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Supermarket Management 2 HD
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Have you played the prequel to this fascinating game? Don’t miss Supermarket Management - on iPad...
A perfectly creepy Halloween treat.
Well, the spiced pumpkin lattes are out so it must be time to hit the scary reading lists and I would recommend putting this one high on the list this spooky season if you are looking for a truly unsettling, dark supernatural tale that has a good dose of mystery and intriguing characters.
Inspired by notes by Bram Stoker this prequel to Stoker’s classic Dracula was always going to have high expectations to live up to and for me, I wasn’t disappointed. Telling the tale of the young Bram Stoker, we meet his childhood caretaker, Ellen Crone whose odd behavior sparks the interest of young Bram and his sister Matilda who of course decide to poke their noses into her business little knowing they are just at the start of what will be an ongoing nightmare for the family. With many chilling discoveries, the tension builds and an unsettling tale is revealed.
It’s a very well written book that doesn't get bogged down in trying to use too much language and style of the period it is set in, instead focusing on successfully creating the gothic atmosphere to creepy perfection. Despite different POVs and timelines, it’s never hard to follow the action. The characters are gripping, in particular, Bram’s sister Matilda comes across as a superb character with brains and determination that are not expected of a lady of the time
This is not a tale for those of a squeamish disposition but it makes a great Halloween fix and has made me want to go and re-read Dracula now.
My thanks to the author, publisher, and NetGalley for the book in exchange for an honest review.
Inspired by notes by Bram Stoker this prequel to Stoker’s classic Dracula was always going to have high expectations to live up to and for me, I wasn’t disappointed. Telling the tale of the young Bram Stoker, we meet his childhood caretaker, Ellen Crone whose odd behavior sparks the interest of young Bram and his sister Matilda who of course decide to poke their noses into her business little knowing they are just at the start of what will be an ongoing nightmare for the family. With many chilling discoveries, the tension builds and an unsettling tale is revealed.
It’s a very well written book that doesn't get bogged down in trying to use too much language and style of the period it is set in, instead focusing on successfully creating the gothic atmosphere to creepy perfection. Despite different POVs and timelines, it’s never hard to follow the action. The characters are gripping, in particular, Bram’s sister Matilda comes across as a superb character with brains and determination that are not expected of a lady of the time
This is not a tale for those of a squeamish disposition but it makes a great Halloween fix and has made me want to go and re-read Dracula now.
My thanks to the author, publisher, and NetGalley for the book in exchange for an honest review.
I am a huge fan of Mark Billingham and of his character, Tom Thorne, and have avidly followed the series and so I was absolutely thrilled to see a prequel was available which went back to the beginning in 1996 when "portable" phones are a novelty, smoking in pubs was the norm and England weren't doing too badly in the Euro's!
Tom is a young Detective Sergeant going through a bit of a rough patch after separating from his wife and experiencing recurring nightmares of an old case when along comes every persons worst nightmare ... the abduction of a little boy from a local park. The book follows the investigation into the abduction where everyone is a suspect and the mystery deepens when the body of one of those suspects turns up, quickly followed by the body of the boy's father.
This is a tense read written mainly from the perspectives of Tom, Cat (mother of the abducted child) and Kieron (the abducted child); the pace built up as the investigation progressed and I loved it. I particularly enjoyed meeting the characters that I have grown to love at the beginnings of their relationship with a particular highlight being the first meeting between Tom and Phil Hendricks which made me literally laugh out loud.
I would most definitely recommend this book and you don't have to have read any of the others in the series as this makes a really good starting point for those of you who haven't discovered the delight that is Tom Thorne and who have clearly been living under a rock!!
I was extremely lucky to have won a copy of this book via a Facebook competition but thanks also to Little, Brown Book Group via NetGalley for an e-copy in return for an unbiased and honest review.
Tom is a young Detective Sergeant going through a bit of a rough patch after separating from his wife and experiencing recurring nightmares of an old case when along comes every persons worst nightmare ... the abduction of a little boy from a local park. The book follows the investigation into the abduction where everyone is a suspect and the mystery deepens when the body of one of those suspects turns up, quickly followed by the body of the boy's father.
This is a tense read written mainly from the perspectives of Tom, Cat (mother of the abducted child) and Kieron (the abducted child); the pace built up as the investigation progressed and I loved it. I particularly enjoyed meeting the characters that I have grown to love at the beginnings of their relationship with a particular highlight being the first meeting between Tom and Phil Hendricks which made me literally laugh out loud.
I would most definitely recommend this book and you don't have to have read any of the others in the series as this makes a really good starting point for those of you who haven't discovered the delight that is Tom Thorne and who have clearly been living under a rock!!
I was extremely lucky to have won a copy of this book via a Facebook competition but thanks also to Little, Brown Book Group via NetGalley for an e-copy in return for an unbiased and honest review.
Supermarket Management 2 HD (Full)
Games and Entertainment
App
Have you played the prequel to this fascinating game? Don’t miss Supermarket Management - on iPad...
Aftershock (Blood Never Lies #2)
10.0
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Aftershock is a companion novel to the Eye of the Storm series and also acts as a PREQUEL to a brand...
Paranormal Urban Fantasy
A Demon Summoning: Neldorailin Series
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For ages, the peoples of Neldorailin had been drawn to the Druid's Stone. Some, for the druids...
David McK (3425 KP) rated Thrawn Ascendancy Book I: Chaos Rising in Books
Jun 21, 2022
Grand Admiral Thrawn
Mitth'raw'nuruodo.
The blue-skinned, red-eyed Imperial antagonist of Timothy Zahn's 'Heir to the Empire' series of Star Wars novels from the early 90's, and one of - if not [i]the[/i] breakout characters from that book.
