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ClareR (6062 KP) rated Death of an Old Girl in Books

Sep 19, 2018

Death of an Old Girl

Elizabeth Lemarchand | 2018 | Crime, Mystery, Thriller

8.0

(1 Ratings)

Book Rating

Old (very!) style police procedural!

I was sent this book by Sapere books to read and review, and I have to admit to some trepidation initially. A book originally published in the 1960's set in an all girls public school? Well, I needn't have worried. I thoroughly enjoyed it, to be quite honest.
The body of an 'old girl' is found in the art room after the annual reunion ('Festival') of the Old Girls. Beatrice Baynes had remained near her old school, living within walking distance, and had a reputation of being a busy body - and quite unpleasant with it. When her body is found, Scotland Yard send Inspector Pollard and Sergeant Toye to solve the murder.
I've read quite a few police procedurals recently, and the modern version can be gritty, violent and very graphic. This isn't any of those things. I do assume that it portrays the way in which murders were investigated back then quite well (I'd have to ask my Dad. He was in the Met Police in London in the 1960s, 70s and 80s!). Although I'm pretty sure that the investigating officers weren't all as pleasant as Pollard and Toye.
I loved all the old language ("frocks" for one!) and attitudes, even if they were very old fashioned. It's just so different to what's on offer now.
Well worth a read - and it's interesting to note that the Pollard and Toye series consisted of something like 19 books! Lots to be getting on with!

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LoganCrews (2861 KP) rated Spiral: From the Book of Saw (2021) in Movies

Jul 4, 2021

That final trap is as heart-stopping and clever a piece of political commentary that's been put into any horror film this decade thus far - but the rest (I'm immeasurably disappointed to report) is a bland, run-of-the-mill police procedural which only occasionally resembles a 𝘚𝘢𝘸 movie. Don't know whose idea it was to have less gore and crappier traps but fire them immediately. I think outside of that grievous oversight the other major problem is that this tries to be both a Saw movie as well as a modern movie - way less of the 2000s scary crackhead camerawork + editing, much fewer unnerving layers of overexposed shots, and now a clean frame replaces what was once a grimy sheen of iconic dilapidation. If you want this franchise to stay ahead of the pack in a day in age where even the cheapest indie flicks can have solid gore, you can't be this polished. No cutting away from the action right as it happens, and don't be afraid to cling onto what worked during its inception just because the passage of time may have left those trends behind - with this kind of cleanliness it's too easy to see the inherent seams of these things. Also you'd have to be an idiot not to see this 'twist' coming from a mile away. But Chris Rock is awesome in the last 20 minutes when he's snapping at everybody. Without a shadow of a doubt the worst film in the series.