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Ross (3284 KP) rated The Shadow Saint in Books
Mar 23, 2020
A struggle but overall good
*Book received from Netgalley and the publishers in exchange for an honest review*
I wanted to love this book. I would have been happy liking it. In reality, I tolerated it.
The sequel to The Gutter Prayer takes us on a different journey, with initially very little familiar ground and people. Over time the story reflects more of the world that was covered in the first book, but it is quite a strange and unnerving start to a sequel.
The narrative follows two new characters, one a spy for a foreign country with numerous personalities at his fingertips, the other a minor noble from another country. Both find themselves in Guerdon, the scene of the first book, the city that has been mostly sheltered from the atrocities of the Godwar. Here we also are reunited with Eladora, the young historian with a hint of magic abilities.
This sees a number of new countries, Gods, races and magic introduced that were not in the first book. While one always expects something new, some of these were fairly major and important aspects of the world and should have been in the first book. For me it just came across as a late decision to write a second book and reluctantly start changing and expanding the world.
The plot is a little flimsy if I'm honest, it is just some people doing some things and then deciding to do other things, with seemingly little logic to it, or overall plot. It was quite a struggle to remember who was doing what and why when switching between PoVs in new chapters. This isn't helped by the number of new characters introduced being largely interchangeable, especially during the minor noble's story (there was one fairly important plot point late in the book where someone he had met turns out to be someone important - I couldn't remember him at all!).
The writing style is a little elaborate for my tastes and made it hard to focus on what was actually happening - there were times an event had been referred to but I hadn't even noticed it because I wasn't able to concentrate. The book is very heavy on narrative with very little dialogue, making it harder to follow the action among the flowery phrasing.
A book of this length should have taken me a little over a week to read, but this took me almost 4 weeks. Admittedly part of this was due to events in the world and at work, but also my motivation to read it was eroded and I struggled through about 5% a day.
I wanted to love this book. I would have been happy liking it. In reality, I tolerated it.
The sequel to The Gutter Prayer takes us on a different journey, with initially very little familiar ground and people. Over time the story reflects more of the world that was covered in the first book, but it is quite a strange and unnerving start to a sequel.
The narrative follows two new characters, one a spy for a foreign country with numerous personalities at his fingertips, the other a minor noble from another country. Both find themselves in Guerdon, the scene of the first book, the city that has been mostly sheltered from the atrocities of the Godwar. Here we also are reunited with Eladora, the young historian with a hint of magic abilities.
This sees a number of new countries, Gods, races and magic introduced that were not in the first book. While one always expects something new, some of these were fairly major and important aspects of the world and should have been in the first book. For me it just came across as a late decision to write a second book and reluctantly start changing and expanding the world.
The plot is a little flimsy if I'm honest, it is just some people doing some things and then deciding to do other things, with seemingly little logic to it, or overall plot. It was quite a struggle to remember who was doing what and why when switching between PoVs in new chapters. This isn't helped by the number of new characters introduced being largely interchangeable, especially during the minor noble's story (there was one fairly important plot point late in the book where someone he had met turns out to be someone important - I couldn't remember him at all!).
The writing style is a little elaborate for my tastes and made it hard to focus on what was actually happening - there were times an event had been referred to but I hadn't even noticed it because I wasn't able to concentrate. The book is very heavy on narrative with very little dialogue, making it harder to follow the action among the flowery phrasing.
A book of this length should have taken me a little over a week to read, but this took me almost 4 weeks. Admittedly part of this was due to events in the world and at work, but also my motivation to read it was eroded and I struggled through about 5% a day.
Pure Act: The Uncommon Life of Robert Lax
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Becs (244 KP) rated Foundations Of Faith in Books
Oct 2, 2019
Style: Light
Point of view: Third person
Difficulty reading: It was as easy as singing the ABC’s!
Promise: Foundations of Faith promises a compelling religious read that will have you answering questions about your own faith.
Quality: All around good read, wasn’t what I was expecting but would definitely reread again.
Insights: Usually when it comes to Fantasy style of books, I always think powers (spells), mythical creatures, places that don’t exist, etc. etc. Foundations of Faith didn’t really have the typical Fantasy aspect to it. Theresa and Thomas have ‘powers’ but they aren’t magical powers like a witch or wizard would have. But it was still a great read that will end up being reread a couple more times.
