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Radio HQ (lite version)
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Afro-Haitian Experimental Orchestra by Afro-Haitian Experimental Orchestra
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Spearheaded by the legendary Afrobeat/Fela Kuti drummer Tony Allen, the Afro-Haitian Experimental...
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Shadows Across the Moon: Outlaws, Freaks, Shamans and the Making of Ibiza Clubland
Helen Donlon and Richie Hawtin
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Once a fabled pirate garrison, the Balearic island of Ibiza has been colonised and continually...
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Shift 2.0 allows you to create thousands of custom photo filters by combining textures, color...
TheDefunctDiva (304 KP) rated Lone Wolf McQuade (1983) in Movies
Oct 6, 2017
L is for Lethal
Contains spoilers, click to show
Lone Wolf McQuade (P. 2/9/08)
As my ex-husband and his co-workers once discussed, this 1983 Chuck Norris classic contains an inexhaustible list of “man movie” elements. I shall enumerate just a few of the highlights here (spoiler warning):
Turbo-charged truck that hasn’t been washed in 20 years…check.
Multiple cut-away scenes containing only foul language…check.
Good guy silhouetted on cliff…check.
Too-tight pants…check.
Too-hairy chest…check.
Good guy lives in filthy, ramshackle bachelor pad…check.
Good guy assigned a partner that he doesn’t want…check.
Feds interfering with good guy’s investigation…check.
Evil, maniacally laughing, midget villain in a wheelchair…check.
Bad guys attempting to kill good guy’s daughter…check.
Same daughter later gets abducted by bad guys…check.
Good guy has disproportionately hot girlfriend…check.
Same girlfriend wears nothing but good-guy’s shirt, post coital…check.
Good guy hanging off hood of moving vehicle…check.
Good guys outnumbered by bad guys in every fight scene…check.
Single, long-range gunshot or arrow from crossbow causing car explosion…check.
Bad guy using a contrived mechanism to kill good guy, instead of simply shooting him in the head…check.
Beer, beer, and more beer, which magically revitalizes the good guy…check.
Strategically placed blood…check.
Flaming barrels…check.
Women totally incapable of defending themselves…check.
Good guy and bad guy putting down their weapons and facing off in physical fight…check.
Hot girlfriend dying in good guy’s arms, while professing her guilt and undying love…check.
More flaming barrels…check.
I could go on and on.
Among many other cheesy elements in this movie, I especially enjoyed the moments of obvious symbolism. The opening shot contains a psychedelic-looking, lone wolf accompanied by nothing but whistling. Later, when the bad guys attempt to kill Lone Wolf McQuade, they first assassinate his pet wolf. Foreshadowing, anyone? Another blatant symbol appears when Captain Tyler lectures McQuade about the public image of a ranger. The Captain holds a ruler in his hand, presumably because McQuade doesn’t “measure up” to his expectations. Ha!
In the most entertaining scene of the movie, Lone Wolf has been buried alive in his truck by the bad guy. Beaten and broken, he opens a can of beer found on the front seat, pours it over his effusively sweaty self, takes a sip, and then finds the strength to go on. With his eyes closed, and his head thrown back, he alternately opens and clenches his jaw while emitting a prolonged man-grunt. He then steps dramatically on the accelerator of his super-charged vehicle and is able to drive out of his own grave.
With the ridiculous costuming, cliché dialogue, subpar acting, and utterly horrible score, this film would have worked far better as a comedy. If you plan to watch it, expect to be incredulous, and try to avoid staring directly at Chuck’s hairy chest.
As my ex-husband and his co-workers once discussed, this 1983 Chuck Norris classic contains an inexhaustible list of “man movie” elements. I shall enumerate just a few of the highlights here (spoiler warning):
Turbo-charged truck that hasn’t been washed in 20 years…check.
Multiple cut-away scenes containing only foul language…check.
Good guy silhouetted on cliff…check.
Too-tight pants…check.
Too-hairy chest…check.
