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Heather Cranmer (2721 KP) created a post

Oct 16, 2021  
Today on my blog, author Dana Knox Wright stops by with a fascinating author interview. I also spotlight her self-help memoir HOLDING ON LOOSELY: OPENING MY HANDS, LIGHTENING MY LOAD AND SEEING SOMETHING ELSE. There's also a great giveaway for a chance to win a signed copy of the book, a goodie basket, and an overnight stay at the Llano Line Shack!

https://alltheupsandowns.blogspot.com/2021/10/book-blog-tour-and-giveaway-holding-on.html

**BOOK SYNOPSIS**
Helicopter parents. Control freaks. Perfectionists. Intolerants. Over-consumers. Social media junkies. We all fit in there somewhere. Read one woman’s stories of clinging, turning loose, and becoming free.

We are overly busy helicopter parents, control freaks, perfectionists, intolerants, over-consumers and social media junkies--who worry, fear, laugh less, and always want more. In the midst of it, we wonder what it would feel like to open our hands and turn loose of all of it.

In HOLDING ON LOOSELY: Opening My Hands, Lightening My Load, and Seeing Something Else, author Dana Knox Wright tells stories of one who is hardwired to cling. To her children when they asked for a blessing to go. To someone else’s ideas, when she didn’t trust her own. She held on to prejudice when she would tell you she didn’t. She shut down for days while clinging to fear. She clung to youthfulness as if what would come next couldn’t be her life’s cherry on top.

In a particular season of her life, she recognized her bent to possess, to keep, to hold tightly, and to control was completely contrary to Jesus’ example. This is one woman’s history of holding on and her stories of turning loose--stories of the gentle and firm, humorous and heartbreaking ways God led her to turn loose. It is living minimally from the inside out.
     
I absolutely loved Kerry Daynes’s first book, so when I was given the chance by NetGalley to read and review this book I knew that I was in for a treat.
Kerry Daynes gives us an insight into the world of forensic psychology and the different settings that she has worked in, from hospitals to her own private practice to a mother-and-baby unit. Her job is so varied and she talks about a wide range of characters that she has met throughout her career.
Kerry Daynes doesn’t pretend to be a robot and is the first to admit that sometimes her prejudice or feelings do appear during sessions with some of her patients. She says the most important thing is to realise this and to try to put them to one side at that moment in time. I have always been interested in psychology and it is the career I want to go into in the near future, and this book has ignited that passion even further but also put some of my doubts to bed.
I really did enjoy this book, and while I know that statistics and studies are important to back up facts in the book, I did feel that at some points the references and statistics were a bit too heavy, especially if you are not someone who likes to go away and read up on them afterwards. While they didn’t bother me too much, I did sometimes find I was skimming over them a little, so I wonder what people who don’t have any experience of psychology would think of these parts.
Overall, I really did enjoy the book and I enjoyed reading about the patients that Kerry Daynes included and felt satisfied when we found out what happened to them afterwards.
  
The Thinking Woman's Guide to Real Magic
The Thinking Woman's Guide to Real Magic
Emily Croy Barker | 2014 | Fiction & Poetry
9
7.7 (3 Ratings)
Book Rating
This book is FANTASTIC. I was enthralled from start to finish, and frantically looked up the author to make sure she is writing a sequel. (She is, thank goodness!) I absolutely loved the main character, Nora, and the acerbic magician Aruendiel. Even while cheering for the opposite side, I even enjoyed reading about Raclin and Ilissa, the villains of the novel.

In Nora Fischer, we have a modern, independent, feminist woman transported to a place and time where women are inferior (by nature, most think.) There are even linguistic influences that make them inferior; women speak with a lot of "um" and "well" type words in their speech, while men don't. When Nora protests that this makes women's speech sound weaker, she's told that that's "just how women speak." Seeing her confronted with the sexism ingrained within the medieval style culture, and seeing her confront Aruendiel with how sexist it actually is, was a wonderful sub-plot of the book.

The main plot was well-paced and interesting - after being kidnapped by Ilissa at the beginning of the book, and enchanted into being a beautiful, love-struck little ninny, Nora recovers herself with the help of Aruendiel, and spends the rest of the book evading re-capture and finding her place in this new world. The descriptions are colorful, the characters are deep and fascinating, and the land and culture itself shows just how much thought went into creating this world. This is an absolutely spectacular debut novel, in my opinion, and I cannot WAIT for the sequel, since Barker did leave a few questions unanswered at the end of the book. I really can't rave about this book enough. If you like fantasy, (or Pride and Prejudice, since this book, while not attempting to be a retelling or anything, had a lot of the same feel) you should really pick this one up.

