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LeftSideCut (3776 KP) rated Sin City (2005) in Movies

Jan 7, 2021 (Updated Jan 11, 2021)  
Sin City (2005)
Sin City (2005)
2005 | Action, Drama, Mystery
I absolutely adored Sin City when it first released way back in 2005, and I still do to a point, albeit a little less than I used to.
The main positives are of course the cast, and the style.

The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.

The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.

I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.
  
Gypsy Blood (All The Pretty Monsters #1)
Gypsy Blood (All The Pretty Monsters #1)
Kristy Cunning | 2020 | Paranormal, Romance, Science Fiction/Fantasy
8
8.0 (1 Ratings)
Book Rating
193 of 200
Kindle
Gypsy Blood ( All the pretty monsters book 1)
By Kristy Cunning

 
I'm not all that special, really. Or uncommon. I'm sure there are a lot of girls with old gypsy blood who see the dead, have killer cults hunting their family, and turn into something that gets scary when they panic. Yep. Completely unoriginal, if I do say so myself.
Move along. Nothing to see here. Nope. I'm just an ordinary girl.

I wish people would believe that.

I've been labeled as one thing or another for most of my life:
Death Girl.
Crazy Gypsy Girl.
Gothic Chick.
Monster...

It took my mother's death for me to finally start getting answers about what's really been going on. Unfortunately, most of the answers come from men...who aren't just men. Somehow, I've gone and landed myself in a world truly filled with monsters, and I'm starting to think this is where I should have been all along.

Only...I don't understand what's going on. I'm walking into the middle of a story that's thousands of years old, and I'm the new girl on the block who doesn't have a clue how this world even works. My only guides happen to be the most lethal of the bunch.

They decide who lives or dies. They decide who gets stabbed or tortured.
Yeah...

I've gone and drawn attention to myself, and the ones paying attention are the ones everyone else seems to fear.

How do these things always happen to me?


I didn’t know what to except but found myself totally involved! I love the idea of these alphas and I love her Gypsy powers and how she still has so much to learn! We get to learn with her because this is written so you want to keep going! Anna her ghost is so bloody funny I laughed quite a bit woke my husband several times from sleep! I do think Ace was a bit obvious and she was a bit stupid there but now things get a bit more interesting
  
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Joey Santiago recommended Highway to Hell by AC/DC in Music (curated)

 
Highway to Hell by AC/DC
Highway to Hell by AC/DC
1979 | Rock
8.4 (5 Ratings)
Album Favorite

"My first concert! I rode my bike to the city, because I lived in the suburbs and I tried to meet Angus Young outside the tour bus, asking the security guy, [imitates younger self] "Can I meet Angus Young?" "No, he's not here!" "Hey dude! What the fuck?! Don't talk to me like that, I bought a ticket!" Also, it was my first experience of how loud - it was the loudest shit I've ever heard! And in the suburbs, they were a dangerous band. It was like, "Oh fuck, the devil", it kind of made Kiss look tame, and it just powers. And when Angus Young solos, it's just magic. I saw them on that tour when Bon Scott had died; he'd just died and Brian Johnson had just taken over, and I was totally sceptical, and then it was like, "Oh, he's fucking good!" And actually, when Kim left the band, and we're going, "Aw shit, we're fucked", and we're talking about what we're going to do, and then we're like, "Fucking AC/DC replaced the fucking lead singer! We can do this! [sombrely] We shall overcome!" And we thought about replacing Kim with a dude, and then we went, "What?! They replaced Bon Scott with a guy that sounds exactly like Bon Scott! Let's not break the plate! We're not broken, we're not broken at all. Give me a fucking break." So I was totally adamant [laughs]! Song two ['Girls Got Rhythm'], it's like: "SEX!" It's about "SEX!" It's not like Foreigner, where it's obvious but it's fucking stupid - come on, you can do better than that! It's like, "I want to have sex with you, what's the problem?" I think it's the ultimate way to get attention: "Come on, we're not here to meet up, let's cut to the chase. I'm not going to waste your time, don't waste my time! Let's fuck, come on, I don't have time for this!" [laughs]"

Source
  
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Pat Healy recommended The Killing (1956) in Movies (curated)