Good guy lives in filthy, ramshackle bachelor pad…check.
Good guy assigned a partner that he doesn’t want…check.
Feds interfering with good guy’s investigation…check.
Evil, maniacally laughing, midget villain in a wheelchair…check.
Bad guys attempting to kill good guy’s daughter…check.
Same daughter later gets abducted by bad guys…check.
Good guy has disproportionately hot girlfriend…check.
Same girlfriend wears nothing but good-guy’s shirt, post coital…check.
Good guy hanging off hood of moving vehicle…check.
Good guys outnumbered by bad guys in every fight scene…check.
Single, long-range gunshot or arrow from crossbow causing car explosion…check.
Bad guy using a contrived mechanism to kill good guy, instead of simply shooting him in the head…check.
Beer, beer, and more beer, which magically revitalizes the good guy…check.
Strategically placed blood…check.
Flaming barrels…check.
Women totally incapable of defending themselves…check.
Good guy and bad guy putting down their weapons and facing off in physical fight…check.
Hot girlfriend dying in good guy’s arms, while professing her guilt and undying love…check.
More flaming barrels…check.
I could go on and on.
Among many other cheesy elements in this movie, I especially enjoyed the moments of obvious symbolism. The opening shot contains a psychedelic-looking, lone wolf accompanied by nothing but whistling. Later, when the bad guys attempt to kill Lone Wolf McQuade, they first assassinate his pet wolf. Foreshadowing, anyone? Another blatant symbol appears when Captain Tyler lectures McQuade about the public image of a ranger. The Captain holds a ruler in his hand, presumably because McQuade doesn’t “measure up” to his expectations. Ha!
In the most entertaining scene of the movie, Lone Wolf has been buried alive in his truck by the bad guy. Beaten and broken, he opens a can of beer found on the front seat, pours it over his effusively sweaty self, takes a sip, and then finds the strength to go on. With his eyes closed, and his head thrown back, he alternately opens and clenches his jaw while emitting a prolonged man-grunt. He then steps dramatically on the accelerator of his super-charged vehicle and is able to drive out of his own grave.
With the ridiculous costuming, cliché dialogue, subpar acting, and utterly horrible score, this film would have worked far better as a comedy. If you plan to watch it, expect to be incredulous, and try to avoid staring directly at Chuck’s hairy chest.
We Happy Few
7.3
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Splintered (Splintered, #1)
7.9
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This stunning debut captures the grotesque madness of a mystical under-land, as well as a girl’s...
Lucy Buglass (45 KP) rated Russian Doll in TV
Jun 20, 2019
After the success of both Parks and Recreation and Orange is the New Black, I was intrigued by a new Netflix series created by Amy Poehler and Natasha Lyonne. Many fans know them as Leslie Knope and Nicky Nichols, and I’m sure we can all agree they’d make a very interesting duo.
Immediately after seeing the promos for Russian Doll, it was clear that this was going to be a very different tone to their previous work, and felt incredibly offbeat and quirky in nature. The series follows a woman named Nadia Vulvokov (Natasha Lyonne) as she finds herself in a time-loop after she is hit by a taxi and dies. Unfortunately for Nadia, she has to relive her 36th birthday party over and over again. It’s Groundhog Day on speed, which is an utterly delightful concept.
Whilst it may sound similar to Groundhog Day, it’s actually a very unique story. At first it’s easy to worry about the repetitive nature of the series, considering Nadia spends most of her time dying and reliving the same moment. Somehow it manages to stay funny, fresh and watchable throughout all eight episodes. The pacing is spot-on and keeps you guessing, as you follow Nadia’s journey into discovering why she’s found herself in this loop. On this journey, she’s joined by a number of characters including her ex-boyfriend John (Yul Vazquez), close family friend Ruth (Elizabeth Ashley) and a stranger named Alan (Charlie Barnett) who is closer to this situation than he originally realizes.
