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Death or Volentus
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Volentus is a necromancer gifted with the ability to raise the dead and command them to do his...

The Chained Prince (The Eldergreen Series, #1)
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The chained prince haunting her dreams isn’t a nightmare. He’s real—and fate won’t let...
Dark Fantasy Romance

Gareth von Kallenbach (980 KP) rated Lockout (2012) in Movies
Aug 7, 2019
In the later part of the 21st-century the worst criminals the planet has to offer are kept safely away from public in stasis aboard an orbiting prison known as MS: One. Although it is never explained in the film, it does not take a rocket scientist to guess that “MS” stands for Maximum Security and much like the rest of the movie “Lockout”, this is a film that does not aspire to be more than the sum of its heavily borrowed parts.
The film stars Guy Pearce as Snow, a special agent who has been wrongly accused in the killing of a high-ranking operative. Railroaded through the system, Snow is looking at a lengthy sentence.
At the same time, the presidents daughter Emily (Maggie Grace), has visited MS: One on a goodwill tour. One of her special causes is to confirm the truth that long-term stasis has damaging psychological and neurological effects for the prisoners. Since the prison is funded by a deep space research development she definitely sees conflict of interest in how prisoners are being treated.
Things take a turn for the worse when a violent prisoner goes off during his interview and proceeds to release pent-up inmate population and take the crew hostage. The prisoners run amok and for the time being are unaware that they had president’s daughter in their midst. Snow was given an ultimatum that the successful retrieval of the first daughter will help him avoid becoming a future resident of the orbiting prison.
Despite his misgivings, Snow accepts the assignment as he learns that one of his friends is incarcerated on board. This friend holds valuable information that can exonerates Snow from his charges. Once on board the station, Snow must battle mobs of psychopaths as he attempts to locate and rescue Emily.
While one would think this premise would hold plenty of excitement, thrills, and suspense, the film is essentially undone by its inability to sustain any real momentum for any developed and real tension.
While the prisoners do a great job of appearing menacing, torturing and killing the hostages, we really never learn of their true objective. At no time do they really make any serious demands for freedom, material goods, and so on which basically leaves them vulnerable to an all-out attack from the amassing forces around the prison.
One would think they would’ve asked for something as simple as pardons but they seem more interested in glaring threats to the president and the authorities via videoconference, not truly grasping the magnitude of their situation.
Pearce does a good job as the gruff Snow but sadly the script gives him very little to do other than smug one-liners and occasionally shoot the bad guys. Smith does show some spark and personality in her performance but she is given little to do aside from playing the damsel in distress although she doesn infuse the role with some strength and humor.
What really surprised me about the movie was even though it borrowed very heavily from Fortress 1 & 2 as well as an escape from New York, and have surprisingly little new to offer. It was clear that the intention was to create a diehard style film in space but unfortunately it fell relatively flat.
This was a huge surprise to me as one would think that Luc Besson and many of the creative talents that made “Taken” such a thrilling smash would have been able to come up with a better action film.
This is not to say that “Lockout” is a bad film more than it is a disappointment considering the premise, cast, and the potential that it had going for it.
I can certainly overlook plot holes, thinly crafted stock characters, and run-of-the-mill action sequences in my action films as long as they can get me some solid entertainment.
Sadly this is not the case and it plays out more like a direct to DVD release that’s certainly would be extremely welcome us and Netflix are red box rental but for my taste thanks to the lo-res and dated special effects did not warrant a major theatrical release.
The film stars Guy Pearce as Snow, a special agent who has been wrongly accused in the killing of a high-ranking operative. Railroaded through the system, Snow is looking at a lengthy sentence.
At the same time, the presidents daughter Emily (Maggie Grace), has visited MS: One on a goodwill tour. One of her special causes is to confirm the truth that long-term stasis has damaging psychological and neurological effects for the prisoners. Since the prison is funded by a deep space research development she definitely sees conflict of interest in how prisoners are being treated.
Things take a turn for the worse when a violent prisoner goes off during his interview and proceeds to release pent-up inmate population and take the crew hostage. The prisoners run amok and for the time being are unaware that they had president’s daughter in their midst. Snow was given an ultimatum that the successful retrieval of the first daughter will help him avoid becoming a future resident of the orbiting prison.
Despite his misgivings, Snow accepts the assignment as he learns that one of his friends is incarcerated on board. This friend holds valuable information that can exonerates Snow from his charges. Once on board the station, Snow must battle mobs of psychopaths as he attempts to locate and rescue Emily.
While one would think this premise would hold plenty of excitement, thrills, and suspense, the film is essentially undone by its inability to sustain any real momentum for any developed and real tension.
While the prisoners do a great job of appearing menacing, torturing and killing the hostages, we really never learn of their true objective. At no time do they really make any serious demands for freedom, material goods, and so on which basically leaves them vulnerable to an all-out attack from the amassing forces around the prison.
One would think they would’ve asked for something as simple as pardons but they seem more interested in glaring threats to the president and the authorities via videoconference, not truly grasping the magnitude of their situation.
Pearce does a good job as the gruff Snow but sadly the script gives him very little to do other than smug one-liners and occasionally shoot the bad guys. Smith does show some spark and personality in her performance but she is given little to do aside from playing the damsel in distress although she doesn infuse the role with some strength and humor.
What really surprised me about the movie was even though it borrowed very heavily from Fortress 1 & 2 as well as an escape from New York, and have surprisingly little new to offer. It was clear that the intention was to create a diehard style film in space but unfortunately it fell relatively flat.
This was a huge surprise to me as one would think that Luc Besson and many of the creative talents that made “Taken” such a thrilling smash would have been able to come up with a better action film.
This is not to say that “Lockout” is a bad film more than it is a disappointment considering the premise, cast, and the potential that it had going for it.
I can certainly overlook plot holes, thinly crafted stock characters, and run-of-the-mill action sequences in my action films as long as they can get me some solid entertainment.
Sadly this is not the case and it plays out more like a direct to DVD release that’s certainly would be extremely welcome us and Netflix are red box rental but for my taste thanks to the lo-res and dated special effects did not warrant a major theatrical release.