 
The Killing (1956)
The Killing (1956)
1956 | Crime, Drama, Film-Noir

"Outside of 2001: A Space Odyssey, these are my favorite Kubrick films. The Killing is a tense and lean noir starring the great Sterling Hayden and a cast of character actors (Marie Windsor, Elisha Cook Jr., Jay C. Flippen, Timothy Carey, et al.), each of whom possesses his or her own special brand of menace and pathos. The film’s dialogue is by the best crime writer who ever lived, Jim Thompson (who worked with Kubrick and Calder Willingham on Paths of Glory as well), and it’s the music in Kubrick’s nonlinear racetrack heist caper, which I think is the best noir ever made. Hayden is one of the most curious creatures to ever grace the screen. I can never take my eyes off him, and as gruff as he is, I always feel for him. The tragic, cosmic joke at the end of this movie will break your heart—even when you’re wondering why you wanted this bum to get away with the crime. Johnny Clay is the ultimate “beautiful loser.” Paths of Glory is, in my humble opinion, the finest war film ever made. While not concerned primarily with combat and focusing instead on its multilayered consequences, the drama is as explosive as any battlefield action you’ll ever see. It lays bare the blatant hypocrisy of the powers that be, who never get their hands dirty but put innocent and well-intentioned men in the trenches to fight their battles for them. Kubrick takes us through the trenches with dazzling tracking shots that show us the weathered faces of the men who fought the Great War, some of whom will later be brought to trial and executed for “cowardice” after not being able to pull off an impossible mission. Kirk Douglas has never been better. And if the final scene in the battered cabaret, featuring Kubrick’s future wife, Christiane, singing a German folk song, doesn’t destroy you completely, you are probably some hideous sun demon."

Source
  
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Pat Healy recommended Paths of Glory (1957) in Movies (curated)

 
Paths of Glory (1957)
Paths of Glory (1957)
1957 | Classics, Drama, War

"Outside of 2001: A Space Odyssey, these are my favorite Kubrick films. The Killing is a tense and lean noir starring the great Sterling Hayden and a cast of character actors (Marie Windsor, Elisha Cook Jr., Jay C. Flippen, Timothy Carey, et al.), each of whom possesses his or her own special brand of menace and pathos. The film’s dialogue is by the best crime writer who ever lived, Jim Thompson (who worked with Kubrick and Calder Willingham on Paths of Glory as well), and it’s the music in Kubrick’s nonlinear racetrack heist caper, which I think is the best noir ever made. Hayden is one of the most curious creatures to ever grace the screen. I can never take my eyes off him, and as gruff as he is, I always feel for him. The tragic, cosmic joke at the end of this movie will break your heart—even when you’re wondering why you wanted this bum to get away with the crime. Johnny Clay is the ultimate “beautiful loser.” Paths of Glory is, in my humble opinion, the finest war film ever made. While not concerned primarily with combat and focusing instead on its multilayered consequences, the drama is as explosive as any battlefield action you’ll ever see. It lays bare the blatant hypocrisy of the powers that be, who never get their hands dirty but put innocent and well-intentioned men in the trenches to fight their battles for them. Kubrick takes us through the trenches with dazzling tracking shots that show us the weathered faces of the men who fought the Great War, some of whom will later be brought to trial and executed for “cowardice” after not being able to pull off an impossible mission. Kirk Douglas has never been better. And if the final scene in the battered cabaret, featuring Kubrick’s future wife, Christiane, singing a German folk song, doesn’t destroy you completely, you are probably some hideous sun demon."

Source
  
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Benedick Lewis (3001 KP) rated Die Trying (Jack Reacher Book#2) in Books

Sep 14, 2020 (Updated Sep 14, 2020)  
Die Trying (Jack Reacher Book#2)
Die Trying (Jack Reacher Book#2)
Lee Child | 2010 | Fiction & Poetry
8
8.4 (12 Ratings)
Book Rating
Some really tense moments - particularly towards the end (3 more)
Reacher isn’t always right but he always wins
Nice chemistry between the two main characters
A definite resemblance to Far Cry 5
Definitely some padding (0 more)
Different from the first but equally as good
Jack Reacher (no middle name)’s second outing is a lot different to his debut. Killing Floor was a personal story and felt more focused around Reacher - it also felt like he had godly powers and never seemed to lose. In Die Trying, Reacher is put in a situation out of his element initially but eventually gets his stride. Without wanting to spoil too much, it involves Reacher and a woman on crutches getting kidnapped. When they find out the purpose of the kidnapping, things are a lot worse than one can imagine.
It isn’t really giving anything away to make parallels with 2018’s Far Cry 5. It would be really surprising if the makers of the Ubisoft hit hadn’t read this book. Child’s style is very too the point - with a little padding here and there that if you preserve you get through. Chapters are broken into segments and sometimes flick between multiple characters, which keeps the pace rolling. Child has a good ability to make an event happen and for it to be seen via multiple character perspectives observing said event. It was a little confusing towards the end with certain twists, if you’re not reading in one go, but it isn’t so dense that you lose track and give up.
The payoff is satisfying and action packed, delivering surprises and rapid story telling. Sometimes novels have difficulty rounding things up but there’s no trouble here. It is a well researched novel as well but Andy McNab’s Nick Stone delivers more authenticity regarding weapon handling and operation.
Read this if you enjoy a Hollywood style thriller. It is compact enough to get through quite quickly but detailed enough to make you enjoy the ride.
  