You can find all my reviews at http://goddessinthestacks.wordpress.com
  
Empress of All Seasons
Empress of All Seasons
Emiko Jean | 2018 | Fiction & Poetry, Science Fiction/Fantasy, Young Adult (YA)
7
7.3 (3 Ratings)
Book Rating
Characters (2 more)
World-building
Japanese mythology
Old, tired tropes (0 more)
I am so torn on this book. I'm really tired of the trope of "batch of girls competing to win a dude" that seems to be so popular lately. But this is an Asian take on the trope, so I don't want to come down too hard on it for that. I attended a panel at the last Baltimore Book Festival about old tropes being resurrected by minority authors, and I agree that just because a trope might seem old and played out, putting a new spin on it with minority characters and themes deserves its own time. That is definitely valid. But they were talking about tropes like vampires and zombies and retold classics like Pride and Prejudice and Alice in Wonderland. I'm not sure the trope of "girls competing to win a dude" deserves more time in any form. (To be fair, I kind of equally hate guys competing to win the hand of the princess. No one should be obligated to marry someone just because they won an arbitrary competition. There are all kinds of consent issues there.)

Despite that, I really enjoyed this book. I loved the characters, the variety of yõkai, the bits of myth interspersed throughout the book. I do question Akira being trained to be a master of shuriken in a matter of days - like, really? And I wish instead of summarizing a ton in the epilogue, she'd just written a sequel, because I think there's enough material to do it. You'd think, with so much I didn't like about the book, that my overall opinion would be negative - but it's not. Even with all of those bad points, this book was enthralling and kept me reading right to the end.

Empress of all Seasons is a great Japanese-inspired fantasy that relies a little too much on old tropes. Set your inner critic to the side and just enjoy the ride, because the story is fantastic.

You can find all my reviews at http://goddessinthestacks.com
  
Ayesha At Last
Ayesha At Last
Uzma Jalaluddin | 2019 | Contemporary, Fiction & Poetry, Romance
10
8.0 (2 Ratings)
Book Rating
A book that deserves to be read A LOT!!
I absolutely adored this book. If I could unread it and then read it again for the first time, I would!
It’s Pride and Prejudice set in modern Canada with a Muslim cast. Ayesha wants to work to pay her Uncle back for all the help he has given her and her family, but her real love is poetry, not teaching High School. She is asked by her rather spoilt cousin, Hafsa, to cover for her at a mosque event meeting under the guise of being Hafsa. There, she meets Khalid, and finds herself falling for a devout, conservative Muslim - something she doesn’t want to do - who is also shy, kind and handsome. However, when Khalid’s controlling mother organises marriage between the real Hafsa and Khalid, knowing the identity of the Hafsa that Khalid has met, both Khalid and Ayesha realise that they haven’t necessarily got what they want.
There was so much heart in this story - I particularly loved the characters of Nani and Nana. They acted as the voice of reason on more than one occasion. I also loved the Shakespeare quotations: Nani always had the right quote at exactly the right time (and it was all very meta - Shakespeare quotes in an Austen retelling!).
Even the more unsavoury characters were written in such a way that I felt sorry for them - life and experiences clearly making them the way they were.
I read this on The Pigeonhole app (one section, or stave, per day for ten days) and I can honestly say that I looked forward to every single stave. If I’d had the book in my hand, I would have read it in one sitting. So I’m actually glad that The Pigeonhole forced me to savour and enjoy this gorgeous book for longer. It deserves to be savoured, and it deserves to be read a lot too!!
I really do highly recommend this book!
  
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Deborah (162 KP) rated Eligible in Books

Dec 19, 2018  
Eligible
Eligible
Curtis Sittenfeld | 2016 | Fiction & Poetry
4
7.5 (4 Ratings)
Book Rating
I understand that this is the fourth offering for 'The Austen Project' where well known authors (although I had not heard of Curtis Sittenfeld and thought she was a man, but hey.....) rewrite Austen's novels 'for a modern audience'. This does rather beg the question of if a modern reading audience does need 'dumbing down' to, as that's pretty much the implication. Trollope's Sense & Sensibility & McCall Smith's Emma have met with somewhat mixed feelings but I did think that Val McDermid worked magic with a modern retelling of Northanger Abbey. So far this is the only one to have altered the title from the original - perhaps the pressure of Pride & Prejudice was too much for anyone?

If there is a single book which as has more sequels, prequels, re-imaginings and modernisations than good old P&P then I have yet to meet it. Personally, I like to think Austen would be amused and possibly slightly bemused by it all. I'm guilty of heaving read my fair share of these, which quite often categorise as the good, the bad and the ugly! For me, this one wasn't bad, or indeed ugly, but it wasn't brilliant. It also felt that it was quite a bit longer than it needed to be. I know Kitty & Lydia are rather vulgar and embarrassing in the original but their behaviour here is really beyond the pale - who on earth would want to date Lydia if she behaves as she does here?

Some of the ideas are good, some things seem a bit contrived and over the top. I also found it quite American and slangy in places with some slang words or expressions leaving me somewhat in the dark but then I am a woman who can't bear Text Speak!

Overall, while it wasn't a bad read, it wasn't that great and I can't see myself reading it again.
  
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