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Kristy H (1252 KP) rated One True Loves in Books
Feb 13, 2018
Emma Blair and Jesse Lerner are high school sweethearts. They marry in their twenties, move to California, and leave their family and stifling Massachusetts hometown far behind. They travel the world together and seem destined for a long and happy life. But on their first wedding anniversary, Jesse's helicopter goes missing. Suddenly, Emma's happy life is torn apart. Jesse is gone, and she's not sure how to move on.
So Emma moves back home. To her parents, her sister, and all the expectations that comes with them. She eventually picks herself up and starts to live life without Jesse. One day she runs into an old high school, friend, and they fall in love, eventually becoming engaged. It seems as if Emma is getting a second chance at the happiness she so dearly wanted, albeit in a very different form. But then she gets a call-- out of the blue. It's Jesse. He's alive and he's been attempting all these years to get back to his beloved Emma: his wife. Emma's world is turned upside down yet again. She's faced with a huge decision: who is her true love?
I picked up this novel for a change of pace, and it was exactly that. It's not altogether light and fluffy: it deals with some deep themes, but it's no mystery or psychological women's fiction, either. It was an easy, fast read, which I read while on vacation, and it suited my needs to a tee. The plot was interesting, though completely far-fetched, and you just sort have to suspend disbelief going in if you want to enjoy it. Reid's writing is a little stilted (a lot of telling versus showing) but I grew to enjoy Emma, even if her dilemma was a bit insane. I won't spoil the plot, as basically the book revolves around Emma's choice, but it was certainly interesting and intriguing to watch Emma come to her conclusion. If you're looking for a quick read, say for a beach vacation or airplane diversion, this book is ideal.
I received a copy of this novel from Edelweiss (thank you!); it is available everywhere as of 06/07/2016.
So Emma moves back home. To her parents, her sister, and all the expectations that comes with them. She eventually picks herself up and starts to live life without Jesse. One day she runs into an old high school, friend, and they fall in love, eventually becoming engaged. It seems as if Emma is getting a second chance at the happiness she so dearly wanted, albeit in a very different form. But then she gets a call-- out of the blue. It's Jesse. He's alive and he's been attempting all these years to get back to his beloved Emma: his wife. Emma's world is turned upside down yet again. She's faced with a huge decision: who is her true love?
I picked up this novel for a change of pace, and it was exactly that. It's not altogether light and fluffy: it deals with some deep themes, but it's no mystery or psychological women's fiction, either. It was an easy, fast read, which I read while on vacation, and it suited my needs to a tee. The plot was interesting, though completely far-fetched, and you just sort have to suspend disbelief going in if you want to enjoy it. Reid's writing is a little stilted (a lot of telling versus showing) but I grew to enjoy Emma, even if her dilemma was a bit insane. I won't spoil the plot, as basically the book revolves around Emma's choice, but it was certainly interesting and intriguing to watch Emma come to her conclusion. If you're looking for a quick read, say for a beach vacation or airplane diversion, this book is ideal.
I received a copy of this novel from Edelweiss (thank you!); it is available everywhere as of 06/07/2016.
I adore this book. It's not only a good science fiction story, but also fantastically character-driven, which is rare in genre fiction. That's great for me. When I read a book, I care more about psychological development than what a shiny setting and fun toys it has.
It's not a happy, frolic-through-the-daisies type of story. We're talking not only about war, but child abuse, human trafficking and rape. It can be quite disturbing, if that type of thing isn't your cup of tea. But if that doesn't particularly bug you, it's a fantastic book.
One thing that really bugs me, though, is how so many people insist there's slash. As a person who's not into that kind of thing, that originally turned me off of reading it, because I had a bad feeling the main character, Jos, was going to find healing comfort from his trauma in the loving arms of another guy, and it would go downhill from there.
Luckily, I decided to read it anyway. And I don't see very much slash there. Sure, one character definitely has a thing for Jos, and the villain's a real creep, and then there's a character who's gay by Word Of God, but that's it for this book. The rest of it's pretty much characters insinuating, which is designed to anger other characters. That's it.
Jos, himself, is on the asexual side. He treats attraction as a completely alien concept. Niko is a surrogate father to him. I see him as feeling responsible for protecting Evan. Evan, who frustrates him a great deal. And one time, Jos seriously needed a hug, and fell asleep while being hugged. Woke up, and went right back to the asexual, PTSD, Hates-Being-Touched Jos we know and love.