Doctor Who: Sleepy
Doctor Who: Sleepy
Kate Orman | 1996
10
10.0 (1 Ratings)
Book Rating
This was a re-read for me, as I had read SLEEPY when it first came out in the late 90s. While I remembered parts of the book, it was, more or less, like it was fresh. Most of my time was spent "gobbling" as many books as I could, allowing me to "escape" the humdrum life I was leading and my not-so-cool bachelorhood. So, yeah, a fresh start of sorts to this read.

SLEEPY is the first book that begins the overarching "Psi Powers" story line. Author Kate Orman wastes no time, throwing us right into the deep end of the pool as the book opens! The ride that begins never lets up, providing with well-fleshed out characters and minor characters, as well as providing an intriguing and thought-provoking backstory.

In both the Virgin <i>New Adventures</i> as well as the BBC's <i>Eighth Doctor Adventures</i>, Orman was always favorite of mine, as well as a number of the pre-NuWHO fans. Her characters, goodies <b>and</b> baddies, were always full of depth, giving something than us tropes. The Doctor, regardless of the Incarnation, was treated properly, offering a much better Doctor than the new series has shown us.

The book requires focus when reading. That is, it works better if you can read it in room without distractions (musical film scores playing in the background don't count as a distracting), without anyone trying to talk to you while you're trying to read, i.e. my wife (!). There's some truly heady stuff going on the pages within, and if you ride it out, you will not be disappointed!

In the 61 <i>New Adventures</i> that Virgin Books published from 1991-96, there are several that stand out as cornerstones of the WHO-niverse. SLEEPY is one of those "cornerstones". If you see this out in your travels, perusing a cool used book shop, pick this book up, as it well worth the time!
  
Wrath of the Gods (The Titan&#039;s Saga, #2)
Wrath of the Gods (The Titan's Saga, #2)
Jaymin Eve, Leia Stone | 2020 | Paranormal, Science Fiction/Fantasy
6
6.0 (1 Ratings)
Book Rating
I've borrowed this from the KU Library.

This starts a few months after the events of the last book. Maisey is trying to get on with life after being left by Cronus but it's hard to forget him when she fell hard for him in the time they were together and she's still wearing the necklace that holds some of the sins. When Hyperion comes back to get her so they can capture another sin, she's thrown straight back into the chaotic life of the Titans - and into Cronus' arms.

I did enjoy this one but not as much as the first. The relationship between Maisey and Cronus quickly went back to full throttle and I'll admit that I did get a little attached to them as a couple - so much so that I did have a few tears at the end. We meet more Titans - a race of Gods I don't know much about, really, apart from the fact that they were the parents of the Greek ones - and see their powers in action as they try to bring the last five/six sins back under control and into the necklace that Maisey wears. I think Cronus and Hyperion are my favourite Gods in this series.

The #hashtags were once again used annoyingly a little too often throughout the book and I started ignoring them after a while. They weren't adding anything to the story for me.

I can't decide whether to read book 3 or not. It's the last book in the series and I'm hoping that Maisey and Cronus will have some sort of HEA but I also can't say I'm that interested in how this particular series is going to end... I don't know. I did struggle at times with this one, preferring to do other things than finish this, but like I've already mentioned I am a little invested in Maisey and Cronus. Gah! Undecided...
  
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ClareR (5885 KP) rated Things In Jars in Books

Sep 22, 2019  
Things In Jars
Things In Jars
Jess Kidd | 2019 | Fiction & Poetry, Mystery, Science Fiction/Fantasy
10
9.0 (3 Ratings)
Book Rating
Victorian England, a female detective and a touch of the supernatural - what’s not to like?
Things in Jars is set in Victorian London. Bridie Devine is a female detective who is called on by Sir Edmund Athelstan Berwick, a baronet, to find his secret daughter, Christabel, who has been kidnapped. However, he doesn’t want to involve the police (this is where alarm bells start to go off!). Very few people in his household know about the existence of Christabel, and she is shut away, ostensibly to protect them from her. Because Christabel is not an ordinary child: she has supernatural powers that can harm people. Bridie doesn’t believe this, of course. So with the help of Cora, her 7 foot tall housemaid and Ruby, the ghost of a prizefighter, she sets out to rescue the child.

I absolutely loved this book. I was never sure if the mythical, fairytale elements were real, or whether Bridie believed them to be real. The seedy, macabre side to London, the sights and smells of the winding streets and the general atmosphere were so well described, that I could have been standing next to Bridie, watching the moving tattoos across Ruby’s torso! Bridie is an excellent character. She feels compelled to find Christabel, mainly because she is coming to the job with a failure weighing heavy on her shoulders, but also she can remember being alone in the world as a child.

Mrs Bibby is a superb villain - she has her conspirators dancing to her tune. She has a gun (and a limp!) and she’s not afraid to use it! Her macabre ‘fairytales’ really ramped up the atmosphere, and showed how truly awful she was. There was a real menace about her.

Other than what I’ve said here, all I can really say is - go and read this book! I loved it (I’ve said that already, I know!), go and read it - you won’t be sorry!

Many thanks to NetGalley and the publisher for my copy of this book.