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Ross (3284 KP) rated Forever Changes by Love in Music

Jul 1, 2020  
Forever Changes by Love
Forever Changes by Love
1967 | Folk
8
7.8 (4 Ratings)
Album Rating
Rolling Stone's 40th greatest album of all time
I remember this album having something of a resurgence about 10 years ago, but I cannot think why then. The album begins with Alone Again Or, which is a phenomenal soft jazzy psychedelic song. However after that it takes something of a turn and becomes instantly MOR American rock, with negligible amounts of psychedelia. A good listen but the opening track on its own is significantly better than what follows. If you haven't heard it, I recommend The Damned's cover of Alone Again Or, it popped up in a punk playlist on spotify and is a very good alternative version while still being respectful to the original.
  
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Will Oldham recommended Harold and Maude (1971) in Movies (curated)

 
Harold and Maude (1971)
Harold and Maude (1971)
1971 | Comedy, Drama, Romance
8.6 (5 Ratings)
Movie Favorite

"This was the movie, when I was a kid. This and Bugsy Malone. I know all of the dialogue in these two movies from repeated viewings at the movie theater. The Vogue and the Alpha 3 theaters in Louisville. And Ruth Gordon gave me a gateway to Hollywood screenwriting history, and Cat Stevens a gateway to transformation through music. Harold took life’s lemons and made a black psychedelic monolithic lemonade. I learned to do that too. Comedy in death, comedy in failure, comedy in being mystified by societal expectations. I was very fond of MGM musicals during my childhood, and Harold and Maude felt like the closest thing to a modern-day evolution of one of those."

Source
  
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Kurt Vile recommended On the Corner by Miles Davis in Music (curated)

 
On the Corner by Miles Davis
On the Corner by Miles Davis
1972 | Rock
8.5 (2 Ratings)
Album Favorite

"This is referenced in my song 'I'm An Outlaw': "...an outlaw, burned from vinyl, dimed from cans, peaked to the dome". And that's some crazy, psychedelic, synth-y, weird funk. No offence to Miles, you know, unfortunately he's not with us, but fortunately he's not, because he's the weakest link on that record. At first he's awesome, and then some of his tone, it goes down south once in a while, but all the players, like John McLaughlin and the synth players, and if you listen to the record, especially in headphones, it's all - my theory is - going through modular synthesisers, all the percussion is going through envelope filters, but it's also panning non-stop. If you listen, it's unreal. If you crank it in headphones, it's full speed ahead!"

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Kurt Vile recommended Interstellar Space by John Coltrane in Music (curated)

 
Interstellar Space by John Coltrane
Interstellar Space by John Coltrane
2020 | Pop
(0 Ratings)
Album Favorite

"Well, that was another one I burned on my way. At first, I was into the earlier John Coltrane, and then when he went into more free jazz, at first I didn't like it as much because I was so into his early tone and the swing and the melody of this more classic jazz, but the next one's more like that. Jesse [Trbovich, bandmate in the Violators] turned me on to it. We got stuck on the way home from an LA show or somewhere, we got dumped off in Phoenix, Arizona, and we had to stay for the night. We knew a really good record store there, Revolver Records, there was just a ton of jazz. I was wanting to stock up so I got Interstellar Space as a recommendation. When I first listened, I was like, [shrugs] yeah, 'cause he's just freaking out, just him and a drummer, Rashied Ali, then I burned it anyway. Usually what happens is that it sounds so good 'cause it's burned from those original vinyls and then you crank it in your headphones and it just sounds unreal, so that's what happened with that one on the way to Joshua Tree. My mind was blown and it's just so open and such raw emotion and so psychedelic without any of the pretensions that 'psychedelic' eventually became - he's just the real thing. It's just wide open and sprawling. 'Lost My Head' for sure has that jazz influence... obviously it's a white man's, with limited skill. The convenience of the key of C, for instance - you play all those sevenths with the same formation all over the place, so that's why the piano's beautiful, but that's got the McCoy Tyner or whatever thing in it."

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