Search

Search only in certain items:

40x40

ClareR (5854 KP) rated The Trunk in Books

Jan 29, 2025  
The Trunk
The Trunk
Kim Ryeo-Ryeong | 2024 | Contemporary, Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
Well, I didn’t know how much I needed to read Korean literature until I read The Trunk!

Inji works for a secret branch of a well-known matchmaking agency. Men who would like a wife without the long term commitment, hire a Field Wife. She fulfils their every wish, be it domestic or sexual. Inji’s current husband is a repeat contract. He’s not very good at being a husband, and reinforces Inji’s opinions on marriage: unnecessary and unfulfilling. And then there’s the possibility of domestic violence and exploitation.

To be fair, this doesn’t paint a great picture of marriage in (this case) Korea. Inji doesn’t even refer to her husband by name. He’s just “husband”, which makes him almost incidental to the story.

There’s a lot going on in this novel: family dynamics, exploitation, modern slavery, death (by suicide?), prostitution.

And what is the trunk in the title? I personally think it’s Inji’s personal baggage: the emotions, feelings and responsibilities that she carries around with her all the time. This trunk goes with her between field husband, her family and her flat. She’s never without it.

Is it the thriller that it’s sold as? I don’t think so, but it is a very interesting glance into life in Korea, and I really enjoyed it.
  
40x40

ClareR (5854 KP) rated The Persians in Books

Feb 3, 2025  
The Persians
The Persians
Sanam Mahloudji | 2025 | Contemporary, Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
On the face of it, The Persians is filled with vacuous, materialistic women, but as I read further, these women had been either torn from their homes in order to escape the new religious government in Iran, or were having to live there, having remained. Trauma has a large part to play in the make up of these women.

Both the women in Iran and those in the US are non-conformists, rule breakers - and some more than others. There’s the obvious Shirin, who’s arrested on prostitution charges at the beginning of the book, and Bita, who decides to break away from her family history and wealth, and make her own way. Then there’s the matriarch, Elizabeth, who remains in Iran and uses her age and family name to get away with not following the rules of Islamic law (to some degree), and her granddaughter Niaz, who is arrested and put in a Tehran jail.

A lot of secrets are revealed (there are some big secrets to be revealed!), and when mothers and daughters are honest and truthful with one another, relationships can be repaired. But will they?

A very enjoyable, somewhat escapist read - I mean, the wealth of these people is startling!