As the series progresses, we begin to delve into some pretty heavy stuff. Without giving away spoilers, the episodes start to question morality, ethics, the past, and the future. Each character is so well fleshed out and we want to know more about them. It’s easy to become sucked into the world of Russian Doll, and trust me when I say it’s a binge worthy series. You won’t want to stop until you have answers. It’s a show that knows how to balance comedy and drama effectively, delivering laugh out loud then heart-wrenching moments in quick succession. You feel sorry for various characters and loathe others, and it’s an incredibly well fleshed out series.
In terms of its visuals, Russian Doll is a gritty, psychedelic glimpse into the lives of various New York City residents. We see rich and poor, confident and timid, good and bad characters as they go about their daily lives. It’s fascinating to watch and each location has been crafted to give you more insight into the characters in this world. From quirky high-rise apartments to homeless shelters, this series shows it all. It’s the Big Apple in all its glory, whether that’s good or bad.
My advice would be to walk into Russian Doll knowing as little as possible, allowing yourself to approach the situation in a similar way to Nadia. It’s a comedy, thriller and mystery all rolled into one, with each genre complementing the other superbly. As far as Netflix Originals go, this is one of the strongest ones I’ve seen so far. Eight episodes is just enough to keep you entertained, whilst still giving enough backstory to make it a compelling tale. Just when you think you know a character, the tables are turned and your jaw is on the floor.
https://lucygoestohollywood.com/2019/03/07/tv-review-my-thoughts-on-russian-doll/
Immediately after seeing the promos for Russian Doll, it was clear that this was going to be a very different tone to their previous work, and felt incredibly offbeat and quirky in nature. The series follows a woman named Nadia Vulvokov (Natasha Lyonne) as she finds herself in a time-loop after she is hit by a taxi and dies. Unfortunately for Nadia, she has to relive her 36th birthday party over and over again. It’s Groundhog Day on speed, which is an utterly delightful concept.
Whilst it may sound similar to Groundhog Day, it’s actually a very unique story. At first it’s easy to worry about the repetitive nature of the series, considering Nadia spends most of her time dying and reliving the same moment. Somehow it manages to stay funny, fresh and watchable throughout all eight episodes. The pacing is spot-on and keeps you guessing, as you follow Nadia’s journey into discovering why she’s found herself in this loop. On this journey, she’s joined by a number of characters including her ex-boyfriend John (Yul Vazquez), close family friend Ruth (Elizabeth Ashley) and a stranger named Alan (Charlie Barnett) who is closer to this situation than he originally realizes.
As the series progresses, we begin to delve into some pretty heavy stuff. Without giving away spoilers, the episodes start to question morality, ethics, the past, and the future. Each character is so well fleshed out and we want to know more about them. It’s easy to become sucked into the world of Russian Doll, and trust me when I say it’s a binge worthy series. You won’t want to stop until you have answers. It’s a show that knows how to balance comedy and drama effectively, delivering laugh out loud then heart-wrenching moments in quick succession. You feel sorry for various characters and loathe others, and it’s an incredibly well fleshed out series.
In terms of its visuals, Russian Doll is a gritty, psychedelic glimpse into the lives of various New York City residents. We see rich and poor, confident and timid, good and bad characters as they go about their daily lives. It’s fascinating to watch and each location has been crafted to give you more insight into the characters in this world. From quirky high-rise apartments to homeless shelters, this series shows it all. It’s the Big Apple in all its glory, whether that’s good or bad.
My advice would be to walk into Russian Doll knowing as little as possible, allowing yourself to approach the situation in a similar way to Nadia. It’s a comedy, thriller and mystery all rolled into one, with each genre complementing the other superbly. As far as Netflix Originals go, this is one of the strongest ones I’ve seen so far. Eight episodes is just enough to keep you entertained, whilst still giving enough backstory to make it a compelling tale. Just when you think you know a character, the tables are turned and your jaw is on the floor.
https://lucygoestohollywood.com/2019/03/07/tv-review-my-thoughts-on-russian-doll/