Darren (1599 KP) rated Alien 3 (1992) in Movies
Jun 20, 2019
Story: How do you follow up two of the best sci-fi films or all time? This struggles to keep up with the atmosphere created in the first two. It offers nothing new to the series either. As a stand-alone film this would struggle to be a good sci-fi thriller. It’s only positive I can think of were a couple of surprise deaths. (5/10)
Actor Review: Sigourney Weaver – Ripley back to kick the alien’s arse. Sigourney has created one of the biggest icons in female cinema, but this is not the chapter anyone would be remembering. (6/10)
ripley
Actor Review: Charles S. Dutton – Dillon leader of the religious movement on in the prison. One of the good guys who protects Ripley from the bad prisoners. He does an ok job but doesn’t have enough to work with. (6/10)
dance
Actor Review: Charles Dance – Medical officer with a dark past on the road to recovery. Good supporting role is used well to create a good connection between Ripley and the prisoners. (6/10)
Director Review: David Fincher – The great director disowned this film after it got changed post production and I don’t blame him. (4/10)
Action: Slow moving action throughout. (6/10)
Sci-Fi: Take out the Alien it offers very little in the world of sci-fi. (5/10)
Thriller: Not very thrilling compared to previous offering. (5/10)
Special Effects: Poor special effects too. (5/10)
Chances of Tears: No (0/10)
Settings: A prison on a planet with nowhere to run creating a great isolation setting for this sci-fi horror. (9/10)
Suggestion: I only say try because it makes the first two look even better and it is nice to see how the characters you grew to love, well their next chapter. (Try It)
Best Part: Lead scene.
Worst Part: Loses suspense element.
Action Scene of the Film: Final scene.
Kill Of The Film: Clemens
Oscar Chances: Nominated for one Oscar for visual effects
Chances of Sequel: Did get a sequel.
Overall: Poor addition to the franchise.
https://moviesreview101.com/2014/01/29/alien-3-1992/
Actor Review: Sigourney Weaver – Ripley back to kick the alien’s arse. Sigourney has created one of the biggest icons in female cinema, but this is not the chapter anyone would be remembering. (6/10)
ripley
Actor Review: Charles S. Dutton – Dillon leader of the religious movement on in the prison. One of the good guys who protects Ripley from the bad prisoners. He does an ok job but doesn’t have enough to work with. (6/10)
dance
Actor Review: Charles Dance – Medical officer with a dark past on the road to recovery. Good supporting role is used well to create a good connection between Ripley and the prisoners. (6/10)
Director Review: David Fincher – The great director disowned this film after it got changed post production and I don’t blame him. (4/10)
Action: Slow moving action throughout. (6/10)
Sci-Fi: Take out the Alien it offers very little in the world of sci-fi. (5/10)
Thriller: Not very thrilling compared to previous offering. (5/10)
Special Effects: Poor special effects too. (5/10)
Chances of Tears: No (0/10)
Settings: A prison on a planet with nowhere to run creating a great isolation setting for this sci-fi horror. (9/10)
Suggestion: I only say try because it makes the first two look even better and it is nice to see how the characters you grew to love, well their next chapter. (Try It)
Best Part: Lead scene.
Worst Part: Loses suspense element.
Action Scene of the Film: Final scene.
Kill Of The Film: Clemens
Oscar Chances: Nominated for one Oscar for visual effects
Chances of Sequel: Did get a sequel.
Overall: Poor addition to the franchise.
https://moviesreview101.com/2014/01/29/alien-3-1992/