Yet to make his appearance in live action (as an aside, I imagine maybe someone like Benedict Cumberbatch in the role), although he is one of the few characters to survive the 'great purge' when Disney bought out Lucasfilm and re-branded the old Expanded Universe as 'Legends', appearing in the later seasons of the animation 'Star Wars: Rebels'.
This is the first in a new trio of novels, with the opening text reading something along the lines of: 'A long time ago beside a galaxy far far away ...' which, in itself, helps set the scene. Beside a galaxy. So we're not in the realms of the Empire/The Rebellion here, or even in the realm of the Clone Wars, although we are - as the novel later makes clear when Thrawn encounters a key character from that period of time - in that particular era.
So, a prequel then? Maybe, but - I have to say- to me, this particular version of Thrawn just somehow *feels* different than that from the old EU. There's a certain Je Ne Sais Qua about that - I can't quite put my finger on it, but it's like meeting the identical twin brother of your best friend: they may look alike, sound alike and even dress alike but there's a certain indefinable *something* that's not quite right ...
Is it this version of Thrawn's political naivety? His seemingly not-quite-so-ruthless tactical genius? I don't know, but I will probably read more to see if/how the character evolves into that I am more familiar with.
Mitth'raw'nuruodo.
The blue-skinned, red-eyed Imperial antagonist of Timothy Zahn's 'Heir to the Empire' series of Star Wars novels from the early 90's, and one of - if not [i]the[/i] breakout characters from that book.
Yet to make his appearance in live action (as an aside, I imagine maybe someone like Benedict Cumberbatch in the role), although he is one of the few characters to survive the 'great purge' when Disney bought out Lucasfilm and re-branded the old Expanded Universe as 'Legends', appearing in the later seasons of the animation 'Star Wars: Rebels'.
This is the first in a new trio of novels, with the opening text reading something along the lines of: 'A long time ago beside a galaxy far far away ...' which, in itself, helps set the scene. Beside a galaxy. So we're not in the realms of the Empire/The Rebellion here, or even in the realm of the Clone Wars, although we are - as the novel later makes clear when Thrawn encounters a key character from that period of time - in that particular era.
So, a prequel then? Maybe, but - I have to say- to me, this particular version of Thrawn just somehow *feels* different than that from the old EU. There's a certain Je Ne Sais Qua about that - I can't quite put my finger on it, but it's like meeting the identical twin brother of your best friend: they may look alike, sound alike and even dress alike but there's a certain indefinable *something* that's not quite right ...
Is it this version of Thrawn's political naivety? His seemingly not-quite-so-ruthless tactical genius? I don't know, but I will probably read more to see if/how the character evolves into that I am more familiar with.
The Complete Love Mark Box Set by Linda Kage
8.0
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All Five Books in the Fantasy Romance Love Mark Series It all starts with a little tattoo. ...
Fantasy Romance Epic Fantasy Box Set
David McK (3425 KP) rated The First Chronicles of Druss the Legend (The Drenai Saga #6) in Books
Aug 25, 2023
Legend, by David Gemmell, was the first novel of his I ever read.
It proved to be a good place to start: although it's no longer the earliest set (that would be Waylander, it was also actually the first he wrote in what would later become known as the Drenai saga.
And perhaps the breakout character from that novel (Legend was Druss the Axeman, who arrived fully formed and already a legend within the confines of the tale, with a backstory only really hinted at in the novel.
It's probably no surprise, thus, that Druss would go on to be a key figure in several of the other Drenai novels, popping up either in person or mentioned by characters in reverential tones that the tale in question is following.
This novel is actually a prequel to the events of Legend, showing how Druss became the man he is later shown to be: as the story starts, he is instead a teenaged woodsman felling trees in the mountain passes. That is, until his village is attacked and slavers make off with his wife Rowena ...
And so off Druss sets in pursuit, in the eventual company of the poet Sieben; a pursuit that will last many years and across a different (and war-torn) continent and which sees his legend start to grow, thanks in no small part to that poet.
The novel is split into 4 parts; the first three all dealing with that pursuit and the (many) events that befall Druss, while the last part is the defence of Skeln past oft talked about in Legend, and in which Druss cements his legend whilst losing friends along the way.
This is well worth a read; however I would advise actually reading the later-set Legend first!
It proved to be a good place to start: although it's no longer the earliest set (that would be Waylander, it was also actually the first he wrote in what would later become known as the Drenai saga.
And perhaps the breakout character from that novel (Legend was Druss the Axeman, who arrived fully formed and already a legend within the confines of the tale, with a backstory only really hinted at in the novel.
It's probably no surprise, thus, that Druss would go on to be a key figure in several of the other Drenai novels, popping up either in person or mentioned by characters in reverential tones that the tale in question is following.
This novel is actually a prequel to the events of Legend, showing how Druss became the man he is later shown to be: as the story starts, he is instead a teenaged woodsman felling trees in the mountain passes. That is, until his village is attacked and slavers make off with his wife Rowena ...
And so off Druss sets in pursuit, in the eventual company of the poet Sieben; a pursuit that will last many years and across a different (and war-torn) continent and which sees his legend start to grow, thanks in no small part to that poet.
The novel is split into 4 parts; the first three all dealing with that pursuit and the (many) events that befall Druss, while the last part is the defence of Skeln past oft talked about in Legend, and in which Druss cements his legend whilst losing friends along the way.
This is well worth a read; however I would advise actually reading the later-set Legend first!
BankofMarquis (1832 KP) rated The Many Saints of Newark (2021) in Movies
Oct 12, 2021
The "non-Sopranos" part of this film worked much better
The new Sopranos prequel film THE MANY SAINTS OF NEWARK is a review-proof film. Most people fall into 1 of 2 camps.
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)