None of that makes him gay. And three characters who are bi or gay does in no way a majority make. Sure, the shipping potential is there for fans if they want to use it, but certain type of fans are always finding stuff where there's canonically nothing.
In short, one of the best books I've read, and I absolutely loved the main character. He is not gay, and neither are the majority of characters.
It's not a happy, frolic-through-the-daisies type of story. We're talking not only about war, but child abuse, human trafficking and rape. It can be quite disturbing, if that type of thing isn't your cup of tea. But if that doesn't particularly bug you, it's a fantastic book.
One thing that really bugs me, though, is how so many people insist there's slash. As a person who's not into that kind of thing, that originally turned me off of reading it, because I had a bad feeling the main character, Jos, was going to find healing comfort from his trauma in the loving arms of another guy, and it would go downhill from there.
Luckily, I decided to read it anyway. And I don't see very much slash there. Sure, one character definitely has a thing for Jos, and the villain's a real creep, and then there's a character who's gay by Word Of God, but that's it for this book. The rest of it's pretty much characters insinuating, which is designed to anger other characters. That's it.
Jos, himself, is on the asexual side. He treats attraction as a completely alien concept. Niko is a surrogate father to him. I see him as feeling responsible for protecting Evan. Evan, who frustrates him a great deal. And one time, Jos seriously needed a hug, and fell asleep while being hugged. Woke up, and went right back to the asexual, PTSD, Hates-Being-Touched Jos we know and love.
None of that makes him gay. And three characters who are bi or gay does in no way a majority make. Sure, the shipping potential is there for fans if they want to use it, but certain type of fans are always finding stuff where there's canonically nothing.
In short, one of the best books I've read, and I absolutely loved the main character. He is not gay, and neither are the majority of characters.
Wow. What an amazing book and an amazing story. This book was suggested to me by my therapist, who is also a past-life regression specialist. It had been on my shelf for years, but needing to get in touch with my spiritual side, I decided to give it a read. I was hooked from the first page and was thoroughly engaged throughout. When Dr Weiss hypnotised Catherine and took her back to where her symptoms of anxiety and panic attacks, as well as the beginnings of her sensations of choking and fear of the dark and enclosed places, it brought my recurrent nightmares of drowning, dying in childbirth, being injured in an automobile accident where my abdomen was severed to my mind. I wondered about my own past lives and I desire to delve more deeply to discover the beginnings of my own issues and symptoms. I found Catherine's past lives fascinating and could see parallels between her experiences and my own memories of past lives.
The wisdom from the Masters in between her lives was incredible. Could it be that it really exists? I had a near death experience several years ago and was suspended between this life and the next in the most glorious of places; among the stars in an iolite-colored sky, being held by a golden string in the presence of the Goddess. It was the most beautiful and peaceful place I have ever known. I don't fear death anymore.
I have always said that the difficulties I'm going through in this life are just something I need to experience and learn this time around. I've always said it in an offhand way, semi-believing it, but could it be true? I would like to think that it is and that if I learn the truth about my previous lives that the problems in my current life could be resolved or at least understood and I could experience a cessation of my emotional and psychological issues.
This book inspired me to look deeper inside myself and at humankind. I don't doubt it does the same for whoever reads it. You will be moved and will grow from reading it
The wisdom from the Masters in between her lives was incredible. Could it be that it really exists? I had a near death experience several years ago and was suspended between this life and the next in the most glorious of places; among the stars in an iolite-colored sky, being held by a golden string in the presence of the Goddess. It was the most beautiful and peaceful place I have ever known. I don't fear death anymore.
I have always said that the difficulties I'm going through in this life are just something I need to experience and learn this time around. I've always said it in an offhand way, semi-believing it, but could it be true? I would like to think that it is and that if I learn the truth about my previous lives that the problems in my current life could be resolved or at least understood and I could experience a cessation of my emotional and psychological issues.