Suswatibasu (1703 KP) rated Sing, Unburied, Sing in Books
Oct 3, 2017
A Toni Morrison novel updated for modern times
This is no doubt a modern day version of reading a Toni Morrison novel. From the magical realism aspect to social issues affecting African Americans, this novel is both haunting and almost poetic.
The story follows a family on their way to a prison, in which the children's white father is due to be released. The teenage boy and his three year old sister are mostly dependent on one another as well as their grandparents Pop and Mam. The mother Leonie is absent, and rather aloof in their upbringing, forcing her son, Jojo to bring up his kid sister. In between are disturbing stories featured in flashbacks and ghostly apparitions, The novel explores interracial relationships, police brutality and even post traumatic stress disorder to a degree.
While it can seem haphazard, going back and forth in time, and random narratives appearing throughout, it leaves the reader with a sense of unease and despair at the violent nature of society. A truly intriguing read.
The story follows a family on their way to a prison, in which the children's white father is due to be released. The teenage boy and his three year old sister are mostly dependent on one another as well as their grandparents Pop and Mam. The mother Leonie is absent, and rather aloof in their upbringing, forcing her son, Jojo to bring up his kid sister. In between are disturbing stories featured in flashbacks and ghostly apparitions, The novel explores interracial relationships, police brutality and even post traumatic stress disorder to a degree.
While it can seem haphazard, going back and forth in time, and random narratives appearing throughout, it leaves the reader with a sense of unease and despair at the violent nature of society. A truly intriguing read.

InkyBooks (43 KP) rated The Midnight Dance in Books
Oct 23, 2017
This book is not a normal choice of mine, but I just absolutely adored the cover and it kept grabbing my attention. The story left me not quite knowing how to feel by the end of it. The writing was good and the main character was a delight of loved her strong will and the need to keep going to save not only herself but her fellow class mates from this prison of a "dance school". I did feel that the description and getting to know characters better did fall alittle short though. The main story plot had very much potential and I did feel it was somewhat rushed. I liked how it went back and tried to fill in the blanks on how the school and master came to be, but I wish they would've furthered the telling on masters younger life and what made him make the horrific decisions he made. Overall I did enjoy the book even if I did have some negative thoughts as well.

Daniel Boyd (1066 KP) rated Orange is the New Black - Season 1 in TV
Aug 3, 2017
The range of different characters (2 more)
The cast are all great
The writing is sharp and witty
Life on the inside is different
My girlfriend was actually the one to talk me into trying this show and I am so glad she did. This first season is great. The storyline is engaging, the characters are instantly memorable and the writing is fast and razor sharp. This is another high quality show produced by Netflix and at this point their track record shows more hits than misses. The strange thing though, and the only thing that stops me from scoring this show a 10, is the main character, Piper Chapman.
She is obnoxious, self absorbed and consistently dislikeable and I don't get why. The show is based on a book written by real life prison inmate Piper Kerman. Why would she show herself to be an insensitive, irritating idiot? This isn't the actors fault though, Taylor Schilling does a good job with what she is given, but Piper as a character is genuinely the worst thing about the show.
She is obnoxious, self absorbed and consistently dislikeable and I don't get why. The show is based on a book written by real life prison inmate Piper Kerman. Why would she show herself to be an insensitive, irritating idiot? This isn't the actors fault though, Taylor Schilling does a good job with what she is given, but Piper as a character is genuinely the worst thing about the show.

