages' in Northern California, anyway?) discover ten women have simultaneously become pregnant. They give birth to eerily similar children who seem to have psychic powers.
Released in 1995, this is very much The Midwich Cuckoos for the X Files generation, but ends up just another signpost marking the decline of John Carpenter as a film-maker worth paying attention to. The sad thing is that he really does seem familiar with both the original British film and the source novel (elements of the book missing from the 1960 film reappear here) and is obviously trying to do his best to honour them, but where John Wyndham is chillingly subtle and understated, John Carpenter is just walloping the audience with a succession of predictable set-piece 'shocks'. Reasonable CGI but overall it looks cheap and unconvincing; some reasonable performances from an interesting cast, but there's a limit to what they can do with such a duff script.
Released in 1995, this is very much The Midwich Cuckoos for the X Files generation, but ends up just another signpost marking the decline of John Carpenter as a film-maker worth paying attention to. The sad thing is that he really does seem familiar with both the original British film and the source novel (elements of the book missing from the 1960 film reappear here) and is obviously trying to do his best to honour them, but where John Wyndham is chillingly subtle and understated, John Carpenter is just walloping the audience with a succession of predictable set-piece 'shocks'. Reasonable CGI but overall it looks cheap and unconvincing; some reasonable performances from an interesting cast, but there's a limit to what they can do with such a duff script.
James Koppert (2698 KP) rated Demon Road in Books
Nov 26, 2019
Pre entertainment where good and evil fight
Derek Landy's 'Skullduggery Pleasant' series is great. i read them to my son, so when Demon road came out I got it for him and he recommended I read it too. I was pleasantly surprised, Landy has created a trilogy that is brilliant and very cinematic.
This takes place in our world and in our world are demons, some of whom have made deals with high demons for powers and in return has to do terrible things as payment. The lead character is the daughter of such demons but is a normal girl...until she hits puberty. But then she finds out her parents don't quite have her best interests at heart.
I don't read many teen books unless sent for me to review or because i am reading to my kids but this is a gripping brilliant read. it is so cinematic it deserves to become a movie.
Characters are very strong, the adventure is adrenaline fuelled and its done in a completely non cheesy way. Its brilliant and I went straight to book two afterwards.
This takes place in our world and in our world are demons, some of whom have made deals with high demons for powers and in return has to do terrible things as payment. The lead character is the daughter of such demons but is a normal girl...until she hits puberty. But then she finds out her parents don't quite have her best interests at heart.
I don't read many teen books unless sent for me to review or because i am reading to my kids but this is a gripping brilliant read. it is so cinematic it deserves to become a movie.
Characters are very strong, the adventure is adrenaline fuelled and its done in a completely non cheesy way. Its brilliant and I went straight to book two afterwards.
Awix (3310 KP) rated Bombshell (2019) in Movies
Jan 20, 2020
Based-on-fact drama exposing the reality of sexual harassment in the American media, from the director of Austin Powers: The Spy Who Shagged Me (feel that cognitive dissonance!). When a broadcaster is hired from right-wing network Fox News, she resolves to sue the founder, causing ructions throughout the organisation. It's actually a bit more wide-ranged and discursive than that, touching on various issues connected to attitudes towards the media and the exploitation of woman. Not explicitly anti-Trump, but the mood music is certainly not supporting him - I doubt many of the red cap brigade will find much here to enjoy.
To be honest, I was kind of expecting something more like The Big Short or Vice - angry and smart, but also blackly funny and formally creative. After a fairly sparky first act this just becomes quite a serious drama about sexual harassment. Nothing wrong with that, of course, but the thing is that it does become a bit issue-led. Some very good performances, though, and the prosthetics are fun too, I suppose (most of these people are unknown in the UK, though - did like Malcolm McDowell's Rupert Murdoch). Very watchable.
To be honest, I was kind of expecting something more like The Big Short or Vice - angry and smart, but also blackly funny and formally creative. After a fairly sparky first act this just becomes quite a serious drama about sexual harassment. Nothing wrong with that, of course, but the thing is that it does become a bit issue-led. Some very good performances, though, and the prosthetics are fun too, I suppose (most of these people are unknown in the UK, though - did like Malcolm McDowell's Rupert Murdoch). Very watchable.
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