This book inspired me to look deeper inside myself and at humankind. I don't doubt it does the same for whoever reads it. You will be moved and will grow from reading it
Daniel Boyd (1066 KP) rated Castle Rock in TV
Oct 23, 2018 (Updated Oct 23, 2018)
Good cast (2 more)
Some cool ideas
Stephen King references
Ups and Downs
Castle Rock is an interesting show, it wasn't what I thought it would be at all. I went in expected a creepy, atmospheric thriller and instead I got a slow burning character study. Don't get me wrong, it is a very well told character study, with plenty of interesting characters and plot threads.
The cast is made up of a few actors that have been used in Stephen King adaptions in the past, as well as a few newcomers to the King adaption universe. Everybody is great in their role, with Sissy Spacek and Bill Skarsgard being the standouts.
The liberties that the show takes with it's inspiration is weirdly inconstant, with some episode whoring out King references left and right and some ignoring the writer's influence altogether. I get the feeling that this was due to the creators wanting to please King fans in the audience while still trying to craft a show that can stand on it's own independently, which is fine, but I kinda wish that they had committed one way or the other.
The show starts off strong, then drags a bit in the middle, but if you can get to episodes 8 & 9, they are possible contenders for some of the best episodes of TV broadcast in 2018. Unfortunately the last episode is very underwhelming after this awesome build up of intrigue that precedes it.
The ending was the biggest negative that the show had. Without giving too much away, it leaves the audience feeling like everything they just witnessed was pretty pointless and leaves you feeling unfulfilled and fairly disappointed. It is clearly trying to set things up for a second season, but does so to the point that it forgets to end the first season in any significant way.
Overall, if you are a King fan you will get a kick out of this. Alternatively, if you are in the mood for a well told, slow burning character study full of intrigue, with elements of psychological horror, then this show is perfect for you. Just don't go in expecting an intense, chilling atmosphere to be present throughout.
The cast is made up of a few actors that have been used in Stephen King adaptions in the past, as well as a few newcomers to the King adaption universe. Everybody is great in their role, with Sissy Spacek and Bill Skarsgard being the standouts.
The liberties that the show takes with it's inspiration is weirdly inconstant, with some episode whoring out King references left and right and some ignoring the writer's influence altogether. I get the feeling that this was due to the creators wanting to please King fans in the audience while still trying to craft a show that can stand on it's own independently, which is fine, but I kinda wish that they had committed one way or the other.
The show starts off strong, then drags a bit in the middle, but if you can get to episodes 8 & 9, they are possible contenders for some of the best episodes of TV broadcast in 2018. Unfortunately the last episode is very underwhelming after this awesome build up of intrigue that precedes it.
The ending was the biggest negative that the show had. Without giving too much away, it leaves the audience feeling like everything they just witnessed was pretty pointless and leaves you feeling unfulfilled and fairly disappointed. It is clearly trying to set things up for a second season, but does so to the point that it forgets to end the first season in any significant way.
Overall, if you are a King fan you will get a kick out of this. Alternatively, if you are in the mood for a well told, slow burning character study full of intrigue, with elements of psychological horror, then this show is perfect for you. Just don't go in expecting an intense, chilling atmosphere to be present throughout.
Matthew Krueger (10051 KP) rated Condemned: Criminal Origins in Video Games
Oct 24, 2019
Scary Spooky
Condemned: Criminal Origins (known in Europe as Condemned) is a first-person survival horror video game, that is very good but underrated.
Condemned: Criminal Origins places an emphasis on melee combat and puzzle solving, including searching for fingerprints and gathering evidence. Lets talk more about the crime scene's, and gathing evidence.
Condemned directly involves the player in crime scene investigations, offering the ability to, at the press of a context-sensitive button, call upon a suite of forensic tools to find and record evidence. The player character is linked to an FBI lab via his mobile phone throughout the investigation, allowing (almost immediate) remote examination and analysis by his support worker, Rosa. Crime scene evidence can be used to solve puzzles, allowing the player to pass previously impassable barriers, and provide clues to the overall mysteries of the story.
Examples of evidence include fingerprints, footprints, fibers, fluids (such as blood or chemicals), particles, residues, markings/etchings, material, imprints, wounds, small objects, documents, and body parts.
The player character is gifted with the instinctual ability to detect when forensic evidence is nearby, allowing players to bring up the detection and collection tools when appropriate. However, the "instincts" of the character only vaguely highlight the area in which the evidence resides; it is up to the player to methodically sweep the scene and catalog any findings.