Ah-Ha Moment: There wasn’t really a moment where I went ‘Ah yea, that’s the turning point’. One scene did come pretty darn close though. This scene: Thomas returns back from the retreat and finds out his mother is in the hospital and his father is in jail for putting his mother in the hospital. It’s never revealed how Thomas’s mother was hurt, and I would have definitely loved if that was explained better but then again this isn’t a Thriller so it’s also okay.
Favorite quote: “She shared how she had finally found God, not in the back of a church with hands held in prayer, but in the back of a police car with hands held in cuffs.” – I feel like this is a huge reason why most end up finding religion/ God. Something terrible or even life-threatening happens to them and they just start praying, see some signs and boom they now believe.
“As he walked, he felt the darkness behind him, following him. He swore he heard it whisper, “Run!” – Hello darkness, my old friend. I’ve come to talk with you again. Because a vision softly creeping, left its seeds while I was sleeping. And the vision that was planted in my brain still remains, within the sound of silence. Sorry, I couldn’t help myself 🙂
Aesthetics: I reallyyyyy dig the cover! It gives it that mystery horror feel even though there isn’t really any horror in Foundations of Faith. The chapter headings, awesome font. Great read. But that cover is just so aesthetically pleasing. 🙂
“The deeper the feelings of unworthiness dug into his heart, the darker the room became. It spread from the outside in, growing darker and more ominous with each new thought. He feared it would swallow him whole.”
Point of view: Third person
Difficulty reading: It was as easy as singing the ABC’s!
Promise: Foundations of Faith promises a compelling religious read that will have you answering questions about your own faith.
Quality: All around good read, wasn’t what I was expecting but would definitely reread again.
Insights: Usually when it comes to Fantasy style of books, I always think powers (spells), mythical creatures, places that don’t exist, etc. etc. Foundations of Faith didn’t really have the typical Fantasy aspect to it. Theresa and Thomas have ‘powers’ but they aren’t magical powers like a witch or wizard would have. But it was still a great read that will end up being reread a couple more times.
Ah-Ha Moment: There wasn’t really a moment where I went ‘Ah yea, that’s the turning point’. One scene did come pretty darn close though. This scene: Thomas returns back from the retreat and finds out his mother is in the hospital and his father is in jail for putting his mother in the hospital. It’s never revealed how Thomas’s mother was hurt, and I would have definitely loved if that was explained better but then again this isn’t a Thriller so it’s also okay.
Favorite quote: “She shared how she had finally found God, not in the back of a church with hands held in prayer, but in the back of a police car with hands held in cuffs.” – I feel like this is a huge reason why most end up finding religion/ God. Something terrible or even life-threatening happens to them and they just start praying, see some signs and boom they now believe.
“As he walked, he felt the darkness behind him, following him. He swore he heard it whisper, “Run!” – Hello darkness, my old friend. I’ve come to talk with you again. Because a vision softly creeping, left its seeds while I was sleeping. And the vision that was planted in my brain still remains, within the sound of silence. Sorry, I couldn’t help myself 🙂
Aesthetics: I reallyyyyy dig the cover! It gives it that mystery horror feel even though there isn’t really any horror in Foundations of Faith. The chapter headings, awesome font. Great read. But that cover is just so aesthetically pleasing. 🙂
“The deeper the feelings of unworthiness dug into his heart, the darker the room became. It spread from the outside in, growing darker and more ominous with each new thought. He feared it would swallow him whole.”
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TheDefunctDiva (304 KP) rated The Boondock Saints (1999) in Movies
Sep 26, 2017
B is for Bad A**
Contains spoilers, click to show
This entertaining action film opens with aerial views of Boston and narration of the Lord's Prayer on St. Patty's Day. Soon, we are introduced to two Irish brothers, Connor and Murphy MacManus. The terrible twosome work in a meat-packing plant: in their spare time, they slaughter evildoers. What could be better? With their black shirts, black blazers, and blue jeans, the brothers seem like Mormon missionaries gone horribly wrong.
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
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