KatieLouCreate (162 KP) rated Monopoly in Tabletop Games
Mar 9, 2018
Great game (2 more)
Time consumer
Educational
Time consumer (2 more)
Tears families apart
Hope you don't mind a prison sentence
Either a really good game, or a really bad game
I love this game. My family and I always used to play this in the school holidays so it always has a lovely memory attached to it. On the other hand, it has been the cause of a few arguments and sore losers as you can probably imagine. Nevertheless, when you can get through a game without arguing it is so fun to play.
It is a massively long game if you are playing in large groups though or people refuse to trade cards and help the game progress. We used to have to either play until an ungodly hour in the morning or put the game aside and continue playing the next night. So if you're after a quick game, Monopoly is a no-no.
Additionally, we used to play card games and use Monopoly money as currency. So there's that use too if you're not feeling up for a massive board game.
It is a massively long game if you are playing in large groups though or people refuse to trade cards and help the game progress. We used to have to either play until an ungodly hour in the morning or put the game aside and continue playing the next night. So if you're after a quick game, Monopoly is a no-no.
Additionally, we used to play card games and use Monopoly money as currency. So there's that use too if you're not feeling up for a massive board game.

Mark @ Carstairs Considers (2336 KP) rated Void Moon in Books
Mar 9, 2018
Six years ago, Cassie Black’s life went wrong when a casino hotel robbery went very wrong. She’s served time in prison and is now ten months into serving parole when she finds herself needing cash, so she takes on one last job, which takes her back to the casino where the job went wrong six years before. Is this job the windfall it appears to be or will it go wrong as well?
I’m being rather vague in my teaser because, like most Michael Connelly books, this is one you need to experience for yourself. I did find the beginning a little slow and technical, but when it took off, it grabbed me and I was along for the ride. This was despite the fact that I didn’t love any of the major characters. I can’t find myself rooting for a criminal, so it wasn’t until we met some characters even worse than Cassie that I found myself rooting for her.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/12/book-review-void-moon-by-michael.html">Carstairs Considers</a>.
I’m being rather vague in my teaser because, like most Michael Connelly books, this is one you need to experience for yourself. I did find the beginning a little slow and technical, but when it took off, it grabbed me and I was along for the ride. This was despite the fact that I didn’t love any of the major characters. I can’t find myself rooting for a criminal, so it wasn’t until we met some characters even worse than Cassie that I found myself rooting for her.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/12/book-review-void-moon-by-michael.html">Carstairs Considers</a>.

Mark @ Carstairs Considers (2336 KP) rated F is for Fugitive (Kinsey Millhone, #6) in Books
Mar 9, 2018
Seventeen years ago, the murder of a teen shocked the small community of Floral Beach. The young man who confessed to the crime broke out of prison a year later, but he’s been recaptured and Kinsey has been hired to prove his innocence. With the trails cold, she has her work cut out for her, and it seems everyone in town is hiding a secret. Can she learn the truth of what happened all those years ago?
One again, we are off on a wild ride that only gets wilder as we go along. Since we spend almost the entire book outside of Kinsey’s normal stomping grounds, the cast of characters are all new, and they are fantastic. Everything comes together for a great and logical ending, and I’m curious to see how the growth Kinsey experienced here will translate in the next in the series.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/01/book-review-f-is-for-fugitive-by-sue.html">Carstairs Considers</a>.
One again, we are off on a wild ride that only gets wilder as we go along. Since we spend almost the entire book outside of Kinsey’s normal stomping grounds, the cast of characters are all new, and they are fantastic. Everything comes together for a great and logical ending, and I’m curious to see how the growth Kinsey experienced here will translate in the next in the series.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/01/book-review-f-is-for-fugitive-by-sue.html">Carstairs Considers</a>.