Lets talk about the plot: Condemned: Criminal Origins is set in the fictional American city of Metro. The player takes on the role of Ethan Thomas, a crime scene investigation agent with the FBI's Serial Crime Unit, as he traverses the seedier sides of the city. His journey takes him through a number of condemned buildings as he searches for the one who framed him for murder, the evasive Serial Killer X. Along the way, Ethan must use his investigative intuition and technology to examine evidence left behind by SKX, all the while fighting off the violently psychotic denizens of Metro City, who seem to be driven to such madness by a mysterious, yet seemingly extraneous force.
Their are two different ends: but really its the same ending.
If you do like psychological, crime solving horror games than you will like this one.
Condemned: Criminal Origins places an emphasis on melee combat and puzzle solving, including searching for fingerprints and gathering evidence. Lets talk more about the crime scene's, and gathing evidence.
Condemned directly involves the player in crime scene investigations, offering the ability to, at the press of a context-sensitive button, call upon a suite of forensic tools to find and record evidence. The player character is linked to an FBI lab via his mobile phone throughout the investigation, allowing (almost immediate) remote examination and analysis by his support worker, Rosa. Crime scene evidence can be used to solve puzzles, allowing the player to pass previously impassable barriers, and provide clues to the overall mysteries of the story.
Examples of evidence include fingerprints, footprints, fibers, fluids (such as blood or chemicals), particles, residues, markings/etchings, material, imprints, wounds, small objects, documents, and body parts.
The player character is gifted with the instinctual ability to detect when forensic evidence is nearby, allowing players to bring up the detection and collection tools when appropriate. However, the "instincts" of the character only vaguely highlight the area in which the evidence resides; it is up to the player to methodically sweep the scene and catalog any findings.
Lets talk about the plot: Condemned: Criminal Origins is set in the fictional American city of Metro. The player takes on the role of Ethan Thomas, a crime scene investigation agent with the FBI's Serial Crime Unit, as he traverses the seedier sides of the city. His journey takes him through a number of condemned buildings as he searches for the one who framed him for murder, the evasive Serial Killer X. Along the way, Ethan must use his investigative intuition and technology to examine evidence left behind by SKX, all the while fighting off the violently psychotic denizens of Metro City, who seem to be driven to such madness by a mysterious, yet seemingly extraneous force.
Their are two different ends: but really its the same ending.
If you do like psychological, crime solving horror games than you will like this one.
Jesters_folly (230 KP) rated Midsommar (2019) in Movies
Jul 5, 2019
Contains spoilers, click to show
This will contain spoilers
A group of friend's travel to a remote Swedish village to study their ancient midsummer festival and, let's be honest, if you've seen more than a few horror moves you know it's not going to go smoothly.
Midsommer is a film by the same people who made Hereditary and, almost from the start you can see the similarly in tone, theme, music and cinematography. Midsommar shares some of the same themes as its predecessor, touching on mental illness and ramping up the drug use but it's main focus is on family, customs and tradition.
Midsommar is different film to Hereditary being more of a thriller in the style of 'the Wicker Man' than an out and out horror, relying more on a growing tension than on any outright supernatural threat. People die but, with only one exception you never see them killed and, in most cases the deaths are not treated with much importance (except where there is specific plot relevance).
As I said, Midsommar is similar to 'The Wicker Man' but only in the same way the film 'Battle Royal' is based on 'Lord of the Flies', the film has taken some of the basic ideas and updated them leaving us with an atmospheric thriller with traces of slasher (with no slasher) and psychological movies which works to create a beautiful, disturbing movie which takes you on journey of friendship, love and family.
There are moments in the film which point to the strangeness to come but, unlike Hereditary there are some moments where the tension lets up (If only for a few minutes) most of which are provided by the character Mark who i found seemed to be slightly out of place. He didn't seem gel with the other characters well and, I felt he would have been more at home in a traditional slasher.
I found that there was a familiarity to Midsommar, influenced as it is by 'The Wicker Man' but, with a run time of almost 2 and half hours there is plenty of time events to play out how they do.
A group of friend's travel to a remote Swedish village to study their ancient midsummer festival and, let's be honest, if you've seen more than a few horror moves you know it's not going to go smoothly.
Midsommer is a film by the same people who made Hereditary and, almost from the start you can see the similarly in tone, theme, music and cinematography. Midsommar shares some of the same themes as its predecessor, touching on mental illness and ramping up the drug use but it's main focus is on family, customs and tradition.
Midsommar is different film to Hereditary being more of a thriller in the style of 'the Wicker Man' than an out and out horror, relying more on a growing tension than on any outright supernatural threat. People die but, with only one exception you never see them killed and, in most cases the deaths are not treated with much importance (except where there is specific plot relevance).
As I said, Midsommar is similar to 'The Wicker Man' but only in the same way the film 'Battle Royal' is based on 'Lord of the Flies', the film has taken some of the basic ideas and updated them leaving us with an atmospheric thriller with traces of slasher (with no slasher) and psychological movies which works to create a beautiful, disturbing movie which takes you on journey of friendship, love and family.
There are moments in the film which point to the strangeness to come but, unlike Hereditary there are some moments where the tension lets up (If only for a few minutes) most of which are provided by the character Mark who i found seemed to be slightly out of place. He didn't seem gel with the other characters well and, I felt he would have been more at home in a traditional slasher.
I found that there was a familiarity to Midsommar, influenced as it is by 'The Wicker Man' but, with a run time of almost 2 and half hours there is plenty of time events to play out how they do.
Karla Bergado (17 KP) rated In the Tall Grass (2019) in Movies
Nov 6, 2019
In the Tall Grass Review: Is the Stephen King horror worth a watch? (Spoilers ahead)
Contains spoilers, click to show
Netflix has really been stepping up their game with the number of horror shows being released this year.
What makes it better is the addition of a film adaptation of a Stephen King novella to satiate
fanatics’ hunger.
Except the question lies in whether I felt full watching this movie.
The story begins with a brother and sister duo on a long journey to San Diego. Sweltering heat and pregnancy do not mix well, alongside the long-winding roads of America until they stop by a field of tall grass. What can go wrong by stopping in the middle of nowhere that’s giving out a Children of the Corn vibe?
The siblings find themselves going through the tall grass after hearing cries from a very distressed child, only to find themselves stuck in a never-ending cycle where there is seemingly no way out and only a rock statue that apparently lets you see things you will never imagine of seeing.
The concept had a potential to give viewers something more and unexpected. But that’s the thing.
It didn’t.
The first half of the movie set the scene of being trapped in a maze of grass, but then the second
half was pretty much the same, with only a couple of weird occult-like elements thrown in to fuel the dying flame. Not only this, but the viewer is left to piece the puzzles together, only to find out that they don’t match. You are left to question the purpose of the rock, the baby and Patrick Wilson’s seemingly possessed character.
If you enjoy watching a slow paced, psychological horror movie and the feeling of being confused, then you can go check this film out.
There is something captivating about this adaptation that keeps you hooked until the end but bear in mind, it requires you to have an open mind and low expectations.
Needless to say, you might as well go and have read of the book, which was also co-written by Joe Hill,the king of horror’s son.
What makes it better is the addition of a film adaptation of a Stephen King novella to satiate
fanatics’ hunger.
Except the question lies in whether I felt full watching this movie.
The story begins with a brother and sister duo on a long journey to San Diego. Sweltering heat and pregnancy do not mix well, alongside the long-winding roads of America until they stop by a field of tall grass. What can go wrong by stopping in the middle of nowhere that’s giving out a Children of the Corn vibe?
The siblings find themselves going through the tall grass after hearing cries from a very distressed child, only to find themselves stuck in a never-ending cycle where there is seemingly no way out and only a rock statue that apparently lets you see things you will never imagine of seeing.
The concept had a potential to give viewers something more and unexpected. But that’s the thing.
It didn’t.
The first half of the movie set the scene of being trapped in a maze of grass, but then the second
half was pretty much the same, with only a couple of weird occult-like elements thrown in to fuel the dying flame. Not only this, but the viewer is left to piece the puzzles together, only to find out that they don’t match. You are left to question the purpose of the rock, the baby and Patrick Wilson’s seemingly possessed character.
If you enjoy watching a slow paced, psychological horror movie and the feeling of being confused, then you can go check this film out.
There is something captivating about this adaptation that keeps you hooked until the end but bear in mind, it requires you to have an open mind and low expectations.
Needless to say, you might as well go and have read of the book, which was also co-written by Joe Hill,the king of horror’s son.
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